A Few Things.

There’s a lot going on these days, which is probably a huge understatement. At the same time, within the confines of each of our homes, there’s not much going on at all. I hope everyone is safe, healthy and watching a lot of movies. Thought I’d bring up a few things.

Apache Drums (1951) is coming to Blu-Ray from Sidonis out of France. This is very good news. It’s a terrific picture.

RIP, James Drury.

Over the last few weeks, I’ve been asked for quite a few movie recommendations, and it’s been a blast to suggest Westerns and crime/noir movies to my homebound friends. It makes me feel good to know that yet another person has come to appreciate Man In The Saddle (1951) or Armored Car Robbery (1950).

Saw Day Of Triumph (1954), a low-budget, heartfelt, but talky story of Christ. It had a great cast — Lee J. Cobb, James H. Griffith (as Judas!), Joanne Dru (as a lovely Mary Magdalene), Burt Mustin, Robert Cornthwaite, Barbara Billingsley, Mike “Touch” Connors and Ralph Moody. The minimal sets are pretty effective, but Burbank is a long way from the Holy Land, in about every possible way.

Completed the commentary for Kino Lorber’s When The Daltons Rode (1940) last week. Due to coronavirus closings and stuff, we recorded it at the engineer’s home. We had to take a break when a train came through town — the tracks run behind his house. Ironically, it was the train robbery sequence.

Hang in there, folks!

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Blu-Ray News #300: Western Classics I.

Kino Lorber has announced their first volume of Western Classics for June — When The Daltons Rode (1940), The Virginian (1946) and Whispering Smith (1948).

When The Daltons Rode offers up about 30 minutes of constant riding, shooting and just general mayhem in its last reels, all courtesy of the great Yakima Canutt. Amazing stuff. Whispering Smith was tailor-made for Alan Ladd — his first Western and his first color film. The Virginian puts a couple of my favorites in the same movie — Joel McCrea and William Frawley.

Working on the commentary notes for When The Daltons Rode has been a lot of fun, especially watching all the stunts again and again.

I love the first volume of sets like this, since it comes with the promise of more!

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Pre-50s Westerns DVD/Blu-Ray News #293: Destry Rides Again (1939).

Directed by George Marshall
Starring Marlene Dietrich, James Stewart, Brian Donlevy, Una Merkel

Criterion has announced they they’re bringing George Marshall’s Destry Rides Again (1939) to DVD and Blu-Ray in April. (We’ve sure seen a lot of James Stewart and Marlene Dietrich making its way to Blu-Ray lately.)

It comes with a slew of terrific extras, of course, but the draw for me is a new 4K restoration done with the Film Foundation. Can’t wait to see how this thing will shine! Absolutely essential.

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50s Westerns Blu-Ray News #292: Kino Lorber’s Heading West In March!

Kino Lorber is serving up four terrific Universal Westerns in March, an announcement that gets. 2020 off to a great start.

Canyon Passage (1946)
Directed by Jacques Tourneur
Starring Dana Andrews, Brian Donlevy, Susan Hayward, Patricia Roc, Ward Bond, Hoagy Carmichael, Andy Devine, Lloyd Bridges

Canyon Passage was Jacques Tourneur’s first Western and first film in color. It’s got a great cast (Ward Bond is terrific — and very scary) and incredible Technicolor photography from Edward Cronjager, who also shot Lang’s Western Union (1941). This is a very overlooked, underrated film.

Night Passage (1957)
Directed by James Neilson
Starring James Stewart, Audie Murphy, Dan Duryea, Dianne Foster, Elaine Stewart, Brandon de Wilde, Jay C. Flippen, Robert J. Wilke, Hugh Beaumont

Shot in Technirama, a high-fidelity combination of VistaVision and anamorphic widescreen, Night Passage is as sharp as movies could get in the late 50s. And with loads of incredible location work in Durango, Colorado, it’s stunning — and a perfect candidate for Blu-Ray. The movie itself, while it’s no masterpiece, has been unjustly maligned. You’ll find the story behind all that in an old post.

