Feeds:
Posts
Comments

Archive for the ‘Richard Boone’ Category

Richard Allen Boone
(June 18, 1917 – January 10, 1981)

Was working on my commentary notes for Man Without A Star (1955) tonight when I realized this was Richard Boone’s birthday.

He was a terrific in a number of 50s Westerns before being cast in Have Gun – Will Travel. From City Of Bad Men (1953) to Ten Wanted Men (1955) to Star In The Dust (1956) to The Tall T (1957), he was good no matter how big or small the part. He’s also in Jack Webb’s Dragnet feature from 1954, one of my all-time favorite films.

Boone’s one of those actors you can always count on. If he’s in it, it’s probably worth watching.

Read Full Post »

Directed by King Vidor
Starring Kirk Douglas, Jeanne Crain, Claire Trevor, William Campbell, Richard Boone, Mara Corday, Jay C. Flippen, Eddy Waller, Sheb Wooley, George Wallace, Roy Barcroft, Paul Birch, Jack Elam, Myron Healey, Jack Ingram

Kino Lorber has announced the upcoming Blu-Ray release of Man Without A Star (1955). That makes two U-I 50s Westerns announced within a week of each other. I’d sure like to see that trend continue.

Kirk Douglas put the movie together through his new production company, and it made him a lot of money. The picture’s got a great cast — look at all those character actors! It was shot by Russell Metty in Technicolor to be cropped to 2.00 to 1, a short-lived standard at Universal (This Island Earth and The Mole People were also 2:1). Highly recommended.

Read Full Post »

Let’s mark Valentine’s Day this year with this ad from the Independent Film Journal from 1955. Ads for Ten Wanted Men (1955) drive me nuts — Scott’s head has clearly been pasted into another body.

Read Full Post »

This is the last shot in Bedazzled (1967), the very funny Peter Cook/Dudley Moore film. Presley and I watched it recently, and I noticed the theater marquee on the right. John Wayne’s The Alamo (1960) is playing.

I reached out to some of our UK division, and as you’d expect, John Knight came through: “The cinema in question was The London Pavilion. It mainly served as a West End showcase for United Artists releases. They showed lots of United Artists horror double bills like The Monster That Challenged The World and The Vampire (both 1957). My first solo visit to a West End cinema was to the London Pavilion to see Phantom Of The Opera with Captain Clegg (both 1962).”

After hearing from John, I can’t decide what I’m the most excited about — the thought of Wayne’s epic or The Monster That Challenged The World on the Pavilion’s huge screen.

Read Full Post »

The word on the street is that Powerhouse/Indicator out of the UK is prepping some of the Budd Boetticher – Randolph Scott pictures, the five  Columbia ones, for Blu-Ray. Of course, those were put out by Sony in a terrific set several years ago, with plenty of extra stuff — but we’ve all been pining for all of these to make their way to Blu-Ray.

Michael Dante, Randolph Scott and Budd Boetticher on the Westbound set.

Powerhouse/Indicator will do a tremendous job with these. This would leave Seven Men From Now (1956) and Westbound (1959) orphaned in high-definition. Seven Men is handled by Paramount these days, and Westbound is in the care of the Warner Archive. More news as it turns up.

Thanks to John Knight for the tip.

Read Full Post »

For years, I’ve had a feeling this was coming. And now that it’s here — the Alamo Village is being liquidated in January, I’m reminded of the sad state of John Wayne’s pet project. The original negative’s rotting away, and nothing’s being done to preserve it. And the DVD of the film that’s available is tolerable at best. It’s shameful.

I’ve never visited Alamo Village in Brackettville. Always wanted to. And if I could make it out for this sale, I would — and I’d buy something. Anything. That way, I’d know there was one tiny piece of the whole thing being protected.

Read Full Post »

George Vincent “Skip” Homeier
(October 5, 1930 – June 25, 2017)

Skip Homeier, who passed away on June 25th, is one of those actors who made every picture he was in better — no matter how good, or bad, it would’ve been without him. And from The Gunfighter (1950, above) and The Tall T (1957, below) to Cry Vengeance (1954) and The Ghost In Mr. Chicken (1966), he’s in a whole bunch of my favorite movies.

You’ll find him in about every genre there is, but the vast majority of his feature work was in Westerns — and his list of cowboy credits is remarkable. In The Gunfighter, he pretty much invented the punk-kid-looking-to-make-a-name-for-himself character as we know it — everybody who came after him seemed to be doing a Skip Homeier impersonation. William Witney’s Stranger At My Door (1956) also stands out. As a kid, I knew him as “the guy who gets his face blown off in The Tall T.”

His TV work was more varied, and he was always good — The Rifleman, Death Valley Days, Climax!, The Addams Family and many, many more. But like so many actors that appeared on Star Trek, that’s what most people know him for these days (he’s in two).

In the old days, it was often the character actors who made movies truly special (particularly Westerns). Skip Homeier was one of the absolute best.

Read Full Post »

Older Posts »