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Archive for the ‘Edgar Buchanan’ Category

Produced and Directed by William J. Hole, Jr.
Written by James Edmiston and Dallas Gaultois
Cinematography: John M. Nickolaus, Jr.
Music by Alec Compinsky

Cast: James Craig (Tom Sabin), Martha Vickers (Mary Hoag), Edgar Buchanan (Dipper), Brett Halsey (Johnny Naco), Paul Richards (Hoag), Richard Martin (Quijano), Blu Wright (Farmer Brown), John Swift (Zodie Dawes), Paul Raymond (Bartender)

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One of my favorite things about early CinemaScope pictures: those long takes. If the Scope picture is a cheap one, with setups kept to a minimum to save money, then you can count on even more long takes. And that brings us to Four Fast Guns (1959). It’s a cheap little B&W Scope Western released by Universal-International.

The premise is terrific. A town tamer is on his way to Purgatory when he comes across Tom Sabin (James Craig). Sabin ends up gunning the guy down, then rides on to Purgatory and takes on the town tamer job. Purgatory’s run by Hoag (Paul Richards), who owns the saloon — he’s who the townspeople want “tamed.” Hoag writes to three notorious gunmen, offering each $1,000 to kill Sabin. (He even asks Sabin to mail the letters!) All three show up, and all three end up locking horns with Sabin. When the last fast gun, Johnny Naco (Brett Halsey), turns out to be Sabin’s brother — and Hoag’s wife Mary (Martha Vickers) admits she’s in love with the town tamer, things get complicated. It all makes for an interesting 72 minutes.

James Craig does a good job in his take on the world-weary gunfighter. This is a common theme in 50s Westerns, of course — ranging from Gregory Peck in The Gunfighter (1950) to Fred MacMurray in Face Of A Fugitive (1959). Not a lot of time goes into the relationship between the Sabin brothers, but it’s well done. It’s another angle you see quite a bit in these films — Night Passage and Fury At Showdown (both 1957), for instance.

Four Fast Guns was Martha Vickers’ last feature. I’ll never forget her in The Big Sleep (1946). She’d do a couple episodes of The Rebel, then retire. Her scenes with Craig are well done. Mary’s love for Sabin doesn’t come out of the blue. It actually makes sense, thanks to the performances and the script from James Edmiston and Dallas Gaultois.

It was a unique idea to put Hoag in a wheelchair, and it’s great to see Richard Martin, as one of the fast guns, do a serious take on his Chito character from the Tim Holt pictures. Edgar Buchanan is as dependable as ever as Dipper, who serves as Sabin’s makeshift deputy. His character could’ve easily become a liability, but he keeps things in check most of the time.

John M. Nickolaus, Jr. shot Four Fast Guns. He also shot a few Regalscope pictures, including Showdown At Boot Hill and Desert Hell (both 1958), so he certainly knew his way around B&W Scope. (The House Of The Damned, a cheap haunted house picture that Nickolaus shot for Maury Dexter, is worth seeking out.) The bulk of Nickolaus’ career was spent in TV, shooting many episodes of Gunsmoke, Perry Mason, The Outer Limits and more. The blocking of scenes within the wide frame, bringing real life to those long takes, is very effective.

Four Fast Guns is usually listed as a 1960 picture. But it played at the Palms Theatre in Detroit (with 4D Man) in December of 1959. Released by Universal-International, it was often paired with Operation Petticoat (1959).

I love cheap movies like this, where talent and ingenuity make or break the picture. (Today’s budget-equals-quality approach to cinema is why I rarely go to the movies anymore.) Four Fast Guns is available on DVD from Kit Parker Films and VCI Entertainment in two ways — first as part of their Darn Good Westerns set, then as a standalone DVD. Either way, it looks terrific and comes highly recommended. (I’d love to see it make its way to Blu-Ray.)

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Directed by Sam Peckinpah
Starring Randolph Scott, Joel McCrea, Mariette Hartley, Ron Starr, James Drury, Edgar Buchanan, R.G. Armstrong

Here’s one so many of us have been waiting for. Warner Archive has announced an upcoming Blu-Ray release for Sam Peckinpah’s Ride The High Country (1962).

Surely one of the finest Westerns ever made. Absolutely essential.

Thanks to Dick Vincent for the great news.

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Mill Creek Entertainment has announced another set of films — the 7 Western Showdown Collection. Many of us may have these on separate discs, but it’s got some excellent 40s and 50s Westerns (along with the 1971 rodeo picture J.W. Coop).

The Black Dakotas (1954)
Directed by Ray Nazarro
Starring Gary Merrill, Wanda Hendrix, John Bromfield, Noah Beery, Jr.

