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Archive for the ‘Glenn Strange’ Category

Well, here’s one I never thought we’d see, especially on Blu-Ray. Colt .45 (1957-1960) was one of Warner Bros’ Western shows of the late 50s — based (rather loosely) on their 1950 film starring Randolph Scott. It didn’t become a rerun favorite like Maverick or Cheyenne, and they haven’t been seen anywhere in years. (I saw a couple of episodes in 16mm at a Western film show ages ago.) Now all three seasons are available, and looking just heavenly, in a new Blu-Ray set from Warner Archive.

Wayde Preston plays Christopher Colt, a government agent posing as a Colt gun salesman. As he roams the West, he gets involved in all sorts of stuff, usually leading to some fancy shooting on his part. In the first season’s titles, Preston shoots toward the camera, then does some nice pistol-spinning as he puts his twin Colts back in their holsters. (Reminds me a little of the titles to The Rifleman.)

Wayde Preston and James Garner hanging around the Warner lot.

Though they run just half an hour and the budgets were obviously pretty slim, it’s a good show. All the WB Western series looked good, benefitting from excellent stock footage, using some nice WB sets and boasting terrific guest stars. Colt .45 featured Charles Bronson, Wayne Morris, Angie Dickinson, Robert Conrad, John Doucette, Ray Teal, Frank Ferguson, I. Stanford Jolley, Kathleen Crowley, Lee Van Cleef, Jack Lambert, Glenn Strange, Leonard Nimoy, Virginia Gregg, Paul Fix, Robert J. Wilke, Dorothy Provine, Lyle Talbot, Roy Barcroft, Adam West and Sandy Koufax(!).

Some solid directors worked on it, too — guys like Lee Sholum, Paul Landres, George Waggner, Lew Landers, Edward Bernds and Oliver Drake. 

The first season is excellent, but then things kinda went awry. Wayde Preston left the show (the usual pay dispute, they say), making for a short second season. For the third season, Donald May took over as Sam Colt, Jr., Christopher Colt’s cousin.

Warners evidently badmouthed Preston and he had a hard time landing parts around town. He was brought back toward the end of the third season, now supporting his cousin Sam. Colt .45 didn’t last beyond that third season and Preston eventually headed to Italy to make spaghetti Westerns and Anzio (1968).

With just two-and-a-half seasons (only 67 episodes), and a star who disappears midstream, it sorta makes sense that Colt .45 wouldn’t enjoy the perpetual syndication of other Western shows of the period. When it’s good, it’s really good, usually because of a solid story or an exemplary performance — Wayne Morris and John Doucette, for example, are excellent in their episodes.

Then there are the Blu-Rays. I’ve never seen a black & white TV show look this good — ever. There’s not a lot of old TV on Blu-Ray. I Love Lucy! and The Andy Griffith Show are, and they can’t hold a digital candle to this set. It’s stunning. From the logo in the grips of Preston’s Colts to the sewn-up holes in John Doucette’s shirt, the detail here is really incredible. (Of course, this highlights stuff like the stock footage stage driver looking nothing like the guy who speaks to Preston seconds later, but who cares?) The contrast is perfectly dialed in and the grain is just right. Whoever twiddled the knobs on this thing, I’d like to buy you lunch! Same goes for the folks in the vaults watching over this old material.

In short, the fact that Colt .45 made its way to video at all is a real surprise. That it would come out of left field looking like this, well, that seems like a miracle. Colt .45 – The Complete Series comes highly recommended. I think you’ll like the show, and I know you’ll be blown away by the care Warner Archive has given it.

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You may remember a recent post about Olive Films shutting down. They put out some great DVDs and Blu-Rays over the years, particularly things from Republic and Paramount. (In fact, I watched their The Night Riders this morning, one of my favorite B Westerns.)

Some of these titles have already been re-issued by others (or are on the way). But some may never see the light of day again, given the current state of physical media. From Republic’s Three Mesquiteers series with John Wayne to a handful of Regalscope pictures, there are some real jewels here.

For those trying to pick these things up before they’re either gone or getting crazy collectors’ prices, here’s a list of their Westerns, ranging from the Silents into the 60s. If I missed anything, please let me know.

Special thanks for Laura from Laura’s Miscellaneous Musings, who was a HUGE help with bringing this thing together. 

