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Archive for the ‘James Coburn’ Category

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54166_3lEssential
stuff at a terrific price.

With this two-disc set from Mill Creek, you get the five Columbia titles from Randolph Scott and Budd Boetticher’s Ranown cycle — The Tall T (1957), Decision At Sundown (1957), Buchanan Rides Alone (1958), Ride Lonesome (1959) and Comanche Station (1960, above). And if all that isn’t enough, they’ve thrown in Joseph H. Lewis’ A Lawless Street (1955) to sweeten the deal.

Available September 15. Buy a whole case of ’em, folks, and your holiday shopping’s done. Now, what do we have to do to get a Blu-ray version of this?

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RideLonesome_burningtree

Announcing screenings like this feels like torture sometimes, being that they’re over 2,000 miles from here.

In what is probably a birthday salute to Randolph Scott, The New Beverly is running 35mm prints of the last two entries in the Ranown cycle, Ride Lonesome (1959) and Comanche Station (1960) on January 25 and 26. Being that these are the two pictures that Budd Boetticher and director of photography Charles Lawton, Jr. shot in CinemaScope, that’s great news indeed.

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And while we’re on the subject, the Blogathon For Randolph Scott is approaching — and there’s some good stuff in the works.

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Sam and Bob PGBK

This book falls outside the usual scope of this blog, but I’m sure many of us will be interested in it. I know I am! Paul Seydor’s The Authentic Death and Contentious Afterlife Of Pat Garrett And Billy The Kid: The Untold Story of Peckinpah’s Last Western Film will be available in February. I’m not sure I can wait that long.

the-authentic-death-and-contentious-afterlife-of-pat-garrett-and-billy-the-kidPat Garrett And Billy The Kid (1973) could be Sam Peckinpah’s most mangled masterpiece — as you know, he had a lot of them. Slim Pickens’ final scene, featuring Katy Jurado and set to Bob Dylan’s “Knockin’ On Heaven’s Door,” gets my vote as the saddest, most moving scene in cinema history. (Quick, Toby, think of something else!)

From Pat Garrett And Billy The Kid‘s troubled shooting — plagued with everything from schedule-busting camera malfunctions to liver-wrecking substance abuse — to its mutilation by MGM and eventual restoration and reappraisal, Seydor’s got a helluva story to tell. As an editor, his insight into the film’s cutting and re-cutting should be worth the cover price alone. His previous book, Peckinpah: The Western Films—A Reconsideration, and documentary, The Wild Bunch: An Album In Montage (1996), show that he knows his way around this subject. Man, I can’t wait!

 

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Face Of Fugitive OS sized

You’ve probably heard of getTV, the newest TV sub-channel from Sony Pictures Television. (It’s one of the digital broadcast channels we get here in Raleigh.) Tomorrow, March 1, they’re offering up the excellent Fred MacMurray Western Face Of A Fugitive (1959) at 7:00 and 10:40 PM. It gave James Coburn a really good early role. A great way to spend a Saturday night.

This is one I highly recommend, both to whoever out there has a chance to watch it — and to Columbia for a nice widescreen DVD release.

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