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Archive for the ‘R.G. Springsteen’ Category

Directed by Sam Peckinpah
Starring Randolph Scott, Joel McCrea, Mariette Hartley, Ron Starr, James Drury, Edgar Buchanan, R.G. Armstrong

Here’s one so many of us have been waiting for. Warner Archive has announced an upcoming Blu-Ray release for Sam Peckinpah’s Ride The High Country (1962).

Surely one of the finest Westerns ever made. Absolutely essential.

Thanks to Dick Vincent for the great news.

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showdown-wc

Madman Entertainment out of Australia has announced a terrific DVD set of seven Audie Murphy pictures that cover his time at Universal, from his first film for the studio, The Kid From Texas (1950), to the last, Gunpoint (1966).

The Madman website lists the aspect ratio as 4:3, which is fine for the 1950 titles. Let’s hope the later stuff turns out to be anamorphic.

Sierra (1950)
Directed by R.G. Springsteen
Starring Wanda Hendrix, Audie Murphy, Burl Ives

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The Kid From Texas (1950)
Directed by Kurt Neumann
Starring Audie Murphy, Gale Storm, Albert Dekker

Kansas Raiders (1950)
Directed by Ray Enright
Starring Audie Murphy, Brian Donlevy, Marguerite Chapman, Scott Brady

The Wild And The Innocent (1959)
Directed by Jack Sher
Starring Audie Murphy, Joanne Dru, Gilbert Roland, Jim Backus

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Audie Murphy, Dan Duryea and Joan O’Brien on the Six Black Horses set.

Six Black Horses (1962)
Directed by Harry Keller
Written by Burt Kennedy
Starring Audie Murphy, Dan Duryea, Joan O’Brien

Showdown (1963)
Directed by R.G. Springsteen
Starring Audie Murphy, Kathless Crowley, Charles Drake, Harold J. Stone, Skip Homeier

Gunpoint (1966)
Directed by Earl Bellamy
Starring Audie Murphy, Joan Staley, Warren Stevens

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HELLFIRE at BACOC poster
This is something I’ve been wanting to put together for a very, very long time. Hellfire (1949) will run at Brooks Avenue Church Of Christ here in Raleigh, NC on January 20, 2015.

First, I shopped around for a 16mm print, but what I found was either black & white or the color’d turned pink. Then I figured I’d wait for a DVD or Blu-ray from Olive Films. No luck there, as it dropped off their release schedule. So I finally decided to go with the best-looking material I could find.

Elliott considered Hellfire his best film (he was one of the producers), and Marie Windsor always listed it as a personal favorite (along with The Narrow Margin and The Killing). Who am I to argue? It’s one of my favorite Westerns, a movie that gets better every time I see it.

Believe it or not, Republic sometimes paired Hellfire with Brimstone (1949), a Rod Cameron Western.

Thanks to Jim Briggs for designing the flyer.

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Hellfire TC

So far, the great cinematographer Jack A. Marta has hardly been mentioned here. I’m ashamed and with today’s Wild Bill Wednesday, I’m taking care of it. So many outstanding movies. What Price Glory (1926). The Night Riders (1939). Dark Command (1940). Flying Tigers (1942). Hellfire (1949). Trigger, Jr. (1950). Spoilers Of The Plains (1951). The Last Command (1955). The Bonnie Parker Story (1958). Cat Ballou (1965). Duel (1971).

On that last one, Steven Spielberg’s breakthrough TV movie Duel, Marta’s experience shooting outdoors in the desert helped get the thing completed on its 10-day schedule.

Steven Spielberg (from the excellent book Steven Spielberg And Duel: The Making Of A Film Career): “Jack was a sweetheart. He was just a kind, gentle soul who you know had never worked that fast in his entire career; none of us had, and yet there was nothing he didn’t do or couldn’t do, and he really enjoyed himself.”

No offense to Mr. Spielberg, but I have a feeling Duel‘s 10-day shoot, though exhausting, was probably nothing new for Marta, who’d done beautiful work on Republic’s tight schedules, in both black and white and Trucolor, and worked on plenty of television shows like Route 66 and Batman.

When Elliott co-produced Hellfire (below) for Republic release, a film he saw as a very special project (and considered his best film), Jack Marta was the director of photography. Was he randomly assigned the job by Republic, or did Elliott request him after working together on The Gallant Legion (1948) and the Trucolor The Last Bandit (1949)? (I’m getting pretty good at finding new ways to sneak Hellfire into this blog.)

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wildbillelliot15-20 sized

Tim Holt Tuesdays have been a lot of fun, and people seem to like ’em, so I’m adding Wild Bill Wednesdays to the week. Like the Holt day, it’s a not-quite-weekly way to call attention to William “Wild Bill” Elliott, a cowboy star who doesn’t get his due. (I realize I’m preaching to the choir here.) His later Westerns, the ones that followed the Red Ryder series, are particularly strong, and they’re what I’ll focus on (approximately 1946-54). Elliott’s career was a long one. He was a working character actor for years (often uncredited) before becoming a top-billed cowboy star, so I’ll be dealing with a tiny sliver of his filmography.

Of course, like most Republic pictures, Elliott’s are absent on DVD or Blu-ray. (Dear Olive Films: if you only knew how badly I want a Blu-ray of Hellfire.) The old VHS copies are decent-looking if you want to search ’em out, and some of them turn up on The Westerns Channel or Netflix from time to time. (1954’s Bitter Creek is scheduled for TCM in June.)

But if you look beyond the Republics, the outlook’s brighter. Warner Archive’s given us a couple of the Monogram/Allied Artists Westerns (Fargo and The Homesteaders), and VCI put out the first of that series, The Longhorn (1951). Then there’s that cool detective series.

We’ll have a real post on Elliott next Wednesday.

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alamo-last command

It’s been mentioned on this blog a number of times that Olive Films have removed some key Republic titles from their list of future releases — The Last Command (1955, note the retitled card above) being one of them. Among the reasons for ditching these titles is that the Trucolor materials can be difficult, and costly, to prepare for release.

However, when Trucolor Republics like Hellfire (1949), The Outcast (1954) or A Man Alone (1955) show up on TV, they look fine. Not spiffy enough for Blu-ray, for sure, but good enough for a DVD release I’d be happy to have in my collection.

Richard W. commented the other day that we should reach out to a Mr. Lime on the Home Theater Forum about these titles, pointing out that we’d be standing at the ready, cash in hand, for these films.

At a time when so many of us are writing to our politicians about healthcare, national parks and pay for the military, why not squeeze in a quick note to the HTF about Hellfire?

hellfire1949quad

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Cole Younger TC

Warner Archive has announced another wagonload of Westerns, and there are a few good 50s ones in there.

Cole Younger, Gunfighter (1958) is an Allied Artists CinemaScope concoction with Frank Lovejoy as the famous outlaw. The always capable R.G. Springsteen directed.

Fort Vengeance (1953) is a Cinecolor Canadian Mountie picture from Lesley Selander, starring James Craig and Rita Moreno.

Hiawatha (1953) is an adaptation of the Longfellow poem from Kurt Neumann. John Knight pointed out that this was the last film to bear the Monogram logo.

The Boy From Oklahoma (1954) stars Will Rogers, Jr., Lon Chaney, Wallace Ford and Merv Griffin. Michael Curtiz directed. It was the basis of the Sugarfoot TV series.

The Gun Hawk (1963) isn’t a 50s Western but with Rory Calhoun and Rod Cameron in it, it might as well be. A quick glance at the still below will tell you where some of it was filmed.

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