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Archive for February, 2019

VCI Entertainment has announced the upcoming (May) Blu-Ray release of two terrific 15-chapter Buck Jones serials from Universal — The Red Rider (1934) and The Roaring West (1935).

The Red Rider was directed by the prolific Lew Landers. This was one of his first pictures. Buck’s co-stars in this one are Grant Withers and Marion Shilling. As you might expect, Monte Montague’s around, too.

The Roaring West is from director Ray Taylor, who did a number of serials, including The Green Hornet and Flash Gordon Conquers The Universe (both 1940). Early in his long, prolific career, he was an assistant director for John Ford.

Both are sourced from original 35mm fine grain material — and both will feature first-chapter commentaries from yours truly. And if all that’s not enough, they’re bringing out The Vanishing Shadow (1934), too. Boy, am I excited about these.

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Wish We Were Here.

Came across a postcard of Republic Studios. Judging from the cars, I’d guess it’s from the 40s.

In case you’re curious, here’s what it says on the back:
Republic Studio, North Hollywood, Calif. Known as the friendly studio, Republic covers about 70 acres, has 18 sound stages and employs 3,000 people during the peak season.

A second one says the studio is “located in the San Fernando Valley where many of the popular Western Films are made.”

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Let’s mark Valentine’s Day this year with this ad from the Independent Film Journal from 1955. Ads for Ten Wanted Men (1955) drive me nuts — Scott’s head has clearly been pasted into another body.

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Directed by Anthony Mann
Starring James Stewart, Arthur Kennedy, Julie Adams, Rock Hudson, Lori Nelson, Jay C. Flippen, Harry Morgan, Royal Dano, Stepin Fetchit, Chubby Johnson

Kino Lorber has given a solid release date for their Blu-Ray of Bend Of The River (1952) — April 16, 2019.

This is the second of the Anthony Mann/Jimmy Stewart Westerns, and a very gorgeous thing in Technicolor. Which of the Mann-Stewart Westerns is best is a matter of personal taste, and probably a good way to get an argument going among fans of this stuff. But it’s easy to say that they’re all among the finest Westerns ever made — and absolutely essential.

Providing a commentary for this release was indeed an honor, though in retrospect, wish I’d spent more time on Julie Adams. And while I have the chance, I want to thank Glenn Erickson of cinesavant.com for his help on this one. We got a back-and-forth email thing going about Bend Of The River that really helped me pull stuff together. Thanks, Glenn.

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Julie Adams (Betty May Adams)
October 17, 1926 – February 3, 2019

Just heard the sad news that Julie Adams has passed away at 92. One of my favorites actresses, she made some great Westerns for Universal-International in the 50s — and she was always so beautiful in Technicolor.

She was born Betty May Adams in 1926 in Waterloo, Iowa. In 1946, at 19, she was crowned “Miss Little Rock.” From there, it was off to Hollywood. Betty May worked as a secretary and appeared in a few B Westerns. She used her real name until 1949, when she signed with Universal-International. She then became “Julia” — and eventually “Julie”.

Universal kept her plenty busy. She appeared opposite James Stewart in Anthony Mann’s Bend Of The River (1952), Van Heflin in Budd Boetticher’s Wings Of The Hawk (1953, up top) Tyrone Power in The Mississippi Gambler (1953), Rock Hudson in Raoul Walsh’s The Lawless Breed (1953, above), Glenn Ford in The Man from the Alamo (1953) and Rory Calhoun in The Looters (1955), to name just a few. Away from Universal, she was in The Gunfight At Dodge City (1959) with Joe McCrea and Tickle Me (1965) with Elvis Presley.

She had a leading man of a different sort when she starred in 1954’s Creature From The Black Lagoon. The Creature would become the last of Universal’s roster of movie monsters, a real icon. Julie in her custom-built one-piece bathing suit became pretty iconic as well.

Julie did lots of TV, too. She was a county nurse on The Andy Griffith Show. She was on Perry Mason four times, including the only episode where Mason lost a case. You’ll also find her on The Rifleman, 77 Sunset Strip, Alfred Hitchcock Presents, Maverick, McMillan & Wife, Police Woman, The Streets Of San Francisco and more.

Westerns are often criticized for not having strong roles for women. Julie Adams was so good, that never seemed like a problem for her. She always impressed.

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