Blu-Ray News #355: Audie Murphy Collection II (1950-1954).

Kino Lorber’s second hi-def batch of Audie Murphy Westerns is coming in June. This set includes Sierra (1950), Kansas Raiders (1950) and Destry (1954).

Sierra (1950)
Directed by Alfred E. Green
Starring Wanda Hendrix, Audie Murphy, Burl Ives, Dean Jagger, Tony Curtis, James Arness, Jack Ingram, Houseley Stevenson, I. Stanford Jolley

Audie and his dad, Dean Jagger, have been hiding in the mountain for years. A chance meeting with Wanda Hendrix brings civilization to their doorstep, where it’s not welcome.

Wanda Hendrix and Audie Murphy were newlyweds when production began on this one. They were separated before its release. Some really nice horse stuff (some of it lifted from 1949’s Red Canyon) and a great cast of character actors.

I’m doing a commentary for this one.

Kansas Raiders (1950)
Directed by Ray Enright
Starring Audie Murphy, Brian Donlevy, Marguerite Chapman, Scott Brady, Tony Curtis, Richard Arlen, Richard Long

U-I mangles history again, but who cares? Murphy is Jesse James, Brian Donlevy is Quantrill. Yet another solid Western from Ray Enright, with typically-gorgeous cinematography from Irving Glassberg.

Destry (1954)
Directed by George Marshall
Starring Audie Murphy, Mari Blanchard, Lyle Bettger, Thomas Mitchell, Edgar Buchanan, Lori Nelson, Wallace Ford

For this 1954 remake, U-I puts Murphy and Mari Blanchard in the roles played by James Stewart and Marlene Dietrich in 1939’s Destry Rides Again. George Marshall directed both versions. (There was a semi-remake in 1950, Frenchie, with Joel McCrea, Shelley Winters and Marie Windsor.) In this one, it’s good to see Murphy play against type a bit, and it’s always great to see Wallace Ford. Of course, Mari Blanchard looks terrific.

All three of these pictures boast the usual U-I 50s Western Technicolor sheen. (Destry should be widescreen.) They’ll look wonderful on Blu-Ray. Highly recommended.

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The Ben Johnson Fan Page.

From Paula, who runs the terrific Ben Johnson Fan page —

The Ben Johnson Fan Page, which has been hosted by Shutterfly for the past 12-1/2 years, has moved, as Shutterfly will be discontinuing its “share sites” (webpage hosting) service on March 27.

The new address is
benjohnsonfanspage.com

The new site is a work in progress and many items from the Shutterfly page still need to be reposted. This process will be ongoing for some time. Graphics are generic for now but eventually we’ll have something more appealing and Western-oriented.

To visit the new page, click either the link above or the photo from The Wild Bunch (1969).

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“Finding Friendship And Fortitude, Even In A Flop.”

At the risk of appearing political, here’s an interesting article on Barbara Stanwyck, Ronald Reagan and Allan Dwan’s Cattle Queen Of Montana (1954). It’s from American Greatness, written by Emina Melonic. She’s tougher on the movie than I’d be — I’m a sucker for mid-50s Dwan pictures — but I really enjoyed it.

Click on the chunk above to get to the article. And if you’re like me, you’re gonna want to revisit the movie.

And the marquee image up top, what movie is it from?

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“Hello, Folks…”

Came across this ad for Stars In My Crown (1950) and thought I’d share it.

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Another Day, Another Book.

Here’s another book I’ve been digging through lately, In The Nick Of Time: Motion Picture Sound Serials by William C. Cline (published by McFarland). What are y’all flipping through these days?

Oh, and that’s Toby from Sheriff Callie’s Wild West over there, a trinket from Presley.

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Blu-Ray Review: Rancho Notorious (1952).

Directed by Fritz Lang
Screenplay by Daniel Taradash
Story by Silvia Richards
Produced by Howard Welsch
Director Of Photography: Hal Mohr
Film Editor: Otto Ludwig
Music by Emil Newman

Cast: Marlene Dietrich (Altar Keane), Arthur Kennedy (Vern Haskell), Mel Ferrer (Frenchy Fairmont), Gloria Henry (Beth Forbes), William Frawley (Baldy Gunder), Lisa Ferraday (Maxine), John Raven (Chuck-a-luck dealer), Jack Elam (Mort Geary), George Reeves (Wilson), Frank Ferguson (Preacher), Francis McDonald (Harbin), Lloyd Gough (Kinch), John Doucette (Whitey), Russell Johnson, Fuzzy Knight, Emory Parnell, Kermit Maynard, Tom London, I. Stanford Jolley

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I love Fritz Lang’s Hollywood movies, Rancho Notorious (1952) in particular. I’ve written about it on this blog before, and it’s got a chapter in my long-promised book.

With the new Blu-Ray from Warner Archive, well, here it is again.

First, the movie. It’s very, very Fritz Lang. You have Chuck-A-Luck, a retreat for outlaws run by Altar Keane (Marlene Dietrich) — sort of an Old West variation on Dr. Mabuse and his criminal network. Then you have Vern Haskall (Arthur Kennedy), whose fiancé (Gloria Henry) is raped and murdered in a holdup eight days before their wedding. Vern is absolutely consumed with revenge, another Lang favorite, and his journey for justice leads to Keane, gunslinger Frenchy Fairmont (Mel Ferrer) and Chuck-A-Luck.

As the ballad that runs throughout tells use, it’s a story of “hate, murder and revenge” — themes that served Lang well in all those terrific noirs.

All this is placed in a low-budget, studio-bound (though there’s a little Iverson Ranch and Republic Western street in there), Technicolor setting that comes off rather dreamy and operatic. Somehow it seems more dated that Lang’s Western Union from 1941. But let me be perfectly clear — all of these are good things.

Rancho Notorious is often compared to Nick Ray’s Johnny Guitar (1954). Some folks hate it, some find it corny and laughable (especially that song). For me, however, it’s just wonderful, one of the few films I’ve watched back to back on the same evening (had to make sure I actually saw what I thought I saw).

Now, on to the new Blu-Ray. Warner Archive often shows us just how good an older film can look in high definition. Their exquisite restoration of Anthony Mann’s The Naked Spur (1953) is a shining example. Rancho Notorious has been given a new 4K transfer from the original nitrate Technicolor negative, and it’s just incredible. From the B&W RKO logo to the final fade, it’s as sharp as anything I’ve ever seen on a TV, highlighting the detail (thanks to the nitrate, grain’s almost nonexistent) and depth of Hal Mohr’s cinematography. The artifice of the whole endeavor is more noticeable than ever, and I stopped it a number of times to study the costumes, sets and backdrops.

The audio has been given plenty of attention, too, and it’s as clear as a bell. (The old DVD’s audio level was a bit low.) If Fritz Lang’s weird Western is ever gonna get the reappraisal it so richly deserves, this is the way to make it happen.

Warner Archive keeps raising the bar. This is a stunning, as-close-to-perfect-as-you-can-get presentation. Highly, highly recommended.

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