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Archive for the ‘Rory Calhoun’ Category

Dragoon Wells Massacre UK LC

It’s a lot of fun putting this list together every year, seeing what people are coming across for the first time. Remember, though these things are 60-something years old, if you’ve never seen it, it’s a new movie!

To make the list, a picture has to be mentioned by at least three people. This year, there were fewer titles brought up, but the frequency was a lot higher. We ended up with a solid lineup of fairly obscure, medium-budgeted 50s Westerns — and if you haven’t discovered them yourself, search them out.

And I hope this blog helped you discover some of these.

Dragoon Wells Massacre (1957)
This was my personal favorite discovery of the year, and I was so happy to have others finding it, too. William Clothier’s camerawork deserves a solid CinemaScope transfer — and Jack Elam’s performance needs to be seen by more people. (Stay tuned for the Allied Artists blogathon, where I’ll give this thing some much-deserved attention.)

Cave Of Outlaws (1951)
William Castle directs a 50s Western for Universal — shooting at Carlsbad Caverns, Vasquez Rocks and the Iverson Ranch. Needs a DVD release.

Wyoming Mail still

Wyoming Mail (1950)
A fairly obscure U-I Western starring Stephen McNally and Alexis Smith. Reginald Le Borg keeps things moving at a brisk pace and Russell Metty makes sure the Technicolor looks terrific.

Gunsmoke In Tucson (1958)
A number of people picked up the DVD from Warner Archive, and it seems like most of us were impressed. If you still haven’t tracked this one down, get to it!

Thunderhoof (1948)
A Phil Karlson horse picture with a cast of only three (and the horse). Can’t to track this one down.

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Four Guns To The Border (1954)
This one was on last year’s list, too. We keep bumping into, and we all seem to like it. It’s a great example of what a Universal 50s Western can be: terrific cast, gorgeous Technicolor, plenty of action.

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Abile Town signed still

First, thanks to everyone who sent in their picks — we had a larger turnout this year. Your responses were very thorough, and they made it clear to me what a good year this was for 50s Westerns on DVD and Blu-ray — you brought up tons of em. Here are the Top 10, ordered by the number of votes they received.

Abilene Town (1946, Blu-ray, Panamint Cinema)
This one topped the list in a big way. I was so stoked to see this fairly obscure Randolph Scott picture rescued from the PD purgatory where it’s been rotting for years — a lot of you seemed to feel the same. Mastered from 35mm fine-grain material, it’s stunning.

Shane (1953, Blu-ray, Eureka)
The Blu-ray release from Paramount made last year’s list, and this UK release was a strong contender this time around. Eureka gives us the opportunity to see what Paramount’s controversial 1.66 cropping looked like.

The Wild Bill Elliott Western Collection (1951-54, DVD set, Warner Archive)
I’m pretty biased when it comes to this one, and I was happy to learn that others were as pleased with it as I was. One of the greatest Western stars goes out on a high note, even if it is a low-budget one.

The Quiet Gun (1956, Blu-ray, Olive Films)
It’s hard to believe this was a 2015 release, since it was on Olive Films’ coming-soon list for such a long time. These Regalscope movies look great in their original aspect ratio, and for my money, this is the best of the bunch.

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Woman They Almost Lynched (1953, Blu-ray, Olive Films)
It makes me feel good to see Allan Dwan get some attention, and stellar presentations of his work, like this one, should continue to fuel his (re-)discovery.

Man With The Gun (1955, Blu-ray, Kino Lorber)
A solid Robert Mitchum Western, with the added punch of a terrific 1.85 hi-def transfer. This is a lot better movie than you probably remember it being.

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Run Of The Arrow (1957, DVD, Warner Archive)
This really knocked me out — I’d somehow missed out on what a great movie this is. It took me a while to get used to Rod Steiger and his affected accent, but this is prime Sam Fuller.

The Hired Gun (1957, DVD, Warner Archive)
Black and white CinemaScope is a big attraction for me, so I’d been waiting for this one for years. It was worth the wait.

