Directed by Lewis Collins
Produced by Vincent M. Fennelly
Written by Sid Theil
Photographed by Ernest Miller, ASC
Film Editor: Sam Fields, ACE
Music by Raoul Kraushaar
CAST: Wild Bill Elliott (Tack Hamlin), Mary Ellen Kay (Lucy Taylor), Robert Bray (Gene Smith), Stanford Jolley (Matt Taylor), Henry Rowland (Mayor Winch), Myron Healey (Brett), George Wallace (Brewer), Fuzzy Knight (Strummer), Zon Murray (Bill), Richard Avonde (Artie), Michael Colgan (Jamison), Denver Pyle (Sperry), Lee Roberts (Wilson), John James (Jed Hamlin).
Things have gotten so bad that the citizens of Pinetop have formed a vigilante committee to maintain order, but the Brewer gang continues to operate. (And the vigilantes seem almost as bad as the outlaws.) Tack Hamlin (Wild Bill Elliott) comes to town and is soon recruited for sheriff, and he gets right to work, trying to stop both the bandits and the masked vigilantes. Turns out that Brett (Myron Healey), who owns the saloon, leads both the outlaws and the vigilantes, planting false evidence to avoid suspicion.
As far as I can see, this town is full of bad shots and bluster.”
— Wild Bill Elliott
This is a good entry in the series of Westerns Elliott made for Monogram/Allied Artists near the end of his career. By this point, his “peaceable man” persona was well established, and he goes about his business with his typical cool determination. The sequence about halfway through the picture, as Elliott the newly-appointed sheriff cleans up the town, is terrific. Later, the vigilantes drag Elliott and Fuzzy Knight to the hanging tree, making for a very tense scene that illustrates just how tough the B Western became in its final years. What’s more, in the climax, one of the Brewer gang is shot in the face!
Fuzzy Knight is great as Elliott’s old friend and deputy. They have a good chemistry together. Mary Ellen Kay does well with a pretty limited part, and makes quite an impression toward the end when she picks up a gun. The badguys, from Myron Healey to George Wallace to Denver Pyle, have locked horns with Elliott before. Same thing behind the camera, from the director (Lewis Collins) to the writer (Sid Theil) to the editor (Sam Fields) and on down the line. Of course, we all know the familiar Iverson and Corriganville locations.
Vigilante Terror is not available on DVD, though it’s one Warner Archive will probably get around to one of these days (that’s a hint, Matt). Watch for it.
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