Archive for the ‘Mara Corday’ Category

Abile Town signed still

First, thanks to everyone who sent in their picks — we had a larger turnout this year. Your responses were very thorough, and they made it clear to me what a good year this was for 50s Westerns on DVD and Blu-ray — you brought up tons of em. Here are the Top 10, ordered by the number of votes they received.

Abilene Town (1946, Blu-ray, Panamint Cinema)
This one topped the list in a big way. I was so stoked to see this fairly obscure Randolph Scott picture rescued from the PD purgatory where it’s been rotting for years — a lot of you seemed to feel the same. Mastered from 35mm fine-grain material, it’s stunning.

Shane (1953, Blu-ray, Eureka)
The Blu-ray release from Paramount made last year’s list, and this UK release was a strong contender this time around. Eureka gives us the opportunity to see what Paramount’s controversial 1.66 cropping looked like.

The Wild Bill Elliott Western Collection (1951-54, DVD set, Warner Archive)
I’m pretty biased when it comes to this one, and I was happy to learn that others were as pleased with it as I was. One of the greatest Western stars goes out on a high note, even if it is a low-budget one.

The Quiet Gun (1956, Blu-ray, Olive Films)
It’s hard to believe this was a 2015 release, since it was on Olive Films’ coming-soon list for such a long time. These Regalscope movies look great in their original aspect ratio, and for my money, this is the best of the bunch.


Woman They Almost Lynched (1953, Blu-ray, Olive Films)
It makes me feel good to see Allan Dwan get some attention, and stellar presentations of his work, like this one, should continue to fuel his (re-)discovery.

Man With The Gun (1955, Blu-ray, Kino Lorber)
A solid Robert Mitchum Western, with the added punch of a terrific 1.85 hi-def transfer. This is a lot better movie than you probably remember it being.


Run Of The Arrow (1957, DVD, Warner Archive)
This really knocked me out — I’d somehow missed out on what a great movie this is. It took me a while to get used to Rod Steiger and his affected accent, but this is prime Sam Fuller.

The Hired Gun (1957, DVD, Warner Archive)
Black and white CinemaScope is a big attraction for me, so I’d been waiting for this one for years. It was worth the wait.

Stranger At My Door (1954, Blu-ray, Olive Films)
A really cool little movie from Republic and William Witney. It was Witney’s favorite of his own pictures, and it’s pretty easy to see why he’d be partial to it. His work here is masterful.


Star In The Dust (1956, Blu-ray, Koch)
Koch out of Germany is treating us (or those of us with a Region B player) to some great Universal 50s Westerns on Blu-ray. This one was released in Universal’s 2.0 ratio of the period. Some found it a bit tight, but it’s a gorgeous presentation of a movie not enough people have seen.

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Quiet Gun TC cropped

Directed by William Claxton
Starring Forrest Tucker, Mara Corday, Jim Davis, Kathleen Crowley, Lee Van Cleef, Hank Worden

They say good things come to those who wait. Well, The Quiet Gun (1956) is a very good movie — maybe the best of the Regalscope Westerns. And we’ve been (almost patiently) waiting quite some time since Olive Films hinted at its release. This is one many of us have been longing for in all its widescreen glory, and it’ll be a joy to toss the almost unwatchable pan-and-scan bootleg I’ve had for years. It’s coming on both DVD and Blu-ray March 31.

What’s more, Republic’s Stranger At My Door (1956) from William Witney is part of the same batch of releases. It’s an excellent picture starring Macdonald Carey, Patricia Medina and Skip Homeier.

Thanks to John and Laura for this wonderful news. I can’t wait.

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Apache Drums LC

Yesterday, I posted our favorite DVD releases of the year. Today’s list is made up of films we discovered during 2014. Titles that made the list were mentioned by at least three people. It’s a great lineup of fairly obscure, medium-budgeted 50s Westerns — and if you haven’t discovered them yourself, search them out.

Ambush At Tomahawk Gap (1953) Fred F. Sears was extremely prolific, and his 50s Westerns are worth seeking out. This is one of the better ones, available through Columbia’s on-demand DVD program.

Apache Drums (1951) A suspense picture dressed up in cowboy clothes, produced by Val Lewton and directed by Hugo Fregonese. With Stephen McNally, Coleen Gray, Willard Parker, Arthur Shields, James Griffith and Clarence Muse (who’s superb in a small part).

Border River (1954) With George Sherman directing Joel McCrea, Yvonne De Carlo and Pedro Armendáriz, how could it not be great? Shot around Moab, Utah.

