Posted in Cameron Mitchell, Criterion, DVD/Blu-Ray Reviews, Post-1959, Roger Corman on September 24, 2019| 20 Comments »
Since Monte Hellman’s The Shooting and Ride In The Whirlwind (both 1966) come from outside the parameter of 50s Westerns, I placed the review of the Criterion twin-bill on my other blog. Click on the package above to mosey over thee.
Posted in Clint Walker, Festivals, screenings, Gordon Douglas, Post-1959, Warner Bros. on July 26, 2017| 17 Comments »
Directed by Gordon Douglas
Starring Clint Walker, Roger Moore, Leticia Roman, Robert Middleton, Chill Wills, Gene Evans, Nestor Paiva, Vito Scotti
Did you ever think you’d happen upon a screening of Gold Of The Seven Saints (1961) in this day and age? Well, thanks to the wonderful folks at The New Beverly Cinema, it’s part of their tribute to Roger Moore. What’s more (no pun intended), they’re running it in 35mm (black and white Warnerscope). It’s August 5 and 6 — and I’d sure love to be there.
The New Beverly CinemaPosted in DVD/Blu-Ray News, Lucien Ballard, Post-1959, Sam Peckinpah, Slim Pickens, Warner Archive on May 17, 2017| 34 Comments »
Directed by Sam Peckinpah
Starring Jason Robards, Stella Stevens, David Warner, Strother Martin, Slim Pickens, L. Q. Jones, R. G. Armstrong
Another great Sam Peckinpah movie about the dying West, and another must-have Blu-Ray from Warner Archive.
The Ballad Of Cable Hogue (1970) gives Peckinpah another group of outsiders to study — and another outstanding cast to play them. As good as everyone is in this, it’s Stella Stevens that really knocks me out. (She was really good in The Silencers, too.)
This, The Wild Bunch (1969) and Ride The High Country (1962) all cover the same basic theme — the Old West giving way to civilization, with some people not able, or willing, to adapt. But Sam comes at it from a different angle each time, always striking gold. I’m in absolute awe of Peckinpah when it comes to these movies.
Lucien Ballard shot this one, which is reason enough to spring for the Blu-Ray. It will be out in June, with a number of great supplements that appeared on the DVD release. Highly highly recommended.
Posted in Arthur Kennedy, Ben Johnson, Denver Pyle, Festivals, screenings, George O'Brien, Harry Carey Jr., Jimmy Stewart, John Carradine, John Ford, Post-1959, Richard Widmark, Warner Bros., William H. Clothier on April 26, 2017| 42 Comments »
Directed by John Ford
Starring Richard Widmark, Carroll Baker, Karl Malden, Sal Mineo, Ricardo Montalban, Delores Del Rio, Gilbert Roland, Arthur Kennedy, James Stewart, Edward G. Robinson, Ben Johnson, Harry Carey, Jr., Denver Pyle
Cheyenne Autumn (1964) is a picture I’ve always wanted to see on the big screen, on film. And here’s my chance — they’re running a 35mm IB Technicolor print at the New Beverly Cinema on May 21 and 22. Shame it’s 2,554 miles from my front door.
Cheyenne Autumn isn’t Ford’s finest work, but it has plenty to recommend it — and it just might be William Clothier’s best work (he shot it in Super Panavision 70, which is why I want to see it in a theater).
Posted in Andre de Toth, Brian Keith, DVD/Blu-Ray News, Frank Ferguson, John Dehner, Katy Jurado, Lucien Ballard, Post-1959, Sam Peckinpah, Slim Pickens, Television, Timeless Media Group, Warren Oates on February 16, 2017| 13 Comments »
Fans have been hollering for this one for quite a while. Right now, it’s a Walmart exclusive: The Westerner, the 1960 series created by Sam Peckinpah and starring Brian Keith, is out on DVD from Shout Factory. Only 13 episodes were produced (it was up against The Flintstones) — they’re all terrific, and they’re all here. Also included is the Zane Grey Theatre episode that served as the show’s pilot.
Episodes were directed by the likes of Peckinpah, Andre de Toth and Ted Post. Appearing in those 13 episodes were folks like Warren Oates, Katy Jurado, John Dehner, Slim Pickens, Robert Culp, Frank Ferguson, Virginia Gregg, R.G. Armstrong and Dub Taylor — many of them people Peckinpah would turn to time and time again. Lucien Ballard shot three of them. And Brian Keith’s dog, Brown, is played by Spike, who was also Old Yeller. Highly, highly recommended.
