Feeds:
Posts
Comments

Archive for the ‘Jim Davis’ Category

Directed by Frank Lloyd
​S​tarring Sterling Hayden, Anna Maria Alberghetti, Richard Carlson, Arthur Hunnicutt, Ernest Borgnine, J. Carrol Naish

Kino Lorber has announced the upcoming DVD and Blu-Ray release of The Last Command (1955), Republic’s Trucolor tribute to the brave men who fought at the Alamo. Made after John Wayne took his Alamo movie and left the studio to produce his movie on his own.

My mom was from Texas, and The Last Command never failed to tear her up. It doesn’t have the spectacle of Wayne’s The Alamo (1960), but it’s got plenty going for it, and I’m looking forward to doing a commentary for this one.

Advertisements

Read Full Post »

Republic Trucolor logo

Martin Scorsese has curated a retrospective of Republic movies, for February and August at the Museum Of Modern Art, from the restored material at Paramount.

There’s some great stuff in February’s lineup, including Trigger, Jr. (1950), Stranger At My Door (1956) and one of my all-time favorite films, Hellfire (1949). Three of my favorite directors are represented: William Witney, George Sherman and Allan Dwan.

Working with the fine folks at Kino Lorber on commentaries for some of their Republic releases, the quality of the material coming out of Paramount is incredible. (I’m in the middle of Singing Guns right now.) So glad to see these films are being treated with the respect they deserve.

Thanks to Laura for the news!

Read Full Post »

silver-canyon-lobby-card

Directed by John English
Screen Play by Gerald Geraghty
Story by Alan James
Director Of Photography: William Bradford
Film Editor: James Sweeney

Cast: Gene Autry (Himself), Gail Davis (Dell Middler), Jim Davis (Wade McQuarrie), Bob Steele (Walt Middler), Pat Buttram (Pat “Cougar” Claggett), Terry Frost (Wyatt), Edgar Dearing (Colonel Middler), Paul Frees (Narrator)

__________

Silver Canyon (1951) is an interesting late-period Gene Autry movie. It’s a Civil War picture, with Jim Davis playing Wade McQuarrie, a Quantrill-like Confederate guerilla. McQuarrie’s wreaking havoc on the Union’s supply lines and Army scout Autry is sent to sort it all out.

scan0196

These later Autry’s give up a song or two to make room for more action, a trend with most Singing Cowboy pictures from this period. This one even tosses in a lynch mob for good measure.

You get the usual Autry cast from this period — Gail Davis and Pat Buttram — with the added benefit of Jim Davis as the stylish, ruthless guerrilla leader — and Bob Steele as a Confederate sympathizer who gets mixed up with the raiders. As we’ve all said around here a million times, it’s often the roster of character actors who take these things up a notch, and that’s the case here. Factor in the great Paul Frees as narrator, and this one stands out among Gene’s later pictures.

Silver Canyon LC

Gene Autry always surrounded himself with real pros, usually folks he’d worked with time and time again. From John English to Gerald Geraghty to William Bradford, and from the Iverson Ranch to Pioneertown, this would’ve been a very familiar undertaking for all concerned — including those of us watching it.

Silver Canyon is another example of the care that’s gone into preserving Autry’s movies. The Image DVD is terrific, with the usual lineup of extras. It has not been re-issued as part of the four-picture sets from Timeless Media Group.

Read Full Post »

the-badge-of-marshal-brennan-movie-poster-1957-1020706181

Produced and Directed by Albert C. Gannaway
Written by Thomas G. Hubbard, Associate Producer
Director of Photography: Charles Straumer, ASC
Music Composed and Played by Ramez Idriss (on Fender guitars)
Supervising Film Editor: Asa Clark, ACE

Cast: Jim Davis (“Brennan”), Carl Smith (Sheriff Carl Smith), Arleen Whelan (Murdock), Lee Van Cleef (Shad Donaphin), Louis Jean Heydt (Col. Donaphin), Harry Lauter (Doc Hale), Marty Robbins (Felipe), Douglas Fowley (Marshal Matt Brennan)

__________

I’ve been meaning to dive into Jim Davis’ pictures from the 50s — the ones where he has the lead — for quite some time. It took someone asking about such a thing to make me finally take it on, so let’s kick things off with The Badge Of Marshal Brennan (1957).

