Archive for the ‘Sterling Hayden’ Category

Arrow In The Dust HS

Directed by Lesley Selander
Produced by Hayes Goetz
Screenplay by Don Martin
Cinematography: Ellis W. Carter
Film Editor: William Austin

Cast: Sterling Hayden (Bart Laish), Coleen Gray (Christella Burke), Keith Larsen (Lt. Steve King), Tom Tully (Crowshaw), Jimmy Wakely (Pvt. Carqueville), Tudor Owen (Tillotson), Lee Van Cleef, Iron Eyes Cody


With Arrow In The Dust (1954), Allied Artists seems to have splurged a little. With both Sterling Hayden and Coleen Gray in the cast, there’s a bit more star power than usual — and we’re treated to the vivid hues of Technicolor on the then-new wide screen. But this was made not long after Poverty Row’s Monogram Pictures made the transition to Allied Artists, so some of their typical B Movie trappings are very much in evidence. And that’s not a bad thing.

Sterling Hayden’s Bart Laish, a cavalry deserter who poses as an officer to lead a wagon train through Indian territory. And boy, do they need his help — the Indians attack the settlers and soldiers again and again (for reasons that become clear in the last reel).


Along the way, Hayden is revealed as a solid leader and undergoes a real transformation (though we’re never given his reasons for deserting in the first place). Along with his redemption, he develops a relationship with Christella Burke (Coleen Gray), a woman heading west with the wagon train.

Arrow In The Dust still CG

Working with a crack team of stuntmen and a sizable amount of stock footage, Lesley Selander really piles on the action. And when it comes to action, Selander’s the guy you want in the director’s chair. While you may feel there’s little character development here, it seems to me that there’s quite a bit of it, given how much screen time is devoted to action. Hayden and Gray are as reliable as ever, rounding out their characters very well. Tom Tully, as an old scout, is also very good. Incidentally, Hayden and Gray (and Vince Edwards) would appear in Stanley Kubrick’s The Killing (1956). Think Kubrick and his team screened Arrow In The Dust during casting?


Arrow In The Dust is no epic. No one’s ever gonna mistake it for one. But it’s a revelation to see its 1.85 framing (presented as a more TV-friendly 1.78) reinstated. And while the DVD from Warner Archive is the best I’ve seen the movie look, there are some problems — and I fear they come from the original material, not the transfer. The stock footage doesn’t match the rest of the film, which is a small gripe. The day-for-night scenes are painfully obvious, and I suspect the print material doesn’t reflect the lab work that went into first-run prints. And you’ll see some dust and scratches here and there.

Sterling Hayden’s performance really boosts Arrow In The Dust, and Lesley Selander’s command of action and pacing keep things moving toward a very satisfying conclusion (I’m a sucker for a redemption story and would watch a movie of Hayden brushing his teeth). This is a solid, if slightly cheap, mid-budget Western that’s certainly worth another look — especially given the improved picture quality and original framing. Recommended.

Laura’s already reviewed this one.

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While doing some research on George Sherman’s The Treasure Of Pancho Villa (1955), I came across The Odessa American from October 9, 1955. What was playing around town was incredible.

Ector: The Treasure Of Pancho Villa
Scott Theater: Night Of The Hunter 
Rio Theater (next door to the Scott): The Big Combo
Twin Terrace Drive-In: Wichita and New Orleans Uncensored
Twin Cactus Drive-In: The Seven Little Foys and Coroner Creek
Broncho Drive-In: Las Vegas Shakedown and The End Of The Affair
Twin-Vue Drive-In: The Seven Little Foys and The Denver And Rio Grande

You could spend your night with Randolph Scott, Joel McCrea, Robert Mitchum or Rory Calhoun. If all that wasn’t enough, you could head to the Odessa High School field house on the 11th for The Western Revue Of 1955 with Lash LaRue and “Fuzzy” St. John in person — or wait a couple more days for Elvis Presley (“with Scotty and Bill”), Johnny Cash, Wanda Jackson and Porter Wagoner.


By the way, the Ector Theater was restored in 2001 and runs classic movies from time to time. I love Texas.

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Warner Archive has some great stuff promised for April.

The Hired Gun (1957)
Directed by Ray Nazarro
Starring Rory Calhoun, Anne Francis, Vince Edwards, Chuck Connors
This is one I’ve been wanting for a long time. Black and white Scope with Rory Calhoun and Anne Francis, directed by Ray Nazarro. What’s not to like?

