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Archive for the ‘Ben Johnson’ Category

Directed by Sam Peckinpah
Starring Charlton Heston, Richard Harris, Jim Hutton, James Coburn, Michael Anderson Jr., Mario Adorf, Brock Peters, Senta Berger, Warren Oates, Ben Johnson, L.Q. Jones, R.G. Armstrong, Slim Pickens, Dub Taylor, Michael Pate

Western fans and Peckinpah nuts have spent decades debating the merits of Major Dundee (1965). Nowadays, we also debate the merits of one DVD or Blu-Ray release of the picture over the other. It’s coming in a nice new set from Imprint out of Australia in October.

For me, the participation of Mr. Glenn Erickson puts an immediate Seal Of Approval on anything to do with Major Dundee. It’s his favorite movie, he’s certainly an authority on it (along with lots of other movies), and he’s a really nice guy. Nick Redman and Paul Seydor are also represented. 

Special Features and Technical Specs:
• Limited 2-Disc hard box edition with unique artwork on the first 1,500 copies
• Includes the 2005 4K extended cut scan and original theatrical cut
• NEW 2020 Audio Commentary by film historians Glenn Erickson and Alan Rode (Extended Cut)
Passion & The Poetry: The Dundee Odyssey – Mike Siegel ‘s 2019 feature length documentary on the making of Major Dundee with L.Q. Jones, James Coburn, Lupita Peckinpah, Chalo Gonzalez and more
Mike Siegel: About the Passion & Poetry Project – New English language version. Filmmaker Mike Siegel talks about his beginnings and his ongoing film historical project about Sam Peckinpah
Passion & Poetry: Peckinpah Anecdotes: Nine actors telling stories about working with Sam Peckinpah
• English DTS-HD Master Audio 5.1 (new score by Christopher Caliendo) (Extended Cut)
• English DTS-HD Master Audio 1.0 (original score by Daniele Amfitheatrof) (Extended Cut)
• English DTS-HD Master Audio 1.0 (original score by Daniele Amfitheatrof) (Theatrical Cut)
• Audio Commentary with Film Historians Nick Redman, Paul Seydor, Garner Simmons and David Weddle
• Isolated score by Christopher Caliendo in DTS-HD Master Audio 2.0 stereo (Extended Cut)
• Isolated score by Daniele Amfitheatrof in DTS-HD Master Audio 2.0 stereo (Theatrical Cut)
• Extended deleted scenes/outtakes with commentary by Glenn Erickson
• Original Trailers
• Trailer Artwork Outtakes
• Exhibitor Promo Reel Excerpt
• Vintage featurette: “Riding For A Fall” 

That’s a lot of stuff. I’m getting really excited about this one. Not sure what the Region info is on it.

UPDATE (8/4/2020): The word is, Imprint Blu-Rays are Region Free.

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Directed by John Ford
Starring John Wayne, Joanne Dru, John Agar, Ben Johnson, Harry Carey Jr., Victor McLaglen, Mildred Natwick, George O’Brien, Arthur Shields, Michael Dugan, Tom Tyler, Francis Ford

The Graham Cinema is running John Ford’s She Wore A Yellow Ribbon (1949) next week. Seeing John Wayne and Winton Hoch’s Oscar-winning Technicolor cinematography on the big screen is something not to be missed.

Monday & Tuesday, February 24 & 25
7:00 & 9:00 pm.

The Graham Cinema
119 N Main Street, Graham, NC

The Graham Cinema is a great old movie house. If you’re anywhere nearby, be sure to check it out.

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Kino Lorber is serving up four terrific Universal Westerns in March, an announcement that gets. 2020 off to a great start.

Canyon Passage (1946)
Directed by Jacques Tourneur
Starring Dana Andrews, Brian Donlevy, Susan Hayward, Patricia Roc, Ward Bond, Hoagy Carmichael, Andy Devine, Lloyd Bridges

Canyon Passage was Jacques Tourneur’s first Western and first film in color. It’s got a great cast (Ward Bond is terrific — and very scary) and incredible Technicolor photography from Edward Cronjager, who also shot Lang’s Western Union (1941). This is a very overlooked, underrated film.

Night Passage (1957)
Directed by James Neilson
Starring James Stewart, Audie Murphy, Dan Duryea, Dianne Foster, Elaine Stewart, Brandon de Wilde, Jay C. Flippen, Robert J. Wilke, Hugh Beaumont

Shot in Technirama, a high-fidelity combination of VistaVision and anamorphic widescreen, Night Passage is as sharp as movies could get in the late 50s. And with loads of incredible location work in Durango, Colorado, it’s stunning — and a perfect candidate for Blu-Ray. The movie itself, while it’s no masterpiece, has been unjustly maligned. You’ll find the story behind all that in an old post.

