Archive for the ‘Lesley Selander’ Category

Republic studios yellow

Welcome to The Republic Pictures Blogathon. Over the weekend, we’ll be celebrating the studio’s incredible talent roster, wonderful output and lasting legacy. This page will serve as its hub, and you’ll be able to reach all the posts here. Keep checking back.

One of my earliest movie memories, maybe the earliest, is of a 16mm print of John Ford’s Rio Grande (1950). So Republic has always been a huge part of my movie world.

It was formed by combining a number of the Poverty Row studios, and the goal of its head, Herbert J. Yates, was always commerce over art. So in a way, it’s surprising their films displayed the level of craftsmanship that they did. That craft may be what, in the end, sets them apart. After all, there were lots and lots of B Westerns and serials out there. But there’s a polish to a Republic picture — from the camerawork to the editing to those wonderful special effects to the performances to the stunts, that’s very special. It’s easy to see why their films are still so popular. If only they were readily available on DVD and Blu-ray.

Over the next few days, we have plenty to celebrate. The cowboy movies. The serials. The crime pictures. And on and on. Some great movie bloggers have saddled up or strapped on their rocket suit to be a part of this whole deal — and I really appreciate their efforts. This should be fun, folks!

Click on the images below to be linked to the appropriate blog.


Day Three.


Angel And The Badman (1947) – The Round Place In The Middle


Ride The Man Down (1952) – 50 Westerns From The 50s


City That Never Sleeps (1953) – Speakeasy


Radar Men LC Ch4

Radar Men From The Moon (1952) – The Hannibal 8


Day Two.

Fabulous Texan OS

The Fabulous Texan (1947) – Blake Lucas at 50 Westerns From The 50s

Hoodlum Empire TC

Hoodlum Empire (1952) – Jerry Entract at The Hannibal 8


Jubilee Trail (1954) – Laura’s Miscellaneous Musings


Rock Island Trail (1950) and California Passage (1950) – The Horn Section


Day One.


The Outcast (1954) – Jerry Entract at 50 Westerns From The 50s


Blackmail (1947) – John Knight at The Hannibal 8

Angel And The Badman (1947) – Thoughts All Sorts

Red Pony 6S

The Red Pony (1949) – Caftan Woman

Dakota_Incident TC

Dakota Incident (1956) – Riding The High Country

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Arrow In The Dust HS

Directed by Lesley Selander
Produced by Hayes Goetz
Screenplay by Don Martin
Cinematography: Ellis W. Carter
Film Editor: William Austin

Cast: Sterling Hayden (Bart Laish), Coleen Gray (Christella Burke), Keith Larsen (Lt. Steve King), Tom Tully (Crowshaw), Jimmy Wakely (Pvt. Carqueville), Tudor Owen (Tillotson), Lee Van Cleef, Iron Eyes Cody


With Arrow In The Dust (1954), Allied Artists seems to have splurged a little. With both Sterling Hayden and Coleen Gray in the cast, there’s a bit more star power than usual — and we’re treated to the vivid hues of Technicolor on the then-new wide screen. But this was made not long after Poverty Row’s Monogram Pictures made the transition to Allied Artists, so some of their typical B Movie trappings are very much in evidence. And that’s not a bad thing.

Sterling Hayden’s Bart Laish, a cavalry deserter who poses as an officer to lead a wagon train through Indian territory. And boy, do they need his help — the Indians attack the settlers and soldiers again and again (for reasons that become clear in the last reel).


Along the way, Hayden is revealed as a solid leader and undergoes a real transformation (though we’re never given his reasons for deserting in the first place). Along with his redemption, he develops a relationship with Christella Burke (Coleen Gray), a woman heading west with the wagon train.

Arrow In The Dust still CG

Working with a crack team of stuntmen and a sizable amount of stock footage, Lesley Selander really piles on the action. And when it comes to action, Selander’s the guy you want in the director’s chair. While you may feel there’s little character development here, it seems to me that there’s quite a bit of it, given how much screen time is devoted to action. Hayden and Gray are as reliable as ever, rounding out their characters very well. Tom Tully, as an old scout, is also very good. Incidentally, Hayden and Gray (and Vince Edwards) would appear in Stanley Kubrick’s The Killing (1956). Think Kubrick and his team screened Arrow In The Dust during casting?


