Directed by Howard Hawks Starring John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, Walter Brennan, Ward Bond, Claud Akins, John Russell
Warner Bros. is bringing their new restoration of Howard Hawks’ Rio Bravo (1959) to 4K disc in July. Haven’t seen any info on a new DVD or Blu-Ray. This is my favorite Western and it has never been all that stellar-looking on video, so I’m really stoked about this. Hope and pray it doesn’t have that sickly yellow tint that infects so many restorations of older films lately.
The Criterion Collection has announced an upcoming 4K set of Randolph Scott and Budd Boetticher’s Ranown Cycle: The Tall T (1957), Decision At Sundown (1957), Buchanan Rides Alone (1958), Ride Lonesome (1959) and Comanche Station (1960).
It’s coming in July, so get to shopping for 4K players and TVs!
Wish someone would convince the John Wayne estate to pave the way to get Seven Men From Now (1956), the film that launched the Scott-Boetticher collaboration, out on Blu-Ray.
Nashville Scene used to boast a film writer named Jim Ridley. He’s about my age and he passed away a few years ago. Came across a compilation of his writing over the weekend called People Only Die Of Love In The Movies. In it, there’s his short piece on Howard Hawks’ Rio Bravo (1959).
You may know by now that Rio Bravo is my favorite Western. I’m not gonna say it’s the best necessarily, but if I was headed to the electric chair and I got to watch one Western before they threw the switch, that’d be the one I’d pick (and not because of its long-ish running time).
Anyway, Mr. Ridley nailed Rio Bravo. What makes it special. What it is about it that’s so different. After reading his piece, I thought I would’ve loved to have met him for coffee or lunch somewhere just to geek out on Rio Bravo. That woulda really been something.
Here’s a couple gems from his review (from Nashville Scene, November 2, 2006):
“After the big-budget thud of Land Of The Pharaohs, Howard Hawks emerged from a three-year sabbatical, including a stay in Paris and a purposeful study of TV drama, to create his 1959 rifle opera: a laid-back yet hard-headed response to the sanctimonious High Noon — which pissed off the director because no lawman worth his badge would ask civilians to risk their hides doing his job. The result is an irresistible ode to loyalty, cool under fire and masculine honor — which in the Hawks universe extends even to Angie Dickinson’s stand-up saloon girl.”
“Perhaps the most purely enjoyable Western ever made, Rio Bravo only deepens with age and repeated viewing, right down to the genial juxtaposition of Martin’s slouch and Wayne’s saunter. It’s doubtful another American movie has ever taken so much interest in the way its characters walk — or understood why it matters.”
Mr. Ridley, I’m sure sorry we never got to talk Rio Bravo. Would’ve been a blast.
Mill Creek has announced the six-disc, 12-movie Blu-Ray set The Randolph Scott Collection, which gives us a great batch of Scott’s Westerns for Columbia.
The Desperadoes (1943) Directed by Charles Vidor Starring Randolph Scott, Claire Trevor, Glenn Ford, Evelyn Keyes, Edgar Buchanan
Scott plays a sheriff after two separate bands of outlaws who rob the same bank at about the same time. Turns out the first robbery was an inside job.
The Nevadan (1950) Directed by Gordon Douglas Starring Randolph Scott, Dorothy Malone, Forrest Tucker, Frank Faylen and George Macready
Scott’s a Marshal who lets an outlaw (Forrest Tucker) escape so he can recover $250,000 in stolen gold.
Santa Fe (1951) Directed by Irving Pichel Starring Randolph Scott, Janis Carter
Scott’s trying to help build a railroad, with even his own brothers trying to stop him.
Man In The Saddle (1951 Directed by Andre de Toth Starring Randolph Scott, Joan Leslie, Ellen Drew, Alexander Knox, Richard Rober, John Russell, Alfonso Bedoya, Guinn ‘Big Boy’ Williams, Clem Bevans, Cameron Mitchell, Tennessee Ernie Ford
Scott’s a farmer who locks horns with Alexander Knox, who wants his land. The first, and maybe best, of the Scott pictures directed by Andre de Toth.
Hangman’s Knot (1952) Directed by Roy Huggins Starring Randolph Scott, Donna Reed, Claude Jarman, Jr., Frank Faylen, Richard Denning, Lee Marvin
Confederate soldiers, led by Scott, steal a shipment of Yankee gold and end up with a posse after ’em.
The Stranger Wore A Gun (1953) Directed by Andre de Toth Starring Randolph Scott, Claire Trevor, Joan Weldon, George Macready, Alfonso Bedoya, Lee Marvin, Ernest Borgnine
This time, Scott’s a Confederate spy who’s in in a big robbery but has a change of heart. Originally in 3-D, widescreen (1.85) and stereophonic sound, it’ll be interesting to see what we get here.
