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Archive for June, 2015

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Directed by Sidney Salkow
Starring George Montgomery, Richard Boone, Sylvia Findley, Peter Graves, Warren Stevens, William Hopper, Leo Gordon

Sure has been a lot of new release stuff turning up lately. And here’s a good one: George Montgomery in Robbers Roost (1955) — coming from Kino Lorber later this year. The DVD from MGM’s MOD program was nice, and I figure this will hail from the same transfer.

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Run Of The Arrow ad sized

Directed by Sam Fuller
Starring Rod Steiger, Sara Montiel, Brian Keith, Ralph Meeker, Jay C. Flippen, Charles Bronson, Olive Carey, Colonel Tim McCoy

Another Fuller picture making its way to DVD is always good news, even better when it’s one of his Westerns. Run Of The Arrow (1957) — coming from Warner Archive July 7, begins with the end of the Civil War as a disillusioned soldier (Rod Steiger) makes his way west and takes up with the Sioux. Sound kinda like something you might’ve seen with Kevin Costner?

This is a long way from Dances With Wolves, if for no other reason than because it was written, produced and directed by Sam Fuller. Recommended.

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FORT MASSACRE poster

Directed by Joseph H. Newman
Written by Martin M. Goldsmith
Director Of Photography: Carl Guthrie
Starring Joel McCrea, Forrest Tucker, Susan Cabot, John Russell, George N. Neise, Anthony Caruso, Denver Pyle

Every so often, someone will complain about how light Joel McCrea’s 50s Westerns were, but that’s something Fort Massacre (1958) will never be accused of being. It’s a really good picture with a tough, dark turn from McCrea — one of his best performances, I’d say. And Kino Lorber will bring it to Blu-ray before the year’s up.

McCrea is Sgt. Vinson, a bitter cavalryman driven by a hatred of the Apaches, who massacred his family. When the commanding officer is killed in an ambush, McCrea takes the opportunity to lead the troops through Apache territory — for what the men begin to suspect are personal reasons.

It was written by Martin M. Goldsmith, known for a couple of top-notch noirs — Detour (1945) and The Narrow Margin (1952). He brought a lot of Detour‘s fatalism to Fort Massacre (1958). Joseph. Newman’s direction is tight and assured, making the most of a small budget, and Carl Guthrie makes sure it all looks terrific. Highly, highly recommended. No, make that essential.

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Spent the evening with two of my favorite things — my daughter Presley and Jaws (1975). It was one of those TCM 40th anniversary screenings.

The scene with the two guys fishing with some chain, a big hook and a roast always makes me smile. As they wait for a bite (which they certainly get), they both whistle “Shall We Gather At The River,” the hymn John Ford loved and used in many of his Westerns: Stagecoach (1939), Three Godfathers (1948), The Searchers (1956) and more. I’ll bet you anything it’s a tribute to Ford — and if I ever bump into Steven Spielberg somewhere, I’m gonna ask him.

The 4K restoration of Jaws is beautiful on the big screen, but I really hate the stereo mix (and did they remove the wire from the buoy in the opening scene?). I wanted to slap the fat guy who decided to go to the bathroom during Robert Shaw’s Indianapolis speech.

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Gunfight Dodge Coty HS

Directed by Joseph H. Newman
Screenplay by Daniel B. Ullman and Martin M. Goldsmith
Starring Joel McCrea, Julie Adams, John McIntire, Nancy Gates, Don Haggerty, Timothy Carey

The Gunfight At Dodge City (1959) is a solid Joel McCrea picture, with a great cast and terrific CinemaScope photography from Carl Guthrie (whose late-50s Westerns are a thing of beauty). This is another fine example of what a middle-budget Western could be, and it’s coming to Blu-ray from Kino Lorber.

Bat Masterson (McCrea) winds up in Dodge City, pinning on the sheriff’s badge to clean up the town and avenge the death of his brother. Along the way, he has to choose between Julie Adams and Nancy Gates — if only real life was like this!

McCrea went into The Gunfight At Dodge City (1959) with retirement in mind — this was to be his last picture. But Sam Peckinpah (and Randolph Scott) lured him back in the saddle with Ride The High Country (1962).

Thanks to John Knight.

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Arrow In The Dust HS

Directed by Lesley Selander
Produced by Hayes Goetz
Screenplay by Don Martin
Cinematography: Ellis W. Carter
Film Editor: William Austin

Cast: Sterling Hayden (Bart Laish), Coleen Gray (Christella Burke), Keith Larsen (Lt. Steve King), Tom Tully (Crowshaw), Jimmy Wakely (Pvt. Carqueville), Tudor Owen (Tillotson), Lee Van Cleef, Iron Eyes Cody

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With Arrow In The Dust (1954), Allied Artists seems to have splurged a little. With both Sterling Hayden and Coleen Gray in the cast, there’s a bit more star power than usual — and we’re treated to the vivid hues of Technicolor on the then-new wide screen. But this was made not long after Poverty Row’s Monogram Pictures made the transition to Allied Artists, so some of their typical B Movie trappings are very much in evidence. And that’s not a bad thing.

Sterling Hayden’s Bart Laish, a cavalry deserter who poses as an officer to lead a wagon train through Indian territory. And boy, do they need his help — the Indians attack the settlers and soldiers again and again (for reasons that become clear in the last reel).

