Directed by Jacques Tourneur
Produced by Walter Wanger
Screenplay by Ernest Pascal
Adapted from the Saturday Evening Post story by Ernest Haycox
Director Of Photography: Edward Cronjager
Film Editor: Milton Carruth
Cast: Dana Andrews (Logan Stuart), Brian Donlevy (George Camrose), Susan Hayward (Lucy Overmire), Patricia Roc (Caroline Marsh), Ward Bond (Honey Bragg), Hoagy Carmichael (Hi Linnet), Fay Holden (Mrs. Overmire), Stanley Ridges (Jonas Overmire), Lloyd Bridges (Johnny Steele), Andy Devine (Ben Dance), the Devine Kids, Frank Ferguson, Ray Teal
There seems to be a general consensus around here that Canyon Passage (1946) is a damn good Western, typically fine work from Jacques Tourneur, and a picture that has been unjustly overlooked over the years. We also tend to agree that the DVD from Universal is a terrific example of how to present three-strip Technicolor on our hi-def TVs. So much so, that a few folks have commented that they couldn’t imagine how much difference a Blu-ray upgrade would make.
Well, the new Blu-ray from Panamint offers up a stunning example of just what Blu-ray can do — that beautiful transfer of Edward Cronjager’s Technicolor photography is, well, even more beautiful than it was before. Sharper, crisper, more detailed — and with a real sense of depth. After viewing this, the old DVD seems way too bright by comparison. The extras — from newsreel footage of the premiere to a series of radio shows to a nice booklet on the film — really make this a premium package.
Patricia Roc and Jacques Tourneur
Then there’s the movie itself. Director Jacques Tourneur’s first Western, and his first time working in Technicolor, Canyon Passage is a big, beautiful, complex tale of the Oregon territory in 1856. Dana Andrews runs a freight business and winds up in a love triangle with Susan Hayward and Brian Donlevy — while dealing with both Indians and a positively evil Ward Bond.
Ward Bond and Dana Andrews duke it out
It’d be easy for Canyon Passage to get bogged down in melodrama, but Tourneur’s too smart for that. He treats us to incredible vistas of the Oregon locations (Crater Lake is one of them), gets top-notch performances from the entire cast and offers up a great fistfight between Andrews and Bond. Bond deserves special mention: he’s a real scumbag in this one, a sharp contrast to roles that came later like Wagon Master (1950) and The Searchers (1956).
Jacques Tourneur came to this film with some classic horror movies under his belt — Cat People (1942) and I Walked With A Zombie (1943), and he’d follow it with one of the finest noirs, Out Of The Past (1947). Tourneur’s body of work is certainly worth seeking out. Case in point: his other Westerns include Stars In My Crown (1950) and Wichita (1955).
It’s easy to recommend Canyon Passage — both the film and Panamint’s high-definition, Region B presentation of it. It takes a good thing and makes it better.
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