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Archive for the ‘James H. Griffith’ Category

I recently had the extreme pleasure of being a guest on Todd Liebenow’s terrific podcast Forgotten Filmcast. Our subject was William Castle’s Jesse James Vs. The Daltons (1954). It’s up now — just click the ad above. It’s a good way to spend an hour of your “stay at home” time.

It’s a picture I’ve written about before, and it’s available in Mill Creek’s terrific set The Fastest Guns Of The West: The William Castle Western Collection

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I’ve been a guest on the The Forgotten Filmcast podcast a couple times in the past, and I’m delighted to be heading there again in a couple weeks.

Host Todd Liebenow and I will cover the William-Castle-directed, Sam-Katzman-produced bit of glorious 3D nonsense, Jesse James Vs. The Daltons (1953). I’m sure it’ll be fun to talk with Todd, and hopefully, it’ll be fun to listen to.

Will post the link when it’s complete.

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James H. Griffith
(February 13, 1916 – September 17, 1993)

Here’s to one of my favorite character actors on his birthday. James Griffith is seen here with George Montgomery in William Castle’s Masterson Of Kansas (1954). Griffith is Doc Holliday.

Griffith is in a ton of stuff, and he’s always terrific. One of my favorites of his many parts is his yellow witness in the Dragnet feature (1954).

Thanks for the reminder, Paula!

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A while back, I asked for Want Lists of the 50s Westerns still lost on the high-def trail. Here they are, presented in chronological order. The titles in bold are the ones that were brought up most frequently.

With the recent news about Fox/Disney’s lack of interest in their back catalogs appearing on shiny silver circles, getting this finished and posted seemed very timely. Many of these, mind you, haven’t even turned up on DVD yet.

The Virginian (1946)
Albuquerque (1948)
Coroner Creek (1948)
Whispering Smith (1948)
3 Godfathers (1949)
Colorado Territory (1949)

Hellfire (1949)
Streets Of Laredo (1949)
Ambush (1950)
Branded (1950)
Devil’s Doorway (1950)
The Nevadan (1950)
Saddle Tramp (1950)
Short Grass (1950)
Showdown (1950)

Trail Of Robin Hood (1950)
Across The Wide Missouri (1951)
Along The Great Divide (1951)
Apache Drums (1951)
Best Of The Badmen (1951)
The Great Missouri Raid (1951)
Inside Straight (1951)
Man In The Saddle (1951)
Red Mountain (1951)
The Redhead And The Cowboy (1951)
The Secret Of Convict Lake (1951)
The Texas Rangers (1951)
Westward The Women (1951)

Vengeance Valley (1951)
Warpath (1951)
The Big Sky (1952)
Bugles In The Afternoon (1952)

Hangman’s Knot (1952)
The Lawless Breed (1952)
The Lusty Men (1952)
The Naked Spur (1952)
Ride The Man Down (1952)
The Savage (1952)
The Story Of Will Rogers (1952)
Untamed Frontier (1952)
Ambush At Tomahawk Gap (1953)
Charge At Feather River (1953)
City Of Bad Men (1953)
Devil’s Canyon {1953)
Escape From Fort Bravo (1953)
The Great Sioux Uprising (1953)
Jack McCall, Desperado (1953)
Last Of The Comanches (1953)
The Last Posse (1953)
The Silver Whip (1953)
The Stranger Wore A Gun (1953)
Wings Of The Hawk (1953)

Tumbleweed (1953)
Apache (1954)
The Bounty Hunter (1954)
Cattle Queen Of Montana (1954)
The Command (1954)
Dawn At Socorro (1954)
The Law Vs. Billy The Kid (1954)
The Outcast (1954)
Ride Clear Of Diablo (1954)
Silver Lode (1954)
Wyoming Renegades (1954)
The Yellow Tomahawk (1954)
At Gunpoint (1955)
Chief Crazy Horse (1955)
The Last Frontier (1955)
The Man From Bitter Ridge (1955)
Shotgun (1955)
Smoke Signal (1955)
Tennessee’s Partner (1955)
The Violent Men (1955)
Wichita (1955)
Backlash (1956)

