Posted in 1952, Julie Adams on February 26, 2021| 10 Comments »
Presley recently rescued a kitten from a shed in our neighbors’ back yard. She was very successful in finding it a home, ours, and we’ve named her Rosie — after Julie Adams in The Lawless Breed (1952). We considered names from Marie Windsor movies, too, but this one seemed perfect.
So far, the connection to The Lawless Breed has proved very appropriate.
Posted in 1952, 1957, Budd Boetticher, Dorothy Malone, DVD/Blu-Ray News, Fred MacMurray, Harry Keller, James Arness, John McIntire, Julie Adams, Kino Lorber, Robert Ryan, Rock Hudson, Universal (International) on January 21, 2021| 24 Comments »
Quantez (1957)
Directed by Harry Keller
Starring Fred MacMurray, Dorothy Malone, James Barton, Sydney Chaplin, John Gavin, John Larch, Michael Ansara
Just finished recording a commentary for Harry Keller’s Quantez (1957), a film I appreciate more every time I see it. It feels awkward to plug these things when I work on ’em, but this one is something special. The movie is ripe for rediscovery — and I think it’s the best commentary I’ve done.
It’s also a picture with superb art direction and cinematography, so high-definition will be a big plus.
Horizons West (1952)
Directed by Budd Boetticher
Starring Robert Ryan, Julia Adams, Rock Hudson, John McIntire, Raymond Burr, James Arness, Dennis Weaver
Horizons West (1952) has the great cast of contract players — Adams, Hudson, McIntire, Dennis Weaver — and gorgeous Technicolor we expect from Universal International Westerns of the early 50s. It’s a post-Civi War story of Ryan’s ambitions getting the best of him. Budd Boetticher keeps it short on running time and long on action.
The color will make this one really pop on Blu-Ray. I’ll be recording a commentary for it next week. Both pictures are expected in May from Kino Lorber.
There haven’t been many 50s Westerns riding up on DVD or Blu-Ray lately. These will help make up for it.
Posted in 1952, 1953, 1954, 1955, 1956, 1957, Anthony Mann, Arthur Kennedy, Audie Murphy, Chuck Connors, Jane Russell, Jimmy Stewart, John Agar, Julie Adams, Roger Corman, Universal (International) on September 1, 2020| 17 Comments »
Lori Nelson
(August 15, 1933 – August 23, 2020)
Lori Nelson, has passed away at 87. She was born Dixie Kay Nelson. Her family moved to Hollywood when she was four. Soon after, she was crowned Little Miss America.
In 1950, Ms. Nelson signed a seven-year contract with Universal-International. Her first film was Bend Of The River, followed by Ma And Pa Kettle At The Fair and Francis Goes To West Point (all 1952). In 1953, U-I put her in Douglas Sirk’s All I Desire. She appeared in two Audie Murphy pictures, Tumbleweed (1953) and Destry (1954).
In 1955, she did Ma And Pa Kettle At Waikiki, Revenge of the Creature, Roger Corman’s Day The World Ended and I Died A Thousand Times, a remake of High Sierra (1941) — which has already been remake as Colorado Territory (1949). Underwater! was released in 1955, though it’d been shot some time earlier. She was loaned to Howard Hughes and RKO for that one. She’s also in Pardners (1956), one of the last Martin and Lewis pictures, Hot Rod Girl (1956) co-starring Chuck Connors and Howard W. Koch’s Untamed Youth (1957) with Mamie Van Doren. What a great batch of 1950s cinema.
Posted in 1953, Budd Boetticher, DVD reviews, releases, TV, etc., Glenn Ford, Hugh O'Brien, Julie Adams, Mill Creek Entertainment, Neville Brand, Universal (International), Victor Jory on June 20, 2020| 12 Comments »
Directed by Budd Boetticher
Produced by Aaron Rosenberg
Screenplay by Steve Fisher and D.D. Beauchamp
Story by Niven Busch and Oliver Crawford
Music by Frank Skinner
Cinematography: Russell Metty
Film Editor: Virgil W. Vogel
Cast: Glenn Ford (John Stroud), Julie Adams (Beth Anders), Chill Wills (John Gage), Hugh O’Brian (Lt. Lamar), Victor Jory (Jess Wade), Neville Brand (Dawes), John Day (Cavish), Myra Marsh (Ma Anders), Jeanne Cooper (Kate Lamar), Mark Cavell (Carlos), Edward Norris (Mapes), Guy Williams (Sergeant)
__________
It took Budd Boetticher a while to find his cinematic sweet spot with stuff like The Killer Is Loose and Seven Men From Now (both 1956). But he made some terrific pictures in the meantime. The Man From The Alamo (1953) is one of the best of those. It’s a short movie completely filled with action — from the attack on the Alamo to a number of fist fights to the climactic wagon train scenes. It’s all handled perfectly, and when you learn this was a shoot plagued by injuries, it’s easy to see why.
