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Archive for the ‘Jimmy Stewart’ Category

Directed by George Marshall
Starring Marlene Dietrich, James Stewart, Brian Donlevy, Una Merkel

Criterion has announced they they’re bringing George Marshall’s Destry Rides Again (1939) to DVD and Blu-Ray in April. (We’ve sure seen a lot of James Stewart and Marlene Dietrich making its way to Blu-Ray lately.)

It comes with a slew of terrific extras, of course, but the draw for me is a new 4K restoration done with the Film Foundation. Can’t wait to see how this thing will shine! Absolutely essential.

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Kino Lorber is serving up four terrific Universal Westerns in March, an announcement that gets. 2020 off to a great start.

Canyon Passage (1946)
Directed by Jacques Tourneur
Starring Dana Andrews, Brian Donlevy, Susan Hayward, Patricia Roc, Ward Bond, Hoagy Carmichael, Andy Devine, Lloyd Bridges

Canyon Passage was Jacques Tourneur’s first Western and first film in color. It’s got a great cast (Ward Bond is terrific — and very scary) and incredible Technicolor photography from Edward Cronjager, who also shot Lang’s Western Union (1941). This is a very overlooked, underrated film.

Night Passage (1957)
Directed by James Neilson
Starring James Stewart, Audie Murphy, Dan Duryea, Dianne Foster, Elaine Stewart, Brandon de Wilde, Jay C. Flippen, Robert J. Wilke, Hugh Beaumont

Shot in Technirama, a high-fidelity combination of VistaVision and anamorphic widescreen, Night Passage is as sharp as movies could get in the late 50s. And with loads of incredible location work in Durango, Colorado, it’s stunning — and a perfect candidate for Blu-Ray. The movie itself, while it’s no masterpiece, has been unjustly maligned. You’ll find the story behind all that in an old post.

Man In The Shadow (1957)
Directed by Jack Arnold
Starring Jeff Chandler, Orson Welles, Colleen Miller, Barbara Lawrence, John Larch, Royal Dano, James Gleason

There are a thousand reasons to be excited about this modern-day (well, 1957) Western — Jeff Chandler, Orson Welles, B&W CinemaScope and Jack Arnold, for starters. Welles and producer Albert Zugsmith got to talking here, which led to Touch Of Evil (1958).

The Rare Breed (1966)
Directed by Andrew V. McLaglen
Starring James Stewart, Maureen O’Hara, Brian Keith, Juliet Mills, Ben Johnson, Jack Elam, Harry Carey, Jr.

The best thing The Rare Breed has going for it is its incredible cast — how could it go wrong? Not to mention the Technicolor/Panavision cinematography of William H. Clothier.

All four films will feature a commentary (I’m doing both Passage films) and an original trailer. It’s no easy to recommend these things!

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Directed by Don Siegel
Starring John Wayne, Lauren Bacall, Ron Howard, James Stewart, Richard Boone, Hugh O’Brian, Harry Morgan, John Carradine, Sheree North, Scatman Crothers

Two of my biggest movie heroes, John Wayne and Don Siegel, only worked together once, on The Shootist (1976). It turned out to be Duke’s last film, and it gave him the perfect way to go out — which he was obviously aware of.

Clint Eastwood visits Wayne and Siegel on the set of The Shootist.

The Shootist is screening at The Autry Museum Of The American West as part of their What Is A Western? film series.

The Autry: Wells Fargo Theater
Saturday, December 14, 2019, 1:30 p.m.
234 Museum Drive, Los Angeles, CA

I encourage you to go if you can get there. It’s a wonderful movie, and seeing it on the big screen would be quite a treat in this day and age.

And in this era of stupid-looking facial hair, doesn’t Wayne look cool?

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This morning, I saw Chubby Johnson in the “Gunpowder Joe” (1953) episode of The Lone Ranger. Seemed like time to make him Character Actor Of The Day.

He was born Charles Rutledge Johnson in 1903, in Terre Haute, Indiana. He worked as a journalist and radio announcer for years, and he was in his 40s when he did his first film, Abilene Town (1946) with Randolph Scott. He kept both careers going for a while. 

Around the time of the underrated Rocky Mountain (1950), Errol Flynn’s last Western, Chubby decided to concentrate on the movies. He’d go on to make more than 80 pictures.

L-R: Myron Healey, Claudia Barrett, Allan “Rocky” Lane and Chubby Johnson in Republic’s Night Riders Of Montana (1951).

Republic needed a replacement for sidekick Eddy Waller in the Rocky Lane series. Chubby rode alongside Allan Lane for most of 1951 and ’52.

L-R: James Stewart, Arthur Kennedy, Chubby Johnson and Stepin Fetchit in Anthony Mann’s Bend Of The River (1952).

Chubby’s in lots of great stuff. High Noon (1952), Anthony Mann’s Bend Of The River (1952) and The Far Country (1954), Calamity Jane (1953) with Doris Day, Gunsmoke (1953, with Audie Murphy), Law And Order (1953), Cattle Queen Of Montana (1954), The Fastest Gun Alive (1956) and on and on.

On TV, Chubby was a regular in Sky King the Rex Allen series Frontier Doctor, and he guested on shows like Bonanza, Gunsmoke, The Rifleman, Thriller, Death Valley Days, Sugarfoot, The Andy Griffith Show, Temple Houston, Dennis The Menace and Maverick. He stayed plenty busy.

His last pictures were Support Your Local Sheriff! and Sam Whiskey in 1969. He passed away in 1974.

With Howard Keell and Doris Day on the set of Calamity Jane (1953).

Chubby could make the most of a small part, and really shine when given something bigger, as in Bend Of The River and Calamity Jane. Another one of those guys who gives a picture a lift when he turns up.

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Doing some research on Night Passage (1957), I came across an article from The LA Times, reporting that the ongoing editing of Men In War (1957) was forcing Anthony Mann to back out of Night Passage. It also pointed out that this would free up the director to do The Tin Star (1957) for Paramount.

There are lots of stories about why Anthony Mann left what would’ve been his sixth Jimmy Stewart Western. This was a new one for me.

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Directed by Anthony Mann
Starring James Stewart, Ruth Roman, Corinne Calvet, Walter Brennan, John McIntire, Jay C. Flippen, Henry Morgan, Steve Brodie

It’s always a good day when another James Stewart/Anthony Mann movie makes its way to Blu-Ray. Arrow Academy has announced The Far Country (1954) for release this November.

The Far Country was Mann and Stewart’s fourth Western together, and it’s a good one. The cast and crew were well-acquainted and the movie feels like a well-oiled machine. Set in Alaska, though shot in Canada, the picture lets Mann and DP William H. Daniels make the most of the locale in widescreen. Speaking of widescreen, Arrow has promised to give us the movie two ways, in both 1.85 and 2.0 aspect ratios. Universal-International at this time was often using 2.0 — Man Without A Star (1955), Mole People (1956), etc.

Like the other Mann/Stewart Westerns, this one’s essential, folks.

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1 Liberty Ford

James Maitland Stewart
(May 20, 1908 – July 2, 1997)

Jimmy Stewart, one of the greatest movie stars of them all, was born 111 years ago today. Here he is with a couple more “greatest of them alls,” John Ford and John Wayne, on the set of The Man Who Shot Liberty Valence (1962). One of my favorite movies, and this is one of my favorite photos.

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