A Lawless Street (1955) Directed by Joseph H. Lewis Starring Randolph Scott
Then we get four of the Budd Boetticher/Burt Kennedy Ranown cycle, some of the finest Westerns ever made. What’s missing from the unofficial series are Batjac’s Seven Men From Now (1956) and Warner’s Westbound (1959) which aren’t available on Blu-Ray.
The Tall T (1957) Directed by Budd Boetticher Starring Randolph Scott, Richard Boone, Maureen O’Sullivan, Arthur Hunnicutt, Skip Homeier, Henry Silva
Scott and Maureen O’Sullivan are held captive at a way station by a bunch of crooks. This is an incredible movie, based on a story by Elmore Leonard.
Decision At Sundown (1958) Directed by Budd Boetticher Starring Randolph Scott, John Carroll, Karen Steele, Valerie French, Noah Beery Jr., John Archer, Ray Teal
Scott rides in Sundown to kill John Carroll., who had an affair with his wife.
Buchanan Rides Alone (1958) Directed by Budd Boetticher Starring Randolph Scott, Craig Stevens, Barry Kelley, L.Q. Jones
Tom Buchanan (Scott) rides into the border town of Agry and is robbed and framed for murder. Naturally, Scott isn’t happy about this and does something about it. This was my entry point into the films of Randolph Scott, and it remains a favorite.
Ride Lonesome (1959) Directed by Budd Boetticher Starring Randolph Scott, Karen Steele, Pernell Roberts, Lee Van Cleef, James Coburn
Ben Brigade (Scott) is a bounty hunter trying to take Billy John to Santa Cruz and turn him in. Standing in the way are Billy John’s brother and a group of Indians.
Comanche Station (1960) Directed by Budd Boetticher Starring Randolph Scott, Claude Akins, Nancy Gates, Skip Homeier
Scott rescues a women from the Comanches, not knowing her husband has a $5,000 reward for her return, dead or alive. Along come some dirtbags, lead by Claude Akins, who know about the five grand and want her for themselves.
This set is essential. Some of these are available on Blu-Ray elsewhere, some are not. Order yours now.
Directed by Henry Levin
Produced by Pat Duggan
Written by Harry Essex & Robert Smith
Cinematography: Lionel Lindon
Music by Van Cleave
Film Editor: William B. Murphy
Cast: Jack Palance (Jacob Wade), Anthony Perkins (Riley Wade), Neville Brand (King Fisher), Robert Middleton (Ben Ryerson), Elaine Aiken (Ada Marshall), Elisha Cook, Jr. (Willie), Claude Akins (Blackburn), Lee Van Cleef (Faro), Harry Shannon (Dr. Fisher), James Bell (Judge Hart), Adam Williams (Lon), Denver Pyle (Brad), John Doucette (Sundown Whipple)
__________
It’d be easy to call The Lonely Man (1957) another gunfighter-wants-to-hang-up-his-guns movie, with an estranged son tossed into the mix. But you’d be really selling this one short. After all, one thing you learn from watching a couple hundred 50s Westerns is that the fun often comes from seeing what each picture does with a well-worn, basic framework we’ve all seen before.
After many years, gunman Jacob Wade (Jack Palance) comes home to lead a normal, peaceful life, only to find the wife he abandoned dead (suicide?) and his son a very bitter young man. Father and son wind up at Wade’s other ranch, where Ada (Elaine Aiken), a herd of mustangs and plenty of trouble await. That trouble, it’s some guys from Wade’s past — Neville Brand, Claud Aikens, Lee Van Cleef and Elisha Cook — and they have a score to settle. And to top it all off, Jacob’s going blind.
Palance is dressed a bit like his character, Jack Wilson, in Shane (1953), but all similarities end there. Jacob Wade has a conscience here, and is filled with regret. This isn’t how he wanted things to turn out, and he hopes to make things right with his son. Anthony Perkins is quite good as Riley Wade. He has plenty to learn, but he doesn’t come off as a spineless toad. Though he’s angry and spiteful, we still like him and feel for him.
Robert Middleton, who’s always good, has a great part as the one member of Wade’s old gang who’s still loyal. We like him, but we don’t really trust him.
Elaine Aiken is really good as the woman Jacob’s been with since leaving his family. She didn’t make many movies, this was her first, but she became a noted acting teacher — and a founder of the Actors Conservatory. The bad guys, from Neville Brand to Lee Van Cleef, have well-rounded parts — and the actors make the most of their limited screen time.
The dialogue by Harry Essex and Robert Smith is terrific and the direction from Henry Levin and editing by William Murphy are very tight. This is solid picture.
But for my money, the real “star” of The Lonely Man is cinematographer Lionel Lindon. He did some fine work over the course of his long career — from Road To Utopia (1945) and The Black Scorpion (1957) to The Manchurian Candidate (1962) and The Munsters, but this one is just stunning. (Let’s not forget his beautiful Trucolor work in 1955’s A Man Alone.) The rich shadows of the interiors and the deep focus of the Alabama Hills exteriors are gorgeous in black and white VistaVision.
