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Archive for the ‘Dean Martin’ Category

Came across this in an old issue of American Cinematographer. John Wayne watches Dean Martin shoot one of his scenes in Rio Bravo (1959).

Rio Bravo BTS AC2And another. This time, it’s Wayne with Ward Bond.

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Rio Bravo foreign poster sized

Rio Bravo (1959)
Directed by Howard Hawks
Starring John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, Walter Brennan, Ward Bond

My favorite Western, Rio Bravo (1959), has been missing from Blu-ray for some time now (I’d heard it had something to do with music or story rights). Was really happy to find out it was being reissued. However, I’d heard the old Blu-ray wasn’t anything to write home about, and there’s no news yet on if this new edition is remastered or not (I’m assuming not). A new 2K transfer was done not long ago, but there’s been no mention of it for the Blu-ray.

Regardless, Rio Bravo is a terrific movie and certainly worth adding to your high-definition shelf. When it arrives June 2, I’d love to toast my copy with a bit of Duke bourbon (haven’t located it in North Carolina yet).

Train Robbers JW AM BJ

The Train Robbers (1973)
Directed by Burt Kennedy
Starring John Wayne, Ann-Margret, Rod Taylor, Ben Johnson

Also coming to Blu-ray are a couple of later Wayne pictures. The Train Robbers (1973) is a lot of fun, Burt Kennedy at the top of his game. Wayne and Ben Johnson are terrific together, of course. As a kid, the train stuck in the sand, on the big Panavision screen, was a striking image that really stuck with me.

John Wayne In Cahill U.S. Marshal

Cahill: U.S. Marshal (1973)

Directed by Andrew V. McLaglen
Starring John Wayne, George Kennedy, Neville Brand, Clay O’Brian, Marie Windsor, Harry Carey Jr., Paul Fix, Hank Worden

In some ways, Cahill: U.S. Marshal (1973) isn’t a very good movie. But as a John Wayne extended-family reunion, it can’t be beat (take a quick look at that cast). Wayne’s interplay with Neville Brand is worth the price of admission, and it’s always good to see Marie Windsor in anything.

These three titles are available separately (highly recommended, at a great price) from Warners, and as part of a John Wayne Westerns Collection set.

Thanks to Dick Vincent for the tip.

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Rio Bravo cast and crew

Who would’ve thought? The government actually got something right. Howard Hawks’ Rio Bravo (1959) has been selected for preservation in the Library Of Congress. That means their board has deemed it “culturally, historically or aesthetically significant.”

We coulda told them that years ago.

Thanks for the news, Blake.

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M&L Pardners record

Directed by Norman Taurog
Starring Dean Martin, Jerry Lewis, Agnes Moorehead, Lori Nelson, Jeff Morrow, Lon Chaney, Jr., Jack Elam, Lee Van Cleef, Bob Steele

Went to a screening of Rio Bravo (1959) over the weekend, and with Dean Martin on my mind, was thinking that it’s about time to revisit him and Jerry Lewis in Pardners (1956).

Soon got to wondering where I’d find a copy, since the old Martin & Lewis DVD sets are out of print and bringing collector-type prices. Well, I didn’t need to worry. Our friends at Warner Archive have released (today, in fact), the Best of Martin & Lewis Volumes 1 and 2. Pardners is in the second batch.

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Pardners would be the next-to-last picture Martin and Jerry Lewis made together. This photo seems to sum up their relationship at the time. (The battered record sleeve seems appropriate, too.)

It’s hard to really recommend these films, since people’s opinions of them fluctuate so much, especially where Lewis is concerned. Me, I like them and grew up catching them on TV whenever I could. (Artists And Models, which is in this same volume, might be my favorite of all their pictures.) Pardners‘ VistaVision photography should look terrific on our spiffy HDTVs.

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The Cary, a newly-renovated theater in downtown Cary (naturally), North Carolina, has put together a weekend of John Wayne pictures, which includes many of his best. If anybody’s planning on going to some of these, let me know.

All of a sudden, I’m kinda glad I live here.

