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Archive for the ‘1954’ Category

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Mill Creek Entertainment has announced another set of films — the 7 Western Showdown Collection. Many of us may have these on separate discs, but it’s got some excellent 40s and 50s Westerns (along with the 1971 rodeo picture J.W. Coop).

The Black Dakotas (1954)
Directed by Ray Nazarro
Starring Gary Merrill, Wanda Hendrix, John Bromfield, Noah Beery, Jr.

This is the highlight for me, a Ray Nazarro Technicolor picture I’ve never seen. It was put out a few years ago as part of Sony’s MOD program, and I believe it was widescreen.

The set also includes:

Texas (1941)
Directed by George Marshall
Starring William Holden, Glenn Ford

Blazing Across The Pecos  (1948)
Directed by Ray Nazarro
Starring Charles Starrett, Smiley Burnette, Charles Wilson

They Came To Cordura (1959)
Directed by Robert Rossen
Starring Gary Cooper, Rita Hayworth, Van Heflin, Tab Hunter

The Man From Colorado (1948)
Directed by Henry Levin
Starring William Holden, Glenn Ford, Ellen Drew, Edgar Buchanan

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Gun Fury (1953)
Directed by Raoul Walsh
Starring Rock Hudson, Donna Reed, Philip Carey, Lee Marvin, Leo Gordon

The old DVD of Gun Fury was full-frame (and 2-D) instead of its intended 1.85. Not sure if Columbia will provide Mill Creek with new material or not, but a widescreen version would be reason alone to pick up this set.

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Bounty Hunter intermission card

50 Westerns From The 50s is going on a bit of a sabbatical. While we’re away, here’s the intermission card from a rare 3-D print of The Bounty Hunter (1954).

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I’m gonna make this quick because time’s running out. Olive Films’ Signature Edition of Nicholas Ray’s Johnny Guitar (1954) comes our tomorrow. Today, the pre-order price at Amazon is only $16.99 (the list price is $39.95).

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Get the new Blu-Ray of Johnny Guitar, or Frank’ll let you have it.

Watched it over the weekend, and I really urge you to get it (a real review will be coming soon). Don’t have a Blu-ray player? Well, now’s the time. This thing’s incredible. As much as I love this movie, seeing it in hi-def and its proper 1.66 framing, I love it even more. Essential.

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The lineup for the 54th New York Film Festival — which runs from September 30 to Octoebr 16 — includes a terrific Henry Hathaway retrospective that doesn’t skimp on his Westerns.

Rawhide (1951)
Starring Tyrone Power, Susan Hayward, Hugh Marlowe, Dean Jagger, Edgar Buchanan, Jack Elam, George Tobias, James Millican

Garden Of Evil (1954)
Starring Gary Cooper, Susan Hayward, Richard Widmark, Hugh Marlowe, Cameron Mitchell

From Hell To Texas (1958)
Starring Don Murray, Diane Varsi, Chill Wills, R.G. Armstrong, Jay C. Flippen, Harry Carey, Jr.

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North To Alaska (1960)
Starring John Wayne. Stewart Granger, Ernie Kovacks, Fabian, Capucine, Joe Sawyer, James H. Griffith

The Shepherd Of The Hills (1941), Kiss Of Death (1947) and Niagara (1953) are among the other Hathaway pictures being shown. Good stuff.

The restored One-Eyed Jacks (1961) is also part of the festival.

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Directed by Nicholas Ray
Starring Joan Crawford, Sterling Hayden, Scott Brady, Mercedes McCambridge, Ben Cooper, Ernest Borgnine, Ward Bond, John Carradine, Royal Dano, Frank Ferguson, Paul Fix, Denver Pyle

Olive Films has launched their new Signature series with a couple titles we’ll all be interested in: High Noon (1952) and Johnny Guitar (1954).

With Blu-rays from new 4K scans and a slew of extras, these should be terrific. For Nick Ray’s weird and wonderful Johnny Guitar, the best extra has to be the correct 1.66:1 framing. Ray was an absolute master at composition — and maybe the King Of CinemaScope — and I’m sure this proper aspect ratio will make all the difference. Watch for them in September.

