Back in 1958, Acme Boots were evidently a hot item. Click on the ad and it gets a lot bigger.
Archive for the ‘James Garner’ Category
Directed by Richard L. Bare
Produced by Richard Whorf
Written by John Tucker Battle and D.D. Beauchamp
Director Of Photography: Carl Guthrie, ASC
Art Director: Stanley Fleischer
Music by Roy Webb
Film Editior: Clarence Kolster, ACE
CAST: Randolph Scott (Capt. Buck Devlin), James Craig (Ep Clark), Angie Dickinson (Priscilla King), Dani Crayne (Nell Garrison), James Garner (Sgt. John Maitland), Gordon Jones (Pvt. Wilbur “Will” Clegg), Trevor Bardette (Sheriff Bob Massey), Don Beddoe (Mayor Sam Pelley), Myron Healey (Rafe Sanders), John Alderson (Clyde Walters), Harry Harvey, Sr. (Elam King), Robert Warwick (Brother Abraham).
Shoot-Out At Medicine Bend (1957) sticks out like a sore thumb in Randolph Scott’s filmography. It sits right in the middle of the Ranown cycle (coming between The Tall T and Decision At Sundown) — a cheap little black-and-white contract killer shot on the backlot in 19 days by a crew (and sometimes cast) more accustomed to TV than features. It’s known more today for the early work it gave Angie Dickinson and James Garner than for Scott’s participation.
James Garner: “The movie couldn’t decide if it was a comedy or a drama, maybe because [director Richard L.] Bare had gotten his start directing the ‘Joe McDoakes’ comedy shorts in the 1940s.”
Bare made a name for himself in shorts like the McDoakes pictures, directed a few features, then really found his place in early TV. He directed episodes of both Cheyenne and Maverick (he discovered James Garner in a bar on Sunset), and would go on to direct everything from The Twilight Zone to Green Acres (over 150 episodes of that one).
Richard L. Bare: “I was glad to see that my few years in TV had not knocked me out of the box for feature assignments. It was a story of three ex-soldiers who dressed up like preachers to avenge the death of Scott’s brother.”
The soldiers are Scott, a pre-Maverick James Garner and Gordon Jones, and their journey takes to them to the rather lawless prairie town of Medicine Bend. Ep Clark (James Craig) runs the town and quickly winds up in Randy’s sites.
Richard L. Bare: “We were shooting a scene that called for the three of them [Scott, Garner, Gordon Jones] to swim in a lake [on the WB backlot] and come to shore. Scott said to me, ‘I’m not going in that water.’ I said, ‘Randy, the other guys are going to do it.’ He said, ‘Not me, not in that filth.’ So what I did was put Scott’s double in the water, and in the foreground I put Scott out of view behind a huge log, and when I called action, a prop man dumped fresh water on Scott, and Garner, Jones and Scott’s double swam to shore and ran to the log, and Scott’s double disappeared behind the log and Scott, all wet, popped up. And it worked just fine.”
It’s a bit convoluted and goofy, and often played for humor. The action scenes are well done, and the film has the look and feel of a longer-than-usual Warner Bros. TV Western, which works just fine. Garner’s inexperience shows (“…my acting still wasn’t very good”). He lacks that supreme cool that came later. Angie Dickinson was two years away from Rio Bravo (1959), and comparing the two films, it’s amazing how much she developed as an actress during that time. (How much of that was Hawks’ doing?) Randolph Scott is, of course, Randolph Scott, and he handles the lighter, humorous stuff with ease. As he masquerades as a Quaker, his delivery makes the most of each line of dialogue. It’s fun to be in on his ruse.
Warner Archive has given Shoot-Out At Medicine Bend a level of respect it’s probably never received before. It looks great, framed to the proper 1.85, with the contrast dialed-in just right. The audio’s got plenty of punch, letting Roy Webb’s score really shine. You might come to this one with high curiosity and low expectations. My advice: enjoy it for what it is. Recommended.
SOURCES: The Garner Files: A Memoir by James Garner and Jon Winokur; Confessions Of A Hollywood Director by Richard L. Bare; Last Of The Cowboy Heroes by Robert Nott
Posted in 1956, 1957, 1958, Angie Dickinson, DVD reviews, releases, TV, etc., Forrest Tucker, James Garner, Monogram/Allied Artists, Nicholas Ray, Randolph Scott, Robert Mitchum, Warner Archive on September 16, 2014| 38 Comments »
For us Westerns fans, Warner Archive’s on a real roll this week. In addition to Nick Ray’s The Lusty Men (1952), and Randolph Scott, Angie Dickinson and James Garner in Shoot-Out At Medicine Bend (1957), there’s some good Allied Artists stuff available today.
