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Directed by Lesley Selander
Starring John Dehner, Gregg Palmer, Frances Helm, Don Gordon, Harry Dean Stanton

Revolt At Fort Laramie (1957) is a pretty good color Lesley Selander picture. It’s always great to see a Bel-Air movie make it to Blu-Ray.

But what’s interesting is that the Blu-Ray that’s on the way from MGM looks like part of an MOD program. Could that be cranking up again? If so, how’s about Rebel In Town (1956)?

Thanks to Paula for the tip.

Audie Murphy’s last seven films for Universal International, all produced by Gordon Kay, don’t get a lot of love. Not sure why. At their best, they’re tight little Westerns in the Ranown mold. At their worst, they’ve got Audie Murphy in them, which is good enough for me!

George Sherman’s Hell Bent For Leather (1960), the first of the seven, is excellent — and may be my favorite Murphy movie. It’s certainly worth another look if you haven’t seen it in a while. 

Janet (Felicia Farr): I used to love this country. Now it seems so ugly.

Clay Santell (Audie Murphy): It’s not the country. It’s some of the people who live in it.

Hard it believe that was written 60-something years ago. Sounds like today to me.

The Criterion Collection has announced an upcoming 4K set of Randolph Scott and Budd Boetticher’s Ranown Cycle: The Tall T (1957), Decision At Sundown (1957), Buchanan Rides Alone (1958), Ride Lonesome (1959) and Comanche Station (1960).

It’s coming in July, so get to shopping for 4K players and TVs!

Wish someone would convince the John Wayne estate to pave the way to get Seven Men From Now (1956), the film that launched the Scott-Boetticher collaboration, out on Blu-Ray.

Let’s Go Dodgers!

The Dodgers’ home opener at Dodger Stadium is today, so as is customary around here, let’s take a look at John Ford in his Dodgers cap.

I’m really stoked about baseball season this year.

This third volume in Kino Lorber’s Audie Murphy series gives us three of the seven pictures he did with producer Gordon Kay for Universal International — each shot in less than three weeks for about half a million bucks. They’ve been given a bad rap over the years. Some of them are really good. And they always have a great cast.

Hell Bent For Leather (1960)
Directed by George Sherman
Starring Audie Murphy, Felicia Farr, Stephen McNally, Robert Middleton, Jan Merlin, John Qualen, Bob Steele, Allan Lane

Audie’s mistaken for a murderer. A marshal (Stephen McNally) knows Audie’s innocent, but wants the reward and the glory.

Shot in Lone Pine in CinemaScope. Directed by George Sherman. A cast that includes John Qualen and Bob Steele — what’s not to like? I’m really excited to be doing a commentary for this one.

Posse From Hell (1961)
Directed by Herbert Coleman
Starring Audie Murphy, John Saxon, Zohra Lampert, Vic Morrow, Robert Keith, Rodolfo Acosta, Royal Dano

Audie rides into town right after four escaped convicts have shot the marshal and taken a woman hostage. He assembles a rather worthless posse and goes after them. Herbert Coleman was an assistant director for Hitchcock and others. Here he makes his debut in the top slot.

Showdown (1963)
Directed by R. G. Springsteen
Starring Audie Murphy, Kathleen Crowley, Charles Drake, Harold J. Stone, Skip Homeier, L. Q. Jones, Strother Martin, Dabbs Greer

Audie is shackled to killer Harold J. Stone (around the neck!) when they make their escape. Stir in some bonds and Kathleen Crowley and things get pretty tense. Directed by the great R.G. Springsteen and shot in black and white by Ellis W. Carter. By the way, Murphy was furious when he learned this would be shot in B&W, but it works well.

The chance to see these pictures again, certain to look terrific, is a real treat. Highly, highly recommended!

Marguerite Louise Skliris-Alvarez (Margia Dean)
April 7, 1922

Here’s wishing Margia Dean a happy 101st birthday!

