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Archive for the ‘Dale Robertson’ Category

RIP, Jan Merlin.

Jan Merlin
April 3, 1925 – September 20, 2019

Heard over the weekend (thanks, Bert) that the character actor Jan Merlin has passed away at 94.

After serving in the Navy in the Pacific during World War II, he started acting in summer stock. His Broadway debut came with Mister Roberts.

Merlin had a long, busy career in movies and TV. He was a regular on Tom Corbett, Space Cadett, for one, and he appeared on everything from Perry Mason to Laramie to Mannix to The A-Team. In features, he did stuff like A Day Of Fury (1956, above with Dale Robertson), Hell Bent For Leather (1960) and The St. Valentine’s Day Massacre (1967). He was usually a bad guy — and he was really good at it.

Merlin started to write, knocking out several novels and winning a Daytime Emmy as a writer for Another World. Luckily, he was interviewed a number of times over the years, preserving his decades of experience around Hollywood.

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A while back, I asked for Want Lists of the 50s Westerns still lost on the high-def trail. Here they are, presented in chronological order. The titles in bold are the ones that were brought up most frequently.

With the recent news about Fox/Disney’s lack of interest in their back catalogs appearing on shiny silver circles, getting this finished and posted seemed very timely. Many of these, mind you, haven’t even turned up on DVD yet.

The Virginian (1946)
Albuquerque (1948)
Coroner Creek (1948)
Whispering Smith (1948)
3 Godfathers (1949)
Colorado Territory (1949)

Hellfire (1949)
Streets Of Laredo (1949)
Ambush (1950)
Branded (1950)
Devil’s Doorway (1950)
The Nevadan (1950)
Saddle Tramp (1950)
Short Grass (1950)
Showdown (1950)

Trail Of Robin Hood (1950)
Across The Wide Missouri (1951)
Along The Great Divide (1951)
Apache Drums (1951)
Best Of The Badmen (1951)
The Great Missouri Raid (1951)
Inside Straight (1951)
Man In The Saddle (1951)
Red Mountain (1951)
The Redhead And The Cowboy (1951)
The Secret Of Convict Lake (1951)
The Texas Rangers (1951)
Westward The Women (1951)

Vengeance Valley (1951)
Warpath (1951)
The Big Sky (1952)
Bugles In The Afternoon (1952)

Hangman’s Knot (1952)
The Lawless Breed (1952)
The Lusty Men (1952)
The Naked Spur (1952)
Ride The Man Down (1952)
The Savage (1952)
The Story Of Will Rogers (1952)
Untamed Frontier (1952)
Ambush At Tomahawk Gap (1953)
Charge At Feather River (1953)
City Of Bad Men (1953)
Devil’s Canyon {1953)
Escape From Fort Bravo (1953)
The Great Sioux Uprising (1953)
Jack McCall, Desperado (1953)
Last Of The Comanches (1953)
The Last Posse (1953)
The Silver Whip (1953)
The Stranger Wore A Gun (1953)
Wings Of The Hawk (1953)

Tumbleweed (1953)
Apache (1954)
The Bounty Hunter (1954)
Cattle Queen Of Montana (1954)
The Command (1954)
Dawn At Socorro (1954)
The Law Vs. Billy The Kid (1954)
The Outcast (1954)
Ride Clear Of Diablo (1954)
Silver Lode (1954)
Wyoming Renegades (1954)
The Yellow Tomahawk (1954)
At Gunpoint (1955)
Chief Crazy Horse (1955)
The Last Frontier (1955)
The Man From Bitter Ridge (1955)
Shotgun (1955)
Smoke Signal (1955)
Tennessee’s Partner (1955)
The Violent Men (1955)
Wichita (1955)
Backlash (1956)

Dakota Incident (1956)
Fastest Gun Alive (1956)
Fury At Gunsight Pass (1956)
Great Day In The Morning (1956)
The Last Wagon (1956)
The Lone Ranger (1956)
The Maverick Queen (1956)
Reprisal! (1956)
Seven Men From Now (1956)
Stagecoach To Fury (1956)
Tribute To A Bad Man (1956)
Copper Sky (1957)
Domino Kid (1957)

Dragoon Wells Massacre (1957)
Hell Canyon Outlaws (1957)
From Hell To Texas (1958)
Frontier Gun (1958)
The Lone Ranger And The Lost City Of Gold (1958)
Face Of A Fugitive (1959)
Last Train From Gun Hill (1959)
No Name On The Bullet (1959)
Thunder In The Sun (1959)
Yellowstone Kelly (1959)
The Alamo (1960)
Hell Bent For Leather (1960)
Cheyenne Autumn (1964)
Firecreek (1968)
Pat Garrett & Billy The Kid (1973)

As this was being compiled, a few titles actually made their way to Blu-Ray, one of them being the exquisite new Wagon Master (1950) from Warner Archive.

