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Archive for the ‘1954’ Category

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Directed by Thomas Carr
Starring Wayne Morris, Jimmy Lydon, Beverly Garland,Dabbs Greer, Lee Van Cleef, Nestor Paiva, Roy Barcroft, John Dierkes, Lyle Talbot

The B Western was heading for the last roundup when The Desperado (1954) came around. But it’s got a dream cast and Warner Archive is offering it with its original 1.85 framing. Can’t wait.

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Tim in Hillsville
My wife is from Hillsville and Galax, Virginia. The Galax Gazette recently put its archive online. Jennifer’s been researching her family history, and I’ve been looking up what was playing at the local theaters.

Turns out, Tim Holt made a couple personal appearances at the Hillsville Theatre on July 27, 1954. (The theater was converted to apartments years ago. My brother-in-law lives in one.)

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Here’s Julie Adams, circa 1954, helping to wish you all big things in 2016.

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Directed by Thomas Carr
Produced by Vincent M. Fennelly
Written by Dan Ullman
Director Of Photography: Ernest Miller

Cast: Wild Bill Elliott (Marshal Sam Nelson), Virginia Grey (Stella Walker), Henry Morgan (Alf Billings), John Doucette (Ernie Walker), Lane Bradford (William Norris), Stanford Jolley (Everett)

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Released in May 1954, The Forty-Niners (1954) was William Elliott’s last Western. He’d finish out his career with a cool series of detective films (which many of us around here like a lot), but cowboy-wise, this was the end of the trail. It’s the last picture in the Warner Archive set The Wild Bill Elliott Western Collection.

Elliott is Marshall Sam Nelson, tracking down the murderers of a marshall in gold-crazy California. He strikes up an alliance with Alf Billings (Harry Morgan), a card sharp who may know the names of the killers. They wind up in Cold Water, where they run afoul of Sheriff Lane Bradford and saloon owner John Doucette. Nelson develops a bit of respect for Billings, who he suspects isn’t all bad. I’m oversimplifying things to avoid spoilers.

Dan Ullman’s script offers up twists and turns that we don’t see coming, even though we’ve seen a million of these things. It gives Henry Morgan a good part (he’d already appeared with Elliott in Republic’s The Showdown in 1950), which of course he’s excellent in. Morgan might have more screen time than Elliott does. Virginia Grey plays Morgan’s old flame who’s now married to Doucette. And to top it all off, Elliott narrates the picture Dragnet-style.

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By the time The Forty-Niners began shooting at the Iverson Ranch and Corriganville, Monogram was called Allied Artists and the industry standard for projection was 1.85. So, thanks to the folks at Warner Archive, we’re treated to a widescreen William Elliott picture. The previous entry in the series, Bitter Creek (1954), was also 1.85 — it’s not included in this set. These films were done very cheaply, and no transfer can ever make up for that. But it was shot by a real pro, Ernest Miller, and the widescreen framing gives it a fresh look.

I can’t say enough about these films, or about how excited I am that they’ve made their way to DVD in such supreme condition. Highly recommended.

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After a stint at Republic Pictures that resulted in some terrific Westerns (including a personal favorite, 1949’s Hellfire), William Elliott made his way to Monogram. By the time the series was over, Monogram had become Allied Artists and 1.85 had become the standard aspect ratio for American cinema. And the B Western was dead. These 11 pictures made sure it went out on a high note.

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Warner Archive has gathered eight of these films for a three-disc set — The Wild Bill Elliott Western Collection.

The Longhorn (1951)
Waco (1952)
Kansas Territory (1952)
The Maverick (1952)
Rebel City (1953)
Topeka (1953)
Vigilante Terror (1953)
The Forty-Niners (1954, widescreen)

Following these rather adult B Westerns, Elliott would make a dynamite series of detective pictures (again for Allied Artists) then go into retirement. Cancer would take him in 1964.

For me, this is the DVD release of the year. It’s due October 13. Between this set and the double feature that’s already out, you’ll have everything but Bitter Creek (1954), which WA promises for a later release. Essential stuff.

Thanks to John Knight for the tip.

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Welcome to The Republic Pictures Blogathon. Over the weekend, we’ll be celebrating the studio’s incredible talent roster, wonderful output and lasting legacy. This page will serve as its hub, and you’ll be able to reach all the posts here. Keep checking back.

One of my earliest movie memories, maybe the earliest, is of a 16mm print of John Ford’s Rio Grande (1950). So Republic has always been a huge part of my movie world.

It was formed by combining a number of the Poverty Row studios, and the goal of its head, Herbert J. Yates, was always commerce over art. So in a way, it’s surprising their films displayed the level of craftsmanship that they did. That craft may be what, in the end, sets them apart. After all, there were lots and lots of B Westerns and serials out there. But there’s a polish to a Republic picture — from the camerawork to the editing to those wonderful special effects to the performances to the stunts, that’s very special. It’s easy to see why their films are still so popular. If only they were readily available on DVD and Blu-ray.