The Searchers (1956)
Thursday, November 6, 7 PM

Donovan’s Reef (1963)
Thursday, November 6, 9:30 PM

Rio Bravo (1959)
Friday, November 7, 7 PM

Stagecoach (1939)
Friday, November 7, 9:30 PM

Red River (1948)
Saturday, November 8, 7 PM

The Man Who Shot Liberty Valance (1962)
Saturday, November 8, 9:30 PM

The Alamo (1960)
Sunday, November 9, 2 PM

The Cary outside view

The Cary
122 E. Chatham Street
Cary, NC 27511
(919) 462-2051

Thanks for the tip, Jennifer.

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Angie-Dickinson-between-Rio-Bravo

Here’s wishing Angie Dickinson a happy birthday. Of course, I’m gonna offer up a photo of her on the set of my favorite Western, Rio Bravo (1959).

Howard Hawks gives the film such a cool, friendly vibe, and the performances are so good, that I feel like I’ve known its characters all my life.

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Martha Hyer
(August 10, 1924 – May 31, 2014)

Laura told me last night that Martha Hyer had passed away at 89.

Her list of credits reads like a checklist for my cinematic upbringing: a bunch of 50s Westerns (including a few Tim Holt pictures), an episode of The Lone Ranger, Abbott & Costello Go To Mars (1953), Bikini Beach (1964), even an episode of The Beverly Hillbillies. She turned up a lot, which was fine by me. I always liked her.

In 1966, she married producer Hal Wallis, not long after appearing in his The Sons Of Katie Elder (1965), alongside John Wayne and Dean Martin. After his death in 1986, she moved to Santa Fe and lived there till her passing.

Click on the shampoo ad for an obituary. Note that the ad promotes one of her best 50s Westerns, Red Sundown (1956). It’s a favorite of mine — and of many of you out there.

 

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0006 posing 3 sized

Recently, I’ve had the extreme pleasure of speaking with Mr. Jack N. Young, a Navy frogman turned stuntman who worked on many of the movies this blog holds dear. Look him up, it’s incredible.

“Blackjack” Young, as he became known, was a busy utility stuntman. He’d hire on for a film and provide what they needed, when they needed it. He worked frequently at Old Tucson, both in the films shot there and as part of their stunt show, and would eventually help run the place.

Transcribing it all is taking a while, and I want to hold onto some of it for the book, but this stuff’s too good to sit on. Among the many films he worked on is my favorite Western, Rio Bravo (1959), which was shot at Old Tucson.

Jack Young: “During the shootout at the end, I came out of the barn and got shot before they blew it up…  Ricky Nelson was a good kid. I play harmonica, and we’d sit around after work or something and sing. God, that kid was good!”

Rio Bravo foreign poster

Young: “Dean shot me in the saloon and I fell out of the loft. (Jack’s stunt inspired the foreign poster above.) We gaffed our own stunts. It was a whole bunch of cardboard boxes. We’d put ‘em together — about three-by-three, probably 10 of ‘em, with a rope tied around them to hold ‘em steady — and then put a tarp over it. Works perfect. I worked before the airbag. I’d do a roof fall, up to about 10 feet, without a pad. I’d hit the ground rolling, almost like a tumbler. I never got hurt.”

Talking to Jack has been an honor, and he’s provided a lot of insight into how these films were made. Watch for more, including a bit on City Of Bad Men (1953), which just showed up in my mailbox today.

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In my mind, Labor Day belongs to Jerry Lewis. His annual Muscular Dystrophy Association (MDA) telethon saw to that.

So today seems like the perfect time to highlight Dean Martin and Jerry Lewis in Pardners (1956), their next-to-last film together.

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Jerry Lewis (from his book Dean And Me: A Love Story): “The best thing about Pardners, for Dean, was — after having been in love with Westerns all his life — he was actually starring in one. If he had known then that in only four years he’d be making Rio Bravo with John Wayne, he would have been in heaven.”

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Lewis: “The best thing for me was learning, from a man named Arvo Ojala, to quick-draw and twirl a pistol…”

Jerry Lewis and Dean Martin

Lewis: “The hardest thing about the picture was the crushing irony of Dean and me singing the film’s title number, written by Jimmy Van Heusen and Sammy Cahn:

You and me, we’ll always be pardners, 
You and me, we’ll always be friends…”

You can support the MDA and their Show Of Strength Telethon here.

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