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Archive for the ‘Robert Mitchum’ Category

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First, thanks to everyone who sent in their picks — we had a larger turnout this year. Your responses were very thorough, and they made it clear to me what a good year this was for 50s Westerns on DVD and Blu-ray — you brought up tons of em. Here are the Top 10, ordered by the number of votes they received.

Abilene Town (1946, Blu-ray, Panamint Cinema)
This one topped the list in a big way. I was so stoked to see this fairly obscure Randolph Scott picture rescued from the PD purgatory where it’s been rotting for years — a lot of you seemed to feel the same. Mastered from 35mm fine-grain material, it’s stunning.

Shane (1953, Blu-ray, Eureka)
The Blu-ray release from Paramount made last year’s list, and this UK release was a strong contender this time around. Eureka gives us the opportunity to see what Paramount’s controversial 1.66 cropping looked like.

The Wild Bill Elliott Western Collection (1951-54, DVD set, Warner Archive)
I’m pretty biased when it comes to this one, and I was happy to learn that others were as pleased with it as I was. One of the greatest Western stars goes out on a high note, even if it is a low-budget one.

The Quiet Gun (1956, Blu-ray, Olive Films)
It’s hard to believe this was a 2015 release, since it was on Olive Films’ coming-soon list for such a long time. These Regalscope movies look great in their original aspect ratio, and for my money, this is the best of the bunch.

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Woman They Almost Lynched (1953, Blu-ray, Olive Films)
It makes me feel good to see Allan Dwan get some attention, and stellar presentations of his work, like this one, should continue to fuel his (re-)discovery.

Man With The Gun (1955, Blu-ray, Kino Lorber)
A solid Robert Mitchum Western, with the added punch of a terrific 1.85 hi-def transfer. This is a lot better movie than you probably remember it being.

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Run Of The Arrow (1957, DVD, Warner Archive)
This really knocked me out — I’d somehow missed out on what a great movie this is. It took me a while to get used to Rod Steiger and his affected accent, but this is prime Sam Fuller.

The Hired Gun (1957, DVD, Warner Archive)
Black and white CinemaScope is a big attraction for me, so I’d been waiting for this one for years. It was worth the wait.

Stranger At My Door (1954, Blu-ray, Olive Films)
A really cool little movie from Republic and William Witney. It was Witney’s favorite of his own pictures, and it’s pretty easy to see why he’d be partial to it. His work here is masterful.

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Star In The Dust (1956, Blu-ray, Koch)
Koch out of Germany is treating us (or those of us with a Region B player) to some great Universal 50s Westerns on Blu-ray. This one was released in Universal’s 2.0 ratio of the period. Some found it a bit tight, but it’s a gorgeous presentation of a movie not enough people have seen.

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Welcome to The Republic Pictures Blogathon. Over the weekend, we’ll be celebrating the studio’s incredible talent roster, wonderful output and lasting legacy. This page will serve as its hub, and you’ll be able to reach all the posts here. Keep checking back.

One of my earliest movie memories, maybe the earliest, is of a 16mm print of John Ford’s Rio Grande (1950). So Republic has always been a huge part of my movie world.

It was formed by combining a number of the Poverty Row studios, and the goal of its head, Herbert J. Yates, was always commerce over art. So in a way, it’s surprising their films displayed the level of craftsmanship that they did. That craft may be what, in the end, sets them apart. After all, there were lots and lots of B Westerns and serials out there. But there’s a polish to a Republic picture — from the camerawork to the editing to those wonderful special effects to the performances to the stunts, that’s very special. It’s easy to see why their films are still so popular. If only they were readily available on DVD and Blu-ray.

Over the next few days, we have plenty to celebrate. The cowboy movies. The serials. The crime pictures. And on and on. Some great movie bloggers have saddled up or strapped on their rocket suit to be a part of this whole deal — and I really appreciate their efforts. This should be fun, folks!

Click on the images below to be linked to the appropriate blog.

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Day Three.

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Angel And The Badman (1947) – The Round Place In The Middle

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Ride The Man Down (1952) – 50 Westerns From The 50s

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City That Never Sleeps (1953) – Speakeasy

 

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Radar Men From The Moon (1952) – The Hannibal 8

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Day Two.

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The Fabulous Texan (1947) – Blake Lucas at 50 Westerns From The 50s

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Hoodlum Empire (1952) – Jerry Entract at The Hannibal 8

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Jubilee Trail (1954) – Laura’s Miscellaneous Musings

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Rock Island Trail (1950) and California Passage (1950) – The Horn Section

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Day One.

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The Outcast (1954) – Jerry Entract at 50 Westerns From The 50s

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Blackmail (1947) – John Knight at The Hannibal 8

Angel And The Badman (1947) – Thoughts All Sorts

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The Red Pony (1949) – Caftan Woman

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Dakota Incident (1956) – Riding The High Country

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Man With A Gun LC6

Directed by Richard Wilson
Starring Robert Mitchum, Jan Sterling, Karen Sharpe, Henry Hull, Ted De Corsia, Leo Gordon

Man With The Gun (1955) is a solid little Western that gets overlooked in favor of other Mitchum pictures like Blood On The Moon (1948) or The Wonderful Country (1959). The cast makes a big difference here. Henry Hull is terrific, as are Ted De Corsia and Leo Gordon — and having both Jan Sterling and Karen Share in the same picture is a real treat.