Posted in 1950, 1952, 1954, 20th Century-Fox, Barton MacLane, Ben Johnson, Beverly Garland, Budd Boetticher, Burt Kennedy, Claud Akins, Criterion, DVD/Blu-Ray News, Edwin L. Marin, Elisha Cook, Jr., Ernest Borgnine, Frank Ferguson, Fritz Lang, Gregory Peck, Hank Worden, Harry Morgan, Jesse Hibbs, Joel McCrea, John Ford, John Ireland, John Wayne, Katy Jurado, Kino Lorber, Monogram/Allied Artists, Nancy Gates, Nicholas Ray, Olive Films, Paul Fix, Post-1959, Pre-1950, Randolph Scott, Republic Pictures, Richard Widmark, RKO, Scott Brady, Sterling Hayden, Thomas Carr, Universal (-International), Warner Archive, Wayne Morris, William Wellman, Zane Grey on January 27, 2017| 15 Comments »
Back in 2014, gathering everybody’s favorite DVD and Blu-Ray picks for the year turned out to be a lot of fun. It’s since become an annual thing.
Thanks to everybody who sent in their picks for 2016. This was a great year for 50s Westerns on DVD and Blu-Ray (and 2017 is shaping up to be just as good, or maybe better). Here’s the Top 10, according to your votes.
10. Desperado (1954, Warner Archive, DVD)
It was a tie between this Wayne Morris picture and his earlier Desert Pursuit (1952). They’re both solid, offbeat little Westerns — and it’s real treat to have them available in such stellar condition.
9. Yellow Sky (1948, Kino Lorber, Blu-Ray)
Thanks to William Wellman, we didn’t have to wait till the 50s for Hollywood to start making 50s Westerns. The town of Yellow Sky is populated by only an old prospector and his daughter — until some slimy outlaws come riding up.
8. Western Union (1941, Kino Lorber, Blu-Ray)
Randolph Scott in Fritz Lang’s second Technicolor movie. There’s so much cool stuff in this movie, and it looks wonderful.
7. Black Horse Canyon (1954, Universal Vault, DVD)
For years, Joel McCrea’s Universal Westerns were missing on DVD. It’s great to have them so easy to track down. This is a good one.
6. Comanche Station (1960, Explosive Media, Blu-Ray)
The last of the Scott-Boetticher Westerns turns out to be the first to make its way to Blu-Ray, and as I see it, the others can’t get here soon enough. This thing’s incredible.
5. She Wore A Yellow Ribbon (1948, Warner Archive, Blu-Ray)
John Ford’s She Wore A Yellow Ribbon (1948, above) is one of the most beautiful color movies ever shot. The proof is pressed oh-so-magnificently into this Blu-Ray. It also features one of John Wayne’s finest performances.
4. Roughshod (1949, Warner Archive, DVD)
This gets my vote as the best of the “noir Westerns.” I was real happy to see the response this picture got. It’s a shame it’s not better known.
3. Cariboo Trail (1950, Kino Lorber, DVD/Blu-Ray)
The transfer here is a minor miracle, demonstrating how good CineColor can look. They wisely didn’t go overboard with the cleanup, so it still retains its true film look. And, of course, this is a solid picture from Edwin Marin and Randolph Scott.
2. Johnny Guitar (1954, Olive Films Signature Edition, DVD/Blu-Ray)
Olive’s new Signature edition is a marked improvement over their old release, which was terrific. The restored 1.66 framing makes a big difference, and the supplemental stuff is excellent.
1. One-Eyed Jacks (1961, Criterion Collection, DVD/Blu-Ray)
Opinions of Marlon Brando’s Western are all over the place, so I was really surprised to see it land in the top spot. However, judging it simply in terms of its superb presentation, I don’t see how anything could beat it. It’s stunning, a big fat reward to all of us who’ve suffered through those awful tapes and discs over the years. I’m proud and honored to have been involved with Criterion’s work here. (Note: Having worked on the One-Eyed Jacks extras, I did not feel comfortable taking part in the vote this time around.)