Man In The Shadow (1957)
Directed by Jack Arnold
Starring Jeff Chandler, Orson Welles, Colleen Miller, Barbara Lawrence, John Larch, Royal Dano, James Gleason

There are a thousand reasons to be excited about this modern-day (well, 1957) Western — Jeff Chandler, Orson Welles, B&W CinemaScope and Jack Arnold, for starters. Welles and producer Albert Zugsmith got to talking here, which led to Touch Of Evil (1958).

The Rare Breed (1966)
Directed by Andrew V. McLaglen
Starring James Stewart, Maureen O’Hara, Brian Keith, Juliet Mills, Ben Johnson, Jack Elam, Harry Carey, Jr.

The best thing The Rare Breed has going for it is its incredible cast — how could it go wrong? Not to mention the Technicolor/Panavision cinematography of William H. Clothier.

All four films will feature a commentary (I’m doing both Passage films) and an original trailer. It’s no easy to recommend these things!

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Directed by Sam Peckinpah
Starring Charlton Heston, Richard Harris, Jim Hutton, James Coburn, Michael Anderson Jr., Mario Adorf, Brock Peters, Senta Berger, Warren Oates, Ben Johnson, L.Q. Jones, R.G. Armstrong, Slim Pickens, Dub Taylor, Michael Pate

Over at Cinesavant.com, the mighty Glenn Erickson has spilled the beans on the glories of the upcoming Blu-Ray of Sam Peckinpah’s Major Dundee (1965) from Germany’s Explosive Media.

It’ll be the longer cut — the version that was previewed in the States and that ran in some parts of the world, accompanies by documentaries, commentaries, interviews and all sorts of cool stuff. The mangled masterpiece certainly deserves the attention it’s getting here. Can’t wait.

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A while back, I asked for Want Lists of the 50s Westerns still lost on the high-def trail. Here they are, presented in chronological order. The titles in bold are the ones that were brought up most frequently.

With the recent news about Fox/Disney’s lack of interest in their back catalogs appearing on shiny silver circles, getting this finished and posted seemed very timely. Many of these, mind you, haven’t even turned up on DVD yet.

The Virginian (1946)
Albuquerque (1948)
Coroner Creek (1948)
Whispering Smith (1948)
3 Godfathers (1949)
Colorado Territory (1949)

Hellfire (1949)
Streets Of Laredo (1949)
Ambush (1950)
Branded (1950)
Devil’s Doorway (1950)
The Nevadan (1950)
Saddle Tramp (1950)
Short Grass (1950)
Showdown (1950)

Trail Of Robin Hood (1950)
Across The Wide Missouri (1951)
Along The Great Divide (1951)
Apache Drums (1951)
Best Of The Badmen (1951)
The Great Missouri Raid (1951)
Inside Straight (1951)
Man In The Saddle (1951)
Red Mountain (1951)
The Redhead And The Cowboy (1951)
The Secret Of Convict Lake (1951)
The Texas Rangers (1951)
Westward The Women (1951)

Vengeance Valley (1951)
Warpath (1951)
The Big Sky (1952)
Bugles In The Afternoon (1952)

Hangman’s Knot (1952)
The Lawless Breed (1952)
The Lusty Men (1952)
The Naked Spur (1952)
Ride The Man Down (1952)
The Savage (1952)
The Story Of Will Rogers (1952)
Untamed Frontier (1952)
Ambush At Tomahawk Gap (1953)
Charge At Feather River (1953)
City Of Bad Men (1953)
Devil’s Canyon {1953)
Escape From Fort Bravo (1953)
The Great Sioux Uprising (1953)
Jack McCall, Desperado (1953)
Last Of The Comanches (1953)
The Last Posse (1953)
The Silver Whip (1953)
The Stranger Wore A Gun (1953)
Wings Of The Hawk (1953)

Tumbleweed (1953)
Apache (1954)
The Bounty Hunter (1954)
Cattle Queen Of Montana (1954)
The Command (1954)
Dawn At Socorro (1954)
The Law Vs. Billy The Kid (1954)
The Outcast (1954)
Ride Clear Of Diablo (1954)
Silver Lode (1954)
Wyoming Renegades (1954)
The Yellow Tomahawk (1954)
At Gunpoint (1955)
Chief Crazy Horse (1955)
The Last Frontier (1955)
The Man From Bitter Ridge (1955)
Shotgun (1955)
Smoke Signal (1955)
Tennessee’s Partner (1955)
The Violent Men (1955)
Wichita (1955)
Backlash (1956)