Dakota Incident (1956)
Fastest Gun Alive (1956)
Fury At Gunsight Pass (1956)
Great Day In The Morning (1956)
The Last Wagon (1956)
The Lone Ranger (1956)
The Maverick Queen (1956)
Reprisal! (1956)
Seven Men From Now (1956)
Stagecoach To Fury (1956)
Tribute To A Bad Man (1956)
Copper Sky (1957)
Domino Kid (1957)

Dragoon Wells Massacre (1957)
Hell Canyon Outlaws (1957)
From Hell To Texas (1958)
Frontier Gun (1958)
The Lone Ranger And The Lost City Of Gold (1958)
Face Of A Fugitive (1959)
Last Train From Gun Hill (1959)
No Name On The Bullet (1959)
Thunder In The Sun (1959)
Yellowstone Kelly (1959)
The Alamo (1960)
Hell Bent For Leather (1960)
Cheyenne Autumn (1964)
Firecreek (1968)
Pat Garrett & Billy The Kid (1973)

As this was being compiled, a few titles actually made their way to Blu-Ray, one of them being the exquisite new Wagon Master (1950) from Warner Archive.

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Directed by George Sherman
Starring Van Heflin, Joanne Woodward, Phil Carey, Raymond Burr, Allison Hayes, Myron Healey, Nancy Kulp, James H. Griffith

Van Heflin comes home from the Civil War an ordained minister. It doesn’t go over too well since he was known in his hometown as a real hell raiser. George Sherman directed, Burnett Guffey shot it in ‘Scope and Technicolor, and it’s got a great supporting cast: Phil Carey, Raymond Burr, Allison Hayes, Myron Healey, Nancy Kulp, James H. Griffith. But it’s known today for being Joanne Woodward’s first film. It goes without saying that Heflin is terrific.

Sony has announced its September Blu-Ray release.

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Directed by Ray Nazarro
Produced by Rory Calhoun & Victor M. Orsatti
Screenplay by Kenneth Gamet & Hal Biller
Cinematography: Irving Lippman
Film Editor: Gene Havlick

Cast: Rory Calhoun (Domino), Kristine Miller (Barbara Ellison), Andrew Duggan (Wade Harrington), Yvette Duguay (Rosita), Peter Whitney (Lafe), Eugene Iglesias (Juan Cortez), Robert Burton (Sheriff Travers), Roy Barcroft (Ed Sandlin), James H. Griffith (Beal), Denver Pyle (Bill Dragger). Thomas Browne Henry (Doctor)

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There’s something about this movie. It takes one of the most basic of Western plots — a young man seeks revenge after his father is killed and their ranch trashed by guerrilla raiders during the Civil War — and somehow makes you forget you’ve seen this kinda thing a thousand times. There’s a bit of a 7 Men From Now (1956) thing going, as Domino (Rory Calhoun) knows who four of the five killers are, takes care of them, and has to identify the fifth.

Maybe it’s the direction from Ray Nazarro at sets it apart. He did so many of these things, and he had a real knack for keeping em moving. There’s a snap to his movies that others’ pictures lacked. The script’s pretty good, especially at going Rory Calhoun cool things to say. Calhoun, who co-produced and worked on the story, leads a great cast. Kristine Miller is good as the woman Domino left behind when he went gunning for the guys who killed his father. She didn’t have a real long career, but she worked at Republic quite a bit, which is enough of a recommendation for me. Andrew Duggan is the local bigwig who wants to buy Calhoun’s ranch — and make off with his girl. He made some solid Westerns in the late 50s — his next was Decision At Sundown (1957).

Yvette Duguay and Eugene Iglesias are both likable (and Duguay’s very pretty) as a couple of Domino’s only loyal friends in town. Then you’ve got James H. Griffith, one of my favorites, and Denver Pyle as a couple of the men Domino tracks down and blows away. Peter Whitney is the elusive fifth man, who comes to town to put an end to Domino’s “vengeance trail.” You’ll remember him as Amos Agry in Buchanan Rides Alone (1958). And there’s Roy Barcroft and Thomas Browne Henry in a couple small parts (you hardly see Henry’s face in his approximately 15 seconds of screen time).

