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Archive for the ‘Audie Murphy’ Category

Audie Leon Murphy
(June 20, 1925 – May 28, 1971)

Audie Murphy — the most-decorated American soldier of World War II and later a major star of 50s Westerns, was born on this day in 1925. He’s seen here with Dan Duryea in Ride Clear Of Diablo (1954). it’s one of his best.

We all owe Audie a real debt. Two debts, actually. One for his service — and it certainly took its toll on him, and another for all those terrific movies.

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Directed by Nathan Juran
Screenplay by John Meredyth Lucas
From a novel by Kenneth Perkins
Director Of Photography: Russell Metty
Film Editor: Virgil W. Vogel

Cast: Audie Murphy (Jim Harvey), Lori Nelson (Laura Saunders), Chill Wills (Sheriff Murchoree), Roy Roberts (Nick Buckley), Russell Johnson (Lam Blanden), K.T. Stevens (Louella Buckley), Madge Meredith (Sarah Blanden), Lee Van Cleef (Marv), I. Stanford Jolley (Ted), Ross Elliott (Seth Blandon), Ralph Moody (Aguila), Eugene Iglesias (Tigre), Phil Chambers (Trapper Ross), Lyle Talbot (Weber), King Donovan (Wrangler), Harry Harvey (Prospector)

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Tumbleweed (1953) is one of my favorite Audie Murphy movies.

Once they got him figured out, Universal-International did a great job of developing pictures that played to Audie Murphy’s strengths. As his confidence grew, the movies just got better and better, leading to really good performances in things like Night Passage (1957) and No Name On The Bullet (1959).

In this one, Audie’s a trail guide leading a small wagon train through Indian territory. When the Indians attack and almost everyone is killed (Lori Nelson and K.T. Stevens survive), Murphy’s branded a deserter and jailed. He’s sprung by Tigre (Eugene Iglesias), an Indian he befriends right after the credits, and pursued into the desert by a posse lead by Chill Wills.

Along the way, he’s given a scraggly horse by a sympathetic rancher (Roy Roberts). This is Tumbleweed, and Murphy’s relationship with the horse — Tumbleweed saves Murphy again and again — is one of the best things about the movie. In a way, you could say the horse saves the movie, too, since his place in the story helps it deviate from convention in some really terrific ways. And, as we all know, that really sets these movies apart, when they zig instead of zag like all the rest.

Nathan Juran, the director of Tumbleweed, started out as an art director. He made the transition to director with The Black Castle (1952).

Nathan Juran: “I was just a technician who could transfer the script from the page to the stage and could get it shot on schedule and on budget. I never became caught up in the ‘romance’ of the movies.”

Russell Metty shot the film at Vasquez Rocks, Red Rock Canyon and Death Valley, and it looks great. Metty also shot Touch Of Evil (1958), Spartacus (1960) and Madigan (1968). He doesn’t get his due, if you ask me.

The cast is made up of some great character actors, many from U-I’s own roster. The lovely Lori Nelson had a good run at U-I — two Ma and Pa Kettle pictures, Bend Of The River (1952), a Francis movie, Revenge Of The Creature (1955) and more — before working at AIP on stuff like Day The World Ended and Hot Rod Girl (both 1956). She’d work extensively on TV, with a guest spot in Audie Murphy’s series Whispering Smith.

Lee Van Cleef is appropriately nasty as Marv. Roy Roberts is good as the rancher who comes to Murphy’s aide. And Russell Johnson has a terrific fight with Murphy in the last reel, running all over Vasquez Rocks. My only complaint would be Chill Wills, who I’ve never cared for. Of course, the strongest member of the supporting cast is Tumbleweed himself. He’s really something.

You can really see Audie Murphy coming into his own in Tumbleweed. It’s a good 50s Western from Universal. And that’s about as good as it gets.

Source: Nathan Juran interview from Starlog

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Was looking for images for a couple posts I was working on and found an ad where they played as a double feature (in Long Beach in December of 1953).

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Kathleen Crowley and Michael Pate on the set of Curse Of The Undead (1959).

Kathleen Crowley
December 26, 1929 – April 23, 2017

I’m sorry to report that Kathleen Crowley has passed away. She was in so many movies I really love — The Silver Whip (1953), Ten Wanted Men (1955), The Quiet Gun (1956), Curse Of The Undead (1959) and Showdown (1963) are the Westerns. Then there’s the sci-fi stuff: Target Earth (1954) and The Flame Barrier (1958). And on TV, she appeared in Cheyenne, Maverick, The Lone Ranger, Batman and tons more. No matter how small the part, she always seemed to give it her all.

Ms. Crowley represented her home state of New Jersey on the 1949 Miss America Pageant, and gave up on Hollywood in the late 60s. “To be honest with you, I didn’t like the direction the cinema was going.”

Laura did a nice post on her here.

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no-name-bullet-lc

Here’s a great little speech from No Name On The Bullet (1959), maybe Audie Murphy’s best picture. He plays a gun-for-hire who rides into town and creates a wave of paranoia — as everybody’s convinced he’s here to kill them.

John Gant (Audie Murphy): “Take two men. Say they have robbed and lied, and have never paid. The man whom one of them has robbed comes to me and says, ‘Kill that man who’s robbed me.’ And I kill him. The other man becomes ill and would die, except for a physician who returns him to health to rob and lie again. Who’s the villain in this piece? Me or the physician?”

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night-passage-poster

Directed by James Neilson
Starring James Stewart, Audie Murphy, Dan Duryea, Dianne Foster, Elaine Stewart, Brandon de Wilde, Jay C. Flippen, Robert J. Wilke, Hugh Beaumont

This is one some of us have really been waiting for — Night Passage (1957) is finally coming to Blu-Ray, where it most certainly belongs. Elephant Films out of France have announced its hi-def debut for March 2017.

Shot in Technirama, a high-fidelity combination of VistaVision and anamorphic widescreen, this picture is as sharp as the movies ever got. And with loads of incredible location work in Durango, Colorado, it’s stunning.

The movie itself, while it’s no masterpiece, has been unjustly maligned. You’ll find the story behind all that in a post from a few year ago. It’s still one of my favorite pieces, thanks in large part to the terrific discussion that cropped up in the comments.

Thanks to Allen Smithee for the news.

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Veterans Day.

sixbhphoto

I love this shot of Audie Murphy in Six Black Horses (1962). Veterans Day seems like a good time to share it.

Thanks to all who serve, or have served, in our Armed Forces. May we never forget your sacrifice.

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