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Archive for the ‘Ray Enright’ Category

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Directed by Ray Enright
Starring Errol Flynn, Alexis Smith, S.Z. ‘Cuddles’ Sakall

Warner Archive is re-issuing some of the Errol Flynn Westerns that once made up a really terrific DVD set. Virginia City (1940), San Antonio (1945), Montana (1950) and Rocky Mountain (1950) will be available, singly, in January.

Montana co-stars Alexis Smith, was directed by Ray Enright and shot by Karl Freund — they’d recently completed the Joel McCrea picture South Of Saint Louis (1949).

Flynn, Smith and the great S.Z. ‘Cuddles’ Sakall had also appeared together in San Antonio (1945), which takes Flynn to The Alamo.

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Rocky Mountain (1950), Flynn’s last Western, gets my vote for his best cowboy picture. It’s really something else.

Virginia City (1940) has a stellar cast that includes Randolph Scott and Humphrey Bogart (as a Mexican bandit).

It’s good to know these are readily available again for folks who missed them the first time around. I’d love to see some of these crop up on Blu-Ray, too!

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Directed by Ray Enright
Written by Zachary Gold and James R. Webb
Director Of Photography: Karl Freund, ASC
Film Editor: Clarence Kolster
Music by Max Steiner
Wardrobe by Milo Anderson

Cast: Joel McCrea (Kip Davis), Alexis Smith (Rouge de Lisle), Zachary Scott (Charlie Burns), Dorothy Malone (Deborah Miller), Douglas Kennedy (Lee Price), Alan Hale (Jake Evarts), Victor Jory (Luke Cottrell), Bob Steele (Slim Hansen), Art Smith (Bronco), Monte Blue (Captain Jeffery), Nacho Galindo (Manuel), Paul Maxey (Papa Brugnon)

joel-mccrea-blogathon-badgeThis look at South Of St. Louis (1949) is an entry in the Joel McCrea Blogathon, a three-day celebration to commemorate what would’ve been his 111th birthday.

It’s the Civil War. Kip Davis (Joel McCrea), Charlie Burns (Zachary Scott) and Lee Price (Douglas Kennedy) are partners in Three Bell Ranch (the three ranchers have little bells on their spurs). When their spread is plundered and burned by the Union guerrilla raider Luke Cottrell (Victor Jory), the partners head to Brownsville, Texas, to look for Cottrell and start raising a stake to rebuild their ranch.

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Lee decides to join the Confederate Army. Kip and Charlie are soon up to their ears in trouble, smuggling guns up from Mexico for the Confederates. It’s dangerous work, but there’s the promise of the money they need to rebuild the Three Bell.

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Kip becomes so focused on revenge and rebuilding his ranch, he loses his fiancee (Dorothy Malone) to Lee. But he soon catches the eye of Rouge (Alexis Smith), the saloon singer who’s in on the smuggling operation. All the while, Charlie is becoming more and more transfixed by the money — and less and less interested in ranching.

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It all comes down to a final shootout, with friend pitted against friend — and the jingling of those three bells reminding the men of what they once meant to each other. It’d be hard to find a movie with a more satisfying last reel. All in all, it’s a moving story of the power of friendship, the pitfalls of revenge and the glory of redemption — with plenty of gunplay.

Produced by United States Pictures, and released by Warner Bros., South Of St. Louis is a remake of Warner’s own gangster picture The Roaring Twenties (1939), which starred Humphrey Bogart and James Cagney.

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Dorothy Malone and Ray Enright

Director Ray Enright began his career as an assistant editor and gag man for Mack Sennett. After serving in the First World War, he made his way to Warner Bros. — where he was eventually made a director. Naturally, given his tutelage at the Sennett studio, Enright had a real flair for both comedy and action, and his films always scoot along at a steady pace. The fight scene between John Wayne and Randolph Scott in his The Spoilers (1942) remains one of the Movies’ best — the legend goes that some of the blood you see is real. Enright worked with Hollywood’s greatest Western stars: Wayne, Scott (Trail Street, Coroner Creek, etc.), Audie Murphy (1950’s Kansas Raiders), Sterling Hayden (Flaming Feather in 1952) and, of course, this one time with McCrea.

Enright was given a splendid cast to work with on this one, and he got solid performances from them all. McCrea’s grace and naturalism are in full force here, helping guide us through some odd choices his character makes along the way. Alexis Smith is fine in a role that would’ve been perfect for Claire Trevor. One of McCrea and Smith’s later scenes together — he’s drowning his sorrow in tequila down in Matamoros, Mexico, and she’s tired of watching him “eating [his] heart out with hate” — is very well done, setting up the ending just perfectly.

Zachary Scott is terrific — we can really watch Charlie lose his soul to money. Douglas Kennedy and Dorothy Malone don’t have all that much to do, though they do it well. Alan Hale does what he always does as the saloon keeper, be the delightful Alan Hale, and Bob Steele is at his best as a bad guy. I love it when Steele gets a good amount of screen time. Victor Jory sneers his way through the picture as the evil Luke Cottrell. He turns in one of my favorites of his many wonderful performances.