Man In The Shadow (1957)
Directed by Jack Arnold
Starring Jeff Chandler, Orson Welles, Colleen Miller, Barbara Lawrence, John Larch, Royal Dano, James Gleason

There are a thousand reasons to be excited about this modern-day (well, 1957) Western — Jeff Chandler, Orson Welles, B&W CinemaScope and Jack Arnold, for starters. Welles and producer Albert Zugsmith got to talking here, which led to Touch Of Evil (1958).

The Rare Breed (1966)
Directed by Andrew V. McLaglen
Starring James Stewart, Maureen O’Hara, Brian Keith, Juliet Mills, Ben Johnson, Jack Elam, Harry Carey, Jr.

The best thing The Rare Breed has going for it is its incredible cast — how could it go wrong? Not to mention the Technicolor/Panavision cinematography of William H. Clothier.

All four films will feature a commentary (I’m doing both Passage films) and an original trailer. It’s no easy to recommend these things!

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Pre-50s Western Blu-Ray News #280: Canyon Passage (1946).

Directed by Jacques Tourneur
Starring Dana Andrews, Brian Donlevy, Susan Hayward, Patricia Roc, Ward Bond, Hoagy Carmichael, Andy Devine, Lloyd Bridges

Canyon Passage (1946) is a large-scale tale of the Oregon Territory. Jacques Tourneur’s first Western and first color film, it was a big hit back in 1946. It’s got a great cast (Ward Bond is terrific — and very scary) and incredible Technicolor photography from Edward Cronjager, who also shot Lang’s Western Union (1941).

It’s coming to Blu-Ray from Kino Lorber later this year. You can bet it’ll look great.

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The Joel McCrea Blogathon.

The character Joel McCrea played in so many of his Westerns was a confident, moral man — absolutely true to his word (even when he was an outlaw). Many say that character is a perfect match for McCrea himself. Here in the States, with our contentious, divisive 2016 election coming to an end just a few days after McCrea’s birthday, there’s an irony there that’s hard to miss. There’s also a realization that we could sure use someone like McCrea today.

I could go on and on about Joel McCrea’s incredible career, working with some of Hollywood’s greatest directors on some of their finest films (many of which will be covered over the course of this blogathon), but there’s a quote from a 1978 interview that pretty much says it all —

“I liked doing comedies, but as I got older, I was better suited to do Westerns. Because I think it becomes unattractive for an older fellow trying to look young, falling in love with attractive girls in those kinds of situations… Anyway, I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn’t feel like I was an actor anymore. I felt like I was the guy out there doing it.”

Below you’ll find links for a series of posts from a very fine roster of bloggers, writers, fans, etc. Keep checking back.

Day 3

South Of St. Louis (1949)
50 Westerns Of The 50s

Day 2

These Three (1936)
The Jade Sphinx

The Outriders (1950)
50 Westerns From The 50s, by Blake Lucas

Gunsight Ridge (1957)
Laura’s Miscellaneous Musings

Day 1

Ride The High Country (1962, by Jerry Entract)
50 Westerns From The 50s

The Virginian (1946)
Caftan Woman

Wichita (1955)
The Round Place In The Middle

Four Faces West (1948)
Speakeasy

The Most Dangerous Game (1932)
The Hannibal 8 (by Jerry Entract)

Stranger On Horseback (1955)
50 Westerns From The 50s by Allen Smithee

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Blu-ray Review: Canyon Passage (1946).

Directed by Jacques Tourneur
Produced by Walter Wanger
Screenplay by Ernest Pascal
Adapted from the Saturday Evening Post story by Ernest Haycox
Director Of Photography: Edward Cronjager
Film Editor: Milton Carruth

Cast: Dana Andrews (Logan Stuart), Brian Donlevy (George Camrose), Susan Hayward (Lucy Overmire), Patricia Roc (Caroline Marsh), Ward Bond (Honey Bragg), Hoagy Carmichael (Hi Linnet), Fay Holden (Mrs. Overmire), Stanley Ridges (Jonas Overmire), Lloyd Bridges (Johnny Steele), Andy Devine (Ben Dance), the Devine Kids, Frank Ferguson, Ray Teal

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There seems to be a general consensus around here that Canyon Passage (1946) is a damn good Western, typically fine work from Jacques Tourneur, and a picture that has been unjustly overlooked over the years. We also tend to agree that the DVD from Universal is a terrific example of how to present three-strip Technicolor on our hi-def TVs. So much so, that a few folks have commented that they couldn’t imagine how much difference a Blu-ray upgrade would make.

