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Archive for the ‘Robert Taylor’ Category

Directed by John Sturges
Screen Play by William Bowers
Based on the novel by Marvin H. Albert
Director Of Photography: Robert Surtees
Film Editor: Ferris Webster

Cast: Robert Taylor (Jake Wade), Richard Widmark (Clint Hollister), Patricia Owens (Peggy), Robert Middleton (Ortero), Henry Silva (Rennie), DeForest Kelley (Wexler)

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The Law And Jake Wade (1958) seems to be one of those Westerns everybody likes. The few times I’ve read or heard something negative about it, I always come way wondering if the dissenter had seen the same movie I saw.

John Sturges was a master at building suspense over the span of about 90 minutes. And with Escape From Fort Bravo (1953), Jake Wade and Last Train From Gun Hill (1959), he did it within the 50s Westerns bracket.

Jake Wade (Robert Taylor) wants to go straight and start a new life with his fiancé Peggy (Patricia Owens), but his old partner Clint Hollister (Richard Widmark) turns up — accompanied by psychopaths Henry Silva and DeForest Kelley — and wants to know where Wade buried the loot from an old bank job.

Before long (probably still in the first reel; this thing moves fast), Widmark’s abducted Patricia Owens and they’re all headed into Comanche territory to dig up the money — with the Comanches on the warpath.

This has the same “small group in a helluva fix as they go from Point A to Point B” setup you find in pictures like Roughshod (1949), Dragoon Wells Massacre (1957) and some of the Scott-Kennedy-Boetticher films. It’s perfect for Sturges, and he sets up the story and characters, then slowly turns up the heat as the movie progresses. While the ending may not be as satisfying as it could be, getting there is quite a ride.

Robert Taylor stands as tall as you expect him to. He has to tow the line to keep his bride-to-be safe, and Sturges wrings a lot of tension from that. Widmark is terrific as Hollister — another one of his likable psychos. He creates a real sense of menace here. You know he has no qualms about killing his hostages, and figures that’s exactly what he’ll do once he’s got the money. DeForest Kelley and Henry Silva make quite an impression with their limited screen time. These are dangerous freaks, and we’re well aware of that just seconds after their first appearance. Robert Middleton also scores as the one somewhat human member of Wade’s old gang.

There’s no composer credit for The Law And Jake Wade. It uses a lot of pre-existing stuff, much of it lifted from Elmer Bernstein’s score for Saddle The Wind. There was a musicians’ strike in ’58, and it affected quite a few films (Delmer Daves’ The Badlanders, for instance). Occasionally, something seems a bit out of place, but the music’s fine for the most part.

Ferris Webster’s editing is top notch throughout. The Indian attack sequence is very well done.

In a rather odd way, the casting of The Law And Jake Wade was predicted by I Love Lucy. In the 1955 episode “The Tour,” Lucy seeks to snag some fruit from our co-stars’ back yards. “I’d just love a Richard Widmark grapefruit to go with my Robert Taylor orange.” (Thanks to my daughter for this piece of trivia.)

Warner Archive’s Blu-Ray is stunning. High-definition really brings out the detail and depth of Surtees’ Scope camerawork, making sure Lone Pine and Death Valley are a huge part of the picture’s overall effect. (Temperatures were right at zero when they shot the scenes in the High Sierras.) Sturges was always very good at emphasizing the isolation in his Westerns, and this Blu-Ray brings that front and center. The color’s good for Metrocolor and the sound is nice and clean. The only extra is an original trailer.

The Law And Jake Wade is one of the essential 50s Westerns, and this hi-def edition of it was obviously given the care it deserves.

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Directed by John Sturges
Starring Robert Taylor, Richard Widmark, Patricia Owens, Robert Middleton, Henry Silva, DeForest Kelley

The Law And Jake Wade (1958) is one of the best Westerns of the 50s. It’s tight, tense and in CinemaScope, which is exactly what you want in a John Sturges movie. Oh, and it’s coming to Blu-Ray from Warner Archive.

Jake Wade (Robert Taylor) wants to go straight, but his old partner Richard Widmark wants to know where he buried the loot from an old bank job. Before long, Widmark’s abducted Taylor’s fiancé (Patricia Owens) and they’re all headed into Comanche territory — and the Comanches are on the warpath.

This is as good as it gets, folks — and I’m sure Warner Archive will treat it right. Essential stuff.

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Westward The Women OS

Directed by WIlliam A. Wellman
Screen Play by Charles Schnee
Story by Frank Capra
Starring Robert Taylor, Denise Darcel, Hope Emerson, John McIntire

On the third Thursday of most months, The Western Film Preservation Society has been running B Westerns at NC State’s McKimmon Center, here in Raleigh, since 1981. This week’s second feature (Thursday the 20th) is a bit of a departure: William Wellman’s Westward The Women (1951). It’s one of the best Westerns of the 50s.

The other film is In Early Arizona (1938) starring Bill Elliott, Dorothy Gulliver, Harry Woods and Jack Ingram — and directed by Joseph Levering. (It’s a bit of a stretch, but I guess that makes this a Wild Bill Wednesday post.) The meetings get going at 6:45.

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Screen shot 2014-01-28 at 6.15.31 PM

Another day, another reason I’m living on the wrong end of the country. UCLA will present a very thorough Anthony Mann retrospective, covering all the noir and Westerns we know and love, at the Billy Wilder Theater starting this week. Click on Gary Cooper for details.

The 50s Westerns include:
The Furies (1950) January 31
Devil’s Doorway (1950) March 3
Winchester ’73 (1950) March 15
The Naked Spur (1953) February 9
The Far Country (1954) March 23
The Man From Laramie (1955) February 5
The Last Frontier (1956) February 21
The Tin Star (1957) March 30
Man Of The West (1958) March 30

1955 The man from Laramie - cropped

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Picture 15

Why go to Walmart and get punched in the face over a cheap toaster when you can sit at home and buy cowboy movies? Click the image above and have at it.

And if you haven’t done it yet, do yourself a favor and get Westward The Women (1951). If nothing else, it’ll give you something to be thankful for next Thanksgiving.

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Picture 15

So many good things to be had here. How about Rod Cameron in The Short Grass (1950)? Or Robert Taylor in The Last Hunt (1956)? Or Joel McCrea in Wichita (1955)? Or Glenn Ford in The Fastest Gun Alive (1956)? Or…

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Picture 2

You’ve got till 4/6 at 11:59PM PST to head ’em off at the pass. Mount up!

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