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Archive for the ‘1952’ Category

Directed by Lesley Selander
Screenplay by Arthur E. Orloff
From a story by William Lively
Cinematography: Nicholas Musuraca
Music by Paul Sawtell
Film Editor: Samuel E. Beetley

Cast: Tim Holt (Tim Holt), Richard Martin (Chito Rafferty), Linda Douglas (Peg Masters), Frank Wilcox (Regan), Robert Sherwood (Kenny Masters), John Pickard (Dawson), Kenneth MacDonald (Wheeler), Wendy Waldron (Maria), Patricia Wright (Saloon Girl), Tom London (Old Timer), John Merton (Dale)

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I’m way overdue for a Tim Holt Tuesday. Sorry, Mr. Holt.

By 1952, series Westerns were winding down, and Trail Guide (1952) would be one of the last of Tim Holt’s pictures for RKO. As the series began its ride into the sunset, the budgets got smaller — leaving Holt and Richard Martin, along with director Lesley Selander, to keep things going by simply being so damn good at what they do. And that’s what you have here, some real pros bringing effortless skill and charm to each and every one of the picture’s 60 minutes.

Tim and Chito lead a wagon train to Silver Springs (thanks to stock footage from Wagonmaster), a town where ranchers detest homesteaders. Tim encounters brother-and-sister ranchers (Linda Douglas and Robert Sherwood) and a crooked saloon owner (Frank Wilcox) as he tries to help the settlers stake their claims.

There’s a great fistfight, plenty of riding and the usual back-and-forth with Tim and Chito. It looks like they stayed closer to LA, probably for budget reasons, so we don’t have those stunning Lone Pine vistas. But DP Nicholas Musuraca makes the most of any location. His work is stunning in some of these things. When God’s your set decorator, budget doesn’t matter.

Linda Douglas consults the script.

Linda Douglas had a very short film career. She’d later marry Hank Greenberg of the Detroit Tigers. (There’s a great documentary on him, 1998’s The Life And Times Of Hank Greenberg. Look for it.) She’s fine here, and very pretty.

Frank Wilcox makes a great bad guy. (Why are saloon owners always crooks?) It was funny to have Wilcox talking about the oil found on the range, when a decade later, he’d play Mr. Brewster, the oil company executive who makes Jed Clampett a millionaire on The Beverly Hillbillies. Lighting isn’t around this time. Tom London is funny as an old codger with a supposedly trained dog.

It’s a shame that the series Western left us as things were getting so good — look at these Holts, the Monogram Wild Bill Elliott pictures or the Witney-directed Roy Rogers movies. Luckily, they made a lot of ’em, and they’re turning up on DVD and sometimes Blu-Ray looking terrific. Trail Guide can be found on Tim Holt Western Classics Collection, Volume 4 from Warner Archive. While there’s a fleck of dust or damaged frame here and there, it’s served up well. The four volumes leave a few pictures orphaned, probably due to problems with the available material. Hopefully they’ll turn up someday, and a fifth set will wrap ’em up. These sets are essential.

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Slim Pickens (Louis Burton Lindley Jr.)
(June 29, 1919 – December 8, 1983)

When we think of Slim Pickens, what comes to mind are his performances from the 60s and 70s — One-Eyed Jacks (1961), Dr. Strangelove (1964), The Getaway (1972), Pat Garrett And Billy The Kid (1973) and more.

But before Brando and Peckinpah ever called, he’d already in a slew of stuff like William Witney’s Colorado Sundown (1952) with Rex Allen. Of course, he was a rodeo clown before that. And he was never less than terrific.

He was born 99 years ago today.

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Here are, left to right, Foy Willing, Roy Rogers, Penny Edwards and Gordon Jones getting ready for some turkey in William Witney’s Trail Of Robin Hood (1950). I know it’s a Christmas movie, but I went for the turkey thing.

Anyway, here’s wishing you all a safe, happy, food-filled Thanksgiving. And I hope you can get away from the parades, dog shows, football, traffic and sales long enough to watch something like, say, Waco (1952) with Bill Elliott, one I’ve been meaning to revisit.

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Mill Creek has announced a 10-movie set of Durango Kid movies. Some, if not all, of these have been available before, but who cares?

Charles Starrett starred in The Durango Kid, in 1940. Columbia didn’t get around to The Return Of The Durango Kid till 1945. Making up for lost time, Columbia cranked out 62 more Durango Kid pictures before shutting down the series in 1952 — at which point Starrett retired from movies.