John Stroud (Glenn Ford) is the one man who left the Alamo after Travis drew his line with his sword, and he’s been labeled a coward. We know he’s not. Stroud sees the chance to help other families make their way to safety as a way to clear his name — and get his revenge on Wade (Victor Jory), the leader of a band of mercenaries who have hired on with Santa Anna.
We get an early version of the usual Boetticher hero — an outsider obsessed with a personal mission, a character Randolph Scott played to perfection in pictures like The Tall T (1957). Glenn Ford does a good job here as a man who’s lost everything, even his good name. Not many movies have us rooting for a character so clearly burned out and cynical. That’s where Ford really comes through, always showing enough of the decent family man to keep us from writing him off. It also keeps us from wondering why Julie Adams would be interested in him.
Victor Jory is Wade, the soldier for hire responsible for the death of Ford’s family. Jory is a great bad guy, and he’s at his absolute slimiest best here — though it’s hard to top him in South Of St. Louis (1949). He’s given some sweaty, sneering closeups that’ll make your skin crawl.
Julie Adams is so beautiful in Russell Metty’s Technicolor — she was perfect for Universal International’s bright, colorful Westerns of the 50s. And she’s always able to pull something out of an underwritten part. Neville Brand is terrific, too. Chill Wills can be a bit grating, as usual.
Back to Russell Metty. He was a master, and his Technicolor work here is incredible. In a picture that takes place largely in rocks and sand, he manages to find enough of a color palette to create plenty of vibrant visuals.
And that’s what makes this new Blu-Ray from Mill Creek such a treat. It’s a gorgeous transfer of the original material, and the movie really benefits from the boost in definition, a solid improvement on the old DVD (which was nice to begin with). The color is really terrific. Mill Creek has paired it with Robert Rossen’s They Came To Cordura (1959), which also looks splendid. A pair of movies like this, looking this good, at such a great price — you can’t get too many of em. Highly recommended.
Posted in 1953, 1959, Budd Boetticher, Columbia, DVD/Blu-Ray News, Gary Cooper, Glenn Ford, Hugh O'Brien, Julie Adams, Mill Creek Entertainment, Neville Brand, Universal (International), Van Heflin on February 13, 2020| 17 Comments »
Mill Creek has announced a twin-bill Blu-Ray of The Man From The Alamo (1953) and They Came To Cordura (1959).
The Man From The Alamo (1953)
Directed by Budd Boetticher
Starring Glenn Ford, Julie Adams, Chill Wills, Victor Jory, Hugh O’Brien, Neville Brand
Glenn Ford leaves The Alamo before the siege to notify families of what’s to come, and he’s branded a coward for it.This is a beautiful Technicolor Universal-International Western. Ford’s good, Julie Adams is gorgeous and Victor Jory is despicable. Just what you want in a 50s Western.
They Came To Cordura (1959)
Directed by Robert Rossen
Starring Gary Cooper, Rita Hayworth, Van Heflin, Tab Hunter, Dick York
This one’s in Eastmancolor and CinemaScope, with Gary Cooper and his men after Pancho Villa. Dick York was injured making this, and it plagued him for years. It’s why he had to leave the role of Darrin Stephens on Bewitched.
Let’s hope this is the beginning of a trend with Mill Creek. Their two-fer Blu-Rays of Hammer and William Castle horror films are terrific.
Posted in 1953, 1954, Budd Boetticher, Jack Arnold, Julie Adams on January 1, 2020| 1 Comment »
Here’s Julie Adams ringing in 1954. Well, if it was good enough then, it’s good enough 66 years later. This would’ve been around the time she’d done Wings Of The Hawk (1953) and Creature From The Black Lagoon (1954).
Hope you’re having a great time ushering in a new decade.
Posted in 1953, 3-D, Budd Boetticher, DVD/Blu-Ray News, Julie Adams, Kino Lorber, Nestor Paiva, Noah Beery Jr., Universal (International) on November 14, 2019| 5 Comments »
Directed by Budd Boeticher
Starring Van Heflin, Julia Adams, George Dolenz, Antonio Moreno, Noah Berry, Jr., Abbe Lane, Rodolfo Acosta, Pedro Gonzales-Gonzales, Lyle Talbot
Kino Lorber and the 3-D Film Archive are bringing Budd Boetticher’s Wings Of The Hawk (1953) to Blu-Ray with its 3-D and 1.85:1 framing intact. (It was the first film composed specifically for 1.85:1 exhibition.) A 2-D version is included.