Karl Freund and Joel McCrea

Thanks to the gorgeous Blu-Ray available from Olive Films, we can see that one of the picture’s greatest assets is the stunning Technicolor work of Karl Freund. Freund (his nickname was “Papa”) came to the U.S. from Germany in 1929, and was soon behind the camera at Universal on stuff like Dracula (1931). He directed The Mummy (1932), one of the most visually stunning of the Universal monster movies. He won an Academy Award for his cinematography for The Good Earth (1937), and eventually helped develop (with Desi Arnaz) the three-camera system for lighting and shooting I Love Lucy in front of a live audience. This technique is still in use today.

Freund has every frame of South Of St. Louis looking like something you’d hang over your mantel. With her red hair, rouge and Milo Anderson costumes, Alexis Smith looks like she’d glow in the dark. And with its Technicolor red, the Confederate flag never looked so majestic. (Be sure to note the curtains in Alan Hale’s Brownsville Drovers’ Rest Saloon. The red practically leaps out of your TV.)

South Of St. Louis had its premiere in Brownsville, Texas (in two theaters), with McCrea and Smith making the rounds to promote the picture. When it opened in New York at the Strand Theatre, Desi Arnaz and his orchestra performed. The picture was a big hit, and Jack Warner soon had McCrea in Colorado Territory (1949), a remake of the Bogart picture High Sierra (1941) — both films directed by the mighty Raoul Walsh. Then for McCrea, it was Stars In My Crown (1950) at MGM and a near-perfect string of medium-budget Westerns for Universal-International. He was really on a roll.

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Madman Entertainment out of Australia has announced a terrific DVD set of seven Audie Murphy pictures that cover his time at Universal, from his first film for the studio, The Kid From Texas (1950), to the last, Gunpoint (1966).

The Madman website lists the aspect ratio as 4:3, which is fine for the 1950 titles. Let’s hope the later stuff turns out to be anamorphic.

Sierra (1950)
Directed by R.G. Springsteen
Starring Wanda Hendrix, Audie Murphy, Burl Ives

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The Kid From Texas (1950)
Directed by Kurt Neumann
Starring Audie Murphy, Gale Storm, Albert Dekker

Kansas Raiders (1950)
Directed by Ray Enright
Starring Audie Murphy, Brian Donlevy, Marguerite Chapman, Scott Brady

The Wild And The Innocent (1959)
Directed by Jack Sher
Starring Audie Murphy, Joanne Dru, Gilbert Roland, Jim Backus

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Audie Murphy, Dan Duryea and Joan O’Brien on the Six Black Horses set.

Six Black Horses (1962)
Directed by Harry Keller
Written by Burt Kennedy
Starring Audie Murphy, Dan Duryea, Joan O’Brien

Showdown (1963)
Directed by R.G. Springsteen
Starring Audie Murphy, Kathless Crowley, Charles Drake, Harold J. Stone, Skip Homeier

Gunpoint (1966)
Directed by Earl Bellamy
Starring Audie Murphy, Joan Staley, Warren Stevens

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Trail Street TC

Directed by Ray Enright
Produced by Nat Holt
Screenplay: Norman Houston, Gene Lewis
Based on the novel Golden Horizon by William Corcoran
Director Of Photography: J. Roy Hunt
Film Editor: Lyle Boyer

Cast: Randolph Scott (Bat Masterson), Robert Ryan (Allan Harper), George “Gabby” Hayes (Billy Burns), Anne Jeffreys (Ruby Stone), Madge Meredith (Susan Pritchett).

I am delighted to be able to take part in The Randolph Scott Blogathon and would like to thank our host, Toby, for making it possible.

R Scott blogathon badgeWhen Randolph Scott films are talked about it is more often than not his Ranown films released in the main through Columbia Pictures that are quite rightly in the frame. I don’t think I would quibble with the notion of describing each of those films a “Western classic.”

Scott, however, had of course been a major Western star long before his association with Budd Boetticher and Burt Kennedy.  We talk regularly here about those earlier pictures directed by Andre De Toth for just one example. Most of Scott’s films after 1950 were made or released by either Warners or Columbia (alternating sometimes). But his earliest western successes were probably those produced by Nat Holt and often released by RKO, directed by Ray Enright and others.

I was first introduced to Scott in my childhood through these Nat Holt productions and they quickly became favorites. One that fails to warrant mention very often, it seems, is Trail Street from 1947.

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The story is a range war drama with the matter of law and order interwoven as farmers and ranchers are at loggerheads. The farmers cannot get their wheat to grow due partly to climate but mainly due to the free roaming of the ranchers’ cattle. This is exacerbated by the lack of local law and order. Into this situation rides Bat Masterson (Scott) who is enlisted as town marshal to bring a degree of order. He has a crusty old deputy played by George Hayes in one of the best parts in his career. “Gabby” is always a plus in anything for me.

