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Archive for the ‘Post-1959’ Category

This third volume in Kino Lorber’s Audie Murphy series gives us three of the seven pictures he did with producer Gordon Kay for Universal International — each shot in less than three weeks for about half a million bucks. They’ve been given a bad rap over the years. Some of them are really good. And they always have a great cast.

Hell Bent For Leather (1960)
Directed by George Sherman
Starring Audie Murphy, Felicia Farr, Stephen McNally, Robert Middleton, Jan Merlin, John Qualen, Bob Steele, Allan Lane

Audie’s mistaken for a murderer. A marshal (Stephen McNally) knows Audie’s innocent, but wants the reward and the glory.

Shot in Lone Pine in CinemaScope. Directed by George Sherman. A cast that includes John Qualen and Bob Steele — what’s not to like? I’m really excited to be doing a commentary for this one.

Posse From Hell (1961)
Directed by Herbert Coleman
Starring Audie Murphy, John Saxon, Zohra Lampert, Vic Morrow, Robert Keith, Rodolfo Acosta, Royal Dano

Audie rides into town right after four escaped convicts have shot the marshal and taken a woman hostage. He assembles a rather worthless posse and goes after them. Herbert Coleman was an assistant director for Hitchcock and others. Here he makes his debut in the top slot.

Showdown (1963)
Directed by R. G. Springsteen
Starring Audie Murphy, Kathleen Crowley, Charles Drake, Harold J. Stone, Skip Homeier, L. Q. Jones, Strother Martin, Dabbs Greer

Audie is shackled to killer Harold J. Stone (around the neck!) when they make their escape. Stir in some bonds and Kathleen Crowley and things get pretty tense. Directed by the great R.G. Springsteen and shot in black and white by Ellis W. Carter. By the way, Murphy was furious when he learned this would be shot in B&W, but it works well.

The chance to see these pictures again, certain to look terrific, is a real treat. Highly, highly recommended!

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Directed by Walter Hill
Starring David Carradine, Keith Carradine, Robert Carradine, James Keach, Stacy Keach, Dennis Quaid, Randy Quaid, Christopher Guest, Nicholas Guest, Pamela Reid, Harry Carey Jr., Fran Ryan

Imprint has announced Directed By Walter Hill, a Blu-Ray set of six films directed by Walter Hill: Hard Times (1975), The Driver (1978), The Long Riders (1980), Extreme Prejudice (1987), Johnny Handsome (1989) and Broken Trail (2006).

This is good news, first, because I absolutely love The Driver and The Long Riders—and because among the many extras to be including in this thing, I get to do a commentary for The Long Riders—one of the best of the many Jesse James movies. It’s almost certainly the most accurate.

The folks at Imprint do extraordinary work, always, and I’m overjoyed to be a tiny part of this one. Highly recommended.

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Directed by Marvin Chomsky
Starring Roy Rogers, Clay O’Brien, Andrew Robinson, James Hampton, Joan Hackett, Billy Greenbush, Luke Askew

Roy Rogers’ last feature, Mackintosh And T.J. (1975) has been announced for Blu-Ray release in May from The MVD Rewind Collection. It’s a good little movie, and Roy’s terrific in it. So glad to see that it’s being given the 4K treatment it deserves.

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Kino Lorber is serving up four terrific Universal Westerns in March, an announcement that gets. 2020 off to a great start.

Canyon Passage (1946)
Directed by Jacques Tourneur
Starring Dana Andrews, Brian Donlevy, Susan Hayward, Patricia Roc, Ward Bond, Hoagy Carmichael, Andy Devine, Lloyd Bridges

Canyon Passage was Jacques Tourneur’s first Western and first film in color. It’s got a great cast (Ward Bond is terrific — and very scary) and incredible Technicolor photography from Edward Cronjager, who also shot Lang’s Western Union (1941). This is a very overlooked, underrated film.

Night Passage (1957)
Directed by James Neilson
Starring James Stewart, Audie Murphy, Dan Duryea, Dianne Foster, Elaine Stewart, Brandon de Wilde, Jay C. Flippen, Robert J. Wilke, Hugh Beaumont

Shot in Technirama, a high-fidelity combination of VistaVision and anamorphic widescreen, Night Passage is as sharp as movies could get in the late 50s. And with loads of incredible location work in Durango, Colorado, it’s stunning — and a perfect candidate for Blu-Ray. The movie itself, while it’s no masterpiece, has been unjustly maligned. You’ll find the story behind all that in an old post.

Man In The Shadow (1957)
Directed by Jack Arnold
Starring Jeff Chandler, Orson Welles, Colleen Miller, Barbara Lawrence, John Larch, Royal Dano, James Gleason

There are a thousand reasons to be excited about this modern-day (well, 1957) Western — Jeff Chandler, Orson Welles, B&W CinemaScope and Jack Arnold, for starters. Welles and producer Albert Zugsmith got to talking here, which led to Touch Of Evil (1958).