The Paramount DVD of The Lonely Man has been around for a while, and it’s a terrific example of what a good transfer can be. The VistaVision is sharp as a tack, as it should be, and the blacks are absolutely perfect, and that’s critical to appreciating Lionel Lindon’s work on this film. The Alabama Hills have rarely been presented so beautifully. I’d love to see this make it to Blu-Ray.
The Lonely Man certainly deserves more attention than it gets. Highly, highly recommended.
Interestingly, a few months later, Anthony Perkins and Neville Brand were back in another black and white VistaVision Western for Paramount — Anthony Mann’s The Tin Star (1957).
The word on the street is that Powerhouse/Indicator out of the UK is prepping some of the Budd Boetticher – Randolph Scott pictures, the five Columbia ones, for Blu-Ray. Of course, those were put out by Sony in a terrific set several years ago, with plenty of extra stuff — but we’ve all been pining for all of these to make their way to Blu-Ray.
Michael Dante, Randolph Scott and Budd Boetticher on the Westbound set.
Powerhouse/Indicator will do a tremendous job with these. This would leave Seven Men From Now (1956) and Westbound (1959) orphaned in high-definition. Seven Men is handled by Paramount these days, and Westbound is in the care of the Warner Archive. More news as it turns up.
Back in 2014, gathering everybody’s favorite DVD and Blu-Ray picks for the year turned out to be a lot of fun. It’s since become an annual thing.
Thanks to everybody who sent in their picks for 2016. This was a great year for 50s Westerns on DVD and Blu-Ray (and 2017 is shaping up to be just as good, or maybe better). Here’s the Top 10, according to your votes.
10. Desperado (1954, Warner Archive, DVD)
It was a tie between this Wayne Morris picture and his earlier Desert Pursuit (1952). They’re both solid, offbeat little Westerns — and it’s real treat to have them available in such stellar condition.
9. Yellow Sky (1948, Kino Lorber, Blu-Ray)
Thanks to William Wellman, we didn’t have to wait till the 50s for Hollywood to start making 50s Westerns. The town of Yellow Sky is populated by only an old prospector and his daughter — until some slimy outlaws come riding up.
8. Western Union (1941, Kino Lorber, Blu-Ray)
Randolph Scott in Fritz Lang’s second Technicolor movie. There’s so much cool stuff in this movie, and it looks wonderful.
7. Black Horse Canyon (1954, Universal Vault, DVD)
For years, Joel McCrea’s Universal Westerns were missing on DVD. It’s great to have them so easy to track down. This is a good one.
6. Comanche Station (1960, Explosive Media, Blu-Ray)
The last of the Scott-Boetticher Westerns turns out to be the first to make its way to Blu-Ray, and as I see it, the others can’t get here soon enough. This thing’s incredible.
5. She Wore A Yellow Ribbon (1948, Warner Archive, Blu-Ray)
John Ford’s She Wore A Yellow Ribbon (1948, above) is one of the most beautiful color movies ever shot. The proof is pressed oh-so-magnificently into this Blu-Ray. It also features one of John Wayne’s finest performances.
4. Roughshod (1949, Warner Archive, DVD)
This gets my vote as the best of the “noir Westerns.” I was real happy to see the response this picture got. It’s a shame it’s not better known.
3. Cariboo Trail (1950, Kino Lorber, DVD/Blu-Ray)
The transfer here is a minor miracle, demonstrating how good CineColor can look. They wisely didn’t go overboard with the cleanup, so it still retains its true film look. And, of course, this is a solid picture from Edwin Marin and Randolph Scott.
2. Johnny Guitar (1954, Olive Films Signature Edition, DVD/Blu-Ray)
Olive’s new Signature edition is a marked improvement over their old release, which was terrific. The restored 1.66 framing makes a big difference, and the supplemental stuff is excellent.
1. One-Eyed Jacks (1961, Criterion Collection, DVD/Blu-Ray)
Opinions of Marlon Brando’s Western are all over the place, so I was really surprised to see it land in the top spot. However, judging it simply in terms of its superb presentation, I don’t see how anything could beat it. It’s stunning, a big fat reward to all of us who’ve suffered through those awful tapes and discs over the years. I’m proud and honored to have been involved with Criterion’s work here. (Note: Having worked on the One-Eyed Jacks extras, I did not feel comfortable taking part in the vote this time around.)
In closing, the discs on this list highlight the impact the video presentation can have on our appreciation of these old movies. Many of these have been available, in some form, for years. One more thing: your reasons for not buying a Blu-Ray player are rapidly running out.
Elaine Aiken is really good as the woman Jacob’s been with since leaving his family. She didn’t make many movies, this was her first, but she became a noted acting teacher — and a founder of the Actors Conservatory. The bad guys, from Neville Brand to Lee Van Cleef, have well-rounded parts — and the actors make the most of their limited screen time.
50 Westerns From The 50s. 