August 17, 1920 – October 24, 2015
When I came upon this image from Rio Grande (1950) the other day, I had no idea this is what I’d end up using it for. The great Maureen O’Hara passed away today at 95.
Posted in 1950, 1953, 1954, Andy Devine, Clayton Moore, Dale Robertson, John Doucette, John Ford, John Wayne, Lesley Selander, Marie Windsor, Republic Pictures, Robert Mitchum, Roy Barcroft, Skip Homeier, Vera Ralston, Ward Bond, Whit Bissell, William Elliott, William Witney on September 18, 2015 | Leave a Comment »
Welcome to The Republic Pictures Blogathon. Over the weekend, we’ll be celebrating the studio’s incredible talent roster, wonderful output and lasting legacy. This page will serve as its hub, and you’ll be able to reach all the posts here. Keep checking back.
One of my earliest movie memories, maybe the earliest, is of a 16mm print of John Ford’s Rio Grande (1950). So Republic has always been a huge part of my movie world.
It was formed by combining a number of the Poverty Row studios, and the goal of its head, Herbert J. Yates, was always commerce over art. So in a way, it’s surprising their films displayed the level of craftsmanship that they did. That craft may be what, in the end, sets them apart. After all, there were lots and lots of B Westerns and serials out there. But there’s a polish to a Republic picture — from the camerawork to the editing to those wonderful special effects to the performances to the stunts, that’s very special. It’s easy to see why their films are still so popular. If only they were readily available on DVD and Blu-ray.
Over the next few days, we have plenty to celebrate. The cowboy movies. The serials. The crime pictures. And on and on. Some great movie bloggers have saddled up or strapped on their rocket suit to be a part of this whole deal — and I really appreciate their efforts. This should be fun, folks!
Click on the images below to be linked to the appropriate blog.
Angel And The Badman (1947) – The Round Place In The Middle
Ride The Man Down (1952) – 50 Westerns From The 50s
City That Never Sleeps (1953) – Speakeasy
Radar Men From The Moon (1952) – The Hannibal 8
The Fabulous Texan (1947) – Blake Lucas at 50 Westerns From The 50s
Hoodlum Empire (1952) – Jerry Entract at The Hannibal 8
Jubilee Trail (1954) – Laura’s Miscellaneous Musings
Rock Island Trail (1950) and California Passage (1950) – The Horn Section
The Outcast (1954) – Jerry Entract at 50 Westerns From The 50s
Blackmail (1947) – John Knight at The Hannibal 8
Angel And The Badman (1947) – Thoughts All Sorts
The Red Pony (1949) – Caftan Woman
Dakota Incident (1956) – Riding The High Country
Directed by Peter Bogdanovich
Starring John Ford, John Wayne, James Stewart, Richard Widmark, Henry Fonda, Harry Carey, Jr. Peter Bogdanovich, Orson Welles (narrator)
Some of my all-time favorite movie dialogue comes from this documentary.
Peter Bogdanovich: Mr. Ford, you made a picture called Three Bad Men which is a large scale western. You had a – quite elaborate land-rush in it.
John Ford: Mmm hmm.
Bogdanovich: How did you shoot that?
Ford: With a camera.
That pretty much sums up Directed By John Ford (1971). It’s a wonderful film, though I always come away from it glad I’m not Peter Bogdanovich (though I’d love to lay claim to What’s Up, Doc?). Bogdanovich’s documentary is coming to DVD from Warner Archive. If you don’t have it, you need it. (This would make a great pairing with the upcoming Blu-ray of The Man Who Shot Liberty Valance.)
Love that Dodgers cap! Hope they make it to the Series this year.
Posted in Andy Devine, Denver Pyle, DVD reviews, releases, TV, etc., Edmond O'Brien, Jimmy Stewart, John Ford, John Wayne, Lee Marvin, Lee Van Cleef, Paramount, Vera Miles on August 31, 2015 | 7 Comments »
Directed by John Ford
Starring John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O’Brien, Andy Devine, Woody Strode
One of the greatest Westerns of them all — and in my opinion, one of the finest American films ever made — is coming to Blu-ray in October. From the performances to the stunning black-and-white cinematography to the direction, John Ford’s The Man Who Shot Liberty Valance (1962) comes as close to perfection as any film I can think of. Every time I see it, I find something new to marvel at, from the huge steaks hanging of the sides of giant plates to a particular shot (like the one below) to John Wayne kicking Strother Martin in the face. The last time, it was the grace Woody Strode brought to his part as Pompey, Wayne’s ranch hand.
I can’t think of a film I’d rather see make the move to Blu-ray.
Let’s remember my favorite Western character actor, Hank Worden, on his birthday. He’s seen here with Ward Bond in John Ford’s Three Godfathers (1949).
Spent the evening with two of my favorite things — my daughter Presley and Jaws (1975). It was one of those TCM 40th anniversary screenings.
The scene with the two guys fishing with some chain, a big hook and a roast always makes me smile. As they wait for a bite (which they certainly get), they both whistle “Shall We Gather At The River,” the hymn John Ford loved and used in many of his Westerns: Stagecoach (1939), Three Godfathers (1948), The Searchers (1956) and more. I’ll bet you anything it’s a tribute to Ford — and if I ever bump into Steven Spielberg somewhere, I’m gonna ask him.
The 4K restoration of Jaws is beautiful on the big screen, but I really hate the stereo mix (and did they remove the wire from the buoy in the opening scene?). I wanted to slap the fat guy who decided to go to the bathroom during Robert Shaw’s Indianapolis speech.
Directed by Ernest B. Schoedsack
Technical Creator: Willis O’Brien
Starring Terry Moore, Ben Johnson, Robert Armstrong, Frank McHugh, Nestor Paiva, Regis Toomey, Mr. Joseph Young
There’s nothing about Mighty Joe Young (1949) that isn’t wonderful. I can’t recommend it enough. And with it making it debut on Blu-ray in October, there is much to be happy about. (It’s also part of a four-title Special Effects Collection).
With this one, She Wore A Yellow Ribbon (1949) and Wagon Master (1950), John Ford put Ben Johnson on the cinematic map — and let us all see what a natural, amiable actor he was. Of course, Mr. Joseph Young’s pretty amiable, too.
Thanks to Paula and John for bringing this to my attention.