Kino Lorber has this one coming on Blu-ray in September, along with The Wonderful Country, and I’m really stoked about the chance to see this with its 1.85 framing in place. Recommended.

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While doing some research on George Sherman’s The Treasure Of Pancho Villa (1955), I came across The Odessa American from October 9, 1955. What was playing around town was incredible.

Ector: The Treasure Of Pancho Villa
Scott Theater: Night Of The Hunter 
Rio Theater (next door to the Scott): The Big Combo
Twin Terrace Drive-In: Wichita and New Orleans Uncensored
Twin Cactus Drive-In: The Seven Little Foys and Coroner Creek
Broncho Drive-In: Las Vegas Shakedown and The End Of The Affair
Twin-Vue Drive-In: The Seven Little Foys and The Denver And Rio Grande

You could spend your night with Randolph Scott, Joel McCrea, Robert Mitchum or Rory Calhoun. If all that wasn’t enough, you could head to the Odessa High School field house on the 11th for The Western Revue Of 1955 with Lash LaRue and “Fuzzy” St. John in person — or wait a couple more days for Elvis Presley (“with Scotty and Bill”), Johnny Cash, Wanda Jackson and Porter Wagoner.

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By the way, the Ector Theater was restored in 2001 and runs classic movies from time to time. I love Texas.

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Wonderful Country LC

Directed by Robert Parrish
Starring Robert Mitchhum, Julie London, Gary Merrill, Albert Dekker, Charles McGraw, Jack Oakie, Leroy ‘Satchel’ Paige, Anthony Caruso

It’s great to see Robert Mitchum’s independent, self-produced pictures — some of his best work, in my opinion — making their way to Blu-ray. First, Thunder Road (1958) just came out from Shout Factory. And now, Kino Lorber has announced The Wonderful Country (1959) for Blu-ray release in September. Based on Tom Lea’s novel, this is an unusual Western, to say the least (just look at that cast), and a really terrific movie.

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Directed by Nicholas Ray
Produced by Jerry Wald
Written for the screen by Horace McCoy and David Dortort
Suggested by a story by Claude Stanush
Director Of Photography: Lee Garmes, ASC
Music by Roy Webb
Film Editor: Ralph Dawson, ACE

Cast: Susan Hayward (Louise Merritt), Robert Mitchum (Jeff McCloud), Arthur Kennedy (Wes Merritt), Arthur Hunnicutt (Booker Davis), Frank Faylen (Al Dawson), Walter Coy (Buster Burgess), Carol Nugent (Rusty Davis), Burt Mustin (Jeremiah Watrus)

Whenever I see a Nicholas Ray picture, I usually want to see another one. Because after a favorite Ray film, about anything that comes after it’s gonna be a letdown. That’s especially true with The Lusty Men (1952), a brilliant movie at the top of a list of brilliant movies.

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Jeff McCloud (Robert Mitchum), a banged-up, washed-up, tapped-out rodeo cowboy, agrees to mentor the up-and-coming Wes Merritt (Arthur Kennedy). They set out on the rodeo circuit, with Merritt’s wife Louise (Susan Hayward) in tow. Wes is soon on his way to the championship, but at what cost? To himself? To his wife and their plans for a little ranch of their own? And to Jeff, who’s stuck watching someone else reach the position he enjoyed a few years before?

Like most Nick Ray movies, it’s about so much more than it’s about. It touches on the corruptive nature of fame and money — and how we’ll risk our lives and relationships for a shot at them. It reminds us how futile it can be to attempt to recapture our past — whether it’s a childhood home or rodeo stardom. It serves as a modern-day riff on the classic Western theme of the gunfighter who wants to hang up his guns, but is trapped by his reputation (such as 1950’s The Gunfighter). And it gives us a good look at just how self-destructive we can be — a topic Ray would become an expert on.

Louise (Susan Hayward): Wes tells me you once made three thousand dollars in one day, rodeoin’.
Jeff (Robert Mitchum): That’s right.
Louise: And threw it all away.
Jeff: Oh, I didn’t throw it away. It just sorta… floated.
Louise: That’s pretty stupid, breakin’ all your bones, then lettin’ the money go.

Robert Mitchum often dismissed his work, but he always had nice things to say about The Lusty Men. Ray gets a terrific performance out of him, and he does the same with Susan Hayward and Arthur Kennedy. Mitchum and Kennedy both went beyond the insurance company’s limits and really attacked the rodeo scenes, doing many of their own stunts. (They say even Nick Ray gave cowboy-ing a try.) This really adds to the film’s documentary feel, which incorporates lots of great footage shot on the rodeo circuit.