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This blog, as some of you might remember, was begun (almost 10 years ago) when I started work on a book to be titled 50 Westerns From The 50s. The thought was to “chronicle the book’s progress and have a place to stick some of the cool images and quotes and stuff I’ve come across.” That idea hasn’t changed, though the book’s been put on the back burner more than a few times. Life, work and that One-Eyed Jacks book got in the way.

Over the last couple weeks, the 50s Westerns book has returned to the top of the to-do list. And after all this time, I’ve rethought things a bit. Mainly, the 50 films themselves.

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My preference has always leaned toward the more obscure, often smaller pictures. I’d rather extol the virtues of something like Hell Canyon Outlaws (1957) than be the 637th person to blather on about High Noon (1952). Nothing against High Noon, but how much can I actually add to anybody’s appreciation of that one? This idea has become the book’s un-official mission statement.

There’ll be more updates as this thing moves along. I’m not going to repeat the mistake I made on the last book by tossing out release dates only to miss them time and time again.

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Directed by Sidney Salkow
Starring Dale Robertson, Mary Murphy, J. Carrol Naish, John Litel, Iron Eyes Cody, John Hamilton, Douglas Kennedy

Shot in Mexico to save money, Sitting Bull (1954) was the first independent production shot in CinemaScope. As history, it’s hogwash, but as a cowboy movie, it’s pretty good — especially with that cast and with a sympathetic look at the Indians.

This picture seems to have falling into the public domain, which means we’ve been looking at terrible, pan-and-scan transfers for years. Spirit Media, from Germany, have announced a Blu-Ray release. Let’s hope it presents it the way it ought to be seen, with its CinemaScope intact and it’s Eastmancolor looking, well, as good as Eastmancolor can look. (Boy, it’s good to see somebody announcing a 50s Western on DVD or Blu-Ray.)

Thanks to John Knight for the news.

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Hell Canyon Outlaws HS

Directed by Paul Landres
Produced by Jerald Zukor
Written by Allan Kaufman and Max Glandbard
Director Of Photography: Floyd Crosby, ASC
Film Editor: Elmo Williams, ACE
Music Composed and Conducted by Irving Gertz

Cast: Dale Robertson (Sheriff Caleb Wells), Brian Keith (Happy Waters), Rosanna Rory (Maria), Dick Kallman (Smiley Andrews), Don Megowan (Walt), Mike Lane (Nels), Buddy Baer (Stan), Charles Fredericks (Deputy Bear), Alexander Lockwood (Bert, the new sheriff)

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Paul Landres was one of those journeyman directors who could take practically nothing — an OK script, less than a week and a paltry budget — and put together a solid little movie. He worked mainly in TV, with a feature from time to time. Inspired by the upcoming DVD and Blu-ray release of The Return Of Dracula (1958) from Olive Films, I’ve been revisiting some of Landres’ features from the late 1950s.

Hell Canyon Outlaws (1957), known in the UK as The Tall Trouble, was an independent picture from Jerold Zukor Productions, filmed at the Corriganville Ranch. Republic released it. I think it’s one of Landres’ best.

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Four outlaws head to a small town of Goldridge to raise hell and eventually rob the bank. They take over the saloon and hotel, steal a horse, size up the bank and rough up the guy at the livery stable — just for starters. If all this isn’t bad enough, the town council has just fired the sheriff, Caleb Wells (Dale Robertson), and his deputy, Bear (Charles Fredericks). The new sheriff, well, he’s outta town. Goldridge is in a tight spot.

Hell Canyon Outlaws DR still

Dale Robertson is terrific in this. You just know he’s going to be pushed to his breaking point, it’s just a matter of when. That tension, as the town is trashed and Robertson does the slow burn, is what drives Hell Canyon Outlaws. Landres builds the suspense perfectly — with the help of Elmo Williams, who edited High Noon (1952) — to a very satisfying last reel. This and Fred F. Sears’ Fury At Gunsight Pass (1956) would make a great double bill.

