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Archive for the ‘1952’ Category

Directed by Fritz Lang
Screenplay by Daniel Taradash
Story by Silvia Richards
Produced by Howard Welsch
Director Of Photography: Hal Mohr
Film Editor: Otto Ludwig
Music by Emil Newman

Cast: Marlene Dietrich (Altar Keane), Arthur Kennedy (Vern Haskell), Mel Ferrer (Frenchy Fairmont), Gloria Henry (Beth Forbes), William Frawley (Baldy Gunder), Lisa Ferraday (Maxine), John Raven (Chuck-a-luck dealer), Jack Elam (Mort Geary), George Reeves (Wilson), Frank Ferguson (Preacher), Francis McDonald (Harbin), Lloyd Gough (Kinch), John Doucette (Whitey), Russell Johnson, Fuzzy Knight, Emory Parnell, Kermit Maynard, Tom London, I. Stanford Jolley


I love Fritz Lang’s Hollywood movies, Rancho Notorious (1952) in particular. I’ve written about it on this blog before, and it’s got a chapter in my long-promised book.

With the new Blu-Ray from Warner Archive, well, here it is again.

First, the movie. It’s very, very Fritz Lang. You have Chuck-A-Luck, a retreat for outlaws run by Altar Keane (Marlene Dietrich) — sort of an Old West variation on Dr. Mabuse and his criminal network. Then you have Vern Haskall (Arthur Kennedy), whose fiancé (Gloria Henry) is raped and murdered in a holdup eight days before their wedding. Vern is absolutely consumed with revenge, another Lang favorite, and his journey for justice leads to Keane, gunslinger Frenchy Fairmont (Mel Ferrer) and Chuck-A-Luck.

As the ballad that runs throughout tells use, it’s a story of “hate, murder and revenge” — themes that served Lang well in all those terrific noirs.

All this is placed in a low-budget, studio-bound (though there’s a little Iverson Ranch and Republic Western street in there), Technicolor setting that comes off rather dreamy and operatic. Somehow it seems more dated that Lang’s Western Union from 1941. But let me be perfectly clear — all of these are good things.

Rancho Notorious is often compared to Nick Ray’s Johnny Guitar (1954). Some folks hate it, some find it corny and laughable (especially that song). For me, however, it’s just wonderful, one of the few films I’ve watched back to back on the same evening (had to make sure I actually saw what I thought I saw).

Now, on to the new Blu-Ray. Warner Archive often shows us just how good an older film can look in high definition. Their exquisite restoration of Anthony Mann’s The Naked Spur (1953) is a shining example. Rancho Notorious has been given a new 4K transfer from the original nitrate Technicolor negative, and it’s just incredible. From the B&W RKO logo to the final fade, it’s as sharp as anything I’ve ever seen on a TV, highlighting the detail (thanks to the nitrate, grain’s almost nonexistent) and depth of Hal Mohr’s cinematography. The artifice of the whole endeavor is more noticeable than ever, and I stopped it a number of times to study the costumes, sets and backdrops.

The audio has been given plenty of attention, too, and it’s as clear as a bell. (The old DVD’s audio level was a bit low.) If Fritz Lang’s weird Western is ever gonna get the reappraisal it so richly deserves, this is the way to make it happen.

Warner Archive keeps raising the bar. This is a stunning, as-close-to-perfect-as-you-can-get presentation. Highly, highly recommended.

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Welcome to 2023. I’m excited about what’s in store this year, with the Hopalong Cassidy series from ClassicFlix being just one example.

Hope you’re all happy, healthy and safe throughout 2023.

Remember: Hoppy says — Brush your teeth at least twice a day.

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Directed by Fritz Lang
Starring Marlene Dietrich, Arthur Kennedy, Mel Ferrer, Gloria Henry, William Frawley, Jack Elam, George Reeves, Frank Ferguson

When The Warner Archive brought Fritz Lang’s Rancho Notorious to DVD back in 2009, I was overjoyed. They’ve now got a Blu-Ray coming in January — and I’m maybe even more excited.