The Rare Breed (1966)
Directed by Andrew V. McLaglen
Starring James Stewart, Maureen O’Hara, Brian Keith, Juliet Mills, Ben Johnson, Jack Elam, Harry Carey, Jr.

The best thing The Rare Breed has going for it is its incredible cast — how could it go wrong? Not to mention the Technicolor/Panavision cinematography of William H. Clothier.

All four films will feature a commentary (I’m doing both Passage films) and an original trailer. It’s no easy to recommend these things!

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Directed by Sam Peckinpah
Starring Charlton Heston, Richard Harris, Jim Hutton, James Coburn, Michael Anderson Jr., Mario Adorf, Brock Peters, Senta Berger, Warren Oates, Ben Johnson, L.Q. Jones, R.G. Armstrong, Slim Pickens, Dub Taylor, Michael Pate

Over at Cinesavant.com, the mighty Glenn Erickson has spilled the beans on the glories of the upcoming Blu-Ray of Sam Peckinpah’s Major Dundee (1965) from Germany’s Explosive Media.

It’ll be the longer cut — the version that was previewed in the States and that ran in some parts of the world, accompanies by documentaries, commentaries, interviews and all sorts of cool stuff. The mangled masterpiece certainly deserves the attention it’s getting here. Can’t wait.

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Since Monte Hellman’s The Shooting and Ride In The Whirlwind (both 1966) come from outside the parameter of 50s Westerns, I placed the review of the Criterion twin-bill on my other blog. Click on the package above to mosey over thee.

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Directed by Gordon Douglas
Starring Clint Walker, Roger Moore, Leticia Roman, Robert Middleton, Chill Wills, Gene Evans, Nestor Paiva, Vito Scotti

Did you ever think you’d happen upon a screening of Gold Of The Seven Saints (1961) in this day and age? Well, thanks to the wonderful folks at The New Beverly Cinema, it’s part of their tribute to Roger Moore. What’s more (no pun intended), they’re running it in 35mm (black and white Warnerscope). It’s August 5 and 6 — and I’d sure love to be there.

The New Beverly Cinema
7165 Beverly Blvd, Los Angeles, CA 90036
(One block west of La Brea)

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Directed by Sam Peckinpah
Starring Jason Robards, Stella Stevens, David Warner, Strother Martin, Slim Pickens, L. Q. Jones, R. G. Armstrong

Another great Sam Peckinpah movie about the dying West, and another must-have Blu-Ray from Warner Archive.

The Ballad Of Cable Hogue (1970) gives Peckinpah another group of outsiders to study — and another outstanding cast to play them. As good as everyone is in this, it’s Stella Stevens that really knocks me out. (She was really good in The Silencers, too.)

This, The Wild Bunch (1969) and Ride The High Country (1962) all cover the same basic theme — the Old West giving way to civilization, with some people not able, or willing, to adapt. But Sam comes at it from a different angle each time, always striking gold. I’m in absolute awe of Peckinpah when it comes to these movies.

Lucien Ballard shot this one, which is reason enough to spring for the Blu-Ray. It will be out in June, with a number of great supplements that appeared on the DVD release. Highly highly recommended.

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Directed by John Ford
Starring Richard Widmark, Carroll Baker, Karl Malden, Sal Mineo, Ricardo Montalban, Delores Del Rio, Gilbert Roland, Arthur Kennedy, James Stewart, Edward G. Robinson, Ben Johnson, Harry Carey, Jr., Denver Pyle

Cheyenne Autumn (1964) is a picture I’ve always wanted to see on the big screen, on film. And here’s my chance — they’re running a 35mm IB Technicolor print at the New Beverly Cinema on May 21 and 22. Shame it’s 2,554 miles from my front door.

Cheyenne Autumn isn’t Ford’s finest work, but it has plenty to recommend it — and it just might be William Clothier’s best work (he shot it in Super Panavision 70, which is why I want to see it in a theater).

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Fans have been hollering for this one for quite a while. Right now, it’s a Walmart exclusive: The Westerner, the 1960 series created by Sam Peckinpah and starring Brian Keith, is out on DVD from Shout Factory. Only 13 episodes were produced (it was up against The Flintstones) — they’re all terrific, and they’re all here. Also included is the Zane Grey Theatre episode that served as the show’s pilot.

Episodes were directed by the likes of Peckinpah, Andre de Toth and Ted Post. Appearing in those 13 episodes were folks like Warren Oates, Katy Jurado, John Dehner, Slim Pickens, Robert Culp, Frank Ferguson, Virginia Gregg, R.G. Armstrong and Dub Taylor — many of them people Peckinpah would turn to time and time again. Lucien Ballard shot three of them. And Brian Keith’s dog, Brown, is played by Spike, who was also Old Yeller. Highly, highly recommended.

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