Cinematographer Irving Lippman gets high marks on this one. It’s a good-looking movie, with deep, moody shadows and some interesting shots throughout — nicely framed for 1.85, another way Domino Kid stays fresh. Lippman was a staff cinematographer at Columbia, shooting pictures like  Hellcats Of The Navy and 20 Million Miles To Earth (both 1957). He also has the distinction of having shot some of the later Three Stooges shorts, a few of their features and almost every episode of both the Jungle Jim and The Monkees TV shows. He started out as a still photographer for the studio.

Domino Kid is not available on DVD or Blu-Ray. The transfer that used to turn up on The Westerns Channel looked great. This is the kind of picture that would be terrific as part of a set similar to those wonderful film noir collections Kit Parker has been doing. It’s a near-textbook example of a medium-budgeted 50s Western. Highly recommended.

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Directed by William Castle
Produced by Sam Katzman
Screen Play by Robert E. Kent
Director Of Photography: Lester H. White
Film Editor: Viola Lawrence

Cast: Brett King (Joe Branch), Barbara Lawrence (Kate Manning), James Griffith (Bob Dalton), Bill Phipps (Bill Dalton), John Cliff (Grat Dalton), Rory Mallinson (Bob Ford), William Tannen (Emmett Dalton), Richard Garland (Gilkie), Nelson Leigh (Father Kerrigan)

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So glad to see The Fastest Guns Of The West: The William Castle Western Collection turn up in my mailbox. Couldn’t wait to crack it open and give it a whirl. You get Klondike Kate (1943), Conquest Of Cochise (1953), Jesse James Vs. The Daltons (1953), Masterson Of Kansas (1954), Battle Of Rogue River (1954), The Gun That Won The West (1955), Duel On The Mississippi (1955) and Uranium Boom (1956). All directed by William Castle. Most produced by Sam Katzman. And all eight for less than $15.

Jesse James Vs. The Daltons is about as historically accurate as Blazing Saddles (1974) is. Joe Branch (Brett King) might be the son of Jesse James. He and Kate Manning (Barbara Lawrence) — he saves her from a being lynched — hook up with the Dalton Gang to retrieve some loot and locate Jesse, alive or dead.

It’s silly, fast-paced and loads of fun. The picture runs just over an hour, with Castle and DP Lester H. White throwing coffee pots, bullets and dying bad guys at the 3-D camera whenever possible. There’s plenty of ridin’, fightin’ and shootin’, though you can tell the schedule kept the action from getting the staging it needed. It’s a bit sloppy at times.

This might have been Brett King’s only lead, and it was certainly his last feature. He’d do nothing but TV for the rest of his career. After a couple episodes of The Green Hornet in 1967, King and his wife moved to Harbour Island, Bahamas, and opened the Coral Sands Hotel. He became a mover and shaker in the tourism industry down there.

Barbara Lawrence has a decent part here, though there seemed to have been no effort to make her even slightly resemble a woman from the late 19th century. You see that a lot in 50s Westerns. She looks good in jeans, and I guess that was more important (King just happens to have a pair that fits her in his saddlebag). Barbara’s career wasn’t a long one — she gave up movies for real estate — though she’s in some good stuff, including the cool Regalscope sci-fi picture Kronos (1957).

James H. Griffith plays one of the Daltons. He’s always worth watching, and even though he gets third billing, his part isn’t all that big in this one. Castle would give him bigger, better parts in his next two Westerns: Masterson Of Kansas (1954, included in this set) and The Law Vs. Billy The Kid (1954).

Jesse James Vs. The Daltons was shot in Technicolor and 3-D, and it was to be projected at 1.85. It appears here 2-D, of course, and full frame. The picture looks quite good, but as you can imagine, there’s a lot of dead space at the top and bottom of the frame. The zoom feature on my TV took care of some of that. (Mill Creek licenses these pictures from Columbia and works with what the studio sends them.)

The rest of the set looks even better. The real jewel is the black and white Uranium Boom (1956), which looks gorgeous. You’d almost think you were looking at a Blu-Ray. The Fastest Guns Of The West: The William Castle Western Collection is a terrific set, something many of us have been hoping for. As I see it, William Castle could do no wrong, and these movies are good, cheap fun — thanks to Mill Creek for giving us such a budget-friendly, storage-space friendly package. Highly, highly recommended.

To the fine folks at Mill Creek: while you’re serving up William Castle, how about a set of the Whistler movies?

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