Arrow In The Dust is no epic. No one’s ever gonna mistake it for one. But it’s a revelation to see its 1.85 framing (presented as a more TV-friendly 1.78) reinstated. And while the DVD from Warner Archive is the best I’ve seen the movie look, there are some problems — and I fear they come from the original material, not the transfer. The stock footage doesn’t match the rest of the film, which is a small gripe. The day-for-night scenes are painfully obvious, and I suspect the print material doesn’t reflect the lab work that went into first-run prints. And you’ll see some dust and scratches here and there.

Sterling Hayden’s performance really boosts Arrow In The Dust, and Lesley Selander’s command of action and pacing keep things moving toward a very satisfying conclusion (I’m a sucker for a redemption story and would watch a movie of Hayden brushing his teeth). This is a solid, if slightly cheap, mid-budget Western that’s certainly worth another look — especially given the improved picture quality and original framing. Recommended.

Laura’s already reviewed this one.

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Lesley_SelanderNext Thursday, April 9, Turner Classic Movies (TCM) will highlight director Lesley Selander by running nine of his films, three of them part of RKO’s excellent series of B Westerns starring Tim Holt (Gunplay is a very good one).

Arrow In The Dust (1954) stars Sterling Hayden and Coleen Gray. Tall Man Riding (1955) is a solid Randolph Scott picture. And The Lone Ranger And The Lost City Of Gold (1958) is the second TV spinoff feature to star Clayton Moore and Jay Silverheels.

I’m a big fan of Lesley Selander. When it comes to action, he’s one of the best. It’s good to see him get this kind of attention. His films are short, smart, fast — and highly recommended.

Selander on TCM

The times listed are Eastern Standard Time. This is a “restoration” of a shorter post. Thanks to Blake for pointing out all I’d missed.

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Warner Archive has some great stuff promised for April.

The Hired Gun (1957)
Directed by Ray Nazarro
Starring Rory Calhoun, Anne Francis, Vince Edwards, Chuck Connors
This is one I’ve been wanting for a long time. Black and white Scope with Rory Calhoun and Anne Francis, directed by Ray Nazarro. What’s not to like?

Black Patch (1957)
Directed by Allen H. Miner
Starring George Montgomery, Diane Brewster, Tom Pittman, Leo Gordon, Lynn Cartwright
A solid Montgomery Western written by character actor Leo Gordon.

Arrow In The Dust HS

Arrow In The Dust (1954)
Directed by Lesley Selander
Starring Sterling Hayden, Coleen Gray, Jimmy Wakely, Lee Van Cleef
Hayden and Gray appear together a couple years before The Killing (1956), directed by the great Lesley Selander.

The Marauders (1955)
Directed by Gerald Mayer
Starring Dan Duryea, Jeff Richards, Keenan Wynn
Duryea as the bad guy gets first billing. Enough said.

Son Of Belle Starr (1953)
Directed by Frank McDonald
Starring Keith Larsen, Dona Drake, Peggie Castle, Regis Toomey
Peggie Castle and Regis Toomey in 70 minutes of Cinecolor from Allied Artists.

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Directed by LesleySelander
Starring Tim Holt, Richard Martin, Jane Nigh, Douglas Fowley

On the third Thursday of most months, The Western Film Preservation Society has been running B Westerns at NC State’s McKimmon Center, here in Raleigh, since 1981. One of this week’s features is Rio Grande Patrol (1950), starring Tim Holt and Richard Martin (as Chito, of course). It was directed by the great Lesley Selander. The meetings get going at 6:45.

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Apache Drums LC

Yesterday, I posted our favorite DVD releases of the year. Today’s list is made up of films we discovered during 2014. Titles that made the list were mentioned by at least three people. It’s a great lineup of fairly obscure, medium-budgeted 50s Westerns — and if you haven’t discovered them yourself, search them out.

Ambush At Tomahawk Gap (1953) Fred F. Sears was extremely prolific, and his 50s Westerns are worth seeking out. This is one of the better ones, available through Columbia’s on-demand DVD program.

Apache Drums (1951) A suspense picture dressed up in cowboy clothes, produced by Val Lewton and directed by Hugo Fregonese. With Stephen McNally, Coleen Gray, Willard Parker, Arthur Shields, James Griffith and Clarence Muse (who’s superb in a small part).