Wagon Tracks (1919)
Neath The Arizona Skies (1934)
The Lawless Nineties (1936)
The Lonely Trail (1936)
King Of The Pecos (1936)
Overland Stage Raiders (1938)
Red River Range (1938)
Santa Fe Stampede (1938)
Pals Of The Saddle (1938)
The Night Riders
(1939)
Three Texas Steers (1939)
Wyoming Outlaw (1939)
Westward Ho (1939)
Man Of Conquest (1939)
Frontier Horizon (AKA New Frontier) (1939)
Dark Command (1940)
In Old Oklahoma (AKA War Of The Wildcats) (1943)
Ramrod (1947)
Angel And The Badman (1947)
Pursued (1947)
The Fighting Kentuckian (1949)
South Of St. Louis (1949)
Rio Grande (1950)
Silver City (1951)
Bullfighter And The Lady (1951)
Only The Valiant (1951)
High Noon (1952)
Denver & Rio Grande (1952)
Pony Express (1953)

Woman They Almost Lynched (1953)
Johnny Guitar (1954)
Run For Cover (1955)
The Americano (1955)
King And Four Queens (1956)
Stranger At My Door (1956)
Gun The Man Down (1956)
The Quiet Gun (1957)
Showdown At Boot Hill (1958)
Ambush At Cimarron Pass (1958)
The Hangman (1959)
The Jayhawkers! (1959)
McLintock! (1963)
The Hallelujah Trail (1965)
The Night Of The Grizzly (1966)

I’ll forever appreciate the folks at Olive Films. Night Of The Grizzly was my first commentary track.

The non-Westerns list is now available over at The Hannibal 8.

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Directed by Russell Rouse
Starring Glenn Ford, Jeanne Crain, Broderick Crawford, Russ Tamblyn, Allyn Joslyn, Leif Erickson, John Dehner, Noah Beery Jr., J. M. Kerrigan, Rhys Williams, Virginia Gregg, Chubby Johnson, John Doucette, Paul Birch, Glenn Strange, Kermit Maynard, Dub Taylor, John Dierkes

Warner Archive has announced The Fastest Gun Alive (1956) for its next batch of Blu-Ray releases (July, I believe). Glenn Ford made so many terrific Westerns around this time — Jubal (1956), 3:10 To Yuma (1957), Cowboy (1958), etc., and I’ve always felt Fastest Gun gets lost in the crowd. (That’s why it gets a chapter in my book.)

It’s a really terrific movie and George Folsey’s cinematography will look great in hi-def. And look at that cast! Highly, highly recommended.

Thanks to Mr. Richard Vincent for the news.

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Directed by Raoul Walsh
Starring Rock Hudson, Julie Adams, Mary Castle, John McIntire, Hugh O’Brian, Dennis Weaver, Forrest Lewis, Lee Van Cleef, Glenn Strange

Next up from Explosive Media is Raoul Walsh’s The Lawless Breed (1953), coming to DVD and Blu-Ray (region free!) in September.

Raoul Walsh, Rock Hudson and Julie Adams during shooting.

It’s a pretty inaccurate story of the outlaw John Wesley Hardin, played by Rock Hudson. The manuscript for his autobiography is used to launch the picture as a series of flashbacks. 

With Walsh’s typical no-nonsense, propulsive direction, a really strong cast and incredible Technicolor photography from Irving Glassberg (which will really be something to see in high definition), The Lawless Breed plays as a better movie than it actually is. Highly recommended.

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Directed by John Sturges
Written by Michael Pate
Phillip Rock
Frank Fenton
Music by Jeff Alexander
Cinematography: Robert L. Surtees
Film Editor: George Boemler

Cast: William Holden (Captain Roper), Eleanor Parker (Carla Forester), John Forsythe (Captain John Marsh), William Demarest (Campbell), William Campbell (Cabot Young), Polly Bergen (Alice Owens), Richard Anderson (Lieutenant Beecher), Carl Benton Reid (Colonel Owens), John Lupton (Bailey), Forrest Lewis, Howard McNear, Glenn Strange


Director John Sturges made lots of really good movies, but he had a real thing for Westerns. One of his earliest was Escape From Fort Bravo (1953). It’s now available on Blu-Ray from Warner Archive.

It’s the Civil War. William Holden is a captain at Fort Bravo, a Union prison camp filled with Confederate soldiers (John Forsythe, William Demarest, William Campbell). There are Mescalero Apaches outside the walls of the fort and Confederate spies (Eleanor Parker, Howard McNear) inside. The spies help Forsythe mount an escape, and Holden heads out after them.