It’s also a terrific picture, technology aside. Heflin’s great (or course), Julie Adams is beautiful (of course), and Boetticher, DP Clifford Stine and editor Russell Schoengarth deliver a solid, good-looking 50s Western with plenty of action. One complaint: why didn’t they put Nestor Paiva in there somewhere?
Also, the 3-D Woody Woodpecker “cartune” The Hypnotic Hick, made by U-I to play with Wings Of The Hawk, will be included (in 3-D).
Coming in 2020. I can’t tell you how excited I am about this one. Highly, highly recommended.
Posted in Allan Dwan, Andre de Toth, Anthony Mann, Audie Murphy, Barbara Stanwyck, Barry Sullivan, Ben Johnson, Budd Boetticher, Burt Kennedy, Clayton Moore, Clint Walker, Dale Evans, Dale Robertson, Delmer Daves, DVD/Blu-Ray News, Frank Ferguson, Fred F. Sears, George Montgomery, George Sherman, Glenn Ford, Gordon Douglas, Guy Madison, Hank Worden, Jack Arnold, Jacques Tourneur, James Coburn, James H. Griffith, Jay Silverheels, Jeff Chandler, Joel McCrea, John Ford, John McIntire, John Payne, John Sturges, John Wayne, Julie Adams, Kirk Douglas, Lesley Selander, Lippert/Regal, Mara Corday, Marie Windsor, Paul Landres, Phil Karlson, Randolph Scott, Ray Nazarro, Republic Pictures, Richard Widmark, Robert Mitchum, Rory Calhoun, Roy Rogers, Sam Katzman, Sam Peckinpah, Sterling Hayden, The Lone Ranger, Universal (International), William Castle, William Elliott, Yvonne DeCarlo, Zachary Scott on September 4, 2019| 22 Comments »
A while back, I asked for Want Lists of the 50s Westerns still lost on the high-def trail. Here they are, presented in chronological order. The titles in bold are the ones that were brought up most frequently.
With the recent news about Fox/Disney’s lack of interest in their back catalogs appearing on shiny silver circles, getting this finished and posted seemed very timely. Many of these, mind you, haven’t even turned up on DVD yet.
The Virginian (1946)
Albuquerque (1948)
Coroner Creek (1948)
Whispering Smith (1948)
3 Godfathers (1949)
Colorado Territory (1949)
Hellfire (1949)
Streets Of Laredo (1949)
Ambush (1950)
Branded (1950)
Devil’s Doorway (1950)
The Nevadan (1950)
Saddle Tramp (1950)
Short Grass (1950)
Showdown (1950)
Trail Of Robin Hood (1950)
Across The Wide Missouri (1951)
Along The Great Divide (1951)
Apache Drums (1951)
Best Of The Badmen (1951)
The Great Missouri Raid (1951)
Inside Straight (1951)
Man In The Saddle (1951)
Red Mountain (1951)
The Redhead And The Cowboy (1951)
The Secret Of Convict Lake (1951)
The Texas Rangers (1951)
Westward The Women (1951)
Vengeance Valley (1951)
Warpath (1951)
The Big Sky (1952)
Bugles In The Afternoon (1952)
Hangman’s Knot (1952)
The Lawless Breed (1952)
The Lusty Men (1952)
The Naked Spur (1952)
Ride The Man Down (1952)
The Savage (1952)
The Story Of Will Rogers (1952)
Untamed Frontier (1952)
Ambush At Tomahawk Gap (1953)
Charge At Feather River (1953)
City Of Bad Men (1953)
Devil’s Canyon {1953)
Escape From Fort Bravo (1953)
The Great Sioux Uprising (1953)
Jack McCall, Desperado (1953)
Last Of The Comanches (1953)
The Last Posse (1953)
The Silver Whip (1953)
The Stranger Wore A Gun (1953)
Wings Of The Hawk (1953)
Tumbleweed (1953)
Apache (1954)
The Bounty Hunter (1954)
Cattle Queen Of Montana (1954)
The Command (1954)
Dawn At Socorro (1954)
The Law Vs. Billy The Kid (1954)
The Outcast (1954)
Ride Clear Of Diablo (1954)
Silver Lode (1954)
Wyoming Renegades (1954)
The Yellow Tomahawk (1954)
At Gunpoint (1955)
Chief Crazy Horse (1955)
The Last Frontier (1955)
The Man From Bitter Ridge (1955)
Shotgun (1955)
Smoke Signal (1955)
Tennessee’s Partner (1955)
The Violent Men (1955)
Wichita (1955)
Backlash (1956)
Dakota Incident (1956)
Fastest Gun Alive (1956)
Fury At Gunsight Pass (1956)
Great Day In The Morning (1956)
The Last Wagon (1956)
The Lone Ranger (1956)
The Maverick Queen (1956)
Reprisal! (1956)
Seven Men From Now (1956)
Stagecoach To Fury (1956)
Tribute To A Bad Man (1956)
Copper Sky (1957)
Domino Kid (1957)
Dragoon Wells Massacre (1957)
Hell Canyon Outlaws (1957)
From Hell To Texas (1958)
Frontier Gun (1958)
The Lone Ranger And The Lost City Of Gold (1958)
Face Of A Fugitive (1959)
Last Train From Gun Hill (1959)
No Name On The Bullet (1959)
Thunder In The Sun (1959)
Yellowstone Kelly (1959)
The Alamo (1960)
Hell Bent For Leather (1960)
Cheyenne Autumn (1964)
Firecreek (1968)
Pat Garrett & Billy The Kid (1973)
As this was being compiled, a few titles actually made their way to Blu-Ray, one of them being the exquisite new Wagon Master (1950) from Warner Archive.
