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Archive for the ‘Johnny Mack Brown’ Category

Warner Archive has kicked of their Christmas In July Sale — which lets you get four titles for just $44 with free shipping. This is a great, great thing — and it includes Blu-Rays!

Lesley Selander’s Short Grass (1950) with Rod Cameron and Johnny Mack Brown is one to consider. Click the banner to start shopping.

 

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Whistling Hills LC

Stephen Lodge is a very nice man who, as a kid, got to visit some Western movie and TV sets. (His aunt worked for Monogram.) One of those visits was to the Iverson Ranch while Johnny Mack Brown was shooting Whistling Hills (1951).  I’ve “borrowed” the next few snapshots from his website, which I encourage you to check out.

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First, Stephen and his brother meet Johnny Mack Brown.

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Brown with his costar, Noel Neill.

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Brown at the saloon on Iverson’s Western street. There are plenty of other photos on Lodge’s site, along with a great writeup of his time on the Iverson Ranch.

Whistling Hills is available on Warner Archive’s Monogram Cowboy Collection Volume 7.

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Code Of The Saddle TC

Warner Archive is about to offer up their ninth volume of their Monogram Cowboy Collection. This one’s all Johnny Mack Brown, nine pictures on three discs.

The Gentleman From Texas (1946)
Trailing Danger (1947)
Flashing Guns (1947)
Land Of The Lawless (1947)
Code Of The Saddle (1947)
Law Comes To Gunsight (1947)
The Fighting Ranger (1948)
Frontier Agent (1948)
The Sheriff Of Medicine Bow (1948)

All feature Raymond Hatton and were directed by Lambert Hillyer, except for Code Of The Saddle coming from Thomas Carr.

JMB and RH

The release date is September 13.

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Short Grass LC RC and JMBDirected by Lesley Selander
Starring Rod Cameron, Cathy Downs, Johnny Mack Brown, Raymond Walburn, Alan Hale, Morris Ankrum, Jack Ingram, Myron Healey

I am delighted to be able to take part in The Allied Artists Pictures Blogathon and would like to thank our host, Toby, for making it possible.

Having come together around 1932, Monogram Pictures was a main player on Poverty Row in Hollywood and was known by fans for providing thrills and excitement although their product never matched their rivals over at Republic for slickness and overall quality. They sure tried though! As WW2 ended they formed Allied Artists Pictures with the intent of producing bigger-budgeted pictures alongside their ‘bread-and-butter’ product. As the industry changed Monogram was phased out finally in 1953 and everything went out under AA.

Scott R. Dunlap had worked at Monogram for a number of years and had been a producer and close friend to cowboy star Buck Jones and had nearly died with Jones in 1942 in the Coconut Grove fire. His heart was in westerns and by the end of the decade he was involved in some with a higher budget and aspirations. In 1950, he produced a classy range Western called Short Grass.

SHORTGRASS51As a Western fan of long-standing and diehard nature, some of my all-time favorite Westerns came from either the Republic banner or Allied Artists. An actor who made his name in Westerns was Rod Cameron. Over a period of nearly a decade, Rod alternated between the two studios in some mighty fine Westerns. Three or four of those are in my list of all-time favorites — Brimstone (1949) and Ride The Man Down (1952) for Republic and Stampede (1949) and Short Grass (1950) for AA come most to mind.

Short Grass comes with some impressive western credentials. Apart from Cameron, it was directed by the unsung (though not here) Lesley Selander from a screenplay by Tom W. Blackburn, adapted from his own novel. Starring alongside Rod was cowboy star Johnny Mack Brown whose own starring series was still filming at Monogram. The cast was a ‘deep’ Western one — Harry Woods, Jack Ingram, Myron Healey and many more. Of particular note in the cast was Cathy Downs as the female lead. Her character was feminine, flesh-and-blood and believable.

054202041Blackburn’s story is set at a time when the west was on the cusp of becoming more civilised and people were moving west to seek a new life but wanting schools, churches, newspapers and, of course, law and order. From the start when Steve Llewellyn (Cameron) drifts into the middle of a saloon robbery and gets shot, then is found and nursed back to health by Sharon (Downs), a rancher’s daughter, he finds himself slap-dab in the middle of a land grab. Sharon is horrified by the brutality of the West and abhors the use of guns. Unable to avoid gunplay with the landgrabbers, Steve rides away, knowing that he cannot be with Sharon though they are in love. Five years later, he returns to New Mexico and finds a town starting to embrace civilisation but unable to free itself from the land grabbers who more or less control things. In the meantime, Sharon had married a newspaperman who unfortunately is weak and unable to control his need for booze. To cut the story short, Rod eventually is forced to strap his guns back on, this time with Sharon’s support and that of Marshal Mack Brown to face down the gang. At the end he removes his guns “for good” — you know the way will now be clear for the kind of civilization that has been hovering.

shortgrass

Short Grass is happily readily available on DVD in a beautiful print thanks to our friends at Warner Archive. The lovely cinematography of Harry Neumann stands out with some beautiful cloud formations above stunning New Mexico locations near Albuquerque. As Rod Cameron muses early in the film, the attraction to him of the wildness of the country is its space and beauty — and Neumann’s lens work makes sure the point is made!

Jerry Entract does not run his own blog or have any involvement in the film industry but is an English lifelong movie fan and amateur student of classic cinema (American and British). Main passions are the western and detective/mystery/film noir. Enjoys seeking out lesser-known (even downright obscure) old movies.

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KONICA MINOLTA DIGITAL CAMERA

Three Monogram cowboys ride tall in the latest volume of Warner Archive’s Monogram Cowboy Collection. This time, some of the films creep into the 50s. As we all know, the B Western was in its last days.

Expect lots of action, expertly transferred. These things always look terrific. Here’s what you get:

Johnny Mack Brown
Trigger Fingers (1946), Whistling Hills (1951) and Man From The Black Hills (1952);

Jimmy Wakely
Saddle Serenade (1945) and Across The Rio Grande (1949)

Whip Wilson
Gunslingers (1950), Silver Raiders (1950), Arizona Territory (1950) and Lawless Cowboys (1951).

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shortgrass

Warner Archive has announced another group of Westerns, with only one from the 50s: Short Grass (1950). Directed by Lesley Selander, it boasts quite a cast: Rod Cameron, Cathy Downs, Johnny Mack Brown, Alan Hale Jr. and Morris Ankrum.

$T2eC16V,!zEE9s3!Y,10BRbgeTm(gQ~~60_3Based on the novel by Thomas W. Blackburn, who also wrote the screenplay, Short Grass is quite ambitious for an Allied Artists picture from the period. The cowboys here are cowboys, not gunfighters — which really distinguishes what could’ve been just another series Western range war tale. This is a good one.

Blackburn wrote a number of excellent Westerns films throughout the 50s — Colt .45 (1950), Riding Shotgun (1954) and Cattle Queen Of Montana (1954, story only), to name just a few — before making the move to TV — often for Walt Disney. He not only wrote the Disney Davy Crockett shows (which of course became the 1955 film Davy Crockett: King Of The Wild Frontier).  His place in popular culture history is secured by the fact that he wrote the lyrics for “The Ballad Of Davy Crockett.”

Another tip from John Knight.

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You’ve got till 4/6 at 11:59PM PST to head ’em off at the pass. Mount up!

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