The former Miss San Francisco and Miss California got her movie career going with 1944’s Casanova In Burlesque. The bulk of her pictures were done for Robert L. Lippert, quite a few of them Westerns — Sam Fuller’s I Shot Jesse James (1949), Stagecoach To Fury (1956), Badlands Of Montana (1957) and Ambush At Cimarron Pass (1958), to name a few. 

She also has an uncredited part in Superman And The Mole Men (1951), appears in a few episodes of Dick Tracy, and stars in what is considered the first Hammer horror movie, 1955’s The Quatermass Xperiment (known as The Creeping Unknown in the States). Tired of being confined to B pictures, she retired in 1960.

Kino Lorber’s second hi-def batch of Audie Murphy Westerns is coming in June. This set includes Sierra (1950), Kansas Raiders (1950) and Destry (1954).

Sierra (1950)
Directed by Alfred E. Green
Starring Wanda Hendrix, Audie Murphy, Burl Ives, Dean Jagger, Tony Curtis, James Arness, Jack Ingram, Houseley Stevenson, I. Stanford Jolley

Audie and his dad, Dean Jagger, have been hiding in the mountain for years. A chance meeting with Wanda Hendrix brings civilization to their doorstep, where it’s not welcome.

Wanda Hendrix and Audie Murphy were newlyweds when production began on this one. They were separated before its release. Some really nice horse stuff (some of it lifted from 1949’s Red Canyon) and a great cast of character actors.

I’m doing a commentary for this one.

Kansas Raiders (1950)
Directed by Ray Enright
Starring Audie Murphy, Brian Donlevy, Marguerite Chapman, Scott Brady, Tony Curtis, Richard Arlen, Richard Long

U-I mangles history again, but who cares? Murphy is Jesse James, Brian Donlevy is Quantrill. Yet another solid Western from Ray Enright, with typically-gorgeous cinematography from Irving Glassberg.

Destry (1954)
Directed by George Marshall
Starring Audie Murphy, Mari Blanchard, Lyle Bettger, Thomas Mitchell, Edgar Buchanan, Lori Nelson, Wallace Ford

For this 1954 remake, U-I puts Murphy and Mari Blanchard in the roles played by James Stewart and Marlene Dietrich in 1939’s Destry Rides Again. George Marshall directed both versions. (There was a semi-remake in 1950, Frenchie, with Joel McCrea, Shelley Winters and Marie Windsor.) In this one, it’s good to see Murphy play against type a bit, and it’s always great to see Wallace Ford. Of course, Mari Blanchard looks terrific.

All three of these pictures boast the usual U-I 50s Western Technicolor sheen. (Destry should be widescreen.) They’ll look wonderful on Blu-Ray. Highly recommended.

The Ben Johnson Fan Page.

From Paula, who runs the terrific Ben Johnson Fan page

The Ben Johnson Fan Page, which has been hosted by Shutterfly for the past 12-1/2 years, has moved, as Shutterfly will be discontinuing its “share sites” (webpage hosting) service on March 27.


The new address is
benjohnsonfanspage.com


The new site is a work in progress and many items from the Shutterfly page still need to be reposted. This process will be ongoing for some time. Graphics are generic for now but eventually we’ll have something more appealing and Western-oriented.

To visit the new page, click either the link above or the photo from The Wild Bunch (1969).

At the risk of appearing political, here’s an interesting article on Barbara Stanwyck, Ronald Reagan and Allan Dwan’s Cattle Queen Of Montana (1954). It’s from American Greatness, written by Emina Melonic. She’s tougher on the movie than I’d be — I’m a sucker for mid-50s Dwan pictures — but I really enjoyed it.


Click on the chunk above to get to the article. And if you’re like me, you’re gonna want to revisit the movie.

And the marquee image up top, what movie is it from?

“Hello, Folks…”

Came across this ad for Stars In My Crown (1950) and thought I’d share it.