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Archive for the ‘Television’ Category

Bob Furmanek of The 3-D Film Archive is working on their most ambitious and labor-intensive effort yet — teaming up with TCA Television Corp. and the Lou Costello Estate to restore and preserve The Abbott & Costello Show from its original 35mm camera negatives! This mammoth project is being propelled by a Kickstarter campaign, which is nearing its completion. Click the title card above to participate. Do it today!

With these shows, what we see today comes from standard-definition transfers done back in the 80s, that have been “sharpened” and monkeyed with over the years for DVD release. (My old 16mm prints were better-looking!) For this new release, the 26 Season One episodes will be scanned from 35mm master elements in 4K — and each episode will be digitally cleaned, frame by frame.

Some episodes will have commentaries, including my own ramblings for episode 11, “The Western Story.” I’m honored.

These shows are terrific — it’s still considered one of the greatest TV shows ever, and I’m so stoked The 3-D Film Archive is giving them the four-star treatment they gave Africa Screams (1949). Can’t wait to see Stinky, Mike The Cop and Hillary Brooke in all their 4K glory. Essential.

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“Two Ounces Of Tin, a 1962 episode of The Rifleman was on today. It’s The one where Sammy Davis, Jr. is the gunslinger who’d been in Buffalo Bill’s Wild West Show. He’s in another one, too.

This gives Davis a chance to show off his gun-handling skills, which are really something to see. It also lets him show off his acting chops, and they’re something else, too. It’s one of my all-time favorite episodes of Western TV. Good stuff.

On a real Rifleman kick these days.

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The Film Detective has launched The Lone Star Channel, available to stream on SLING TV and DistroTV — and coming soon to STIRR.

For those all set up to steam TV, this will put plenty of Western movies and TV shows at your disposal — to watch live or on-demand. Among all that stuff is The Roy Rogers Show.

Click on the Lone Star logo to find out more.

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From Shout Factory — America’s favorite singing cowboy Gene Autry heads to streaming for the first time ever with the launch of the Gene Autry film and television library on Shout! Factory TV May 1.

The streaming service will release its first collection from Gene Autry’s personal archive, with the streaming debut of fully restored feature films South Of The Border, Gaucho Serenade, Melody Ranch, The Strawberry Roan and Blue Canadian Rockies.

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The new year, and each and every morning, is getting off to a great start. COZI TV, which brings lots of cool old shows to NBC stations (5.2 here in Raleigh) has added four episodes of The Lone Ranger to their morning lineup.

What a great way to start the day, though it has really slowed down my morning routine.

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It took me about two seconds to settle on who to feature for Father’s Day. So, here’s Chuck Connors and Johnny Crawford — as Lucas McCain and his son Mark — in The Rifleman.

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The Westerner — the short-lived 1960 Western series created by Sam Peckinpah and starring Brian Keith — is a really amazing thing. First, it’s just a good show, period. Next, for a Peckinpah fan, it’s a chance to see the whole Peckinpah Thing take shape before our eyes. From the dialogue that rings so true to his unique blend of the hard-ass and the sentimental to particular scenes or dialogue that’d crop up in his later work, The Westerner feels like a prototype for Sam’s career (or at least the early part of it). His visual style still had a way to go.

independent_press_telegram_sun__sep_25__1960_I’ve been dragging around bootleg copies of The Westerner for years. I’d never seen the pilot from Dick Powell’s Zane Grey Theatre — but Shout Factory has taken care of that with their marvelous new two-DVD set. You get the 13 regular episodes and the pilot (featuring Neville Brand at his despicable best), along with commentaries from Peckinpah scholars like Paul Seydor, who’s written some excellent books on Sam and his work. His The Authentic Death And Contentious Afterlife Of Pat Garrett And Billy The Kid: The Untold Story Of Peckinpah’s Last Western Film has become one of my favorite movie books.

Haven’t made it through both discs yet, but all the shows I’ve seen look great. This is one a lot of folks have been waiting for, and this is certainly worth the wait. Right now, it’s a Walmart exclusive — at just $14.96 — and I encourage you to put aside whatever hangups you might have about the megastore and go get one of these. It’s a must.