Cow Country (1953) Coming across a new Lesley Selander picture is always a treat. This one features Edmond O’Brien, Helen Wescott, Bob Lowery, Barton MacLane, Peggie Castle, James Millican and Robert Wilke.

A Day Of Fury (1956) One of the most unusual, and overlooked, Westerns of the 50s. Harmon Jones directs Dale Robertson, Mara Corday and Jock Mahoney. I’m so glad this one’s being rediscovered.

Four Guns To The Border (1954) Rory Calhoun, Colleen Miller and Walter Brennan in an excellent Universal Western directed by Richard Carlson.


Fury At Gunsight Pass (1956) Another good one from Fred F. Sears. Wish this one would see a real DVD release — black and white widescreen is so cool.

The Silver Whip (1953) Dale Robertson, Rory Calhoun, Robert Wagner, Kathleen Crowley and James Millican star in this taut, tight picture from editor-turned-director Harmon Jones. The staging of the climactic chase is masterful.

Stage To Tucson (1950) Rod Cameron and Wayne Morris. Lone Pine in Technicolor. Surely that’s worth an investment of 81 minutes.

Yellow Tomahawk LC

The Yellow Tomahawk (1954) Sadly, this color film is only available black and white. But it’s still a solid effort from the ever-dependable Lesley Selander — with a cast that includes Rory Calhoun, Peggie Castle, Noah Beery, Jr., Peter Graves, Lee Van Cleef and Rita Moreno.

Thanks to everyone who participated.

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A few weeks ago, I broke my glasses and began relying on an old (pre-trifocals) pair while I scrambled for an eye exam and new frames. Reading became very, very difficult. Not the best time to receive a book you’re really excited about. But that’s exactly when Mark Thomas McGee’s Talk’s Cheap, Action’s Expensive: The Films Of Robert L. Lippert, from BearManor Media, turned up in my mailbox.

Lippert Pictures (and related companies) cranked out cheap little Westerns like 1952’s Outlaw Women, along with gems such as Sam Fuller’s I Shot Jesse James (1949) and The Quiet Gun (1957). (They covered the other genres, too.) I’m a big fan of these films and was determined to make my way through the book with or without spectacles, holding it so close I risked paper cuts on my nose.

McGee set the book up very well. The first 80 pages or so read as a biography and history of Lippert and his career, from the theater business to film production. I had a working knowledge of the Lippert story going in, but was always coming upon something I didn’t know. There’s a filmography, arranged by company, that makes up the bulk of the book. And finally, there’s a listing of the Lippert theaters (the closest to me was in Chattanooga, TN).

red desert HS

What’s not to like about a book like this? It’s packed with information on movies I grew up with, movies I love. Rocketship X-M (1950). The Steel Helmet (1951). Superman And The Mole Men (1951). Forty Guns (1957). Showdown At Boot Hill (1958). The Fly (1958). The Alligator People (1959). House Of The Damned (1963). They’re all in here, and you’ll come away with a better understanding of what went into getting them made. Where I think McGee really excelled was in making sure the book, as informative as it is, stayed as fun as the films it’s about. (The same goes for his previous books on Roger Corman and AIP.)

copper sky

If there’s a downside to this book, it’s that the filmography points out film after film that you’d love to track down and see. You’ll find a lot of them available from Kit Parker Films and VCI, and others scattered here and there. Some of the Fullers were even given the Criterion treatment. As for the rest, well, happy hunting.

It’s very easy to recommend Mark Thomas McGee’s Talk’s Cheap, Action’s Expensive: The Films Of Robert L. Lippert. Now that my new glasses are in, I’m reading it a second time.

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Picture 20

Olive Films have announced a few titles they’ll have to us in 2014. There are three 50s Westerns in there, and they’re good ones.

Woman They Almost Lynched (1953)
Directed by Allan Dwan
Cast: John Lund, Brian Donlevy, Joan Leslie
Dwan directs a sort-of spoof for Repubic. Good stuff.

Stranger At My Door (1956)
Directed by William Witney
Cast: Macdonald Carey, Patricia Medina, Skip Homeier, Slim Pickins
This film should be much better known than it is. The scene with the horse (if you’ve seen it, you’ll know what I mean) is Witney at his best.

The Quiet Gun (1957)
Directed by William F. Claxton
Cast: Forrest Tucker, Lee Van Cleef, Mara Corday, Jim Davis, Hank Worden
Maybe the best Regalscope Western. I’m dying for this one!