Nicholas Ray: “Arthur Kennedy was a beautiful actor to work with. Where it might have taken me five minutes with Mitchum and 10 minutes with Susan Hayward between takes to get them into the right groove, when something went wrong in one of Kennedy’s scenes, by the time I’d cut, walk over and gotten my arm around him, he’d know everything I was going to say. And the next take would be perfect.”

Arthur Kennedy: “A strange guy. Had a most peculiar way of giving direction. I never could quite grasp his meaning. I’d agree to everything, then try to figure out what the hell he meant”

There are fine performances throughout, from Arthur Hunnicutt as a grizzled old cowboy, Walter Coy as a drunken, mangled saddle tramp, and Carol Nugent as a girl growing up on the rodeo circuit, to name just a few.

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Burt Mustin is incredible as Jeremiah, owner of McCall’s ramshackle family home — which the Merritts want to buy. This was an early film role for Mustin, who we all know from his endless appearances on TV — everything from The Lone Ranger to Dragnet to Leave It To Beaver (as Gus the fireman) to The Andy Griffith Show to All In The Family, and his work here is a supreme example of the contribution a character actor can make. Across the board, this is one of the best-acted films I’ve ever seen. Every line, every frame rings true.

They say shooting began while the script was still being worked on, and that many scenes were worked out on the set. Hayward, who’d been brought to RKO from 20th Century-Fox at great expense, was not happy with the arrangement. However, it all came together and stands as one of Ray’s and Mitchum’s best films. By the way, its working title was Cowpoke; RKO owner Howard Hughes came up with The Lusty Men.

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My grandpa was a cowboy, a real one. He trained cutting horses and did a little rodeoing back before I came along (one of his trophies is among my most prized possessions — and it’d sit atop the TV if the damned things weren’t so skinny nowadays). Wish I’d had a chance to watch The Lusty Men with him. I’m certain he would’ve found its depiction of early-50s rodeo life accurate. But did he ever know a Jeff McCloud? Or a Wes Merritt? My guess is that he did. And when you think about it, all of us probably do — minus the cowboy hat.

Warner Archive has come through with a picture many of us have been wanting as long as DVDs have been around. (I’ve been holding onto the old laserdisc for decades.) And they’ve served it up looking like a million bucks. It’s sharp and the contrast levels are near-perfect. Even if the DVD was abysmal, I’d recommend it. But looking like it does, it’s absolutely essential.

You know, given our culture’s current fascination with celebrity and wealth, Ray’s picture is probably more timely now than it was back in ’52.

Sources: I Was Interrupted by Nicholas Ray, Nicholas Ray: The Glorious Failure Of An American Director by Patrick McGilligan

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The charge was this: send in your list of favorite 50s Westerns DVD releases for 2014, along with a few 50s Westerns that you discovered this year.

For today, here are your (and my) 10 favorite DVDs or Blu-rays released during the 2014 calendar year.

10. Panhandle (1948) This terrific Rod Cameron picture, directed by Lesley Selander, was released a few years ago as part of VCI’s Darn Good Western Volume 1. This year, it showed up on its on.

9. City Of Bad Men (1953) Dale Robertson leads a great cast: Jeanne Crain, Richard Boone, Lloyd Bridges, Hugh Sanders, Rodolfo Acosta, Don Haggerty, Leo Gordon, John Doucette, Frank Ferguson, James Best. Harmon Jones directs.

8. Fort Massacre (1958) Joel McCrea plays way against type. Forrest Tucker, Susan Cabot, John Russell and Denver Pyle co-star. You can get a nice regular DVD here in the States — and a stunning Blu-ray in Germany.

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7. Gunfight At The O.K. Corral (1957) The guys who developed VistaVision look down from heaven, see this Blu-ray playing in our living rooms, and are very happy indeed.

6. The Lusty Men (1952) There was a time when Nicholas Ray was a machine that cranked out Great Movies. This study of modern-day rodeo cowboys — starring Robert Mitchum, Susan Haywood and Arthur Kennedy — comes from the heart of that period.

5. Drum Beat (1954) Alan Ladd shows us he’s got more than Shane up his sleeve, and Delmer Daves delivers yet another solid Western. This is a lot better movie than you’ve heard (or remember).

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4. Gunsmoke In Tucson (1958) When an Allied Artists Western starring Mark Stevens makes a Top Ten list, I know I’m in the right place.

3. Tim Holt Western Classics Collection Volume 4 As good as the series Western ever got. For me, this fourth volume is the best — which makes it plenty great indeed.

2. Shoot-Out At Medicine Bend (1957) It’s not a stupendous Randolph Scott movie, but it’s a Randolph Scott movie — and Warner Archive has it shining like a black and white, 1.85 diamond.

1. South Of St. Louis (1949) This terrific Joel McCrea picture, with its Technicolor appropriately saturated, is stunning on Blu-ray from Olive Films. Alexis Smith and Dorothy Malone should’ve paid cinematographer Karl Freund for making them look so beautiful.

Along with all these favorites, there was a common complaint: that Olive Films’ promised The Quiet Gun (1956) didn’t make it in 2014.

Thanks to everyone who sent in their lists.

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