Posted in 1952, Anthony Mann, Arthur Kennedy, Chubby Johnson, DVD/Blu-Ray News, Frank Ferguson, Harry Morgan, Jimmy Stewart, Julie Adams, Kino Lorber, Rock Hudson, Royal Dano, Universal (International) on February 8, 2019| 14 Comments »
Directed by Anthony Mann
Starring James Stewart, Arthur Kennedy, Julie Adams, Rock Hudson, Lori Nelson, Jay C. Flippen, Harry Morgan, Royal Dano, Stepin Fetchit, Chubby Johnson
Kino Lorber has given a solid release date for their Blu-Ray of Bend Of The River (1952) — April 16, 2019.
This is the second of the Anthony Mann/Jimmy Stewart Westerns, and a very gorgeous thing in Technicolor. Which of the Mann-Stewart Westerns is best is a matter of personal taste, and probably a good way to get an argument going among fans of this stuff. But it’s easy to say that they’re all among the finest Westerns ever made — and absolutely essential.
Providing a commentary for this release was indeed an honor, though in retrospect, wish I’d spent more time on Julie Adams. And while I have the chance, I want to thank Glenn Erickson of cinesavant.com for his help on this one. We got a back-and-forth email thing going about Bend Of The River that really helped me pull stuff together. Thanks, Glenn.
Posted in 1952, 1953, 1954, 1955, 1959, Budd Boetticher, Glenn Ford, Jack Arnold, Jimmy Stewart, Joel McCrea, Julie Adams, Raoul Walsh, Rock Hudson, Rory Calhoun on February 3, 2019| 15 Comments »
Julie Adams (Betty May Adams)
October 17, 1926 – February 3, 2019
Just heard the sad news that Julie Adams has passed away at 92. One of my favorites actresses, she made some great Westerns for Universal-International in the 50s — and she was always so beautiful in Technicolor.
She was born Betty May Adams in 1926 in Waterloo, Iowa. In 1946, at 19, she was crowned “Miss Little Rock.” From there, it was off to Hollywood. Betty May worked as a secretary and appeared in a few B Westerns. She used her real name until 1949, when she signed with Universal-International. She then became “Julia” — and eventually “Julie”.
Universal kept her plenty busy. She appeared opposite James Stewart in Anthony Mann’s Bend Of The River (1952), Van Heflin in Budd Boetticher’s Wings Of The Hawk (1953, up top) Tyrone Power in The Mississippi Gambler (1953), Rock Hudson in Raoul Walsh’s The Lawless Breed (1953, above), Glenn Ford in The Man from the Alamo (1953) and Rory Calhoun in The Looters (1955), to name just a few. Away from Universal, she was in The Gunfight At Dodge City (1959) with Joe McCrea and Tickle Me (1965) with Elvis Presley.
She had a leading man of a different sort when she starred in 1954’s Creature From The Black Lagoon. The Creature would become the last of Universal’s roster of movie monsters, a real icon. Julie in her custom-built one-piece bathing suit became pretty iconic as well.
Julie did lots of TV, too. She was a county nurse on The Andy Griffith Show. She was on Perry Mason four times, including the only episode where Mason lost a case. You’ll also find her on The Rifleman, 77 Sunset Strip, Alfred Hitchcock Presents, Maverick, McMillan & Wife, Police Woman, The Streets Of San Francisco and more.
Westerns are often criticized for not having strong roles for women. Julie Adams was so good, that never seemed like a problem for her. She always impressed.