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Fans have been hollering for this one for quite a while. Right now, it’s a Walmart exclusive: The Westerner, the 1960 series created by Sam Peckinpah and starring Brian Keith, is out on DVD from Shout Factory. Only 13 episodes were produced (it was up against The Flintstones) — they’re all terrific, and they’re all here. Also included is the Zane Grey Theatre episode that served as the show’s pilot.

Episodes were directed by the likes of Peckinpah, Andre de Toth and Ted Post. Appearing in those 13 episodes were folks like Warren Oates, Katy Jurado, John Dehner, Slim Pickens, Robert Culp, Frank Ferguson, Virginia Gregg, R.G. Armstrong and Dub Taylor — many of them people Peckinpah would turn to time and time again. Lucien Ballard shot three of them. And Brian Keith’s dog, Brown, is played by Spike, who was also Old Yeller. Highly, highly recommended.

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James Abbott has been riding along with this blog for years. He and I often get into back-and-forth email exchanges, usually about The Lone Ranger. In one of our recent “conversations,” he hit upon some stuff worth sharing with everybody, so I asked him to expand it into a post. He graciously agreed. Check out his blog The Jade Sphinx sometime.

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When I first stumbled on The Lone Ranger, it was love at first sight. And I’m not alone — the character has been an enduring icon and source of inspiration ever since he first appeared in 1933. There are few characters as familiar or beloved, and I think it fitting at the start of a New Year to talk about Lone Ranger and his place in the American mythos.

Born in 1962, I grew up during the great nostalgia craze of the 1960s and 70s. I stayed up late to watch Buster Crabbe as Buck Rogers, read reprints of Little Orphan Annie and Doc Savage, and saw the Marx Brothers on the big screen in revival houses. Great recordings from the 30s and 40s were reissued, and it’s not surprising that the first concert I ever went to was Bing Crosby when he played the Uris Theater in New York. It wasn’t that everything old was new again; for me, it was just new.

lone-ranger-radioThe big discovery for me, of course, was Old Time Radio. The local station, WRVR-FM, had a nightly rotation of vintage shows, and I was spellbound. The lineup included The Shadow, Fibber McGee and Molly, Gangbusters, The Green Hornet and … The Lone Ranger. In the first bloom of friendship, “those thrilling days of yesteryear” were both the 1930s and 40s, and the Old West.

The Lone Ranger was created by writer Fran Striker (1903-1962) and he first appeared in 1933 on radio station WXYZ, owned by George W. Trendle (1884-1972), who also claimed credit for creating the Ranger. The show was an enormous hit – it was geared towards kids, but more than half of the audience was made up of adults. The show would last on radio until 1954 – but, as is often the case, the Lone Ranger was to ride again in a television show from 1949 to 1957. The Lone Ranger was also the subject of two movie serials, four motion pictures (and, yes, I loved the Disney film), and one execrable TV movie.

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I came to the Lone Ranger long before I came to my great love of the Wild West, but he still encapsulates everything that is big, heroic and inspirational about the West.

Back in the early 70s, I listened every week. I bought cassette tapes of other episodes. I bought records featuring new recordings of radio star Brace Beemer retelling the origin (or creation myth) of the Ranger, Tonto and Silver, and the end of Butch Cavendish. And then, when the local television station started playing the Clayton Moore and Jay Silverheels television version, I felt as if I were reuniting with old friends.

unnamed-2It was a friendship built to last. For nearly 25 years, a portrait of the Lone Ranger hung in my office, and as I write these words, a statue of him astride a rearing Silver stands on my desk.

So, the Ranger has been a constant in my life for as long as I can remember. But … why? What is it about the Lone Ranger and Tonto that has made them my trusted companions for more than 40 years?

I will be the first to admit that there was as much corn as gold in our Golden Age of Pop Culture. However… there is something about the Lone Ranger that still resonates, still has the capacity to touch some more innocent and hopeful self. And I say without shame and certainly without irony that I love him and continue to be inspired by him.

The Lone Ranger is a remarkable creation for a number of reasons. First off, Striker and company hit some kind of nerve in creating a kiddie show character that so resonated with adults. To understand the Lone Ranger’s popularity at the time with both children and adults, think of our contemporary obsession with Batman – and then realize that the Lone Ranger was even more popular in his prime.

