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Archive for the ‘Jack Young’ Category

OK at AFI

Today (Monday), Tuesday and Thursday, the AFI Silver Theatre in Silver Spring, MD will run a 35mm print of John Sturges’ Gunfight At The O.K. Corral (1957). It’s part of a Burt Lancaster series that’s been going on since February.

Of course, the new Blu-ray of Gunfight is wonderful, but the chance to see it on film is something not to be missed.

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Screen shot 2014-02-24 at 11.30.47 AM

The event commemorates the building of the original Old Tucson sets in 1939 for Arizona. All of us who frequent this blog could probably recite a list of films made there since — Rio Bravo, Buchanan Rides Alone, Gunfight At The O.K. Corral, etc.

Screen shot 2014-02-24 at 11.30.55 AM

The 75th Anniversary Reunion celebrates this enduring history and the contributions of the gunfighter, musical, guest services and support staff who’ve hosted guests from the 1960s to today.

Jack Young is scheduled to be among the performers. Hired in 1962 by then-owner Bob Shelton, Jack was charged with putting together the original professional entertainment program for Old Tucson.

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city of bad men TC

Directed by Harmon Jones
Produced by Leonard Goldstein
Written by George W. George and George F. Slavin
Director Of Photography: Charles G. Clarke, ASC
Musical Direction: Lionel Newman
Film Editor: George A. Gittens

CAST: Jeanne Crain (Linda Culligan), Dale Robertson (Brett Stanton), Richard Boone (Johnny Ringo), Lloyd Bridges (Gar Stanton), Carole Mathews (Cynthia Castle), Carl Betz (Phil Ryan), Whifield Connor (Jim London), Hugh Sanders (Bill Gifford), Rodolfo Acosta (Mendoza), Pascual Garcia Pena (Pig), Don Haggerty (Bob Thrailkill), Leo Gordon, John Doucette, Frank Ferguson, James Best.

__________

On March 17, 1897, in Carson City, Nevada, Bob Fitzsimmons knocked out “Gentleman” Jim Corbett in 14 rounds to become the World Heavyweight Champion.

Fitzsimmons_Corbett_1897

This historic boxing match is the basis of City Of Bad Men (1953), as bandits are drawn like flies to the event’s box office. Among those ambitious outlaws are Brett Stanton (Dale Robertson) and his outfit, which includes his brother Gar (Lloyd Bridges), along with the gangs of Johnny Ringo (Richard Boone) and Bob Thrailkill (Don Haggerty). Complicating matters is that Brett is no stranger to Carson City, and he has some unfinished business with Linda Culligan (Jeanne Crain). It’s not long before Brett is torn between Linda and the money.

The story goes that Dale Robertson stayed away from acting classes in the early days of his career, and there’s a naturalism to his work that serves his Westerns well. While he’s known for Tales Of Well Fargo on TV, his feature work like City Of Bad Men is worth seeking out. If the part calls for it, he can drop his easygoing charm with ease. The more of his films I see, the more I like him.

City Of Bad Men LC 7

Harmon Jones didn’t direct many features before heading to TV. His five Westerns — The Silver Whip (1953), City Of Bad Men, A Day Of Fury (1956), Canyon River (1956) and Bullwhip (1958) — are perfect examples of what a medium-budget studio Western could be. A Day Of Fury is a fantastic film, one of the best Westerns to come out of Universal in the 50s — and that’s saying something. If Jones had made more Westerns, I’m sure we’d be grouping him with directors like George Sherman, Gordon Douglas and Phil Karlson.

City Of Bad Men DR color

City Of Bad Men was produced by Leonard Goldstein, who produced many, many films for Universal (including the Ma And Pa Kettle series) and 20th Century-Fox. He clearly understood the importance of a strong cast and filled this one with pros like Frank Ferguson, John Doucette and Don Haggerty. He also gave a stage actor named Leo Gordon his first film work.

City Of Bad Men Leo G

Leo Gordon: “They asked me could I ride a horse. ‘Yes. If I can’t ride it, I’ll carry it.’ So I came out to Hollywood. They put me on a horse, and I was on a horse for 35 years.”*

Much of the film was shot on the Fox lot, with the titles and opening scene making good use of Vasquez Rocks. This was a common location for Goldstein’s Westerns — his Cave Of Outlaws (1951) and Duel At Silver Creek (1952) also used them.

One of the utility stunt men on the film was Jack Young.

Jack Young: “I doubled Lloyd Bridges on that. I did the saddle fall when they shot him. I doubled Richard Boone for the fall into the boxing ring — and that hurt! It was a fake ring and they didn’t have any give in it. It was only about eight or nine feet, but it hurt! Knocked the coon-dog crap right outta me.”**

City Of Bad Men is yet another solid middle-budget 50s Western, with a good script, great cast and handsome production values. Director of Photography Charles G. Clarke, who spent the bulk of his career at 20th Century-Fox, makes sure everything look terrific.

All of this is nicely preserved and presented on the DVD-R from Fox Cinema Archives. There’s a blemish here and there, but the Technicolor is as eye-popping as you’d expect — and the audio is impressive. I preferred Jones and Robertson’s other films, The Silver Whip and A Day Of Fury, to this one, but have no qualms about recommending it highly.

* The Astounding B Monster by Marty Baumann; ** Interview with the author.

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0006 posing 3 sized

Recently, I’ve had the extreme pleasure of speaking with Mr. Jack N. Young, a Navy frogman turned stuntman who worked on many of the movies this blog holds dear. Look him up, it’s incredible.

“Blackjack” Young, as he became known, was a busy utility stuntman. He’d hire on for a film and provide what they needed, when they needed it. He worked frequently at Old Tucson, both in the films shot there and as part of their stunt show, and would eventually help run the place.

Transcribing it all is taking a while, and I want to hold onto some of it for the book, but this stuff’s too good to sit on. Among the many films he worked on is my favorite Western, Rio Bravo (1959), which was shot at Old Tucson.

Jack Young: “During the shootout at the end, I came out of the barn and got shot before they blew it up…  Ricky Nelson was a good kid. I play harmonica, and we’d sit around after work or something and sing. God, that kid was good!”

Rio Bravo foreign poster

Young: “Dean shot me in the saloon and I fell out of the loft. (Jack’s stunt inspired the foreign poster above.) We gaffed our own stunts. It was a whole bunch of cardboard boxes. We’d put ‘em together — about three-by-three, probably 10 of ‘em, with a rope tied around them to hold ‘em steady — and then put a tarp over it. Works perfect. I worked before the airbag. I’d do a roof fall, up to about 10 feet, without a pad. I’d hit the ground rolling, almost like a tumbler. I never got hurt.”

Talking to Jack has been an honor, and he’s provided a lot of insight into how these films were made. Watch for more, including a bit on City Of Bad Men (1953), which just showed up in my mailbox today.

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