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Archive for December, 2018

Marie Windsor
(December 11, 1919 – December 10, 2000)

My favorite actress, Marie Windsor, was born 99 years ago today. She’s seen above in Dakota Lil (1950).

Emily Marie Bertelsen was born in Utah and went to Brigham Young University. She headed for Hollywood in 1939 and studied acting at Maria Ouspenskaya’s school (about the same time Ouspenskaya played the old gypsy women in The Wolf Man). Around this time, she started using the name Marie Windsor.

Marie worked on radio, was a telephone operator and did lots of bit parts before getting a really good role in Force Of Evil (1948) with John Garfield. A string of noirs and Westerns followed, so much good stuff: Hellfire (1949), The Fighting Kentuckian (1949), The Showdown (1950), The Sniper (1952), The Narrow Margin (1952), Trouble Along The Way (1953), The Bounty Hunter (1954), Abbott & Costello Meet The Mummy (1955), The Killing (1956), Support Your Local Gunfighter (1971) and The Outfit (1973). That’s just a few. She was busy in TV, too: Cheyenne, Maverick, Perry Mason, Rawhide, Batman, Adam-12 and more.

Ms. Windsor passed away one day short of her 81st birthday.

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That’s Wright King to the right, appropriately enough.

Wright King
(January 11, 1923 – November 25, 2018)

Character actor Wright King passed away last month at 95.

King didn’t make a lot of features, but he’s in some good stuff: A Streetcar Named Desire (1951, he was in the original Broadway production, too), Friendly Persuasion (1956), Stagecoach To Fury (1956), Hot Rod Rumble (1957), The Gunfight At Dodge City (1959) and Planet Of The Apes (1968), to name a few.

On TV, he was on tons of stuff, including Wanted Dead Or Alive, Twilight Zone, The Gabby Hayes Show, Johnny Jupiter, Rawhide, Gunsmoke, Father Knows Best, The Fugitive and Mannix.

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On December 2, 1958, under the watchful eye of DP Charles Lang, the big VistaVision cameras rolled for Marlon Brando’s One-Eyed Jacks (1961). It would be six full months — June 2, 1959, to be exact — before they stopped. A number of inserts and reshoots came later.

My book on the film isn’t taking quite that long. Not quite, anyway.

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