Well, the new Blu-ray from Panamint offers up a stunning example of just what Blu-ray can do — that beautiful transfer of Edward Cronjager’s Technicolor photography is, well, even more beautiful than it was before. Sharper, crisper, more detailed — and with a real sense of depth. After viewing this, the old DVD seems way too bright by comparison. The extras — from newsreel footage of the premiere to a series of radio shows to a nice booklet on the film — really make this a premium package.

Patricia Roc and Jacques Tourneur

Then there’s the movie itself. Director Jacques Tourneur’s first Western, and his first time working in Technicolor, Canyon Passage is a big, beautiful, complex tale of the Oregon territory in 1856. Dana Andrews runs a freight business and winds up in a love triangle with Susan Hayward and Brian Donlevy — while dealing with both Indians and a positively evil Ward Bond.

Ward Bond and Dana Andrews duke it out

It’d be easy for Canyon Passage to get bogged down in melodrama, but Tourneur’s too smart for that. He treats us to incredible vistas of the Oregon locations (Crater Lake is one of them), gets top-notch performances from the entire cast and offers up a great fistfight between Andrews and Bond. Bond deserves special mention: he’s a real scumbag in this one, a sharp contrast to roles that came later like Wagon Master (1950) and The Searchers (1956).

Jacques Tourneur came to this film with some classic horror movies under his belt — Cat People (1942) and I Walked With A Zombie (1943), and he’d follow it with one of the finest noirs, Out Of The Past (1947). Tourneur’s body of work is certainly worth seeking out. Case in point: his other Westerns include Stars In My Crown (1950) and Wichita (1955).

It’s easy to recommend Canyon Passage — both the film and Panamint’s high-definition, Region B presentation of it. It takes a good thing and makes it better.

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Pre-50s Westerns Blu-ray News #215: Canyon Passage (1946).

Directed by Jacques Tourneur
Starring Dana Andrews, Brian Donlevy, Susan Hayward, Patricia Roc, Hoagy Carmichael, Ward Bond, Andy Devine, Lloyd Bridges

Here’s a good one coming from the fine folks at Panamint Cinema — Jacques Tourneur’s first Western, Canyon Passage (1946).

This has been available elsewhere for a while, but this will be a great opportunity to experience its eye-popping Technicolor in high definition.Remember what a great job Panamint did with Abilene Town (1946)? Watch for it in July.  Highly recommended.

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50s Westerns DVD/Blu-ray News #202: Our Best Of 2015.

First, thanks to everyone who sent in their picks — we had a larger turnout this year. Your responses were very thorough, and they made it clear to me what a good year this was for 50s Westerns on DVD and Blu-ray — you brought up tons of em. Here are the Top 10, ordered by the number of votes they received.

Abilene Town (1946, Blu-ray, Panamint Cinema)
This one topped the list in a big way. I was so stoked to see this fairly obscure Randolph Scott picture rescued from the PD purgatory where it’s been rotting for years — a lot of you seemed to feel the same. Mastered from 35mm fine-grain material, it’s stunning.

Shane (1953, Blu-ray, Eureka)
The Blu-ray release from Paramount made last year’s list, and this UK release was a strong contender this time around. Eureka gives us the opportunity to see what Paramount’s controversial 1.66 cropping looked like.

The Wild Bill Elliott Western Collection (1951-54, DVD set, Warner Archive)
I’m pretty biased when it comes to this one, and I was happy to learn that others were as pleased with it as I was. One of the greatest Western stars goes out on a high note, even if it is a low-budget one.

The Quiet Gun (1956, Blu-ray, Olive Films)
It’s hard to believe this was a 2015 release, since it was on Olive Films’ coming-soon list for such a long time. These Regalscope movies look great in their original aspect ratio, and for my money, this is the best of the bunch.

Woman They Almost Lynched (1953, Blu-ray, Olive Films)
It makes me feel good to see Allan Dwan get some attention, and stellar presentations of his work, like this one, should continue to fuel his (re-)discovery.