Black Patch (1957)
Directed by Allen H. Miner
Starring George Montgomery, Diane Brewster, Tom Pittman, Leo Gordon, Lynn Cartwright
A solid Montgomery Western written by character actor Leo Gordon.

Arrow In The Dust HS

Arrow In The Dust (1954)
Directed by Lesley Selander
Starring Sterling Hayden, Coleen Gray, Jimmy Wakely, Lee Van Cleef
Hayden and Gray appear together a couple years before The Killing (1956), directed by the great Lesley Selander.

The Marauders (1955)
Directed by Gerald Mayer
Starring Dan Duryea, Jeff Richards, Keenan Wynn
Duryea as the bad guy gets first billing. Enough said.

Son Of Belle Starr (1953)
Directed by Frank McDonald
Starring Keith Larsen, Dona Drake, Peggie Castle, Regis Toomey
Peggie Castle and Regis Toomey in 70 minutes of Cinecolor from Allied Artists.

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RIP, Rod Taylor.


Rodney Sturt “Rod” Taylor
(11 January 1930 – 7 January 2015)

I always liked Rod Taylor and hated to see that he passed away a few days ago.

Taylor made some terrific movies: The Time Machine (1960), The Birds (1963, below), The Glass-Bottom Boat (1966), Dark Of The Sun (1968) and on and on. He had an early role in Top Gun (1955), a Sterling Hayden picture directed by Ray Nazarro.

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Hellfire TC

So far, the great cinematographer Jack A. Marta has hardly been mentioned here. I’m ashamed and with today’s Wild Bill Wednesday, I’m taking care of it. So many outstanding movies. What Price Glory (1926). The Night Riders (1939). Dark Command (1940). Flying Tigers (1942). Hellfire (1949). Trigger, Jr. (1950). Spoilers Of The Plains (1951). The Last Command (1955). The Bonnie Parker Story (1958). Cat Ballou (1965). Duel (1971).

On that last one, Steven Spielberg’s breakthrough TV movie Duel, Marta’s experience shooting outdoors in the desert helped get the thing completed on its 10-day schedule.

Steven Spielberg (from the excellent book Steven Spielberg And Duel: The Making Of A Film Career): “Jack was a sweetheart. He was just a kind, gentle soul who you know had never worked that fast in his entire career; none of us had, and yet there was nothing he didn’t do or couldn’t do, and he really enjoyed himself.”

No offense to Mr. Spielberg, but I have a feeling Duel‘s 10-day shoot, though exhausting, was probably nothing new for Marta, who’d done beautiful work on Republic’s tight schedules, in both black and white and Trucolor, and worked on plenty of television shows like Route 66 and Batman.

When Elliott co-produced Hellfire (below) for Republic release, a film he saw as a very special project (and considered his best film), Jack Marta was the director of photography. Was he randomly assigned the job by Republic, or did Elliott request him after working together on The Gallant Legion (1948) and the Trucolor The Last Bandit (1949)? (I’m getting pretty good at finding new ways to sneak Hellfire into this blog.)

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Three excellent little 50s Westerns, previously part of multi-disc sets, are now available as stand-alone discs from VCI and Kit Parker Films. All three are highly recommended.

Hellgate (1952)
Directed by Charles Marquis Warren
Starring Sterling Hayden, Joan Leslie, Ward Bond, James Arness and Peter Coe

Shotgun (1955)
Directed by Leslie Selander
Starring Sterling Hayden, Yvonne De Carlo, Zachary Scott, Guy Prescott and Robert J. Wilke

Four Fast Funs (1960)
Directed by William J. Hole, Jr.
Starring James Craig, Martha Vickers. Edgar Buchanan, Brett Halsey and Paul Richards

4 fast guns

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If I ever had the chance to organize a 50s Westerns retrospective (something I’d love to do), this is certainly one of the evenings I’d set up: Fritz Lang’s Rancho Notorious (1952) paired with Nick Ray’s Johnny Guitar (1954). I can’t think of a better night at the movies.

It’s especially cool that Rancho Notorious is a 35mm print. If you make it out to The Castro Theatre in San Francisco on April 23, have a box of Raisinets for me.

Screen shot 2014-04-02 at 10.48.37 PM

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