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Along the way, Hayden is revealed as a solid leader and undergoes a real transformation (though we’re never given his reasons for deserting in the first place). Along with his redemption, he develops a relationship with Christella Burke (Coleen Gray), a woman heading west with the wagon train.

Arrow In The Dust still CG

Working with a crack team of stuntmen and a sizable amount of stock footage, Lesley Selander really piles on the action. And when it comes to action, Selander’s the guy you want in the director’s chair. While you may feel there’s little character development here, it seems to me that there’s quite a bit of it, given how much screen time is devoted to action. Hayden and Gray are as reliable as ever, rounding out their characters very well. Tom Tully, as an old scout, is also very good. Incidentally, Hayden and Gray (and Vince Edwards) would appear in Stanley Kubrick’s The Killing (1956). Think Kubrick and his team screened Arrow In The Dust during casting?

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Arrow In The Dust is no epic. No one’s ever gonna mistake it for one. But it’s a revelation to see its 1.85 framing (presented as a more TV-friendly 1.78) reinstated. And while the DVD from Warner Archive is the best I’ve seen the movie look, there are some problems — and I fear they come from the original material, not the transfer. The stock footage doesn’t match the rest of the film, which is a small gripe. The day-for-night scenes are painfully obvious, and I suspect the print material doesn’t reflect the lab work that went into first-run prints. And you’ll see some dust and scratches here and there.

Sterling Hayden’s performance really boosts Arrow In The Dust, and Lesley Selander’s command of action and pacing keep things moving toward a very satisfying conclusion (I’m a sucker for a redemption story and would watch a movie of Hayden brushing his teeth). This is a solid, if slightly cheap, mid-budget Western that’s certainly worth another look — especially given the improved picture quality and original framing. Recommended.

Laura’s already reviewed this one.

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Timeless Media Group has announced The Rebel: The Complete Series for release this August. You get all 76 episodes and plenty of bonus stuff: interviews, stills, commercials and a featurette.

Nick Adams plays Johnny Yuma, a young Confederate veteran who “roamed through the west” following the Civil War. Each week, he encounters a new batch of characters, played by the typically wonderful character actors of the period, from John Carradine to Marie Windsor — and some folks we’d come to know later like Warren Oates and Strother Martin. Johnny Cash, who released a 45 of  the title tune, even turns up in one.

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There’s been a lot of great TV Westerns making their way to DVD lately, and it’s good to see The Rebel joining that group. And while we’re on the subject of Nick Adams, Fury At Showdown (1957) — an excellent little Western with a terrific performance from Nick — is out on DVD. I can’t recommend it enough.

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mighty-joe-young

Directed by Ernest B. Schoedsack
Technical Creator: Willis O’Brien
Starring Terry Moore, Ben Johnson, Robert Armstrong, Frank McHugh, Nestor Paiva, Regis Toomey, Mr. Joseph Young

There’s nothing about Mighty Joe Young (1949) that isn’t wonderful. I can’t recommend it enough. And with it making it debut on Blu-ray in October, there is much to be happy about. (It’s also part of a four-title Special Effects Collection).

With this one, She Wore A Yellow Ribbon (1949) and Wagon Master (1950), John Ford put Ben Johnson on the cinematic map — and let us all see what a natural, amiable actor he was. Of course, Mr. Joseph Young’s pretty amiable, too.

Thanks to Paula and John for bringing this to my attention.

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There’s a cool twin bill coming in July from Lippert Pictures, Kit Parker Films and VCIApache Chief (1949) and Bandit Queen (1950).

Apache Chief 
Directed by Frank McDonald
Starring Alan Curtis, Russell Hayden, Carol Thurston, Tom Neal, Fuzzy Knight, Alan Wells, Billy Wilkerson

In a way this is pretty standard stuff, but it’s from the Indian’s point of view which freshens things up a bit. Russell Hayden and Fuzzy Knight are on hand, which helps out a lot.

Fans of technical stuff will appreciate that Apache Chief was one of a couple dozen films shot with the Garutso Balanced Lens. The credit reads: “Introducing the latest scientific achievement in motion picture photography, the Garutso Balanced Lens, a new optical principle which creates a three dimensional effect.” The Wild One (1953), the Brando motorcycle picture, is probably the most high-profile film shot with the lens.

Bandit Queen HS

Bandit Queen
Directed by William Berke
Starring Barbara Britton, Willard Parker, Philip Reed, Barton MacLane, Jack Ingram, Margia Dean

Barbara Britton, Barton MacLane, Vasquez Rocks, 70 minutes. What else do you need to know?

William Berke was a very prolific director, working extensively for Sam Katzman (directing several Jungle Jim pictures) and Robert Lippert. See his name in the credits, and you’re pretty sure to have a good time for the next 60 minutes or so.

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Pierre Brice
(February 6, 1929 – June 6, 2015)

Pierre Brice, who played the Apache chief Winnetou in German Westerns based on books by Karl May, passed away yesterday. The series, which originally starred Lex Barker as Old Shatterhand and ran from 1962 to 1968, was extremely successful — and predated the Sergio Leone/Clint Eastwood pictures from Italy. Brice continued to play Winnetou well into the 90s.

This blog does not concern itself with Westerns from Europe or the 60s. But it’s safe to say many of us out there, particularly in Europe, became Western fans through these films.

Thanks to Laura for bringing this to my attention.

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