Since that DVD hit our players, the picture has become one of my favorite 50s Westerns. It’s one I return to quite a bit, finding something new each time. That’s something you can say about most of Lang’s films.

Can’t wait to see Hal Mohr’s gorgeous Technicolor in high definition. Highly, highly recommended.

Thanks to John Knight for the news.

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Directed by Fred F. Sears
Produced by Colbert Clark
Written by Howard J. Green
Director Of Photography: Fayte M. Browne
Film Editor: Paul Borofsky

Cast: Charles Starrett (Steve Martin/The Durango Kid), Smiley Burnette (Smiley), Jack Mahoney (Jack Mahoney), Clayton Moore (The Hawk), Eddie Parker (Skeeter), Jim Diehl (Al Travis), Lane Chandler (George), Syd Saylor (Yank-Em-Out Kennedy), John Cason (Duke), LeRoy Johnson (Smoky), Jack Carry (Pete), Sam Flint (Clark Mahoney)


Have been concentrating on the book, which has kept me kinda absent on here. My recent research has been on the unsung director Fred F. Sears.

Charles Starrett starred in The Durango Kid, in 1940. Columbia didn’t get around to The Return Of The Durango Kid till 1945. By the time the series was shut down in 1952, Columbia had cranked out 65 Durango Kid movies — at which point Starrett retired from movies.

One of the last of the series, The Hawk Of Wild River (1952) has a terrific cast, adding Jock Mahoney and Clayton Moore to the usual Durango roster. Of course, Mahoney had been part of the series for quite a while, doubling for Charles Starrett.

After being replaced by John Hart for the third season of The Lone Ranger, Clayton Moore went back to work as one of the best, and busiest, bad guys in Hollywood. First up was the Republic serial Radar Men From The Moon (1952). In The Hawk Of Wild River, he’s The Hawk, a half-breed bandit who’s as proficient with a bow and arrow as he is with a six-gun.

This time around, US Marshal Steve Martin (Charles Starrett) is sent to the town of Wild River to stop a run of stagecoach robberies by The Hawk and his gang. The Hawk has been killing off Wild River’s sheriffs as fast as they can pin a badge on ’em. When Steve hits town, the acting sheriff is Jack Mahoney (Jock Mahoney). The Durango Kid captures The Hawk and once he’s in jail, Martin gets himself arrested and thrown into The Hawk’s cell, never revealing that he’s a Federal man. They escape and Martin joins The Hawk’s gang — and with the help of his alter ego, The Durango Kid, eventually bring the outlaws to justice.

Along the way, Smiley Burnette is hypnotized and convinced he’s a “heap big” Indian chief. And as always happens with these things, he comes close to screwing up Martin’s plans.

Running just 53 minutes, The Hawk Of Wild River is a pretty typical Durango Kid movie, clearly aimed at kids. The usual things are in place: Smiley doing his silly stuff, Starrett donning his Durango outfit (and riding Raider) and lots of riding and fighting and shooting. Director Fred F. Sears keeps it moving at a quick pace, and director of photography Fayte Browne makes it all look like a million bucks. The Iverson Ranch is really used well in this one.

Fred F. Sears started out working as a character actor and dialogue director on the Durango Kid pictures and eventually climbed into the director’s chair. From there, he became a fixture in Sam Katzman’s unit at Columbia until he died in his office on the lot in 1957 (with eight films still awaiting release). It’s a real shame he never got a bigger budget or longer schedule.

Stuntman and actor Eddie Parker plays Skeeter. The next year, he’d play Mr. Hyde in Abbott & Costello Meet Dr. Jekyll & Mr. Hyde (1953) and the Mummy in Abbott & Costello Meet The Mummy (1955). The guy’s in about anything you can think of.

