Feeds:
Posts
Comments

Archive for the ‘Dale Robertson’ Category

Hell Canyon Outlaws HS

Directed by Paul Landres
Produced by Jerald Zukor
Written by Allan Kaufman and Max Glandbard
Director Of Photography: Floyd Crosby, ASC
Film Editor: Elmo Williams, ACE
Music Composed and Conducted by Irving Gertz

Cast: Dale Robertson (Sheriff Caleb Wells), Brian Keith (Happy Waters), Rosanna Rory (Maria), Dick Kallman (Smiley Andrews), Don Megowan (Walt), Mike Lane (Nels), Buddy Baer (Stan), Charles Fredericks (Deputy Bear), Alexander Lockwood (Bert, the new sheriff)

__________

Paul Landres was one of those journeyman directors who could take practically nothing — an OK script, less than a week and a paltry budget — and put together a solid little movie. He worked mainly in TV, with a feature from time to time. Inspired by the upcoming DVD and Blu-ray release of The Return Of Dracula (1958) from Olive Films, I’ve been revisiting some of Landres’ features from the late 1950s.

Hell Canyon Outlaws (1957), known in the UK as The Tall Trouble, was an independent picture from Jerold Zukor Productions, filmed at the Corriganville Ranch. Republic released it. I think it’s one of Landres’ best.

s-l1600-9

Four outlaws head to a small town of Goldridge to raise hell and eventually rob the bank. They take over the saloon and hotel, steal a horse, size up the bank and rough up the guy at the livery stable — just for starters. If all this isn’t bad enough, the town council has just fired the sheriff, Caleb Wells (Dale Robertson), and his deputy, Bear (Charles Fredericks). The new sheriff, well, he’s outta town. Goldridge is in a tight spot.

Hell Canyon Outlaws DR still

Dale Robertson is terrific in this. You just know he’s going to be pushed to his breaking point, it’s just a matter of when. That tension, as the town is trashed and Robertson does the slow burn, is what drives Hell Canyon Outlaws. Landres builds the suspense perfectly — with the help of Elmo Williams, who edited High Noon (1952) — to a very satisfying last reel. This and Fred F. Sears’ Fury At Gunsight Pass (1956) would make a great double bill.

Hell Canyon Outlaws LC2

Brian Keith is great in one of those somewhat-likable dirtbag roles he excelled at (remember Fort Dobbs?). Keith would’ve made an ideal foil to Randolph Scott in one of the Boetticher pictures.

sanstitre163-1

Rossana Rory doesn’t have much to do but look pretty as Robertson’s girlfriend, but she’s fine. The rest of the cast — especially the rest of Keith’s gang: Don Megowan, Mike Lane and Buddy Baer — are effective. Dick Kallman is suitably obnoxious as the punk kid with a gun (I really wanted to see him gunned down).

The great Floyd Crosby, another High Noon veteran, gives the picture the feel of something a lot bigger than it is — a trick he’d perform often for Roger Corman in the early 60s.

Hell Canyon Outlaws isn’t available on DVD or Blu-ray anywhere. Given the top-notch cast and crew working at the top of their game, this would be a great one to see in a nice anamorphic transfer (it was shot for 1.85). It’s currently available from Sinister Cinema, but I haven’t seen what it looks like. If I had my own video company, this is one I’d try to track down in a hurry.

Advertisements

Read Full Post »

belgianchainlightninglipn2Directed by Edwin L. Marin
Starring Randolph Scott, George “Gabby” Hayes, Bill Williams, Victor Jory, Karin Booth, Douglas Kennedy, Jim Davis, Dale Robertson, James Griffith

Kino Lorber has announced they’ll have Randolph Scott in The Cariboo Trail (1950) out on DVD and Blu-ray sometime this year. With a great cast (it was Gabby Hayes’ last movie), solid direction from Edwin L. Marin, and Cinecolor’s gloriously funky hues, it’s a load of fun and not to missed.

1zqv6a1

Directed by Edwin L. Marin
Starring Randolph Scott, Jane Wyatt, J. Carrol Naish, Victor Jory, Nancy Olson

First, Scott, Marin and producer Nat Holt gave us Canadian Pacific (1949). It’s not as good as the second picture, but I’m looking forward to seeing its Cinecolor in high-definition.

Thanks to Mike Kuhns and Vitaris for the tips.

Read Full Post »

Republic studios yellow

Welcome to The Republic Pictures Blogathon. Over the weekend, we’ll be celebrating the studio’s incredible talent roster, wonderful output and lasting legacy. This page will serve as its hub, and you’ll be able to reach all the posts here. Keep checking back.

One of my earliest movie memories, maybe the earliest, is of a 16mm print of John Ford’s Rio Grande (1950). So Republic has always been a huge part of my movie world.