The Fighting Frontiersman (1946)
Directed by Derwin Abrahams
Starring Charles Starrett, Smiley Burnette, Helen Mowery

Blazing Across The Pecos (1948)
Directed by Ray Nazarro
Starring Charles Starrett, Smiley Burnette, Charles Wilson

Laramie (1949)
Directed by Ray Nazarro
Starring Charles Starrett, Smiley Burnette, Fred F. Sears

Trail Of The Rustlers (1950)
Directed by Ray Nazarro
Starring Charles Starrett, Smiley Burnette, Gail Davis, Tommy Ivo

Streets Of Ghost Town (1950)
Directed by Ray Nazarro
Starring Charles Starrett, Smiley Burnette, Mary Ellen Kay, George Chesebro

Lightning Guns (1950)
Directed by Ray Nazarro
Starring Charles Starrett, Smiley Burnette, Gloria Henry, Jock Mahoney

Snake River Desperadoes (1951)
Directed by Fred F. Sears
Starring Charles Starrett, Smiley Burnette, Don Reynolds, Tommy Ivo

Bonanza Town (1951)
Directed by Fred F. Sears
Starring Charles Starrett, Smiley Burnette, Fred F. Sears, Myron Healey, Robert J. Wilke

The Hawk Of Wild River (1952)
Directed by Fred F. Sears
Starring Charles Starrett, Smiley Burnette, Jock Mahoney, Clayton Moore

The Kid From Broken Gun (1952)
Directed by Fred F. Sears
Starring Charles Starrett, Smiley Burnette, Jock Mahoney
Charles Starrett’s final appearance as The Durango Kid. Actually, his last movie, period.

This is a great collection at an incredible price, just $14.98. Remember, Sony’s Columbia Classics Collection, or whatever it’s called, was pricing these things at $20 apiece! Highly recommended.

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Directed by Ray Nazarro
Starring George Montgomery, Audrey Long, Carl Benton Reid, Eugene Iglesias, Joe Sawyer, Douglas Kennedy, Hugh Sanders, George Chesebro, Robert J. Wilke

This has happened a time or two before — just when you think Sony’s Columbia Classics series has headed to the happy hunting grounds, they announce something else. This time, that something else is Ray Nazarro’s Indian Uprising (1952), and it’s due next week.

It’s a cavalry picture, shot at Corriganville, Bronson Canyon and the Iverson Ranch in Super Cinecolor by Ellis Carter. It’s always great to add a little Montgomery or Nazarro to our DVD shelves, and this is a pretty good one.

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Directed by Lewis Collins
Written by Joseph Poland
Director Of Photography: Ernest Miller
Music by Raoul Kraushaar

Cast: Johnny Mack Brown (Himself), Lee Roberts (Sheriff Bob Conway), Phyllis Coates (Marian Gaylord), Hugh Prosser (George Millarde), Dennis Moore (Henry Lockwood), Marshall Reed (Macklin)

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The last of Johnny Mack Brown’s B Westerns for Monogram, Canyon Ambush (1952) is pretty much exactly what you’re picturing in your head — a pretty solid little picture shot at Iverson Ranch. In it, Brown’s a government agent who rides into Border City to help bring a masked rider to justice. There’s plenty of ridin’ and shootin’ all over the hallowed grounds of the Iverson Ranch, and Phyllis Coates is on hand to give the picture an extra boost — and plenty of curb appeal.

The screenplay’s by Joseph Poland, who wrote a ton of B Westerns (Autry, Wayne, Elliott) and serials (Dick Tracy Vs. Crime Inc.Batman And Robin and Atom Man Vs. Superman).

At the time Canyon Ambush was in production, Monogram was in the process of becoming Allied Artists. William Elliott stayed and made a few more pictures with the typical Monogram team (Lewis Collins, Thomas Carr, Ernest Miller, etc.); Johnny Mack Brown retired.

Canyon Ambush is available on DVD from Warner Archive’s Monogram Cowboy Collection Volume 5. The three-disc set also includes Brown and Raymond Hatton in The Texas Kid (1943), Partners Of The Trail (1944), Law Men(1944), Ghost Guns (1944), Gun Smoke (1945), Frontier Feud (1945), Border Bandits (1946) and Raiders Of The South (1947). Canyon Ambush looks terrific, stunning at times. The contrast levels are beautiful, giving us a chance to really take in the wonders of the Iverson Ranch. (One more thing: Johnny Mack Brown has a really cool hat in this one.)

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Warner Archive has a couple early 50s pictures on the way, both of them worth your time and hard-earned dough. Look at the casts on these things!

The Lion And The Horse (1952)
Directed by Louis King
Starrting Steve Cochran, Wildfire, Ray Teal, Bob Steele, Harry Antrim, George O’Hanlon

The Lion And The Horse was an early exercise in Warnercolor, but don’t hold that against it. I’ve never seen this one, but with Ray Teal and Bob Steele that far up on the cast list, I’m dying to. Steve Cochran played a bad guy more often that not, and this gives him a chance to be likable. Shot in Utah’s Mount Zion National Park, the animals had trouble with the high altitudes and were placed in an oxygen tent from time to time. Director Louis King’s previous picture was Frenchie (1950) with Joel McCrea, and he’d follow it with Powder River (1953).

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Cow Country (1953)
Directed by Lesley Selander
Starring Edmond O’Brien, Helen Wescott, Bob Lowery, Barton MacLane, Peggie Castle, James Millican, Robert Wilke, Raymond Hatton, Tom Tyler, Jack Ingram

Cow Country plays like a series Western on a larger scale — and that’s a good thing. Of course, what would you expect from Lesley Selander? James Millican has a great part here, and Robert Wilke is badder than usual. And Peggie Castle alone is worth the price of admission. Recommended.

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