It all comes to a head when Holden, Parker and the recaptured prisoners are pinned down in a dry creek bed by who-knows-how-many Apaches.

To tell you much more might get in the way of Sturges’ finely-crafted suspense. The last reel of this thing is as good as anything Sturges ever did. It’s terrific.

Quite a few 50s Westerns made good use of the climactic pinned-down-by-Indians thing. A few that come to mind are Apache Drums (1951), Dakota Incident (1956) and Dragoon Wells Massacre (1958).

Holden is really good as the hard-nosed captain. He was an avid outdoorsman, and it looks like he’s in his element here. Eleanor Parker makes a good spy, and she’s beautiful in both an evening gown and leather jacket. William Demarest and William Campbell have some good, well-written scenes together. And it’s great to see Howard McNear, Floyd from The Andy Griffith Show, as a Confederate spy. Where things get a little wonky is in the middle — the romantic scenes between Holden and Parker seem like a studio-dictated addition. They slow the movie down as it makes its way to its tight conclusion. (Sturges was never all that adept with the mushy stuff.) Of course, the thrilling final attack makes up for it.

Escape From Fort Bravo was one of the first pictures shot in the Ansco Color process. It’s no Technicolor, or even Eastmancolor, but it gets the job done. It was John Sturges’ first color film, period. It was shot in Death Valley, Gallop, New Mexico, Corriganville and the MGM backlot in April and May of 1953. The great Robert Surtees was the cinematographer. There was talk at one time of the picture being shot in 3-D. It was not, with MGM making it an early widescreen release instead. In some places, it played in three-track stereophonic sound.

Warner Archive’s Blu-Ray is a marked improvement over the DVD. Here, we get the original widescreen (1.75) and a surprisingly vivid look at Ansco Color’s pastel shades. Like so many stereo movies from the early 50s, the original directional tracks are probably long gone. The mono sound, however, is clean and clear.

Escape From Fort Bravo has everything going for it. A great cast. Meticulous direction. Incredible location photography, in color. And now it has a Blu-Ray that really does all that justice. Highly, highly recommended.

Of course, John Sturges would make another POW escape film, The Great Escape, in 1963. By the way, he was trying to get that one off the ground while Escape From Fort Bravo was being put together. It took him 10 years to get The Great Escape to the screen.

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Directed by John Sturges
Starring William Holden, Eleanor Parker, John Forsythe, William Demarest, William Campbell, Polly Bergen, Howard McNear, Glenn Strange

Warner Archive is working their Blu-Ray magic on John Sturges’ Escape From Fort Bravo (1953), a taut, suspenseful picture starring William Holden and Eleanor Parker.

Shot in Anscocolor, I’m looking forward to what WAC can do with it. Escape From Fort Bravo was originally shown in 1.66, just as the widescreen era was cranking up. But don’t let this make the movie sound like just a technical curio — it’s a damn good 50s Western. Highly recommended.

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Directed by Ford Beebe and Ray Taylor
Screen Play by Sherman L. Lowe, George Plympton, Basil Dickey, Jack O’Donnell
Original Story by Oliver Drake
Photography: Jerome Ash and William A. Sickner
Starring Dick Foran, Leo Carrillo, Buck Jones, Charles Bickford, Guinn “Big Boy” Williams, Lon Chaney, Jr., Noah Beery, Jr., Jeanne Kelly, Glenn Strange, Roy Barcroft

VCI is prepping another Universal serial for Blu-Ray release, 1941’s “million dollar super serial with a million thrills,” Riders Of Death Valley

While I doubt they spent that much on it, it certainly has a million-dollar cast — the likes of Dick Foran, Buck Jones, Charles Bickford, Guinn “Big Boy” Williams, Lon Chaney, Jr., Noah Beery, Jr., Glenn Strange and Roy Barcroft!

For the Blu-ray, VCI will use original 35mm material. A still gallery and two-chapter commentary from yours truly will be included. This is a cool serial and should be a really nice release.

A few years later, Lon Chaney, Jr. and Glenn Strange would take each other on again in Abbott & Costello Meet Frankenstein (1948), with Chaney as Larry Talbot, the Wolf Man, and Strange as Frankenstein’s monster.

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