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Directed by Harmon Jones
Produced by Robert Arthur
Screenplay by James Edmiston and Oscar Brodney
Story by James Edmiston
Director Of Photography: Ellis W. Carter, ASC
Film Editor: Sherman Todd, ACE
Music Supervision by Joseph Gershenson

CAST: Dale Robertson (Jagade), Mara Corday (Sharman Fulton), Jock Mahoney (Marshal Allan Burnett), Carl Benton Reid (Judge John J. McLean), Jan Merlin (Billy Brand), John Dehner (Preacher Jason), Dee Carroll (Miss Timmons), Sheila Bromley (Marie), James Bell (Doc Logan). Dani Crayne (Claire), Howard Wendell (Vanryzin), Charles Cane (Duggen), Phil Chambers (Burson), Sydney Mason (Beemans), Helen Kleeb (Mrs. McLean).


Not too long ago, I wrote about Harmon Jones’ The Silver Whip (1954), a film I found better than its reputation, and with much more going for it than just its pairing of Dale Robertson and Rory Calhoun. That lit a fire under me to track down a copy of A Day Of Fury (1956), which brought Jones and Robertson together again — this time at Universal-International. It’d been years since I’d seen Fury, and I was really knocked for a loop by how good it is.

There’s been speculation that A Day Of Fury was an influence on Clint Eastwood’s High Plains Drifter (1973), an honor that actually goes to the spaghetti western Django The Bastard (1969, which is available from VCI as The Stranger’s Gundown). That said, Eastwood’s picture certainly has a few things in common with A Day Of Fury. In both, a mysterious stranger comes to town, and his very presence turns that town inside out. (No Name On The Bullet works somewhat the same way.) This time, the gunfighter is Jagade (Dale Robertson). The town marshall (Jock Mahoney) owes Jagade his life, which complicates matters quite a bit. What’s more, Jagade and the marshall’s fiancé (Mara Corday) were once an item. But there’s so much more to it than that.

Screen Shot 2013-09-23 at 12.20.12 PM

Dale Robertson: “It was an interesting story. After I finished it, I read it again. I figured this guy (Jagade) was the Devil. He, himself, never did anything wrong. He merely set things up to show the weakness of other people. (Producer) Bob Arthur rewrote the story… and he took away a lot of the little subtle things that were so wonderful in the original script.”#

Watching the picture with Robertson’s Devil idea in mind is very interesting, and I’d love to see that original screenplay. Robertson seems to be enjoying himself in a part that lets him stretch out a bit, while Jock Mahoney is stuck in a goodguy role that is maybe a little too good.

Dale Robertson: “They were trying to push Jock Mahoney… He was the most agile, one of the most fluid actors in the whole business. He was really wonderful, he was athletic, had great moves.”#

Mahoney proves Robertson’s point in the first scene in the movie, when he does a horse fall. It’s not often that you see one of the leads do such a stunt on his own.

Mara Corday: “The director, Harmon Jones, was a nice man, had been an editor. He told you line readings — in other words, how to say the lines. He’d put emphasis on certain words that I wouldn’t have. It made everyone stilted.”*

Jan Merlin committed the age-old actor’s trick of saying he could ride a horse when called about the part, then getting to the set and proving he could not. This was his first Western. “Harmon was marvelous… He was kind to me. Anybody else would have lost their temper after all I’d done.”#

A Day Of Fury is unavailable on DVD in the States, though it’s received a Blu-ray release in Europe. It’s an excellent film, well outside the normal Universal Western. Highly recommended.

Day Of Fury newspaper ad

SOURCES: * Westerns Women by Boyd Magers; # Universal-International Westerns, 1947-1963 by Gene Blottner (McFarland);

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Universal’s Vault Series is serving up a handful of 50s Westerns, basically taking the TCM Western Horizons set and selling them as single discs (available exclusively from Amazon).

Horizons West (1952) has Budd Boetticher directing Robert Ryan, Julie Adams and Rock Hudson in a Technicolor post-Civil War tale.

Saskatchewan (1954) puts Alan Ladd, Shelley Winters, J. Carrol Naish and Hugh O’Brian in the hands of the great Raoul Walsh.

Dawn At Socorro (1954) was directed by George Sherman, which is enough for me. Factor in Rory Calhoun, Piper Laurie, Mara Corday, Edgar Buchanan, Skip Homeier, James Millican and Lee Van Cleef, and you’ve really got something going.
Pillars Of The Sky (1956) stars Jeff Chandler and Dorothy Malone. Support comes from Ward Bond, Olive Carey (both appeared in The Searchers the same year) and Lee Marvin. George Marshall directed in CinemaScope. I love this film.

Backlash (1956) comes from John Sturges and stars Richard Widmark, Donna Reed and William Campbell. Good stuff.

These will make a welcome addition to anybody’s collection, but what I want to know is: where are A Day Of Fury (1956) and Last Of The Fast Guns (1958)?

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