Posted in Cameron Mitchell, Criterion, DVD/Blu-Ray Reviews, Post-1959, Roger Corman on September 24, 2019| 20 Comments »
Since Monte Hellman’s The Shooting and Ride In The Whirlwind (both 1966) come from outside the parameter of 50s Westerns, I placed the review of the Criterion twin-bill on my other blog. Click on the package above to mosey over thee.
Posted in 1951, 1954, 1958, Cameron Mitchell, Edgar Buchanan, Festivals, screenings, Gary Cooper, Harry Carey Jr., Henry Hathaway, Jack Elam, James H. Griffith, John Wayne, Richard Widmark, Susan Hayward, Tyrone Power on September 12, 2016| 27 Comments »
The lineup for the 54th New York Film Festival — which runs from September 30 to Octoebr 16 — includes a terrific Henry Hathaway retrospective that doesn’t skimp on his Westerns.
Rawhide (1951)
Starring Tyrone Power, Susan Hayward, Hugh Marlowe, Dean Jagger, Edgar Buchanan, Jack Elam, George Tobias, James Millican
Garden Of Evil (1954)
Starring Gary Cooper, Susan Hayward, Richard Widmark, Hugh Marlowe, Cameron Mitchell
From Hell To Texas (1958)
Starring Don Murray, Diane Varsi, Chill Wills, R.G. Armstrong, Jay C. Flippen, Harry Carey, Jr.
North To Alaska (1960)
Starring John Wayne. Stewart Granger, Ernie Kovacks, Fabian, Capucine, Joe Sawyer, James H. Griffith
The Shepherd Of The Hills (1941), Kiss Of Death (1947) and Niagara (1953) are among the other Hathaway pictures being shown. Good stuff.
The restored One-Eyed Jacks (1961) is also part of the festival.
Posted in Cameron Mitchell, DVD reviews, releases, TV, etc., Post-1959, Roger Corman on November 11, 2014| 13 Comments »
The Shooting
Directed by Monte Hellman
Written by Carole Eastman
Starring Will Hutchins, Millie Perkins, Jack Nicholson, Warren Oates
Ride In The Whirlwind
Directed by Monte Hellman
Written by Jack Nicholson
Starring Cameron Mitchell, Millie Perkins, Jack Nicholson, Katherine Squire, George Mitchell, Rupert Crouse, Harry Dean Stanton
Over the course of six weeks in 1965, Monte Hellman and Jack Nicholson (with some financing from Roger Corman) shot two Westerns back to back. They had no lighting equipment, a tiny crew, less than 10 feet of dolly track and budgets of just $75,000 per picture. When they left Kanab, Utah, they somehow had the makings of a couple of the best Westerns of the 60s.
The Criterion Collection’s presentation of Hellman’s The Shooting and Ride In The Whirlwind hits the streets today, available on both DVD and Blu-ray. Some see them as part of the Revisionist movement, some as an early example of the “Acid Western.” To me, they feel like the Psychological Western of the late 50s taken a step further. A very large step. But in the end, all those labels don’t mean anything. These are Westerns. They’re different. They’re very, very good. And as I see it, they’re absolutely essential.
Monte Hellman personally supervised the 4K restorations, preserving Gregory Sandor’s original 1.85 photography. The set is packed with commentaries — with Bill Krohn and our very own Blake Lucas riding along with Hellman for both films, interviews and more. You know, the usual exhaustive Criterion treatment. (One of my all-time favorite films, Hellman’s Two-Lane Blacktop from 1971, is also available from Criterion.)
Of the two Westerns, I prefer The Shooting. A friend and I once had a lot of fun arguing about which is better. His reasoning was that Harry Dean Stanton automatically makes Whirlwind the better film. I played the Warren Oates card.