Man With The Gun (1955, Blu-ray, Kino Lorber)
A solid Robert Mitchum Western, with the added punch of a terrific 1.85 hi-def transfer. This is a lot better movie than you probably remember it being.

Run Of The Arrow (1957, DVD, Warner Archive)
This really knocked me out — I’d somehow missed out on what a great movie this is. It took me a while to get used to Rod Steiger and his affected accent, but this is prime Sam Fuller.

The Hired Gun (1957, DVD, Warner Archive)
Black and white CinemaScope is a big attraction for me, so I’d been waiting for this one for years. It was worth the wait.

Stranger At My Door (1954, Blu-ray, Olive Films)
A really cool little movie from Republic and William Witney. It was Witney’s favorite of his own pictures, and it’s pretty easy to see why he’d be partial to it. His work here is masterful.

Star In The Dust (1956, Blu-ray, Koch)
Koch out of Germany is treating us (or those of us with a Region B player) to some great Universal 50s Westerns on Blu-ray. This one was released in Universal’s 2.0 ratio of the period. Some found it a bit tight, but it’s a gorgeous presentation of a movie not enough people have seen.

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The Republic Pictures Blogathon: Ride The Man Down (1952).

Associate Producer – Director: Joe Kane
Screen Play by Mary McCall, Jr.
Based on a Saturday Evening Post story by Luke Short
Director Of Photography: Jack Marta
Music: Ned Freeman

Cast: Brian Donlevy (Bide Marriner), Rod Cameron (Will Ballard), Ella Raines (Celia Evarts), Forrest Tucker (Sam Danfelser), Barbara Britton (Lottie Priest), J. Carrol Naish (Sheriff Joe Kneen), Chill Wills (Ike Adams), Jim Davis (Red Courteen), Taylor Holmes (Lowell Priest), James Bell (John Evarts), Paul Fix (Ray Cavanaugh), Roydon Clark, Roy Barcroft, Al Caudebec, Douglas Kennedy, Jack La Rue, Claire Carleton

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This is an entry in The Republic Pictures Blogathon, a celebration of the studio’s incredible talent roster, wonderful output and lasting legacy.

Herbert Yates devised a rather odd hierarchy for Republic’s releases. First, there were the “Jubilee” pictures, shot in a week for about $50,000 — this was their bread and butter. Then came the “Anniversary” films, with schedules stretching to 15 days and budgets up to $200,000. The “Deluxe” projects were a decidedly bigger product, with bigger starts and costing up to half a million. And last came the “Premiere” bracket, with top directors (John Ford, Fritz Lang, Nick Ray) and budgets of about a million.

Ride The Man Down (1952) was a Deluxe, with location shooting in Utah, a terrific cast and the otherwordly hues of Trucolor. For good measure, Republic assigned it to one of their ace house directors, Joe Kane, who also gets an associate producer credit.

When the owner of the renowned Hatchet Ranch freezes to death, his daughter inherits the whole spread, and it’s up to the dedicated, steadfast foreman, Will Ballard (Rod Cameron), to protect Hatchet from the surrounding ranchers. This range war plot is something we’re all familiar with, but Mary McCall, Jr.’s screenplay, adapted from a Luke Short story, is overly complicated (complete with a murder and a love triangle worked in), leaving the audience with a lot to sort out along the way.

The picture’s biggest strength is certainly its cast, made up of some of Republic’s best. Rod Cameron is very good as Will Ballard. It’s a part that really suits him — he’s good at talking tough and swing his fists. Brian Donlevy is terrific as a powerful, greedy rancher. Ella Raines is good as the Hatchet Ranch’s new owner, a part that could’ve been annoying. Forrest Tucker turns out to be a rather slimy bad guy. And J. Carrol Naish makes quite an impression as a crooked sheriff.

Ride The Man Down boasts the kind of fistfight we expect from a Republic picture. Cameron and Forrest Tucker duke it out in a cabin, practically destroying the place in the process. And there’s a cool scene where Cameron beans Jim Davis with a cue ball.

This is another Republic picture without a DVD or Blu-ray release. Marta and Kane give the film a big, lush look and it’d be nice to see Jack Marta’s cinematography closer to his original intent. Maybe one of these days.

I leave you with a final thought: Would you want to live in a town where the sheriff is J. Carrol Naish?

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