Over the next few days, we have plenty to celebrate. The cowboy movies. The serials. The crime pictures. And on and on. Some great movie bloggers have saddled up or strapped on their rocket suit to be a part of this whole deal — and I really appreciate their efforts. This should be fun, folks!

Click on the images below to be linked to the appropriate blog.

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Day Three.

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Angel And The Badman (1947) – The Round Place In The Middle

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Ride The Man Down (1952) – 50 Westerns From The 50s

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City That Never Sleeps (1953) – Speakeasy

 

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Radar Men From The Moon (1952) – The Hannibal 8

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Day Two.

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The Fabulous Texan (1947) – Blake Lucas at 50 Westerns From The 50s

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Hoodlum Empire (1952) – Jerry Entract at The Hannibal 8

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Jubilee Trail (1954) – Laura’s Miscellaneous Musings

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Rock Island Trail (1950) and California Passage (1950) – The Horn Section

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Day One.

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The Outcast (1954) – Jerry Entract at 50 Westerns From The 50s

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Blackmail (1947) – John Knight at The Hannibal 8

Angel And The Badman (1947) – Thoughts All Sorts

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The Red Pony (1949) – Caftan Woman

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Dakota Incident (1956) – Riding The High Country

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Directed by William Witney
Screen Play by John K. Butler & Richard Wormster
Based upon an Esquire magazine story by Todhunter Ballard
Music: R. Dale Butts

Cast: John Derek (Jeff Cosgrave), Joan Evans (Judy Polsen), Jim Davis (Major Linton Cosgrave), Catherine McLeod (Alice Austin), Ben Cooper (The Kid), Slim Pickens (Boone Polsen), Bob Steele (Dude Rankin), Harry Carey, Jr. (Bert), Frank Ferguson (Chad Polsen), James Millican (Cal Prince)

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Republic blogathon badgeI am delighted to be able to take part in a The Republic Pictures Blogathon and would like to thank our host, Toby, for making it possible.

Having been formed from a merger of several small film companies in 1935, Republic Pictures hit the ground running, immediately scoring huge success with their Gene Autry Western series. They followed this success with The Three Mesquiteers the next year and into the 40s with popular series heroes Don Barry, Wild Bill Elliott, Rocky Lane and, especially, Roy Rogers.

Right from the start, Republic was making a cross-section of film types even though their specialty was the Western. I often feel that Republic was at its very best with their B-Western series – their ‘comfort zone’, if you like. Some of their later, bigger-budgeted Westerns seem a little ’overblown’ by comparison with the smaller, tighter-budgeted action fests. Jubilee Trail comes to mind. This was certainly not always the case, however, and one film that I certainly feel has the spirit and the energy of their smaller fry is 1954’s The Outcast.

The fact that the film was directed by action-ace Wild Bill Witney would have had a lot to do with it certainly. The action is captured beautifully in Republic’s Trucolor hues by expert cinematographer Reggie Lanning. The screenplay was co-written by John K. Butler and Richard Wormser from an Esquire Magazine story by Todhunter Ballard. The story concerns the return to Colorado of Jet Cosgrave (John Derek) after years away with the strong intent of reclaiming his rightful heritage, the vast Circle C Ranch, from his uncle Major Cosgrave (Jim Davis) who had forged Jet’s father’s will to gain control.

Into this main thread we find the arrival of the Major’s new intended (played by Catherine McLeod) whose affections gradually turn away from the Major when she sees how vicious and crooked he really is, towards Jet. There is another woman on the scene though who has set her sights firmly on Jet! Essentially this is a ‘range war’ western (I like those) and whilst you can always say ‘this plot is familiar’ where westerns are concerned, it is really all about how that plot plays out and how well it is dealt with.

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For me, this is a Western I am always happy to re-watch every few years as it just ‘ticks all the boxes’ for me. The storyline and the attendant action are not contrived but natural and the action which is plentiful is expertly-handled by Witney. The supporting cast reads like a “Who’s Who” of the western – Bob Steele, Harry Carey jr, James Millican, Ben Cooper, Frank Ferguson, Hank Worden… I am again struck by how good John Derek is in the leading role. He made a number of good Westerns for different studios and it struck me that he would have been a terrific Western lead for one studio, along the lines of Audie Murphy (and just as good). Good actor and he handles the gunplay and horseback stuff like a real seasoned westerner.

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The Outcast is sadly one of those many fine Republic films that are not available on DVD in the US market. The only option is an Italian release that is on sale on Amazon UK for around $200! Thankfully, the BBC transmitted the movie some years ago in the UK and I recorded it. The print is fine and the Trucolor comes across OK. This is one of those films we need to see released by someone who cares.

If a solid, well-made western made by folks who knew how to do it is your thing then this one is worth seeking out (if you can).

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Jerry Entract does not run his own blog or have any involvement in the film industry, but is an English lifelong movie fan and amateur student of classic cinema (American and British). Main passions are the western and detective/mystery/film noir. Enjoys seeking out lesser-known (even downright obscure) old movies.

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