Stranger At My Door (1954, Blu-ray, Olive Films)
A really cool little movie from Republic and William Witney. It was Witney’s favorite of his own pictures, and it’s pretty easy to see why he’d be partial to it. His work here is masterful.

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Star In The Dust (1956, Blu-ray, Koch)
Koch out of Germany is treating us (or those of us with a Region B player) to some great Universal 50s Westerns on Blu-ray. This one was released in Universal’s 2.0 ratio of the period. Some found it a bit tight, but it’s a gorgeous presentation of a movie not enough people have seen.

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While doing some research on George Sherman’s The Treasure Of Pancho Villa (1955), I came across The Odessa American from October 9, 1955. What was playing around town was incredible.

Ector: The Treasure Of Pancho Villa
Scott Theater: Night Of The Hunter 
Rio Theater (next door to the Scott): The Big Combo
Twin Terrace Drive-In: Wichita and New Orleans Uncensored
Twin Cactus Drive-In: The Seven Little Foys and Coroner Creek
Broncho Drive-In: Las Vegas Shakedown and The End Of The Affair
Twin-Vue Drive-In: The Seven Little Foys and The Denver And Rio Grande

You could spend your night with Randolph Scott, Joel McCrea, Robert Mitchum or Rory Calhoun. If all that wasn’t enough, you could head to the Odessa High School field house on the 11th for The Western Revue Of 1955 with Lash LaRue and “Fuzzy” St. John in person — or wait a couple more days for Elvis Presley (“with Scotty and Bill”), Johnny Cash, Wanda Jackson and Porter Wagoner.

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By the way, the Ector Theater was restored in 2001 and runs classic movies from time to time. I love Texas.

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Hired Gun TC

Directed by Ray Nazarro
Produced by Rory Calhoun and Victor M. Orsatti
Screen Play by David Lang and Buckley Angell
Based on a story by Buckley Angell
Director Of Photography: Harold J. Marzorati, ASC
Film Editor: Frank Santillo
Music by Albert Glasser

Cast: Rory Calhoun (Gil McCord), Anne Francis (Ellen Beldon), Vince Edwards (Kell Beldon), John Litel (Mace Beldon), Bill Williams, Chuck Connors (Judd Farrow), Robert Burton (Nathan Conroy), Salvadore Baques (Domingo Ortega), Guinn “Big Boy” Williams (Elby Kirby), Regis Parton (Cliff Beldon), Buelah Archuletta

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Around the time I decided to write a book on 50s Westerns, and long before I’d thought about a blog to go with it, The Hired Gun (1957) was a movie sitting near the top of my Want List. Rory Calhoun. Anne Francis. Vince Edwards. Guinn “Big Boy” Williams. Black and white CinemaScope (an aesthetic I adore). Directed by Ray Nazarro at Lone Pine. How could this thing not be terrific? But what were my chances of ever seeing it widescreen as intended?

Dissolve to: six years later. An anamorphic widescreen DVD of The Hired Gun was released by Warner Archive a couple weeks ago. And now that I’ve had a chance to see it in all its monochromatic 2.35:1 glory, what’s the verdict?

To be honest, The Hired Gun seems like pretty standard stuff. Plot-wise, it’s nothing that couldn’t be covered in an hour-long TV show. But like so many of the lower-budgeted Westerns of the 50s, the people involved, and what they bring to these minor films, make all the difference.

The Hired Gun was produced by Rory Calhoun and his agent, Victor Orsatti. Their Rorvic Productions made a handful of films in the late 50s, along with Calhoun’s TV series The Texan; the three Westerns were directed by Ray Nazarro (his other two Rorvic pictures were The Domino Kid and Apache Territory).

With The Hired Gun set for MGM release, Anne Francis, who’d just appeared in MGM’s Forbidden Planet (1956) and was a rising star at the studio, was signed as Calhoun’s co-star.