The Young Guns (1956)
Directed by Albert Band
Starring Russ Tamblyn, Gloria Talbott and Perry Lopez
This one mixes the Western with your typical 50s juvenile delinquency tale, beating both The True Story Of Jesse James (1957, Ray again) The Left-Handed Gun (1958) to theaters.
A couple Allied Artists pictures that were Oldies.com exclusives are now standard Warner Archive titles: Oregon Passage (1957) and Gunsmoke In Tucson (1958).
And if that’s not enough, there’s Raton Pass (1951), Russ Tamblyn again in Son Of A Gunfighter (1965) and a couple spaghetti westerns, including one, Ringo And His Golden Pistol, from Sergio Corbucci. Told you it was a good week.
Directed by Richard L. Bare
CAST: Randolph Scott, James Craig, Angie Dickinson, Dani Crayne, James Garner, Gordon Jones
This is one we’ve all been waiting for and it’s on its way from Warner Archive: Shoot-Out At Medicine Bend (1957), a fairly obscure Randolph Scott movie that gave early roles to Angie Dickinson and James Garner. There’s a big connection between this film and Warner Bros.’ Cheyenne and Maverick TV series. Director Richard L. Bare directed episodes of each, Garner and Dickinson appeared in both (Garner, or course, was a lead on Maverick), and DP Carl Guthrie shot some of each show. In fact, being in black and white, Shoot-Out At Medicine Bend has the feel of a Warner Bros. TV Western. And there’s nothing wrong with that.
TCM ran this recently as part of their tribute to James Garner (it was his first Western feature), and it’s a pretty solid Western with an oddball touch here and there. Warner Bros. must not have seen much promise in it; a Scott Western hadn’t been shot in black and white since 1949. But it looks good, thanks to Carl Guthrie, who shot a number of excellent late-50s Westerns. His color work on Quantez (also 1957) is terrific.
As part of an all-day tribute to James Garner on Monday, July 28 (at 8AM ET), TCM is running a hard-to-find Randolph Scott Western, Shoot-Out At Medicine Bend (1957). Directed by Richard Bare, it stands as Garner’s only 50s Western — and a rather oddball entry in Scott’s final decade as a Western star. It’s also noteworthy as one of Angie Dickinson’s first films. (They’re not listing this as being letterboxed, but we’ll manage.)
Warner Archive, what’s holding this one up?
1928 – 2014
Some celebrities, you’d swear you actually knew them. Maybe you invite them into your home every week (through your TV). Perhaps you can’t remember a time when you weren’t aware of them. Or it could be that they just come off so real. All of those apply to James Garner.
Garner didn’t make much of a mark on the 50s Western, at least not in theaters. (1957’s Shoot-Out At Medicine Bend is the only one he did.) But his Maverick is still a milestone in Westerns on TV. And John Sturges’ Hour Of The Gun (1967, above) is one of the best post-50s Westerns out there, largely due to Garner’s performance — and one of the most sadly overlooked.
I was 10 years old when The Rockford Files (below) debuted, and after binge-watching it countless times over the years, I’m convinced it’s the greatest TV show ever. If I ever fall into a lot of money, you can bet that a gold mid-70s Pontiac Firebird Esprit will find its way to my driveway.
But there’s so much more. The Great Escape (1963). Grand Prix (1966). Marlowe (1968). Those great Doris Day pictures. Support Your Local Sheriff (1969). I’m just getting started.
I’m not making a lot of sense here. Thinking of James Garner and his body of work is a bit mind-boggling right now, and I’m struggling to find a coherent thread through it all. So I’ll just say I miss him already and thank God we can continue to benefit from his talent.
I haven’t seen Shoot-Out At Medicine Bend (1957) in ages, but I remember it being a pretty goofy excuse for a Randolph Scott movie. That’s not necessarily a criticism.
Laura over at Laura’s Miscellaneous Musings wrote a nice post on it over the weekend, pointing out one of the few things I remember about it — it feels more like a Warner Bros. TV show from the period than a theatrical feature.
Turns out the picture is available on Netflix Watch Instantly. I’ve never taken the Netflix plunge, but now I’m giving it some thought.