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Archive for the ‘Universal (-International)’ Category

Kino Lorber has announced their first volume of Western Classics for June — When The Daltons Rode (1940), The Virginian (1946) and Whispering Smith (1948).

When The Daltons Rode offers up about 30 minutes of constant riding, shooting and just general mayhem in its last reels, all courtesy of the great Yakima Canutt. Amazing stuff. Whispering Smith was tailor-made for Alan Ladd — his first Western and his first color film. The Virginian puts a couple of my favorites in the same movie — Joel McCrea and William Frawley.

Working on the commentary notes for When The Daltons Rode has been a lot of fun, especially watching all the stunts again and again.

I love the first volume of sets like this, since it comes with the promise of more!

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Directed by Edward Dein
Starring Eric Fleming, Michael Pate, Kathleen Crowley, John Hoyt, Bruce Gordon, Edward Binns, Jimmy Murphy, Helen Kleeb, Jay Adler

If somebody’d told me way back when I started this blog that Curse Of The Undead (1959) would be coming to Blu-Ray, I would’ve told ’em they were nuts. But low and behold, Kino Lorber has announced it.

Curse Of The Undead is a real oddball in the 50s Westerns corral — a Western and vampire picture nailed together. It somehow stays fairly true to the conventions of both genres, and it’s a lot of fun.

Michael Pate is terrific, and Ellis W. Carter’s cinematography is perfectly suited to the material. He was a wise choice, since he’d done Universal sci-fi pictures like The Mole People (1956), The Incredible Shrinking Man (1957), The Deadly Mantis (1957) and The Land Unknown (1957, in CinemaScope) — along with 50s Westerns like The Texas Rangers (1951) and A Day Of Fury (1956).  It should look great in high definition.

Not sure when this is coming, but I’m really glad it is.

Oh, and Reynold Brown’s poster art is really cool.

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VCI Entertainment has announced the upcoming Blu-Ray release of two terrific Buck Jones serials from Universal — Gordon Of Ghost City (1933) and The Phantom Rider (1936). Gordon was the first of six serials Buck Jones would do for Universal.

Both come from director Ray Taylor, who did a number of serials, including The Green Hornet and Flash Gordon Conquers The Universe (both 1940). Early in his long, prolific career, he was an assistant director for John Ford.

Both are sourced from original 35mm fine grain material — and both will feature liner notes from yours truly.

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Mill Creek has announced a twin-bill Blu-Ray of The Man From The Alamo (1953) and They Came To Cordura (1959).

The Man From The Alamo (1953)
Directed by Budd Boetticher
Starring Glenn Ford, Julie Adams, Chill Wills, Victor Jory, Hugh O’Brien, Neville Brand

Glenn Ford leaves The Alamo before the siege to notify families of what’s to come, and he’s branded a coward for it.This is a beautiful Technicolor Universal-International Western. Ford’s good, Julie Adams is gorgeous and Victor Jory is despicable. Just what you want in a 50s Western.

They Came To Cordura (1959)
Directed by Robert Rossen
Starring Gary Cooper, Rita Hayworth, Van Heflin, Tab Hunter, Dick York

This one’s in Eastmancolor and CinemaScope, with Gary Cooper and his men after Pancho Villa. Dick York was injured making this, and it plagued him for years. It’s why he had to leave the role of Darrin Stephens on Bewitched.

Let’s hope this is the beginning of a trend with Mill Creek. Their two-fer Blu-Rays of Hammer and William Castle horror films are terrific.

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No specifics yet, but Kino Lorber is preparing quite a few Universal Westerns for DVD and/or Blu-Ray.

They come from the 1940s through the 70s, and they feature folks like Audie Murphy, Jeff Chandler, Rock Hudson, Randolph Scott, Fred MacMurray, Alan Ladd and Clint Eastwood. More news as it turns up.

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Directed by George Marshall
Starring Marlene Dietrich, James Stewart, Brian Donlevy, Una Merkel

Criterion has announced they they’re bringing George Marshall’s Destry Rides Again (1939) to DVD and Blu-Ray in April. (We’ve sure seen a lot of James Stewart and Marlene Dietrich making its way to Blu-Ray lately.)

It comes with a slew of terrific extras, of course, but the draw for me is a new 4K restoration done with the Film Foundation. Can’t wait to see how this thing will shine! Absolutely essential.

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Kino Lorber is serving up four terrific Universal Westerns in March, an announcement that gets. 2020 off to a great start.

Canyon Passage (1946)
Directed by Jacques Tourneur
Starring Dana Andrews, Brian Donlevy, Susan Hayward, Patricia Roc, Ward Bond, Hoagy Carmichael, Andy Devine, Lloyd Bridges

Canyon Passage was Jacques Tourneur’s first Western and first film in color. It’s got a great cast (Ward Bond is terrific — and very scary) and incredible Technicolor photography from Edward Cronjager, who also shot Lang’s Western Union (1941). This is a very overlooked, underrated film.

Night Passage (1957)
Directed by James Neilson
Starring James Stewart, Audie Murphy, Dan Duryea, Dianne Foster, Elaine Stewart, Brandon de Wilde, Jay C. Flippen, Robert J. Wilke, Hugh Beaumont

Shot in Technirama, a high-fidelity combination of VistaVision and anamorphic widescreen, Night Passage is as sharp as movies could get in the late 50s. And with loads of incredible location work in Durango, Colorado, it’s stunning — and a perfect candidate for Blu-Ray. The movie itself, while it’s no masterpiece, has been unjustly maligned. You’ll find the story behind all that in an old post.

Man In The Shadow (1957)
Directed by Jack Arnold
Starring Jeff Chandler, Orson Welles, Colleen Miller, Barbara Lawrence, John Larch, Royal Dano, James Gleason

There are a thousand reasons to be excited about this modern-day (well, 1957) Western — Jeff Chandler, Orson Welles, B&W CinemaScope and Jack Arnold, for starters. Welles and producer Albert Zugsmith got to talking here, which led to Touch Of Evil (1958).

The Rare Breed (1966)
Directed by Andrew V. McLaglen
Starring James Stewart, Maureen O’Hara, Brian Keith, Juliet Mills, Ben Johnson, Jack Elam, Harry Carey, Jr.

The best thing The Rare Breed has going for it is its incredible cast — how could it go wrong? Not to mention the Technicolor/Panavision cinematography of William H. Clothier.

All four films will feature a commentary (I’m doing both Passage films) and an original trailer. It’s no easy to recommend these things!

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