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Archive for the ‘1954’ Category

Here’s Julie Adams ringing in 1954. Well, if it was good enough then, it’s good enough 66 years later. This would’ve been around the time she’d done Wings Of The Hawk (1953) and Creature From The Black Lagoon (1954).

Hope you’re having a great time ushering in a new decade.

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Came upon this the other day and thought it was worth sharing.

The Morningside Theatre in New York City has quite a lineup on Saturday, April 16, 1959. First, there was Tim Holt in The Monster That Challenged The World (1957), then Audie Murphy in Jack Arnold’s No Name On The Bullet (1959) and finally Running Target from 1956, starring Doris Dowling, Arthur Franz and Myron Healey. Tossed into the mix were a few cartoons and Marshall Reed in a chapter of the Columbia serial Riding With Buffalo Bill (1954), produced by Sam Katzman.

Of course, the stuff coming up after it — William Castle’s The Tingler (1959), The Warrior And The Slave Girl (1958) and Whip Wilson, Fuzzy Knight and Phyllis Coates in Monogram’s Canyon Riders (1951) — sounds pretty good, too.

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Directed by Anthony Mann
Starring James Stewart, Ruth Roman, Corinne Calvet, Walter Brennan, John McIntire, Jay C. Flippen, Henry Morgan, Steve Brodie

It’s always a good day when another James Stewart/Anthony Mann movie makes its way to Blu-Ray. Arrow Academy has announced The Far Country (1954) for release this November.

The Far Country was Mann and Stewart’s fourth Western together, and it’s a good one. The cast and crew were well-acquainted and the movie feels like a well-oiled machine. Set in Alaska, though shot in Canada, the picture lets Mann and DP William H. Daniels make the most of the locale in widescreen. Speaking of widescreen, Arrow has promised to give us the movie two ways, in both 1.85 and 2.0 aspect ratios. Universal-International at this time was often using 2.0 — Man Without A Star (1955), Mole People (1956), etc.

Like the other Mann/Stewart Westerns, this one’s essential, folks.

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Rory Calhoun
(Francis Timothy McCown, August 8, 1922 – April 28, 1999)

Rory Calhoun was born 99 years ago today. Here he is with Peggie Castle in The Yellow Tomahawk (1954).

The Yellow Tomahawk is a pretty good picture. It’s not on DVD or Blu-Ray — and when you find it somewhere, it’s never in color.

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Directed by Douglas Sirk
Starring Rock Hudson, Barbara Rush, Gregg Palmer, Bart Roberts, Joe Sawyer, Morris Ankrum, Rex Reason

KIno Lorber has announced the upcoming release (early 2020) of Douglas Sirk’s Taza, Son Of Cochise (1954) — restored in 3-D, widescreen and Technicolor by the fine folks at 3-D Film Archive.

It’s so good to see these Universal Westerns making their way to hi-def. Can’t wait for this one.

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Nancy Gates
(February 1, 1926 – March 24, 2019)

Nancy Gates has passed away at 93. She was from Dallas, signed with RKO at just 15, and made some really good movies before retiring in 1969 to concentrate on her family.

She was particularly strong in Westerns such as Masterson Of Kansas (1954), Stranger On Horseback (1955), The Brass Legend (1956), The Rawhide Trail (1958), The Gunfight At Dodge City (1959) and Comanche Station (1960). Her other pictures include Hitler’s Children (1943), At Sword’s Point (1952), Suddenly (1954), World Without End (1956) and Some Came Running (1958). She was busy on TV, too, with everything from Maverick and Wagon Train to Alfred Hitchcock Presents and Perry Mason.

Around here, we’ll probably always remember her as Mrs. Lowe in Comanche Station. She’s really terrific in that one.

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Directed by Sidney Salkow
Starring Dale Robertson, Mary Murphy, J. Carrol Naish, John Litel, Iron Eyes Cody, John Hamilton, Douglas Kennedy

Shot in Mexico to save money, Sitting Bull (1954) was the first independent production shot in CinemaScope. As history, it’s hogwash, but as a cowboy movie, it’s pretty good — especially with that cast and with a sympathetic look at the Indians.

This picture seems to have falling into the public domain, which means we’ve been looking at terrible, pan-and-scan transfers for years. Spirit Media, from Germany, have announced a Blu-Ray release. Let’s hope it presents it the way it ought to be seen, with its CinemaScope intact and it’s Eastmancolor looking, well, as good as Eastmancolor can look. (Boy, it’s good to see somebody announcing a 50s Western on DVD or Blu-Ray.)

Thanks to John Knight for the news.

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