In closing, the discs on this list highlight the impact the video presentation can have on our appreciation of these old movies. Many of these have been available, in some form, for years. One more thing: your reasons for not buying a Blu-Ray player are rapidly running out.
Posted in Joel McCrea, Post-1959, Randolph Scott, Sam Peckinpah on November 4, 2016| 46 Comments »
Directed by Sam Peckinpah
Produced by Richard E. Lyons
Screenplay by N.B. Stone, Jr.
Cinematography: Lucien Ballard
Film Editor: Frank Santillo
Music by George Bassman
Cast: Joel McCrea (Steve Judd), Randolph Scott (Gil Westrum), Mariette Hartley (Elsa Knudsen), Ron Starr (Heck Longtree), James Drury (Billy Hammond), Edgar Buchanan (Judge Tolliver), R.G. Armstrong (Joshua Knudsen), Jenie Jackson (Kate)
I am delighted to be able to take part in the Joel McCrea Blogathon and would like to thank our host, Toby, for making it possible.
Due to a combination of factors in my early childhood movie-watching, Joel McCrea was probably my earliest Western favorite (among the bigger fish, anyway), even before the Duke perhaps. Firstly, an early favorite showing on UK TV at the time was Four Faces West (19XX) which I loved straight off. Plus, one of the earlier films I was taken to see at the cinema was The Tall Stranger (19XX) possibly the first film I saw in that great big CinemaScope!
I’ve gone on record on this blog as stating that my all-time favorite movie is Ride The High Country (1962), a fact I was reminded of by my friend Blake Lucas, who suggested this should be my contribution. I’ll try to get across just why it is my favorite.
I’ll be brief on the story as probably everybody reading this already knows it well. The screenplay was written by N.B. Stone jr. though I believe it was extensively re-written by Peckinpah. Also, screenwriter Burt Kennedy had an involvement in that he brought the script to the attention of Randolph Scott.
Two aging former lawmen, down on their luck, are given a routine job to collect gold from a remote mining community in the ‘high country’ and transport it back through difficult territory. Times in the West are a-changin’ and the two old guys see the opportunity in different ways. Steve Judd sees an opportunity for a final task that he can bring off with integrity and dignity. His old friend Gil Westrum is bitter and sees the gold as his payoff for a career that didn’t! This brings about a clash between the two until they have to face a bunch of low-lifes from the mines who want to kill them for the gold.
I was so taken with this film on first view in 1962 that I went to see it again three days later. I was only 14 but found the film and the two central performances utterly moving. We all know, of course, that originally McCrea was offered the part of Westrum but felt it wrong for his personal image. And so… a brilliant switch was made. Scott was more than happy to play the more shaded personality for once. The result was perfection. Both men had pretty well already retired by 1962 and this was the final film for Scott and, effectively, for McCrea also. What a film with which to go out on!!
There are many wonderful subtle moments throughout the film. Right near the start we see Steve Judd going to sign up for the job – he is embarrassed by his frayed shirt cuffs and by his need for eye-glasses. A proud man then and like Westrum men past their best and out of their time.
Many will no doubt disagree with me, but for me this was Sam Peckinpah’s true masterpiece. I was never so happy with his subsequent movies.
In 1962, Joel McCrea was a bigger favorite of mine than Randolph Scott, but time and many subsequent viewings of both their films put them almost side-by-side for me today, but with Scott ahead and at the very top because of his large and fairly consistent body of work in the Western genre.
Beautifully shot by the great Lucien Ballard in some terrific California Sierras locations – Mammoth Lakes, Inyo National Forest and that familiar landmark to all Western fans, Bronson Canyon.
Ride The High Country was a watershed Western – in style it was of the newer, coming Western but its heart , accentuated by the pairing of McCrea and Scott, was traditional.
I believe it would have been a fine Western with other stars taking the two leads. With McCrea and Scott, it was simply splendid!
No trouble of course getting this one on DVD. My own copy was put out by Warner Video in 2006, the year I picked it up on a trip to New York. It is still awaiting a Blu-Ray release.
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Jerry Entract does not run his own blog or have any involvement in the film industry but is an English lifelong movie fan and amateur student of classic cinema (American and British). Main passions are the Western and detective/mystery/film noir. Enjoys seeking out lesser-known (even downright obscure) old movies.