Hired Gun still cropped

Francis is Ellen Beldon, who’s to be hung for the murder of her husband. She’s sprung from jail by Chuck Connors, who works on her uncle’s ranch. Very quickly, Mace Beldon (John Litel), the dead man’s father, hires gunslinger Gil McCord (Calhoun) to track her down. The jailbreak, and the chase that follows it, are really well staged — Ray Nazarro was so good with action. Here, he uses an under-cranked camera to boost the urgency and pacing. The rest of the picture, taken up by Calhoun capturing Francis and their journey together, covers more familiar territory. But it covers that territory well, thanks to the professionalism and craft of those who made it.

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Calhoun is cool as a cucumber as the gunman, whether he’s posing as a ranch hand, beating the crap outta Chuck Connors or talking tough to Anne Francis. Since the film’s so short, just 64 minutes, there’s not a lot of time for real character development. We assume all along that he’ll change his mind about his prisoner before it’s all over with.

From Forbidden Planet to Honey West, I’ve always liked Anne Francis — and she’s quite good here. She was one of the only members of the cast and crew who hadn’t experienced the rigors of shooting a Western on location. Jock Mahoney, who worked with director Ray Nazarro on a lot of pictures, once said, “Ray didn’t particularly like women in the cast and he’d make them his whipping boy.”

So, everyone on the picture was fully expecting to see the young actress suffer while in Lone Pine. She was determined to deny them that satisfaction.

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Anne Francis: “Rory and I were in the saddle from morning until night. I suspect he was tired, I know I was. But I wouldn’t have admitted it for all the gold in Fort Knox.”**

Oh, and if you look quick, you’ll see Buelah Archuletta, who played “Look” in The Searchers (1956).

Director of photography Harold J. Marzorati captures Lone Pine, with snow-covered mountaintops in the distance, in stunning black and white CinemaScope. Lone Pine always looks terrific in black and white — check out a Tim Holt picture or two for further proof — and the wide frame makes it all the more dramatic.

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Marzorati’s gorgeous work was done a real service by the folks at Warner Archive. His ‘Scope compositions are perfectly presented and the contrast levels are just right. When was the last time someone saw this movie looking like this? There’s a “textless” trailer to round out the package.

Someone recently commented here that “we’re living in a Golden Age for classic movie lovers.” And when an anamorphic widescreen DVD of a cheap little Western like The Hired Gun can be yours for a little e-commerce, I have to agree.

Laura posted a review of The Hired Gun over at her place today, too.

*From The Adventures Of The Durango Kid, Starring Charles Starrett by Bob Carman and Dan Scapperotti; ** Newspaper article, 1957

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Hired_Gun_3

Warner Archive has some great stuff promised for April.

The Hired Gun (1957)
Directed by Ray Nazarro
Starring Rory Calhoun, Anne Francis, Vince Edwards, Chuck Connors
This is one I’ve been wanting for a long time. Black and white Scope with Rory Calhoun and Anne Francis, directed by Ray Nazarro. What’s not to like?

Black Patch (1957)
Directed by Allen H. Miner
Starring George Montgomery, Diane Brewster, Tom Pittman, Leo Gordon, Lynn Cartwright
A solid Montgomery Western written by character actor Leo Gordon.

Arrow In The Dust HS

Arrow In The Dust (1954)
Directed by Lesley Selander
Starring Sterling Hayden, Coleen Gray, Jimmy Wakely, Lee Van Cleef
Hayden and Gray appear together a couple years before The Killing (1956), directed by the great Lesley Selander.

The Marauders (1955)
Directed by Gerald Mayer
Starring Dan Duryea, Jeff Richards, Keenan Wynn
Duryea as the bad guy gets first billing. Enough said.

Son Of Belle Starr (1953)
Directed by Frank McDonald
Starring Keith Larsen, Dona Drake, Peggie Castle, Regis Toomey
Peggie Castle and Regis Toomey in 70 minutes of Cinecolor from Allied Artists.

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Pillars Of The Sky HS sized

New York’s 92nd Street Y is hosting a class on Westerns of the 50s. Hosted by Kurt Brokaw, Associate Teaching Professor at The New School and senior film critic of The Independent magazine, it’s got a really terrific roster of films. The classes are Tuesday nights, beginning April 14, with two films each night.

Man, I wish I could get to this.