Border River (1954) With George Sherman directing Joel McCrea, Yvonne De Carlo and Pedro Armendáriz, how could it not be great? Shot around Moab, Utah.

Cow Country (1953) Coming across a new Lesley Selander picture is always a treat. This one features Edmond O’Brien, Helen Wescott, Bob Lowery, Barton MacLane, Peggie Castle, James Millican and Robert Wilke.

A Day Of Fury (1956) One of the most unusual, and overlooked, Westerns of the 50s. Harmon Jones directs Dale Robertson, Mara Corday and Jock Mahoney. I’m so glad this one’s being rediscovered.

Four Guns To The Border (1954) Rory Calhoun, Colleen Miller and Walter Brennan in an excellent Universal Western directed by Richard Carlson.


Fury At Gunsight Pass (1956) Another good one from Fred F. Sears. Wish this one would see a real DVD release — black and white widescreen is so cool.

The Silver Whip (1953) Dale Robertson, Rory Calhoun, Robert Wagner, Kathleen Crowley and James Millican star in this taut, tight picture from editor-turned-director Harmon Jones. The staging of the climactic chase is masterful.

Stage To Tucson (1950) Rod Cameron and Wayne Morris. Lone Pine in Technicolor. Surely that’s worth an investment of 81 minutes.

Yellow Tomahawk LC

The Yellow Tomahawk (1954) Sadly, this color film is only available black and white. But it’s still a solid effort from the ever-dependable Lesley Selander — with a cast that includes Rory Calhoun, Peggie Castle, Noah Beery, Jr., Peter Graves, Lee Van Cleef and Rita Moreno.

Thanks to everyone who participated.

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The charge was this: send in your list of favorite 50s Westerns DVD releases for 2014, along with a few 50s Westerns that you discovered this year.

For today, here are your (and my) 10 favorite DVDs or Blu-rays released during the 2014 calendar year.

10. Panhandle (1948) This terrific Rod Cameron picture, directed by Lesley Selander, was released a few years ago as part of VCI’s Darn Good Western Volume 1. This year, it showed up on its on.

9. City Of Bad Men (1953) Dale Robertson leads a great cast: Jeanne Crain, Richard Boone, Lloyd Bridges, Hugh Sanders, Rodolfo Acosta, Don Haggerty, Leo Gordon, John Doucette, Frank Ferguson, James Best. Harmon Jones directs.

8. Fort Massacre (1958) Joel McCrea plays way against type. Forrest Tucker, Susan Cabot, John Russell and Denver Pyle co-star. You can get a nice regular DVD here in the States — and a stunning Blu-ray in Germany.


7. Gunfight At The O.K. Corral (1957) The guys who developed VistaVision look down from heaven, see this Blu-ray playing in our living rooms, and are very happy indeed.

6. The Lusty Men (1952) There was a time when Nicholas Ray was a machine that cranked out Great Movies. This study of modern-day rodeo cowboys — starring Robert Mitchum, Susan Haywood and Arthur Kennedy — comes from the heart of that period.

5. Drum Beat (1954) Alan Ladd shows us he’s got more than Shane up his sleeve, and Delmer Daves delivers yet another solid Western. This is a lot better movie than you’ve heard (or remember).


4. Gunsmoke In Tucson (1958) When an Allied Artists Western starring Mark Stevens makes a Top Ten list, I know I’m in the right place.

3. Tim Holt Western Classics Collection Volume 4 As good as the series Western ever got. For me, this fourth volume is the best — which makes it plenty great indeed.

2. Shoot-Out At Medicine Bend (1957) It’s not a stupendous Randolph Scott movie, but it’s a Randolph Scott movie — and Warner Archive has it shining like a black and white, 1.85 diamond.

1. South Of St. Louis (1949) This terrific Joel McCrea picture, with its Technicolor appropriately saturated, is stunning on Blu-ray from Olive Films. Alexis Smith and Dorothy Malone should’ve paid cinematographer Karl Freund for making them look so beautiful.

Along with all these favorites, there was a common complaint: that Olive Films’ promised The Quiet Gun (1956) didn’t make it in 2014.

Thanks to everyone who sent in their lists.

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