Scott also deputizes Robert Ryan whose character discovers a form of wheat that will withstand the drought conditions, so making a brighter prospect for the farmers and therefore the community.

There is of course plenty of slam-bang shoot-’em-up action as one would expect and the different strands of the storyline are woven together well.

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As if the presence of Scott and Hayes wasn’t enough, we have the beauty of Anne Jeffries in support and the strong role played by the always-excellent Ryan too.

Randolph Scott had been in films for quite a few years in 1947 yet had only recently decided to concentrate exclusively on westerns and as a result his star was on the rise (within a year or two he was in the Top Ten most popular male stars at the box office – ANY genre) and Ryan was also on his way building a name in both westerns and especially film noir as one of Hollywood’s finest actors.

Trail Street was one of a sizable handful of westerns Scott made for Nat Holt but the three best, I think, were Badman’s Territory, Return Of The Badmen and this film.

Later films are better known these days but I like to watch and enjoy any, or certainly most, of Scott’s westerns from 1946 on. For anyone unfamiliar I would heartily recommend this film and for those that are familiar I would heartily recommend a re-watch – soon!

It is available from Warner Archive.

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Jerry Entract does not run his own blog or have any involvement in the film industry, but is an English lifelong movie fan and amateur student of classic cinema (American and British). Main passions are the western and detective/mystery/film noir. Enjoys seeking out lesser-known (even downright obscure) old movies.

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I was happy to learn that Grit is now available here in the Raleigh area. And it’s good to see some Randolph Scott pictures in their January schedule.

One that I like a lot, and that is often overlooked, is Ray Enright’s Coroner Creek (1948). It’s playing Monday at 9AM. Any picture that offers up Scott along with Edgar Buchanan, Wallace Ford and Forrest Tucker (not to mention an uncredited Curly-Joe DeRita) is certainly worthwhile.

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The charge was this: send in your list of favorite 50s Westerns DVD releases for 2014, along with a few 50s Westerns that you discovered this year.

For today, here are your (and my) 10 favorite DVDs or Blu-rays released during the 2014 calendar year.

10. Panhandle (1948) This terrific Rod Cameron picture, directed by Lesley Selander, was released a few years ago as part of VCI’s Darn Good Western Volume 1. This year, it showed up on its on.

9. City Of Bad Men (1953) Dale Robertson leads a great cast: Jeanne Crain, Richard Boone, Lloyd Bridges, Hugh Sanders, Rodolfo Acosta, Don Haggerty, Leo Gordon, John Doucette, Frank Ferguson, James Best. Harmon Jones directs.

8. Fort Massacre (1958) Joel McCrea plays way against type. Forrest Tucker, Susan Cabot, John Russell and Denver Pyle co-star. You can get a nice regular DVD here in the States — and a stunning Blu-ray in Germany.

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7. Gunfight At The O.K. Corral (1957) The guys who developed VistaVision look down from heaven, see this Blu-ray playing in our living rooms, and are very happy indeed.

6. The Lusty Men (1952) There was a time when Nicholas Ray was a machine that cranked out Great Movies. This study of modern-day rodeo cowboys — starring Robert Mitchum, Susan Haywood and Arthur Kennedy — comes from the heart of that period.

5. Drum Beat (1954) Alan Ladd shows us he’s got more than Shane up his sleeve, and Delmer Daves delivers yet another solid Western. This is a lot better movie than you’ve heard (or remember).

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4. Gunsmoke In Tucson (1958) When an Allied Artists Western starring Mark Stevens makes a Top Ten list, I know I’m in the right place.

3. Tim Holt Western Classics Collection Volume 4 As good as the series Western ever got. For me, this fourth volume is the best — which makes it plenty great indeed.

2. Shoot-Out At Medicine Bend (1957) It’s not a stupendous Randolph Scott movie, but it’s a Randolph Scott movie — and Warner Archive has it shining like a black and white, 1.85 diamond.

1. South Of St. Louis (1949) This terrific Joel McCrea picture, with its Technicolor appropriately saturated, is stunning on Blu-ray from Olive Films. Alexis Smith and Dorothy Malone should’ve paid cinematographer Karl Freund for making them look so beautiful.

Along with all these favorites, there was a common complaint: that Olive Films’ promised The Quiet Gun (1956) didn’t make it in 2014.

Thanks to everyone who sent in their lists.

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It’s not a 50s Western, but two of our favorites are in it, and this saloon fight has to be one of the best ever filmed. So, to commemorate this blog reaching 1,000,000 hits, here’s John Wayne and Randolph Scott in The Spoilers (1942). They might not reach a million hits in this six-minute sequence, but they certainly beat the crap out of each other.

To each and every one of you behind all those hits here at 50 Westerns From The 50s, my sincere thanks. I never imagined this crazy thing would ever see such a milestone.

So, to celebrate, and to honor my all-time favorite actor, Randolph Scott, let’s have another Trivia Contest. The question will appear, as a new post, tomorrow at noon (Eastern Standard Time).

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