The Hawk Of Wild River is one of the 10 movies in Mill Creek’s budget-friendly two-disc setThe Durango Kid Collection. The transfer looks wonderful — with this one and the other nine films. It’s a nice little set, and it comes highly recommended. (Wish they’d get around to a volume two!)

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Here’s the second episode of The Carbon Arc Podcast. This time, we focus on Frank Tashlin’s Son Of Paleface (1952).

Hope you enjoy it. And a big thanks to Bob Madison for playing along.

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Directed by Ray Nazarro
Starring George Montgomery, Audrey Long, Carl Benton Reid, Eugene Iglesias, Joe Sawyer, Douglas Kennedy, Hugh Sanders, George Chesebro, Robert J. Wilke

Critics’ Choice and Mill Creek have been quietly adding to their Critics’ Choice Collection, bringing out some cool double- and triple-featureson DVD. The George Montgomery Western Triple Feature set gives us Indian Uprising (1952), Battle At Rogue River (1954) and Masterson Of Kansas (1954). Those last two were also part of Mill Creek’s set The Fastest Guns Of The West: The William Castle Western Collection, which many of you probably already own.

While the repetition is unfortunate, it’s great to have Ray Navarro’s Indian Uprising available again. It’s a cavalry picture, shot at Corriganville, Bronson Canyon and the Iverson Ranch in Super Cinecolor by Ellis Carter. I kinda doubt these will ever make it to Blu-Ray, but the DVD transfers are top-knotch — and the price is nice, too.

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Bob Furmanek of The 3-D Film Archive is working on their most ambitious and labor-intensive effort yet — teaming up with TCA Television Corp. and the Lou Costello Estate to restore and preserve The Abbott & Costello Show from its original 35mm camera negatives! This mammoth project is being propelled by a Kickstarter campaign, which is nearing its completion. Click the title card above to participate. Do it today!

With these shows, what we see today comes from standard-definition transfers done back in the 80s, that have been “sharpened” and monkeyed with over the years for DVD release. (My old 16mm prints were better-looking!) For this new release, the 26 Season One episodes will be scanned from 35mm master elements in 4K — and each episode will be digitally cleaned, frame by frame.

Some episodes will have commentaries, including my own ramblings for episode 11, “The Western Story.” I’m honored.

These shows are terrific — it’s still considered one of the greatest TV shows ever, and I’m so stoked The 3-D Film Archive is giving them the four-star treatment they gave Africa Screams (1949). Can’t wait to see Stinky, Mike The Cop and Hillary Brooke in all their 4K glory. Essential.

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Charles “Chuck” Hicks
(December 26, 1927 – May 4, 2021)

Veteran stuntman and charactor actor Chuck Hicks has passed away at 93.

He was in the 50s Westerns Horizons West (1952) and River Of No Return (1954) and TV’s Cheyenne, but he did some pretty memorable, even iconic, stuff in the 60s and beyond. He was the robot boxer in the great 1963 episode of The Twilight Zone, “Steel” (above). He was Chief in Cool Hand Luke (1967) and The Brow in Dick Tracy (1990).

He worked with Clint Eastwood a number of times, running from Rawhide to Dirty Harry (1971) to Bronco Billy (1980).

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Lee Aker
(September 25, 1943 – April 1, 2021)

Lee Aker, who most will remember from the Rin Tin Tin TV show, has passed away at 77. He also appeared in Hondo (1953, above) with John Wayne, High Noon (1952), Ride Clear Of Diablo (1954) and Destry (1954).

Aker suffered a stroke and died April 1 near Mesa, Arizona. Sadly, his body was unclaimed.

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Gloria Henry
(April 2, 1923 – April 3, 2021)

Gloria Henry, who most people will remember from TV as the mom of Dennis The Menace, has passed away at 98.

Us Western fans, we know her from Strawberry Roan (1948, above, with Jack Holt and Gene Autry), Lightning Guns (1950) with Charles Starrett and Fritz Lang’s Rancho Notorious (1952).

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