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Archive for the ‘Sterling Hayden’ Category

Hired_Gun_3

Warner Archive has some great stuff promised for April.

The Hired Gun (1957)
Directed by Ray Nazarro
Starring Rory Calhoun, Anne Francis, Vince Edwards, Chuck Connors
This is one I’ve been wanting for a long time. Black and white Scope with Rory Calhoun and Anne Francis, directed by Ray Nazarro. What’s not to like?

Black Patch (1957)
Directed by Allen H. Miner
Starring George Montgomery, Diane Brewster, Tom Pittman, Leo Gordon, Lynn Cartwright
A solid Montgomery Western written by character actor Leo Gordon.

Arrow In The Dust HS

Arrow In The Dust (1954)
Directed by Lesley Selander
Starring Sterling Hayden, Coleen Gray, Jimmy Wakely, Lee Van Cleef
Hayden and Gray appear together a couple years before The Killing (1956), directed by the great Lesley Selander.

The Marauders (1955)
Directed by Gerald Mayer
Starring Dan Duryea, Jeff Richards, Keenan Wynn
Duryea as the bad guy gets first billing. Enough said.

Son Of Belle Starr (1953)
Directed by Frank McDonald
Starring Keith Larsen, Dona Drake, Peggie Castle, Regis Toomey
Peggie Castle and Regis Toomey in 70 minutes of Cinecolor from Allied Artists.

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RIP, Rod Taylor.

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Rodney Sturt “Rod” Taylor
(11 January 1930 – 7 January 2015)

I always liked Rod Taylor and hated to see that he passed away a few days ago.

Taylor made some terrific movies: The Time Machine (1960), The Birds (1963, below), The Glass-Bottom Boat (1966), Dark Of The Sun (1968) and on and on. He had an early role in Top Gun (1955), a Sterling Hayden picture directed by Ray Nazarro.

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Hellfire TC

So far, the great cinematographer Jack A. Marta has hardly been mentioned here. I’m ashamed and with today’s Wild Bill Wednesday, I’m taking care of it. So many outstanding movies. What Price Glory (1926). The Night Riders (1939). Dark Command (1940). Flying Tigers (1942). Hellfire (1949). Trigger, Jr. (1950). Spoilers Of The Plains (1951). The Last Command (1955). The Bonnie Parker Story (1958). Cat Ballou (1965). Duel (1971).

On that last one, Steven Spielberg’s breakthrough TV movie Duel, Marta’s experience shooting outdoors in the desert helped get the thing completed on its 10-day schedule.

Steven Spielberg (from the excellent book Steven Spielberg And Duel: The Making Of A Film Career): “Jack was a sweetheart. He was just a kind, gentle soul who you know had never worked that fast in his entire career; none of us had, and yet there was nothing he didn’t do or couldn’t do, and he really enjoyed himself.”

No offense to Mr. Spielberg, but I have a feeling Duel‘s 10-day shoot, though exhausting, was probably nothing new for Marta, who’d done beautiful work on Republic’s tight schedules, in both black and white and Trucolor, and worked on plenty of television shows like Route 66 and Batman.

When Elliott co-produced Hellfire (below) for Republic release, a film he saw as a very special project (and considered his best film), Jack Marta was the director of photography. Was he randomly assigned the job by Republic, or did Elliott request him after working together on The Gallant Legion (1948) and the Trucolor The Last Bandit (1949)? (I’m getting pretty good at finding new ways to sneak Hellfire into this blog.)

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Three excellent little 50s Westerns, previously part of multi-disc sets, are now available as stand-alone discs from VCI and Kit Parker Films. All three are highly recommended.

Hellgate (1952)
Directed by Charles Marquis Warren
Starring Sterling Hayden, Joan Leslie, Ward Bond, James Arness and Peter Coe

Shotgun (1955)
Directed by Leslie Selander
Starring Sterling Hayden, Yvonne De Carlo, Zachary Scott, Guy Prescott and Robert J. Wilke

Four Fast Funs (1960)
Directed by William J. Hole, Jr.
Starring James Craig, Martha Vickers. Edgar Buchanan, Brett Halsey and Paul Richards

4 fast guns

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roar_castro

If I ever had the chance to organize a 50s Westerns retrospective (something I’d love to do), this is certainly one of the evenings I’d set up: Fritz Lang’s Rancho Notorious (1952) paired with Nick Ray’s Johnny Guitar (1954). I can’t think of a better night at the movies.

It’s especially cool that Rancho Notorious is a 35mm print. If you make it out to The Castro Theatre in San Francisco on April 23, have a box of Raisinets for me.

Screen shot 2014-04-02 at 10.48.37 PM

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alamo-last command

It’s been mentioned on this blog a number of times that Olive Films have removed some key Republic titles from their list of future releases — The Last Command (1955, note the retitled card above) being one of them. Among the reasons for ditching these titles is that the Trucolor materials can be difficult, and costly, to prepare for release.

However, when Trucolor Republics like Hellfire (1949), The Outcast (1954) or A Man Alone (1955) show up on TV, they look fine. Not spiffy enough for Blu-ray, for sure, but good enough for a DVD release I’d be happy to have in my collection.

Richard W. commented the other day that we should reach out to a Mr. Lime on the Home Theater Forum about these titles, pointing out that we’d be standing at the ready, cash in hand, for these films.

At a time when so many of us are writing to our politicians about healthcare, national parks and pay for the military, why not squeeze in a quick note to the HTF about Hellfire?

hellfire1949quad

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LASTCOMMAND112

Today was my mom’s birthday. She was a Texan, and The Last Command (1955) is a film she loved. Here are a few stills from it.

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Of course, it’s Republic’s take on the story of the Alamo, directed by Frank Lloyd — made after John Wayne left the studio.

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Sterling Hayden is Jim Bowie, Richard Carlson is William Travis, Arthur Hunnicutt is Davy Crockett and J. Carroll Naish is Santa Ana. Ernest Borgnine, Jim Davis, John Russell and Slim Pickens are also in it.

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It doesn’t have the spectacle of Wayne’s The Alamo (1960), but I recommend it highly. So does my mom. Olive Films needs to give it a DVD and Blu-ray release.

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