Archive for the ‘Allan Dwan’ Category

Ronald Reagan
February 6, 1911 – June 5, 2004

I’m ashamed to have missed Tim Holt’s birthday on the 5th. I’m not gonna screw up Ronald Reagan’s. He’d be 105 today.

Here he is in Law And Order (1953). I resisted the temptation to post yet another photo from Allan Dwan’s Tennessee’s Partner (1955), a picture I love.

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Abile Town signed still

First, thanks to everyone who sent in their picks — we had a larger turnout this year. Your responses were very thorough, and they made it clear to me what a good year this was for 50s Westerns on DVD and Blu-ray — you brought up tons of em. Here are the Top 10, ordered by the number of votes they received.

Abilene Town (1946, Blu-ray, Panamint Cinema)
This one topped the list in a big way. I was so stoked to see this fairly obscure Randolph Scott picture rescued from the PD purgatory where it’s been rotting for years — a lot of you seemed to feel the same. Mastered from 35mm fine-grain material, it’s stunning.

Shane (1953, Blu-ray, Eureka)
The Blu-ray release from Paramount made last year’s list, and this UK release was a strong contender this time around. Eureka gives us the opportunity to see what Paramount’s controversial 1.66 cropping looked like.

The Wild Bill Elliott Western Collection (1951-54, DVD set, Warner Archive)
I’m pretty biased when it comes to this one, and I was happy to learn that others were as pleased with it as I was. One of the greatest Western stars goes out on a high note, even if it is a low-budget one.

The Quiet Gun (1956, Blu-ray, Olive Films)
It’s hard to believe this was a 2015 release, since it was on Olive Films’ coming-soon list for such a long time. These Regalscope movies look great in their original aspect ratio, and for my money, this is the best of the bunch.


Woman They Almost Lynched (1953, Blu-ray, Olive Films)
It makes me feel good to see Allan Dwan get some attention, and stellar presentations of his work, like this one, should continue to fuel his (re-)discovery.

Man With The Gun (1955, Blu-ray, Kino Lorber)
A solid Robert Mitchum Western, with the added punch of a terrific 1.85 hi-def transfer. This is a lot better movie than you probably remember it being.


Run Of The Arrow (1957, DVD, Warner Archive)
This really knocked me out — I’d somehow missed out on what a great movie this is. It took me a while to get used to Rod Steiger and his affected accent, but this is prime Sam Fuller.

The Hired Gun (1957, DVD, Warner Archive)
Black and white CinemaScope is a big attraction for me, so I’d been waiting for this one for years. It was worth the wait.

Stranger At My Door (1954, Blu-ray, Olive Films)
A really cool little movie from Republic and William Witney. It was Witney’s favorite of his own pictures, and it’s pretty easy to see why he’d be partial to it. His work here is masterful.


Star In The Dust (1956, Blu-ray, Koch)
Koch out of Germany is treating us (or those of us with a Region B player) to some great Universal 50s Westerns on Blu-ray. This one was released in Universal’s 2.0 ratio of the period. Some found it a bit tight, but it’s a gorgeous presentation of a movie not enough people have seen.

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RIP, Lizabeth Scott.

L Scott Silver Lode still

Lizabeth Scott
September 29, 1922 – January 31, 2015

Saw this morning that Lizabeth Scott passed away on January 31st at 92.

Her smoky voice made her perfect for film noir (Pitfall is a really good one). She only made one 50s Western: Allan Dwan’s Silver Lode (1954), which happens to be one of my favorites. (There’s also Red Mountain, a Civil War picture.)

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Directed by Allan Dwan
Screen Play by Steve Fisher
Photographed by Reggie Lanning
Film Editor: Fred Allen, ACE
Special Effects: Howard and Theodore Lydecker

CAST: John Lund (Lance Horton), Brian Donlevy (Charles Quantrill), Audrey Totter (Kate Quantrill/Kitty McCoy), Joan Leslie (Sally Maris), Ben Cooper (Jesse James), Nina Varela (Mayor Delilah Courtney), Jim Davis (Cole Younger), Reed Hadley (Bitterroot Bill Maris), Frank Ferguson.

Allan Dwan approached Woman They Almost Lynched (1953) as a parody. As he told Peter Bogdanovich, “If you treat that seriously, where would you be?”

Released a few months before Nick Ray’s Johnny Guitar (1954), and from the same studio, Republic, Dwan’s picture is just as personal. To me, it feels like he’s trying to see just how much he could get away with, really biting the hand that was feeding him. Maybe he was. His time at Republic was almost up, and he’d soon begin a terrific run with producer Benedict Bogeaus.

Olive Films has announced Woman They Almost Lynched for DVD and Blu-ray release in January. It’s good to see Olive come through with another key Republic title. As a huge fan of Dwan’s late-period work, I’d put this on the esential list. (At the same time, Robert Aldrich’s World For Ransom, released by Allied Artists in 1954 and starring Dan Duryea, will hit the streets.)


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Thunderhoof TC

Directed by Phil Karlson
Original Screenplay by Hal Smith
Director Of Photography: Henry Freulich
Starring Preston Foster, Mary Stuart, William Bishop and Thunderhoof

Columbia’s MOD program has announced Phil Karlson’s Thunderhoof (1948) as one of its December releases. It’s always reason to celebrate when a Karlson picture turns up on DVD, whether its a Western or a crime picture or whatever. (Wish someone, not me, would write a book on him.)

I’ve never seen this one, and it sounds terrific, written by Hal Smith who wrote It Came From Beneath The Sea (1955), Allan Dwan’s The River’s Edge (1957) and The Defiant Ones (1958). Not the same Hal Smith who played Otis on The Andy Griffith Show. Some sources say it played theaters in sepia tone.

Thanks to Ron Hills for the tip.

Thunderhoof LC

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Here’s wishing you all a safe and happy Halloween. And while you’re here, I want to show off my daughter’s costume.

Her all-time favorite movie is Peter Bogdanovich’s What’s Up, Doc? (1972). A great choice (where’d she get her exquisite taste in movies?). Anyway, for Halloween, she decided to be Madeline Kahn as Eunice Burns (Presley above, Madeline below). And yes, the plaid bag has igneous rocks in it.


To tie this to 50s Westerns, let’s see — ever read Bogdanovich’s terrific books on John Ford and Allan Dwan?

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Robert Wagner and Virginia Leith on location for White Feather (1955). For some reason, this Delmer Daves-scripted picture has been overlooked. Seek it out.


Barbara Stanwyck and Allan Dwan chat between scenes on Cattle Queen Of Montana (1954). Dwan could do no wrong during this late phase of his incredible career.

Screen shot 2014-02-24 at 12.50.40 AM

Dan Duryea and Audie Murphy hanging out while making Ride Clear Of Diablo (1954). Both were at the top of their game on this one.

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