It was formed by combining a number of the Poverty Row studios, and the goal of its head, Herbert J. Yates, was always commerce over art. So in a way, it’s surprising their films displayed the level of craftsmanship that they did. That craft may be what, in the end, sets them apart. After all, there were lots and lots of B Westerns and serials out there. But there’s a polish to a Republic picture — from the camerawork to the editing to those wonderful special effects to the performances to the stunts, that’s very special. It’s easy to see why their films are still so popular. If only they were readily available on DVD and Blu-ray.

Over the next few days, we have plenty to celebrate. The cowboy movies. The serials. The crime pictures. And on and on. Some great movie bloggers have saddled up or strapped on their rocket suit to be a part of this whole deal — and I really appreciate their efforts. This should be fun, folks!

Click on the images below to be linked to the appropriate blog.

__________

Day Three.

ANGELANDTHEBADMANPOSTER

Angel And The Badman (1947) – The Round Place In The Middle

sansre166

Ride The Man Down (1952) – 50 Westerns From The 50s

citysleeps3

City That Never Sleeps (1953) – Speakeasy

 

Radar Men LC Ch4

Radar Men From The Moon (1952) – The Hannibal 8

__________

Day Two.

Fabulous Texan OS

The Fabulous Texan (1947) – Blake Lucas at 50 Westerns From The 50s

Hoodlum Empire TC

Hoodlum Empire (1952) – Jerry Entract at The Hannibal 8

jubilee-trail-La-grande-caravane-affichette-us4

Jubilee Trail (1954) – Laura’s Miscellaneous Musings

2430f80dfa1166a63dd577995195eb50

Rock Island Trail (1950) and California Passage (1950) – The Horn Section

__________

Day One.

lkhndt9

The Outcast (1954) – Jerry Entract at 50 Westerns From The 50s

blackmail-47-tc1

Blackmail (1947) – John Knight at The Hannibal 8

Angel And The Badman (1947) – Thoughts All Sorts

Red Pony 6S

The Red Pony (1949) – Caftan Woman

Dakota_Incident TC

Dakota Incident (1956) – Riding The High Country

Read Full Post »

$T2eC16dHJHIFFhsdpC1FBSeFtGP4G!~~60_57

The charge was this: send in your list of favorite 50s Westerns DVD releases for 2014, along with a few 50s Westerns that you discovered this year.

For today, here are your (and my) 10 favorite DVDs or Blu-rays released during the 2014 calendar year.

10. Panhandle (1948) This terrific Rod Cameron picture, directed by Lesley Selander, was released a few years ago as part of VCI’s Darn Good Western Volume 1. This year, it showed up on its on.

9. City Of Bad Men (1953) Dale Robertson leads a great cast: Jeanne Crain, Richard Boone, Lloyd Bridges, Hugh Sanders, Rodolfo Acosta, Don Haggerty, Leo Gordon, John Doucette, Frank Ferguson, James Best. Harmon Jones directs.

8. Fort Massacre (1958) Joel McCrea plays way against type. Forrest Tucker, Susan Cabot, John Russell and Denver Pyle co-star. You can get a nice regular DVD here in the States — and a stunning Blu-ray in Germany.

GunfightAtTheOKCorral_zpsbad2d95c

7. Gunfight At The O.K. Corral (1957) The guys who developed VistaVision look down from heaven, see this Blu-ray playing in our living rooms, and are very happy indeed.

6. The Lusty Men (1952) There was a time when Nicholas Ray was a machine that cranked out Great Movies. This study of modern-day rodeo cowboys — starring Robert Mitchum, Susan Haywood and Arthur Kennedy — comes from the heart of that period.

5. Drum Beat (1954) Alan Ladd shows us he’s got more than Shane up his sleeve, and Delmer Daves delivers yet another solid Western. This is a lot better movie than you’ve heard (or remember).

GUNSMOKEINTUCSONA.th

4. Gunsmoke In Tucson (1958) When an Allied Artists Western starring Mark Stevens makes a Top Ten list, I know I’m in the right place.

3. Tim Holt Western Classics Collection Volume 4 As good as the series Western ever got. For me, this fourth volume is the best — which makes it plenty great indeed.

2. Shoot-Out At Medicine Bend (1957) It’s not a stupendous Randolph Scott movie, but it’s a Randolph Scott movie — and Warner Archive has it shining like a black and white, 1.85 diamond.

1. South Of St. Louis (1949) This terrific Joel McCrea picture, with its Technicolor appropriately saturated, is stunning on Blu-ray from Olive Films. Alexis Smith and Dorothy Malone should’ve paid cinematographer Karl Freund for making them look so beautiful.