BADGEOFMARSHALBRENNA_1319147154 copy

Davis is an outlaw on the run who happens upon the dying Marshal Brennan (Douglas Fowley). He takes the man’s badge and rides on to the next town. There, mistaken for the marshal, Davis helps take on a powerful rancher whose diseased cattle have created an epidemic that threatens to kill off the town.

wayne_80The story’s nothing new, the sets are cheap, the music — a guitars-only score by Ramez Idriss — is kinda thin (and odd), and some of the camera set-ups seemed rushed. But there’s still something about The Badge Of Marshal Brennan I liked. It might be the cast. Davis is fine, of course. Arleen Whelan is good in one of her last roles. Lee Van Cleef, Louis Jean Heydt and Harry Lauter are as dependable as ever. And a couple country music stars from the period, Carl Smith and Marty Robbins, are thrown in for good measure.

leevancleef_badeofmarshbren

The Badge Of Marshal Brennan was followed by Raiders Of Old California (1957), again from director Albert C. Gannaway and much of the same cast. They were both shot outside Kanab, Utah, and at Cascade Studios in Hollywood by Charles Straumer. Badge was released by Allied Artists; Republic handled Raiders.

You can find both of these on Amazon or even YouTube. While they’re not gonna knock you out, it’s a shame they’re not available on DVD.

Read Full Post »

belgianchainlightninglipn2Directed by Edwin L. Marin
Starring Randolph Scott, George “Gabby” Hayes, Bill Williams, Victor Jory, Karin Booth, Douglas Kennedy, Jim Davis, Dale Robertson, James Griffith

Kino Lorber has announced they’ll have Randolph Scott in The Cariboo Trail (1950) out on DVD and Blu-ray sometime this year. With a great cast (it was Gabby Hayes’ last movie), solid direction from Edwin L. Marin, and Cinecolor’s gloriously funky hues, it’s a load of fun and not to missed.

1zqv6a1

Directed by Edwin L. Marin
Starring Randolph Scott, Jane Wyatt, J. Carrol Naish, Victor Jory, Nancy Olson

First, Scott, Marin and producer Nat Holt gave us Canadian Pacific (1949). It’s not as good as the second picture, but I’m looking forward to seeing its Cinecolor in high-definition.

Thanks to Mike Kuhns and Vitaris for the tips.

Read Full Post »

Abile Town signed still

First, thanks to everyone who sent in their picks — we had a larger turnout this year. Your responses were very thorough, and they made it clear to me what a good year this was for 50s Westerns on DVD and Blu-ray — you brought up tons of em. Here are the Top 10, ordered by the number of votes they received.

Abilene Town (1946, Blu-ray, Panamint Cinema)
This one topped the list in a big way. I was so stoked to see this fairly obscure Randolph Scott picture rescued from the PD purgatory where it’s been rotting for years — a lot of you seemed to feel the same. Mastered from 35mm fine-grain material, it’s stunning.

Shane (1953, Blu-ray, Eureka)
The Blu-ray release from Paramount made last year’s list, and this UK release was a strong contender this time around. Eureka gives us the opportunity to see what Paramount’s controversial 1.66 cropping looked like.

The Wild Bill Elliott Western Collection (1951-54, DVD set, Warner Archive)
I’m pretty biased when it comes to this one, and I was happy to learn that others were as pleased with it as I was. One of the greatest Western stars goes out on a high note, even if it is a low-budget one.

The Quiet Gun (1956, Blu-ray, Olive Films)
It’s hard to believe this was a 2015 release, since it was on Olive Films’ coming-soon list for such a long time. These Regalscope movies look great in their original aspect ratio, and for my money, this is the best of the bunch.

2117193ejzrm4v46ptdn.th

Woman They Almost Lynched (1953, Blu-ray, Olive Films)
It makes me feel good to see Allan Dwan get some attention, and stellar presentations of his work, like this one, should continue to fuel his (re-)discovery.