This is the highlight for me, a Ray Nazarro Technicolor picture I’ve never seen. It was put out a few years ago as part of Sony’s MOD program, and I believe it was widescreen.

The set also includes:

Texas (1941)
Directed by George Marshall
Starring William Holden, Glenn Ford

Blazing Across The Pecos  (1948)
Directed by Ray Nazarro
Starring Charles Starrett, Smiley Burnette, Charles Wilson

They Came To Cordura (1959)
Directed by Robert Rossen
Starring Gary Cooper, Rita Hayworth, Van Heflin, Tab Hunter

The Man From Colorado (1948)
Directed by Henry Levin
Starring William Holden, Glenn Ford, Ellen Drew, Edgar Buchanan

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Gun Fury (1953)
Directed by Raoul Walsh
Starring Rock Hudson, Donna Reed, Philip Carey, Lee Marvin, Leo Gordon

The old DVD of Gun Fury was full-frame (and 2-D) instead of its intended 1.85. Not sure if Columbia will provide Mill Creek with new material or not, but a widescreen version would be reason alone to pick up this set.

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The lineup for the 54th New York Film Festival — which runs from September 30 to Octoebr 16 — includes a terrific Henry Hathaway retrospective that doesn’t skimp on his Westerns.

Rawhide (1951)
Starring Tyrone Power, Susan Hayward, Hugh Marlowe, Dean Jagger, Edgar Buchanan, Jack Elam, George Tobias, James Millican

Garden Of Evil (1954)
Starring Gary Cooper, Susan Hayward, Richard Widmark, Hugh Marlowe, Cameron Mitchell

From Hell To Texas (1958)
Starring Don Murray, Diane Varsi, Chill Wills, R.G. Armstrong, Jay C. Flippen, Harry Carey, Jr.

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North To Alaska (1960)
Starring John Wayne. Stewart Granger, Ernie Kovacks, Fabian, Capucine, Joe Sawyer, James H. Griffith

The Shepherd Of The Hills (1941), Kiss Of Death (1947) and Niagara (1953) are among the other Hathaway pictures being shown. Good stuff.

The restored One-Eyed Jacks (1961) is also part of the festival.

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The first Randolph Scott Roundup was a great thing. And now Mill Creek’s bringing us a second batch of Scott Columbias. There are six good ones here.

The Desperadoes (1943)
Directed by Charles Vidor
Starring Randolph Scott, Glenn Ford, Claire Trevor, Evelyn Keyes, Edgar Buchanan, Guinn ‘Big Boy’ Williams

The Nevadan (1950)
Directed by Gordon Douglas
Starring Randolph Scott, Dorothy Malone, Forrest Tucker, Frank Faylen, George Macready, Charles Kemper

Santa Fe (1951)
Directed by Irving Pichel
Starring Randolph Scott, Janis Carter, Jerome Courtland, Peter Thompson

Santa Fe-La bagarre de Santa Fe 1951

Man In The Saddle
Directed by Andre de Toth
Starring Randolph Scott, Joan Leslie, Ellen Drew, Alexander Knox, Richard Rober, John Russell

Hangman’s Knot (1952)
Directed by Roy Huggins
Starring Randolph Scott, Donna Reed, Claude Jarman Jr., Lee Marvin, Guinn “Big Boy’ Williams

The Stranger Wore A Gun (1953)
Directed by Andre de Toth
Starring Randolph Scott, Claire Trevor, Joan Weldon, George Macready, Alfonso Bedoya, Lee Marvin, Ernest Borgnine

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First, thanks to everyone who sent in their picks — we had a larger turnout this year. Your responses were very thorough, and they made it clear to me what a good year this was for 50s Westerns on DVD and Blu-ray — you brought up tons of em. Here are the Top 10, ordered by the number of votes they received.

Abilene Town (1946, Blu-ray, Panamint Cinema)
This one topped the list in a big way. I was so stoked to see this fairly obscure Randolph Scott picture rescued from the PD purgatory where it’s been rotting for years — a lot of you seemed to feel the same. Mastered from 35mm fine-grain material, it’s stunning.

Shane (1953, Blu-ray, Eureka)
The Blu-ray release from Paramount made last year’s list, and this UK release was a strong contender this time around. Eureka gives us the opportunity to see what Paramount’s controversial 1.66 cropping looked like.

The Wild Bill Elliott Western Collection (1951-54, DVD set, Warner Archive)
I’m pretty biased when it comes to this one, and I was happy to learn that others were as pleased with it as I was. One of the greatest Western stars goes out on a high note, even if it is a low-budget one.