Along with all these favorites, there was a common complaint: that Olive Films’ promised The Quiet Gun (1956) didn’t make it in 2014.

Thanks to everyone who sent in their lists.

Read Full Post »

goldstein

This is producer Leonard Goldstein. At Universal-International he produced the Ma And Pa Kettle and Francis The Talking Mule films, along with Westerns like Cave Of Outlaws (1951) and The Duel At Silver Creek (1952).

716Y+BEcrUL._SL1000_Moving to 20th Century-Fox, he formed Panoramic Productions to produce non-anamorphic films in the midst of Fox’s CinemaScope push. The Gambler From Natchez (1954) was one of those. When that contract was up, Goldstein started a production company with his twin brother Robert, but passed away in July, 1954 at just 51. Robert soldiered on without his brother and went on to make a few excellent low-budget Westerns.

Have a copy of the Fox Cinema Archives DVD of The Gambler From Natchez to give away. So it seems like a good time to have a contest. Look at the two-part question below. Be the first to email the correct answer(s) to fiftieswesterns@gmail [dot] com, and the DVD’s yours. Good luck.

Of the Westerns Robert Goldstein produced, one starred Joel McCrea. What was the film and what color process was used for it?

UPDATE: Lee was the first to come through with the right answers — Stranger On Horseback (1955) and Ansco Color. (It was Leonard that produced Saddle Tramp in Technicolor.) Thanks to everyone who sent in a response.

Read Full Post »

city of bad men TC

Directed by Harmon Jones
Produced by Leonard Goldstein
Written by George W. George and George F. Slavin
Director Of Photography: Charles G. Clarke, ASC
Musical Direction: Lionel Newman
Film Editor: George A. Gittens

CAST: Jeanne Crain (Linda Culligan), Dale Robertson (Brett Stanton), Richard Boone (Johnny Ringo), Lloyd Bridges (Gar Stanton), Carole Mathews (Cynthia Castle), Carl Betz (Phil Ryan), Whifield Connor (Jim London), Hugh Sanders (Bill Gifford), Rodolfo Acosta (Mendoza), Pascual Garcia Pena (Pig), Don Haggerty (Bob Thrailkill), Leo Gordon, John Doucette, Frank Ferguson, James Best.

__________

On March 17, 1897, in Carson City, Nevada, Bob Fitzsimmons knocked out “Gentleman” Jim Corbett in 14 rounds to become the World Heavyweight Champion.

Fitzsimmons_Corbett_1897

This historic boxing match is the basis of City Of Bad Men (1953), as bandits are drawn like flies to the event’s box office. Among those ambitious outlaws are Brett Stanton (Dale Robertson) and his outfit, which includes his brother Gar (Lloyd Bridges), along with the gangs of Johnny Ringo (Richard Boone) and Bob Thrailkill (Don Haggerty). Complicating matters is that Brett is no stranger to Carson City, and he has some unfinished business with Linda Culligan (Jeanne Crain). It’s not long before Brett is torn between Linda and the money.

The story goes that Dale Robertson stayed away from acting classes in the early days of his career, and there’s a naturalism to his work that serves his Westerns well. While he’s known for Tales Of Well Fargo on TV, his feature work like City Of Bad Men is worth seeking out. If the part calls for it, he can drop his easygoing charm with ease. The more of his films I see, the more I like him.

City Of Bad Men LC 7

Harmon Jones didn’t direct many features before heading to TV. His five Westerns — The Silver Whip (1953), City Of Bad Men, A Day Of Fury (1956), Canyon River (1956) and Bullwhip (1958) — are perfect examples of what a medium-budget studio Western could be. A Day Of Fury is a fantastic film, one of the best Westerns to come out of Universal in the 50s — and that’s saying something. If Jones had made more Westerns, I’m sure we’d be grouping him with directors like George Sherman, Gordon Douglas and Phil Karlson.

City Of Bad Men DR color

City Of Bad Men was produced by Leonard Goldstein, who produced many, many films for Universal (including the Ma And Pa Kettle series) and 20th Century-Fox. He clearly understood the importance of a strong cast and filled this one with pros like Frank Ferguson, John Doucette and Don Haggerty. He also gave a stage actor named Leo Gordon his first film work.

City Of Bad Men Leo G

Leo Gordon: “They asked me could I ride a horse. ‘Yes. If I can’t ride it, I’ll carry it.’ So I came out to Hollywood. They put me on a horse, and I was on a horse for 35 years.”*

Much of the film was shot on the Fox lot, with the titles and opening scene making good use of Vasquez Rocks. This was a common location for Goldstein’s Westerns — his Cave Of Outlaws (1951) and Duel At Silver Creek (1952) also used them.

One of the utility stunt men on the film was Jack Young.

