Archive for the ‘Television’ Category


Turner Classic Movies is dedicating Monday, August 24 to the great Warren Oates. Beginning with Yellowstone Kelly (1959), they’re running 13 of his films, including Ride The High Country (1962) and The Wild Bunch (1969). The still above is from Welcome To Hard Times (1967). Times shown here are Eastern Standard Time.

For my money, Oates is one of the greatest screen actors to ever get in front of a camera — ever see Two Lane Blacktop (1971) or The Brinks Job (1978)? — and this attention is well deserved.

Warren Oates 8-24 TCM

Thanks to Dick Vincent for the tip.

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Over the years, a great many movies have suffered from how they’re seen on TV — incomplete, beat-up, pan-and-scan prints (sometimes not even in color as they once were). That mistreatment eventually impacts the film’s overall reputation, as TV became how entire generations experienced older movies. (Right now, I’m thinking of how awful the Regalscope pictures have looked since they left theaters. Thank goodness for DVD and Blu-ray.)

I think TV shows have suffered a similar fate over the years, with faded prints hacked to bits to make room for more commercials. The Rebel (1959-61), now that we have the new set from Timeless Media Group, illustrates my point.

13_1959 Rebel, The TV Series (Nick Adams)

The Rebel follows Johnny Yuma (Nick Adams), a restless young Confederate veteran after the Civil War. With nothing to return to (we learn in the first episode that his lawman father’s dead), he “wanders the West” for 76 episodes — getting pulled into various situations as he rides from town to town in search of peace.

0e9f250b7cbb6dac92241b95bebf97beNick Adams is very good as Yuma, bringing the right mix of intensity and sensitivity to the part. He’s believable as a young man who’d beat the crap out of a guy, then write about it in his journal. It could’ve come off terribly. Like so many of these 5os Western TV shows, the supporting cast each week is incredible. The first episode alone features Strother Martin, Dan Blocker and John Carradine. And over the run of the show, you’ll also find Claude Akins, Robert Blake, Elisha Cook, Jr., Royal Dano, John Dehner, Jack Elam, Virginia Gregg, L.Q. Jones, George Macready, Patricia Medina, Agnes Moorehead, Leonard Nimoy, Warren Oates, Paul Picerni, Tex Ritter, Soupy Sales, Bob Steele, Peggy Stewart, Robert Vaughn, Yvette Vickers and Marie Windsor. Adams’ wife Carole Nugent is terrific in an early episode. Johnny Cash is in one, too.

Producer Andrew J. Fenady (from a good interview here): “We would shoot one day on location. Vasquez Rocks, and a lot in Thousand Oaks. And the second day we would shoot on the lot — the (western) street at Paramount. The third day we would do the interiors, whether it was someone’s house, or a shack, or a hotel or a jail. A sheriff’s office. So that was really the formula: first day out, second day on the street, and the third day interiors.”


About half the episodes were directed by Irvin Kirshner. He does a good job, to be sure, but there’s nothing in this to indicate that this is the guy who’d eventually direct The Empire Strikes Back (1980), maybe the last truly epic film I can remember. The size of the screen was obviously not an issue for him. Bernard L. Kowalski, Bernard McEveety, Robbert Ellis Miller and Frank Baur handled the rest.

Some episodes were transferred from slightly worn 16mm prints with changeover cues punched in them here and there; others look like a million bucks. What’s important is that The Rebel, The Complete Series gives us all 76 episodes, complete. Johnny Cash’s vocals have been restored to the titles (the theme was replaced for syndication, which is how we’ve been seeing and hearing it for years). While the quality varies from episode to episode, and 16mm can be a little soft, to have them all looking this good is a revelation. There are plenty of extras, from interviews to stills to commercials — even the pilot for the proposed companion series The Yank. This is a good set, and a good show, ready to be rediscovered. Highly recommended.


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Happy Thanksgiving.


There’s something about this picture I really love. Maybe it’s just the Clampetts, who knows. Today, be sure to gather your family around the fancy eatin’ table for some turkey and gopher gravy.

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Annie Oakley Safety Songs cov

Stop! You’ve ordered your Annie Oakley set, haven’t you? Today’s the day.

Man, I can’t wait to get ahold of this thing.


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RKO Dragnet big producer

I believe this is the RKO Ranch in Encino, as it appears in the 1954 Dragnet episode “The Big Producer.” It’s a good one, one of the best in my opinion, about a washed-up silent movie producer reduced to peddling pornography. There’s a strong Sunset Boulevard (1950) vibe to it, with Jack Webb and Ben Alexander joined by Ralph Moody, Martin Milner and Carolyn Jones.

This seems like a good way to plug The Jack Webb Blogathon happening over at my other place, The Hannibal 8. It’s running through the weekend (beginning on Friday, naturally), and some great folks are contributing (including our friend Laura and my daughter Presley). Stop by if you get a chance.

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Gail Davis is just wonderful as Annie Oakley, a part she was probably born to play. This upcoming set from VCI (due October 21) gives you all 81 Annie Oakley episodes, restored, with all sorts of extras: a documentary, the pilot, commercials, photo galleries and more.

Some terrific character actors rode through this series: Slim Pickins, Helene Marshall, James Best, John Doucette, James H. Griffith, Lee Van Cleef, Alan Hale Jr., Dickie Jones, Fess Parker, Clayton Moore, Denver Pile, LQ Jones, Glenn Strange and more. (Even Shelly Fabares!) And in the director’s chair from week to week, you might find the likes of George Archainbaud, Ray Nazarro, Earl Bellamy or John English. Produced by Gene Autry’s Flying A Productions, many of these folks were veterans of Gene’s movies and series. Then there’s Lone Pine locations and those beautiful double-action Colts.

We’re gonna get a lotta mileage out of this thing at my house. My daughter Presley really loves this show.


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James Garner
1928 – 2014

Some celebrities, you’d swear you actually knew them. Maybe you invite them into your home every week (through your TV). Perhaps you can’t remember a time when you weren’t aware of them. Or it could be that they just come off so real. All of those apply to James Garner.

Garner didn’t make much of a mark on the 50s Western, at least not in theaters. (1957’s Shoot-Out At Medicine Bend is the only one he did.) But his Maverick is still a milestone in Westerns on TV. And John Sturges’ Hour Of The Gun (1967, above) is one of the best post-50s Westerns out there, largely due to Garner’s performance — and one of the most sadly overlooked.

I was 10 years old when The Rockford Files (below) debuted, and after binge-watching it countless times over the years, I’m convinced it’s the greatest TV show ever. If I ever fall into a lot of money, you can bet that a gold mid-70s Pontiac Firebird Esprit will find its way to my driveway.

But there’s so much more. The Great Escape (1963). Grand Prix (1966). Marlowe (1968). Those great Doris Day pictures. Support Your Local Sheriff (1969). I’m just getting started.

I’m not making a lot of sense here. Thinking of James Garner and his body of work is a bit mind-boggling right now, and I’m struggling to find a coherent thread through it all. So I’ll just say I miss him already and thank God we can continue to benefit from his talent.

Visit Laura’s place for her thoughts on Garner. An obituary is here.


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