The Quiet Gun (1956, Blu-ray, Olive Films)
It’s hard to believe this was a 2015 release, since it was on Olive Films’ coming-soon list for such a long time. These Regalscope movies look great in their original aspect ratio, and for my money, this is the best of the bunch.

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Woman They Almost Lynched (1953, Blu-ray, Olive Films)
It makes me feel good to see Allan Dwan get some attention, and stellar presentations of his work, like this one, should continue to fuel his (re-)discovery.

Man With The Gun (1955, Blu-ray, Kino Lorber)
A solid Robert Mitchum Western, with the added punch of a terrific 1.85 hi-def transfer. This is a lot better movie than you probably remember it being.

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Run Of The Arrow (1957, DVD, Warner Archive)
This really knocked me out — I’d somehow missed out on what a great movie this is. It took me a while to get used to Rod Steiger and his affected accent, but this is prime Sam Fuller.

The Hired Gun (1957, DVD, Warner Archive)
Black and white CinemaScope is a big attraction for me, so I’d been waiting for this one for years. It was worth the wait.

Stranger At My Door (1954, Blu-ray, Olive Films)
A really cool little movie from Republic and William Witney. It was Witney’s favorite of his own pictures, and it’s pretty easy to see why he’d be partial to it. His work here is masterful.

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Star In The Dust (1956, Blu-ray, Koch)
Koch out of Germany is treating us (or those of us with a Region B player) to some great Universal 50s Westerns on Blu-ray. This one was released in Universal’s 2.0 ratio of the period. Some found it a bit tight, but it’s a gorgeous presentation of a movie not enough people have seen.

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Directed by Edwin L. Marin
Produced by Jules Levey
Screen play by Harold Shumate
From the novel “Trail Town” by Ernest Haycox
Director Of Photography: Archie J. Stout, ASC
Film Editor: Richard Heermance

Cast: Randolph Scott (Marshal Dan Mitchell), Ann Dvorak (Rita), Edgar Buchanan (Bravo Trimble), Rhonda Fleming (Sherry Balder), Lloyd Bridges (Henry Dreiser), Helen Boice (Big Annie), Howard Freeman (Ed Balder), Richard Hale (Charlie Fair), Jack Lambert (Jet Younger), Dick Curtis (Ryker), Earl Schenck (Hazelhurst), Eddie Waller (Hannaberry), Hank Patterson (Doug Neil)

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After World War II, Randolph Scott would create a persona that would carry him through the rest of his career (he played his last non-Western role in 1947) and make him one of the Western’s true icons. He wore his age very, very well, and it gave him the kind of authority you find in Wayne or Cooper or Stewart.

At the same time Scott was maturing, so was the Western itself — and that maturity marks the 50s Westerns we’re so enamored of around here. Abilene Town (1946) shows both of these shifts, Scott’s and the Western’s, toward something more complex and a little darker.

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Just a few years after the Civil War, Abilene, Kansas, is a town divided, literally. On one side of the street are the merchants and homesteaders, and on the other side, the saloonkeepers, gamblers and dance hall girls. In the middle stands Marshal Dan Mitchell (Randolph Scott). There’s a range war brewing, with the homesteaders laying down stakes to build a real community and the ranchers wanting to keep the range, and the saloons, open.

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Of course, the rancher-settler conflict forms the backbone of many, many Westerns. This time around, there’s a lot of human nature woven into that familiar plot-line — the townspeople are reluctant to actually do anything about their situation, in a way that would become more common in the 50s. It’s certainly lighter here than what would come later, which provides a good role for Edgar Buchanan as an ineffective sheriff. Ann Dvorak gets plenty of screen time, and a number of songs, as Scott’s saloon-singer girlfriend. Lloyd Bridges and Rhonda Fleming get early roles. And Jack Lambert is at his creepy best.

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Edwin L. Marin’s direction is very assured, and the action scenes are very well done.

Abilene Town is in the public domain, and when it turns up on TV or on DVD at the dollar store, it invariably looks terrible. Soft, washed-out, spliced-up — just plain lousy. For that reason, I’d never seen it all the way through. The new region-free Blu-ray from Panamint Cinema, mastered from a 35mm fine grain print courtesy of the BFI National Archive, is a revelation. There’s a sound glitch or two, and changeover cues are visible, but those are welcome reminders that you’re watching a movie. I miss such things. Archie Stout’s cinematography is just incredible — it’s hard to believe this is the same movie I’ve given up on so many times over the years. We all owe a big thanks to Russell Cowe at Panamint Cinema for seeing this one through — a movie that has been almost unwatchable for decades now shines like a diamond. Abilene Town is ripe for reappraisal and this Blu-ray should make it happen. Essential.

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