Jack Young: “I doubled Lloyd Bridges on that. I did the saddle fall when they shot him. I doubled Richard Boone for the fall into the boxing ring — and that hurt! It was a fake ring and they didn’t have any give in it. It was only about eight or nine feet, but it hurt! Knocked the coon-dog crap right outta me.”**

City Of Bad Men is yet another solid middle-budget 50s Western, with a good script, great cast and handsome production values. Director of Photography Charles G. Clarke, who spent the bulk of his career at 20th Century-Fox, makes sure everything look terrific.

All of this is nicely preserved and presented on the DVD-R from Fox Cinema Archives. There’s a blemish here and there, but the Technicolor is as eye-popping as you’d expect — and the audio is impressive. I preferred Jones and Robertson’s other films, The Silver Whip and A Day Of Fury, to this one, but have no qualms about recommending it highly.

* The Astounding B Monster by Marty Baumann; ** Interview with the author.

Read Full Post »

24heuresdeterreur0

Directed by Harmon Jones
Produced by Robert Arthur
Screenplay by James Edmiston and Oscar Brodney
Story by James Edmiston
Director Of Photography: Ellis W. Carter, ASC
Film Editor: Sherman Todd, ACE
Music Supervision by Joseph Gershenson

CAST: Dale Robertson (Jagade), Mara Corday (Sharman Fulton), Jock Mahoney (Marshal Allan Burnett), Carl Benton Reid (Judge John J. McLean), Jan Merlin (Billy Brand), John Dehner (Preacher Jason), Dee Carroll (Miss Timmons), Sheila Bromley (Marie), James Bell (Doc Logan). Dani Crayne (Claire), Howard Wendell (Vanryzin), Charles Cane (Duggen), Phil Chambers (Burson), Sydney Mason (Beemans), Helen Kleeb (Mrs. McLean).

 __________

Not too long ago, I wrote about Harmon Jones’ The Silver Whip (1954), a film I found better than its reputation, and with much more going for it than just its pairing of Dale Robertson and Rory Calhoun. That lit a fire under me to track down a copy of A Day Of Fury (1956), which brought Jones and Robertson together again — this time at Universal-International. It’d been years since I’d seen Fury, and I was really knocked for a loop by how good it is.

There’s been speculation that A Day Of Fury was an influence on Clint Eastwood’s High Plains Drifter (1973), an honor that actually goes to the spaghetti western Django The Bastard (1969, which is available from VCI as The Stranger’s Gundown). That said, Eastwood’s picture certainly has a few things in common with A Day Of Fury. In both, a mysterious stranger comes to town, and his very presence turns that town inside out. (No Name On The Bullet works somewhat the same way.) This time, the gunfighter is Jagade (Dale Robertson). The town marshall (Jock Mahoney) owes Jagade his life, which complicates matters quite a bit. What’s more, Jagade and the marshall’s fiancé (Mara Corday) were once an item. But there’s so much more to it than that.

Screen Shot 2013-09-23 at 12.20.12 PM

Dale Robertson: “It was an interesting story. After I finished it, I read it again. I figured this guy (Jagade) was the Devil. He, himself, never did anything wrong. He merely set things up to show the weakness of other people. (Producer) Bob Arthur rewrote the story… and he took away a lot of the little subtle things that were so wonderful in the original script.”#

Watching the picture with Robertson’s Devil idea in mind is very interesting, and I’d love to see that original screenplay. Robertson seems to be enjoying himself in a part that lets him stretch out a bit, while Jock Mahoney is stuck in a goodguy role that is maybe a little too good.

Dale Robertson: “They were trying to push Jock Mahoney… He was the most agile, one of the most fluid actors in the whole business. He was really wonderful, he was athletic, had great moves.”#

Mahoney proves Robertson’s point in the first scene in the movie, when he does a horse fall. It’s not often that you see one of the leads do such a stunt on his own.

Mara Corday: “The director, Harmon Jones, was a nice man, had been an editor. He told you line readings — in other words, how to say the lines. He’d put emphasis on certain words that I wouldn’t have. It made everyone stilted.”*

Jan Merlin committed the age-old actor’s trick of saying he could ride a horse when called about the part, then getting to the set and proving he could not. This was his first Western. “Harmon was marvelous… He was kind to me. Anybody else would have lost their temper after all I’d done.”#

A Day Of Fury is unavailable on DVD in the States, though it’s received a Blu-ray release in Europe. It’s an excellent film, well outside the normal Universal Western. Highly recommended.

Day Of Fury newspaper ad

SOURCES: * Westerns Women by Boyd Magers; # Universal-International Westerns, 1947-1963 by Gene Blottner (McFarland);

Read Full Post »

Older Posts »