Dakota Incident (1956)
Fastest Gun Alive (1956)
Fury At Gunsight Pass (1956)
Great Day In The Morning (1956)
The Last Wagon (1956)
The Lone Ranger (1956)
The Maverick Queen (1956)
Reprisal! (1956)
Seven Men From Now (1956)
Stagecoach To Fury (1956)
Tribute To A Bad Man (1956)
Copper Sky (1957)
Domino Kid (1957)

Dragoon Wells Massacre (1957)
Hell Canyon Outlaws (1957)
From Hell To Texas (1958)
Frontier Gun (1958)
The Lone Ranger And The Lost City Of Gold (1958)
Face Of A Fugitive (1959)
Last Train From Gun Hill (1959)
No Name On The Bullet (1959)
Thunder In The Sun (1959)
Yellowstone Kelly (1959)
The Alamo (1960)
Hell Bent For Leather (1960)
Cheyenne Autumn (1964)
Firecreek (1968)
Pat Garrett & Billy The Kid (1973)

As this was being compiled, a few titles actually made their way to Blu-Ray, one of them being the exquisite new Wagon Master (1950) from Warner Archive.

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At long last, my book A Million Feet Of Film: The Making Of One-Eyed Jacks is actually available. All told, it took Brando five years to make the movie — and me almost 10 to write about it.

What Happens When “The World’s Greatest Actor”
Directs A Cowboy Movie?

We expected the unexpected, and that’s what we got.” — Martin Scorsese
More than three years from contracts to premiere. Six months of shooting. A thousand takes. Almost 200 miles of negative exposed. A revolving door of personnel, including Rod Serling, Sam Peckinpah and Stanley Kubrick — all of them gone before the first frame was shot. A budget that ballooned from $1.8 million to $6 million. And the eventual takeover of the film by Paramount.

If we’d made it the way Marlon wanted it made… it could have been a breakthrough Western.” — Karl Malden

A Million Feet Of Film is the story of One-Eyed Jacks (1961), Marlon Brando’s first, and only, time as director and a picture that may be better known for its troubled production than its merits as a film. 
It was an ass-breaker.” — Marlon Brando


A Million Feet Of Film
is now available from Amazon. Click the sign to get yours today.

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A Million Feet Of Film: The Making Of One-Eyed Jacks is the story of Marlon Brando’s One-Eyed Jacks, his first, and only, time as director and a picture that may be better known for its troubled production than its merits as a film. 

More than three years from contracts to premiere. Six months of shooting. Almost 200 miles of negative exposed. A revolving door of personnel, including Rod Serling, Sam Peckinpah and Stanley Kubrick — all gone before the first frame was shot. A budget that ballooned from $1.8 million to $6 million. And the eventual takeover of the film by Paramount. Click the cover to order.

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Directed by John Ford
Starring Ben Johnson, Joanne Dru, Harry Carey, Jr., Ward Bond, Charles Kemper, Russell Simpson, Hank Worden, James Arness, Francis Ford

John Ford’s Wagon Master (1950) is not just one of my favorite movies, but I consider it one of the best Westerns ever made. There’s a gentleness and an authenticity to it that no other Western can match. It’s easy to see why Ford named it his personal favorite of his own films. For me, putting this thing on is like inviting some old friends to stop by for a spell.

The performances are perfect, from Ben Johnson and Harry Carey, Jr. as the young cowboys who hire on to lead the Mormon wagon train west to Ward Bond as an elder in the group of settlers to Joanne Dru as part of a medicine show that tags along. And Russell Simpson as, what else, a grumpy old man.

Then there are the Cleggs. It seems odd to say a gentle movie has some of the vilest bad guys you’ll ever see, but it does. If you know the movie, you know what I mean. And if you haven’t seen it, well, I feel truly sorry for you.

I could go on and on. But I’ll leave it at this: Wagon Master is coming to Blu-Ray from Warner Archive. If you haven’t made the leap to high-definition yet, this should be all the reason you need. Essential.

Thanks for the tip, Paula.

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It’s down to the bibliography, endnotes and index (and dealing with some trouble with a few stubborn photos). Once I slog my way through that stuff — why’d I include so many endnotes? — A Million Feet Of Film: The Making Of One-Eyed Jacks will be ready to go. I’ve got a proof in my hot little hands right now.

To those of you waiting for this thing, I appreciate your interest and patience. To those who’ve helped out along the way, I owe you my endless thanks. This has been quite a process, and I’m looking forward to getting it out there. More news on that soon.

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On December 2, 1958, under the watchful eye of DP Charles Lang, the big VistaVision cameras rolled for Marlon Brando’s One-Eyed Jacks (1961). It would be six full months — June 2, 1959, to be exact — before they stopped. A number of inserts and reshoots came later.

My book on the film isn’t taking quite that long. Not quite, anyway.

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