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Archive for the ‘Clayton Moore’ Category

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Lesley_SelanderNext Thursday, April 9, Turner Classic Movies (TCM) will highlight director Lesley Selander by running nine of his films, three of them part of RKO’s excellent series of B Westerns starring Tim Holt (Gunplay is a very good one).

Arrow In The Dust (1954) stars Sterling Hayden and Coleen Gray. Tall Man Riding (1955) is a solid Randolph Scott picture. And The Lone Ranger And The Lost City Of Gold (1958) is the second TV spinoff feature to star Clayton Moore and Jay Silverheels.

I’m a big fan of Lesley Selander. When it comes to action, he’s one of the best. It’s good to see him get this kind of attention. His films are short, smart, fast — and highly recommended.

Selander on TCM

The times listed are Eastern Standard Time. This is a “restoration” of a shorter post. Thanks to Blake for pointing out all I’d missed.

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Directed by Fred F. Sears
Produced by Wallace MacDonald
Story and Screen Play by David Lang
Director Of Photography: Fred Jackman, Jr., ASC
Film Editor: Jerome Thoms, ACE
Music Conducted by Mischa Bakaleinikoff

Cast: Bill Williams (James Kingston), Richard Jaeckel (Lee Parker), Alex Montoya (Joaquin Jironza), Movita (Rosita), Adelle August (Ann Parker), Tex Ritter (Traeger), Ray ‘Crash’ Corrigan (Hank Calvin), Ray Teal (Sgt. Tim O’Roarke), Don G. Harvey (Donald Tex McGuire), James Griffith (Abraham Lincoln), Clayton Moore

Fred F. Sears’ Fury At Gunsight Pass (1956) really knocked me out, and I was eager to move on to his Apache Ambush (1955), again written by David Lang.

It opens in Washington, D.C., in April 1865, as Bill Williams, Ray Teal and Don G. Harvey meet with President Lincoln (James Griffith). There are cattle in Texas and hungry people in Kansas, and the president asks the men to drive the cattle north.

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Abraham Lincoln (James Griffith): “I wish we could talk longer, but I promised to visit Ford’s Theater this evening.”
James Kingston (Bill Williams): “Hope you enjoy the show, sir.”
Abraham Lincoln: “I’m sure I will.”

To this basic cattle drive plot, Lang’s script adds a wagon train, Mexican bandits, the Apaches of the title, a stampede, a bitter Confederate veteran and a shipment of Henry repeating rifles (and let’s not forget Lincoln’s assassination). All of that in less than 70 minutes.

Apache Ambush LC (1)

Apache Ambush doesn’t rise above its budget the way Fury At Gunsight Pass does. While Fury is tight and focused, Ambush seems to take on too many things. (And it never tops the Griffith/Lincoln opening.) But you are left with the opportunity to spend a little over an hour with a top-notch 50s Western cast and crew.

Bill Williams, of course, was Kit Carson on TV. He also appeared in some very good 50s Westerns: The Cariboo Trail (1950), Son Of Paleface (1952), The Halliday Brand (1957) and more. It’s obvious that he’s comfortable on a horse — he and his wife, Barbara Hale, lived on a working ranch.

There are a lot of great character actors in the cast, and they all do excellent work, from Ray Teal and James Griffith to old pros like Ray ‘Crash’ Corrigan and Tex Ritter (this was Ritter’s last film). Clayton Moore’s even on hand as a gunman. Adelle August is the good girl (it’s a shame her career was so brief) and Movita (who’d marry Marlon Brando in 1960) is the bad one. Back to Griffith: he was quite good at Lincoln, and played him a number of times.

apache ambush

Fred Jackman, Jr., whose cinematography was crucial to the success of Fury At Gunsight Pass, does nice work here, too — though he doesn’t have a sequence as flashy as Fury‘s windstorm. Editor Jerome Thoms had a long career cutting pictures at Columbia. Among his credits are 5 Against The House (1955), Pal Joey (1957), Face Of A Fugitive (1959) and a little thing called Ride Lonesome (1959). In Apache Ambush, Jackman and Thoms do a good job of shooting and cutting to incorporate a lot of stock footage — that may be why it’s black and white — and while it’s all obvious, it matches surprisingly well.

apache werewolfThen there’s director Fred F. Sears, who was so good at turning out these things. When he had a good script, as with Fury At Gunsight Pass, he turned in a supreme example of what a B picture could be. When he had less to work with, you got a good way to spend an afternoon. And that’s where Apache Ambush winds up — not one of Sears’ (or Lang’s) best efforts, but I’d gladly sit down and watch a dozen more just like it.

Apache Ambush is available as part of Columbia’s Choice Collection. I have not seen the DVD-R, but I’ve been told it’s widescreen and looks good. I’d love to see more of Sears’ pictures turn up on DVD. Of course, paired with his The Werewolf (1956) at the Roxana would be fine, too.

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montana territory OS

Directed by Ray Nazarro

Starring Lon McCallister, Wanda Hendrix, Preston Foster, Jack Elam, Clayton Moore.

Saturday, October 11
7:40 pm ET
GetTV

Filmed at the Iverson Ranch, in Technicolor, directed by Ray Nazarro, with Clayton Moore as a badguy, and only running 64 minutes, Montana Territory (1952) is one I’ve been wanting to track down. It sure has plenty going for it.

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Clayton Moore
(September 14, 1914 – December 28, 1999)

Being late is something the Lone Ranger certainly would’t approve of, but I didn’t want to let this slip by.

Let’s say you could sit down and have coffee or lunch with anyone, living or dead, from throughout history—who would you choose? That’s a tough one (and a bit weird), but one of my contenders would certainly be Mr. Clayton Moore.

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Hawk of wild river

Columbia has come through with another Durango Kid picture, The Hawk Of Wild River (1952). It’s one of the later entries in the series, but it’s got a lot going for it: Charles Starrett and Smiley Burnette, of course, along with Clayton Moore and Jock Mahoney and direction from Fred F. Sears.

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Everybody’s talking about The Lone Ranger (2013). They don’t like it. They like it. What’s that stuff on Johnny Depp’s head?

A good friend of this blog, Bob Madison — we tend to email back and forth about our love of The Lone Ranger — called the new film a “glorious mess” and admitted he liked it. See his blog for more.

We all have a “glorious mess” or two on our list of favorites — One-Eyed Jacks (1961) is one of mine — part of what makes being a movie nut so much fun.

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Lone Ranger opening Auston TX 1956

Kids line up outside an Austin theater to meet Clayton Moore. He was promoting The Lone Ranger (1956), the first of two features tied to the TV show.

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