Week 1
Broken Lance
(1954) Directed by Edward Dmytryk, starring Spencer Tracy, Robert Wagner, Jean Peters, Richard Widmark, Katy Jurado
The Badlanders (1956) Directed by Delmer Daves, starring Alan Ladd, Ernest Borgnine, Katy Jurado

Week 2
Saddle The Wind
(1958) Directed by Robert Parrish, starring Robert Taylor, Julie London, John Cassavetes
Dawn At Socorro (1954) Directed by George Sherman, starring Rory Calhoun and Piper Laurie

Week 3
Pillars Of The Sky
(1956) Directed by George Marshall, starring Jeff Chandler, Dorothy Malone, Ward Bond, Lee Marvin
Backlash (1956) Directed by John Sturges, starring Richard Widmark, Donna Reed, William Campbell, John McIntire

Diablo TC

Week 4
Ride Clear Of Diablo
(1954) Directed by Jesse Hibbs, starring Audie Murphy, Dan Duryea, Susan Cabot
The Outriders (1950) Directed by Roy Rowland, starring Joel McCrea, Arlene Dahl, James Whitmore, Barry Sullivan

Week 5
Back To God’s Country
(1953) Directed by Joseph Pevney, starring Rock Hudson, Marcia Henderson, Steve Cochran, Hugh O’Brien
Black Horse Canyon (1954) Directed by Jesse Hibbs, starring Joel McCrea and Mari Blanchard

Week 6
Seven Men From Now
(1956) Directed by Budd Boetticher, starring Randolph Scott, Gail Russell, Lee Marvin, Walter Reed
Gun Fury (1953) Directed by Raoul Walsh, starring Rock Hudson, Donna Reed, Philip Carey, Lee Marvin

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Apache Drums LC

Yesterday, I posted our favorite DVD releases of the year. Today’s list is made up of films we discovered during 2014. Titles that made the list were mentioned by at least three people. It’s a great lineup of fairly obscure, medium-budgeted 50s Westerns — and if you haven’t discovered them yourself, search them out.

Ambush At Tomahawk Gap (1953) Fred F. Sears was extremely prolific, and his 50s Westerns are worth seeking out. This is one of the better ones, available through Columbia’s on-demand DVD program.

Apache Drums (1951) A suspense picture dressed up in cowboy clothes, produced by Val Lewton and directed by Hugo Fregonese. With Stephen McNally, Coleen Gray, Willard Parker, Arthur Shields, James Griffith and Clarence Muse (who’s superb in a small part).

Border River (1954) With George Sherman directing Joel McCrea, Yvonne De Carlo and Pedro Armendáriz, how could it not be great? Shot around Moab, Utah.

Cow Country (1953) Coming across a new Lesley Selander picture is always a treat. This one features Edmond O’Brien, Helen Wescott, Bob Lowery, Barton MacLane, Peggie Castle, James Millican and Robert Wilke.

A Day Of Fury (1956) One of the most unusual, and overlooked, Westerns of the 50s. Harmon Jones directs Dale Robertson, Mara Corday and Jock Mahoney. I’m so glad this one’s being rediscovered.

Four Guns To The Border (1954) Rory Calhoun, Colleen Miller and Walter Brennan in an excellent Universal Western directed by Richard Carlson.

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Fury At Gunsight Pass (1956) Another good one from Fred F. Sears. Wish this one would see a real DVD release — black and white widescreen is so cool.

The Silver Whip (1953) Dale Robertson, Rory Calhoun, Robert Wagner, Kathleen Crowley and James Millican star in this taut, tight picture from editor-turned-director Harmon Jones. The staging of the climactic chase is masterful.

Stage To Tucson (1950) Rod Cameron and Wayne Morris. Lone Pine in Technicolor. Surely that’s worth an investment of 81 minutes.

Yellow Tomahawk LC

The Yellow Tomahawk (1954) Sadly, this color film is only available black and white. But it’s still a solid effort from the ever-dependable Lesley Selander — with a cast that includes Rory Calhoun, Peggie Castle, Noah Beery, Jr., Peter Graves, Lee Van Cleef and Rita Moreno.

Thanks to everyone who participated.

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