Man With The Gun (1955, Blu-ray, Kino Lorber)
A solid Robert Mitchum Western, with the added punch of a terrific 1.85 hi-def transfer. This is a lot better movie than you probably remember it being.

rod-steiger-sara-montiel

Run Of The Arrow (1957, DVD, Warner Archive)
This really knocked me out — I’d somehow missed out on what a great movie this is. It took me a while to get used to Rod Steiger and his affected accent, but this is prime Sam Fuller.

The Hired Gun (1957, DVD, Warner Archive)
Black and white CinemaScope is a big attraction for me, so I’d been waiting for this one for years. It was worth the wait.

Stranger At My Door (1954, Blu-ray, Olive Films)
A really cool little movie from Republic and William Witney. It was Witney’s favorite of his own pictures, and it’s pretty easy to see why he’d be partial to it. His work here is masterful.

Star-in-the-Dust_15

Star In The Dust (1956, Blu-ray, Koch)
Koch out of Germany is treating us (or those of us with a Region B player) to some great Universal 50s Westerns on Blu-ray. This one was released in Universal’s 2.0 ratio of the period. Some found it a bit tight, but it’s a gorgeous presentation of a movie not enough people have seen.

Read Full Post »

sansre167

Associate Producer – Director: Joe Kane
Screen Play by Mary McCall, Jr.
Based on a Saturday Evening Post story by Luke Short
Director Of Photography: Jack Marta
Music: Ned Freeman

Cast: Brian Donlevy (Bide Marriner), Rod Cameron (Will Ballard), Ella Raines (Celia Evarts), Forrest Tucker (Sam Danfelser), Barbara Britton (Lottie Priest), J. Carrol Naish (Sheriff Joe Kneen), Chill Wills (Ike Adams), Jim Davis (Red Courteen), Taylor Holmes (Lowell Priest), James Bell (John Evarts), Paul Fix (Ray Cavanaugh), Roydon Clark, Roy Barcroft, Al Caudebec, Douglas Kennedy, Jack La Rue, Claire Carleton

__________


This is an entry in The Republic Pictures Blogathon, a celebration of the studio’s incredible talent roster, wonderful output and lasting legacy.

Republic blogathon badgeHerbert Yates devised a rather odd hierarchy for Republic’s releases. First, there were the “Jubilee” pictures, shot in a week for about $50,000 — this was their bread and butter. Then came the “Anniversary” films, with schedules stretching to 15 days and budgets up to $200,000. The “Deluxe” projects were a decidedly bigger product, with bigger starts and costing up to half a million. And last came the “Premiere” bracket, with top directors (John Ford, Fritz Lang, Nick Ray) and budgets of about a million.

Ride The Man Down (1952) was a Deluxe, with location shooting in Utah, a terrific cast and the otherwordly hues of Trucolor. For good measure, Republic assigned it to one of their ace house directors, Joe Kane, who also gets an associate producer credit.

capturezcethomme2.th

When the owner of the renowned Hatchet Ranch freezes to death, his daughter inherits the whole spread, and it’s up to the dedicated, steadfast foreman, Will Ballard (Rod Cameron), to protect Hatchet from the surrounding ranchers. This range war plot is something we’re all familiar with, but Mary McCall, Jr.’s screenplay, adapted from a Luke Short story, is overly complicated (complete with a murder and a love triangle worked in), leaving the audience with a lot to sort out along the way.

wayne_40

The picture’s biggest strength is certainly its cast, made up of some of Republic’s best. Rod Cameron is very good as Will Ballard. It’s a part that really suits him — he’s good at talking tough and swing his fists. Brian Donlevy is terrific as a powerful, greedy rancher. Ella Raines is good as the Hatchet Ranch’s new owner, a part that could’ve been annoying. Forrest Tucker turns out to be a rather slimy bad guy. And J. Carrol Naish makes quite an impression as a crooked sheriff.

33

Ride The Man Down boasts the kind of fistfight we expect from a Republic picture. Cameron and Forrest Tucker duke it out in a cabin, practically destroying the place in the process. And there’s a cool scene where Cameron beans Jim Davis with a cue ball.

This is another Republic picture without a DVD or Blu-ray release. Marta and Kane give the film a big, lush look and it’d be nice to see Jack Marta’s cinematography closer to his original intent. Maybe one of these days.

I leave you with a final thought: Would you want to live in a town where the sheriff is J. Carrol Naish?

Read Full Post »

Older Posts »