The Lone Ranger, however, has no superpowers. What makes him special is his ethical approach to everything and everyone, the exercise of his superior moral code. The Lone Ranger has always been my hero because I could aspire to be like him – in fact, I wanted to be like him. It was an ideal that I wanted because he made me a better, rather than a more powerful, person. The Lone Ranger is all the things that America once told Americans about themselves, the personification of the decency and simple integrity first found in our frontier forebears, and still residing in us today.

The Lone Ranger was not “in it” for the money. In fact, it seems as if the Lone Ranger and Tonto lived on the road, camping outside of town. He did not help people for personal fame or self-aggrandizement; in fact, he always left before anyone could properly thank him. Finally, the Ranger made life better for those around him, and that seemed to be his sole motivation.

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The Lone Ranger was also a role-model in how to conduct a deep friendship. Though many misremember Tonto as a monosyllabic stooge, Tonto actually was the Ranger’s superior in woodcraft and outdoorsmanship, and was an excellent scout and information resource. More often than not, it was Tonto who did the initial reconnaissance and told the Ranger who and where the villains could be found. The Lone Ranger and Tonto form a true friendship – both men cared for and loved each other. (As is often the case with these long-lasting sagas, there is some debate as to how the two actually met. The current story is that they were boyhood friends and it was chance that brought Tonto to Bryant’s Gap after the ambush. Each man calls the other Kemo Sabe, which means “faithful friend.”)

page088The people helped by the Lone Ranger and Tonto often reacted as if they were suddenly brought face-to-face with a great living, breathing All-American myth. And they were! Part of the Ranger’s power as a character is that he is larger-than-life, but built on human dimensions. His appearances had all the trapping of an angelic visitation – but he always left a silver bullet behind so you knew it all really happened.

The Lone Ranger’s moral code meant that he never took a life, never shot to kill, never took unfair advantage. Today, a concept like that would never fly, but the Ranger comes from different times and a different America – a more aspirational land when we wanted people to emulate rather than feel smugly superior.

The Lone Ranger code was:

I believe…

That to have a friend, a man must be one.

That all men are created equal and that everyone has within himself the power to make this a better world.

That God put the firewood there, but that every man must gather and light it himself.

In being prepared physically, mentally, and morally to fight when necessary for that which is right.

That a man should make the most of what equipment he has.

That ‘this government of the people, by the people, and for the people’ shall live always.

That men should live by the rule of what is best for the greatest number.

That sooner or later…somewhere…somehow…we must settle with the world and make payment for what we have taken.

That all things change but truth, and that truth alone, lives on forever.

In my Creator, my country, my fellow man.

You can learn a lot about a people by the stories they tell about themselves. They don’t have to be true … they just have to be how a people think of and see themselves. At one time, Americans saw the Lone Ranger, and saw themselves.

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I could never be like the Lone Ranger. I am, at heart, not as inherently kind, as unfailingly generous, as expansive of heart as the Ranger. I have grown too cynical in too many ways, and life has managed to throw me too many curves. But the hope – the expectation – that I could, maybe on a good day, be a little more like him continues to be as strong as ever.

lone-ranger-badge-df001_bigThat part of me has been hiding in there somewhere for 54 years, and shows no sign of leaving yet. And as the New Year is upon us, and people writing up their New Year Resolutions, I keep thinking, What Would the Lone Ranger Do? It would make a great ethical compass with which to live by.

The creators of the Lone Ranger wanted to create a myth that was actively striving to live larger than all of us, to be both an ideal and an inspiration. And though no one could really live up to the impossibly high bar of moral behavior the Ranger erects, it is certainly something to work towards.

Who was that Masked Man? He was the best part of ourselves.

And so, on to 2017. Hi-yo Silver, away!

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Here’s a great way to spend half an hour of your Christmas Eve — the 1956 (color) holiday episode of The Lone Ranger, “Christmas Story.”

It was directed by Earl Bellamy, who did episodes of nearly every TV show known to man. It stars Clayton Moore and Jay Silverheels, of course. Aline Towne, who plays Mrs. Talbot, has a great list of 50s credits, — from Republic stuff like Rough Riders Of Durango (1951) and Radar Men From The Moon (1952) to TV ranging from M Squad to Maverick to Leave It To Beaver.

Click on the title card and it’s “Hi-yo Silver, away!”

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