sunset-in-the-west-hsDirected by William Witney
Starring Roy Rogers, Estelita Rodriguez, Penny Edwards, Gordon Jones, Will Wright, Foy Willing And The Riders Of The Purple Sage

One of the hottest topics on this blog has always been the availability, or absence, of the Roy Rogers Trucolor films of late 40s and early 50s. The arrival of one of these pictures in color and uncut is always worth celebrating — and we get this next one, Sunset In The West (1950), on DVD and Blu-Ray from Kino Lorber.

More info as it comes in — and a huge thanks to Bob Furmanek for the tip! And if they want a commentary, I’d love to do it.


I just love this month’s image on my John Wayne calendar.


Madman Entertainment out of Australia has announced a terrific DVD set of seven Audie Murphy pictures that cover his time at Universal, from his first film for the studio, The Kid From Texas (1950), to the last, Gunpoint (1966).

The Madman website lists the aspect ratio as 4:3, which is fine for the 1950 titles. Let’s hope the later stuff turns out to be anamorphic.

Sierra (1950)
Directed by R.G. Springsteen
Starring Wanda Hendrix, Audie Murphy, Burl Ives


The Kid From Texas (1950)
Directed by Kurt Neumann
Starring Audie Murphy, Gale Storm, Albert Dekker

Kansas Raiders (1950)
Directed by Ray Enright
Starring Audie Murphy, Brian Donlevy, Marguerite Chapman, Scott Brady

The Wild And The Innocent (1959)
Directed by Jack Sher
Starring Audie Murphy, Joanne Dru, Gilbert Roland, Jim Backus


Audie Murphy, Dan Duryea and Joan O’Brien on the Six Black Horses set.

Six Black Horses (1962)
Directed by Harry Keller
Written by Burt Kennedy
Starring Audie Murphy, Dan Duryea, Joan O’Brien

Showdown (1963)
Directed by R.G. Springsteen
Starring Audie Murphy, Kathless Crowley, Charles Drake, Harold J. Stone, Skip Homeier

Gunpoint (1966)
Directed by Earl Bellamy
Starring Audie Murphy, Joan Staley, Warren Stevens

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It’s hard to believe this blog has been going for seven years. Time really does fly when you’re having fun.

I owe y’all a big fat thanks for your clicks, your recommendations and your comments. Without you, this thing wouldn’t have made it near this long.

And with this announcement out of the way, it’s back to business. After all, there’s an Audie Murphy set on the way!


The Joel McCrea Blogathon
November 4 – 6, 2016

Joel McCrea stands tall as a true icon of Hollywood’s West. Before becoming so associated with cowboy pictures, he appeared in classics like Most Dangerous Game (1932), Foreign Correspondent (1940) and Sullivan’s Travels (1941). Let’s mark what would’ve been his 111th birthday, November 5, with a celebration of his work.

Here’s what you do:
• Pick a McCrea picture. Any one will do.
• Let me know you want to participate (email fiftieswesterns@gmail.com), what you want to cover and when you plan to post it — Friday November 4th through Sunday the 6th. Your posts can be in any form, of any length, and on any topic as long as it relates to McCrea, but I’d like to manage things a bit to make sure we don’t end up with 14 people writing about the same thing.
• Post your piece on the scheduled day, using the official blogathon banner and link (to come).
• Send me the link so I can post it on the master list.

This should be a lot of fun.


I’m gonna make this quick because time’s running out. Olive Films’ Signature Edition of Nicholas Ray’s Johnny Guitar (1954) comes our tomorrow. Today, the pre-order price at Amazon is only $16.99 (the list price is $39.95).

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Get the new Blu-Ray of Johnny Guitar, or Frank’ll let you have it.

Watched it over the weekend, and I really urge you to get it (a real review will be coming soon). Don’t have a Blu-ray player? Well, now’s the time. This thing’s incredible. As much as I love this movie, seeing it in hi-def and its proper 1.66 framing, I love it even more. Essential.


Directed by Ray Taylor
Starring Lash La Rue, Fuzzy St. John, Dan White, House Peters, Jr., Nancy Saunders

This may be the first time Lash and Fuzzy have graced the “pages” of this blog. Folks have written in a few times asking when I’m going to get around to these guys, and I’m sorry for the oversight.

Outlaw Country (1949) is one of the later Lash pictures, and at 72 minutes, one of the longest. It features La Rue’s long-lost twin brother, the Frontier Phantom — who turns up again the last Lash/Fuzzy movie, The Frontier Phantom (1952). Made for Western Adventure Productions, these had even lower budgets than the previous PRC pictures.

Outlaw Country is paired with Law Of The Lash (1947, a PRC picture) in VCI’s Lash La Rue Double Feature. Both were directed by Ray Taylor, one of the most prolific directors of them all, with more than 150 films to his credit.