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Brian Keith is great in one of those somewhat-likable dirtbag roles he excelled at (remember Fort Dobbs?). Keith would’ve made an ideal foil to Randolph Scott in one of the Boetticher pictures.

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Rossana Rory doesn’t have much to do but look pretty as Robertson’s girlfriend, but she’s fine. The rest of the cast — especially the rest of Keith’s gang: Don Megowan, Mike Lane and Buddy Baer — are effective. Dick Kallman is suitably obnoxious as the punk kid with a gun (I really wanted to see him gunned down).

The great Floyd Crosby, another High Noon veteran, gives the picture the feel of something a lot bigger than it is — a trick he’d perform often for Roger Corman in the early 60s.

Hell Canyon Outlaws isn’t available on DVD or Blu-ray anywhere. Given the top-notch cast and crew working at the top of their game, this would be a great one to see in a nice anamorphic transfer (it was shot for 1.85). It’s currently available from Sinister Cinema, but I haven’t seen what it looks like. If I had my own video company, this is one I’d try to track down in a hurry.

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belgianchainlightninglipn2Directed by Edwin L. Marin
Starring Randolph Scott, George “Gabby” Hayes, Bill Williams, Victor Jory, Karin Booth, Douglas Kennedy, Jim Davis, Dale Robertson, James Griffith

Kino Lorber has announced they’ll have Randolph Scott in The Cariboo Trail (1950) out on DVD and Blu-ray sometime this year. With a great cast (it was Gabby Hayes’ last movie), solid direction from Edwin L. Marin, and Cinecolor’s gloriously funky hues, it’s a load of fun and not to missed.

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Directed by Edwin L. Marin
Starring Randolph Scott, Jane Wyatt, J. Carrol Naish, Victor Jory, Nancy Olson

First, Scott, Marin and producer Nat Holt gave us Canadian Pacific (1949). It’s not as good as the second picture, but I’m looking forward to seeing its Cinecolor in high-definition.

Thanks to Mike Kuhns and Vitaris for the tips.

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Republic studios yellow

Welcome to The Republic Pictures Blogathon. Over the weekend, we’ll be celebrating the studio’s incredible talent roster, wonderful output and lasting legacy. This page will serve as its hub, and you’ll be able to reach all the posts here. Keep checking back.

One of my earliest movie memories, maybe the earliest, is of a 16mm print of John Ford’s Rio Grande (1950). So Republic has always been a huge part of my movie world.

It was formed by combining a number of the Poverty Row studios, and the goal of its head, Herbert J. Yates, was always commerce over art. So in a way, it’s surprising their films displayed the level of craftsmanship that they did. That craft may be what, in the end, sets them apart. After all, there were lots and lots of B Westerns and serials out there. But there’s a polish to a Republic picture — from the camerawork to the editing to those wonderful special effects to the performances to the stunts, that’s very special. It’s easy to see why their films are still so popular. If only they were readily available on DVD and Blu-ray.

Over the next few days, we have plenty to celebrate. The cowboy movies. The serials. The crime pictures. And on and on. Some great movie bloggers have saddled up or strapped on their rocket suit to be a part of this whole deal — and I really appreciate their efforts. This should be fun, folks!

Click on the images below to be linked to the appropriate blog.

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Day Three.

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Angel And The Badman (1947) – The Round Place In The Middle

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Ride The Man Down (1952) – 50 Westerns From The 50s

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City That Never Sleeps (1953) – Speakeasy

 

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Radar Men From The Moon (1952) – The Hannibal 8

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Day Two.

Fabulous Texan OS

The Fabulous Texan (1947) – Blake Lucas at 50 Westerns From The 50s

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Hoodlum Empire (1952) – Jerry Entract at The Hannibal 8

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Jubilee Trail (1954) – Laura’s Miscellaneous Musings

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Rock Island Trail (1950) and California Passage (1950) – The Horn Section

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Day One.

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The Outcast (1954) – Jerry Entract at 50 Westerns From The 50s

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Blackmail (1947) – John Knight at The Hannibal 8

Angel And The Badman (1947) – Thoughts All Sorts

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The Red Pony (1949) – Caftan Woman

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Dakota Incident (1956) – Riding The High Country

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