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“Adult coloring” is a bit of a fad these days — at least here in the States. Some say it helps them relax, unwind, focus and all kinds of therapeutic stuff.

Here’s a coloring contest page that was offered up in the pressbook for The Lone Gun (1954). If I was gonna sit down and color, George Montgomery punching some guy would be therapeutic enough for me.

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Desperado HS

Directed by Thomas Carr
Written by Geoffrey Homes
Based on the novel by Clifton Adams
Cinematography: Joseph M. Novak
Film Editor: Sam Fields

Wayne Morris (Sam Garrett), Jimmy Lydon (Tom Cameron), Beverly Garland (Laurie Bannerman), Rayford Barnes (Ray Novak), Dabbs Greer (Marshal Langley), Lee Van Cleef (The Crayton twins), Nestor Paiva (Captain Thornton), Roy Barcroft (Martin Novack), Florence Lake (Mrs. Cameron), John Dierkes

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Thanks to a steady string of releases from Warner Archive, Wayne Morris will be showing up on this blog right regular for a while.

Though he had quite a career going at Warner Bros. — he played the title role in Kid Galahad (1937), Wayne Morris was one of the first stars to leave Hollywood to fight in World War II. He eventually flew an F6F Hellcat off the USS Essex, shooting down seven Japanese planes and helping sink five enemy ships. (His wife, Olympic swimmer Patricia O’Rourke, was the sister of Republic star Peggy Stewart.)

Back from the war with a number of decorations, Morris wasn’t able to regain his career’s momentum, and he found himself in a string of B Westerns — as Monogram was becoming Allied Artists and the B Western was heading into the sunset. One of the better ones was The Desperado (1954) from Allied Artists and director Thomas Carr.

The novel by Clifton Adams, published in 1950 by Gold Medal, was adapted for the movie by Geoffrey Homes. It takes place after the Civil War, as carpetbaggers are running Texas. In a town called John’s City, Tom Cameron (Jimmy Lydon) ends up on the run after locking horns with crooked sheriff Nestor Paiva. He crosses paths with Sam Garrett (Wayne Morris), a notorious gunman with a price on his head. Garrett takes Tom under his wing, teaching him how to use a gun and live on the lamb. After learning his father’s been killed, Tom takes all he’s learned back to John’s City for revenge.

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Sam Garrett (Wayne Morris): “Some folks will tell you a good shot only needs one gun. That’s a lot of foolishness. Two of anything is better than one.”

The movie itself feels like an attempt to do something special, to take the B Western up a notch. Maybe they didn’t quite succeed, but it’s completely unpretentious, offers up all the action we’re used to, and deviates from convention whenever it can.

Nobody ever said Wayne Morris was a great actor. But he’s easy to like and he carries himself well. In The Desperado, he makes his gunfighter-with-principles character work. The scenes as he mentors Jimmy Lydon are very well done, and when he threatens to plug someone, you know he means it. By this time, Morris had put on weight, and he looks a bit weary — both boost his effectiveness here.

The Desperado provided an early role for Beverly Garland. She said of Morris: “He was no longer a star. This was not Warner Bros.! He was nice, but heavy. He had to have a box to get on his horse. I didn’t hang around with him so I didn’t know about his drinking — but from his being puffy, I certainly suspected it.”

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Beverly would also appear with Morris in Two Guns And A Badge (1954), which is often listed as the last B Western ever made. She was also to appear in The Marksman (1953), but was replaced by Virginia Grey.

The rest of the cast of The Desperado is a B-Movie Who’s Who: Dabbs Greer, Lee Van Cleef (who plays twins!), Nestor Paiva (the same year he appeared in Creature From The Black Lagoon), Roy Barcroft and John Dierkes. Thomas Carr’s direction is typically tight, Joseph M. Novak’s camerawork is top-notch, and you get to see plenty of the Iverson Ranch.

The Desperado is an under-seen picture, one of those B Westerns that really rises to the top. Warner Archive has done a great job with it, presenting it with its original 1.85 framing intact — which makes a huge difference in the look of the film. Recommended.

Source: Ladies Of The Western by Michael G. Fitzgerald and Boyd Magers

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