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Archive for the ‘John McIntire’ Category

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Elvis Aaron Presley
(January 8, 1935 – August 16, 1977)

Boy, this is a good movie. And today seems like a good day to drag it out and put it on. Happy birthday, Elvis.

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Directed by Jacques Tourneur
Screenplay by Herb Meadow and Don Martin
From a novel by Louis L’Amour
Cinematographer: Ray Rennahan
Film Editor: William B. Murphy
Music by Paul Dunlap

Cast: Joel McCrea (Judge Rick Thorne), Miroslava (Amy Lee Bannerman), Kevin McCarthy (Tom Bannerman), John Carradine (Col. Buck Streeter), John McIntire (Josiah Bannerman), Nancy Gates (Caroline Webb)

joel-mccrea-blogathon-badgeI missed Stranger On Horseback (1955) on its first run in the UK. as the support feature to the very popular Marty.

My interest was aroused by a February 1963 edition of Motion which had a comment on the film by the esteemed Raymond Durgnat. Mr Durgnat was the doyen of a new breed of young English cineaste film writers. Durgnat’s impression of the film was as follows: “In Stranger On Horseback (a disturbing little Jacques Tourneur Western), Joel McCrea comes across Miroslava (ex Archimboldo) who is clad throughout in black leather, boots, gloves, and of course whip. SHE comes across HIM bathing naked in a pool and though the scene is censored, it looks as if it builds up to the scene in Duel In The Sun where Gregory Peck waits for Jennifer Jones to emerge from among the reeds where she is cowering and shivering. The film also has a moment of Hawksian moral sadism; the weak willed sheriff (Emile Meyer) finally accepts the necessity for violence and blasts away at the crooks with a shotgun. “How d’you like it?” asks McCrea. “Loathesome,” replies Meyer grinning broadly.”

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The plot of Stranger On Horseback is pretty straightforward: a circuit judge (McCrea) wants to get the goods on an unsolved murder committed by the son (Kevin McCarthy) of a local king-pin (John McIntire). Tourneur graces the film with plenty of quirky offbeat touches that range from the humorous to the subversive.

The only available version of the film is on DVD from VCI, obtained from a print sourced from the vault of the British Film Institute. Sadly, this print is in bad shape — the lovely Sedona locations appear washed out. Hopefully, a master neg may surface or perhaps the film will be restored, like the previously considered lost Seven Men From Now (1956). It’s amazing what can be done these days, just consider the wonderful restoration done by Ignite Films on Canadian Pacific (1949) and The Cariboo Trail (1950). We live in hope. Not only is Stranger On Horseback Tourneur… it’s very good Tourneur.

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The film runs a mere 66 minutes, which suggests the film may have been censored — most of McCrea’s Fifties programmers clocked in at around 80 minutes. The film was an initial independent effort from producer Leonard Goldstein who previously had a splendid track record at Universal and Fox. Sadly, Mr. Goldstein passed away at the tender age of 51,  before Stranger On Horseback was released. Goldstein also produced Saddle Tramp (1950), the best of McCrea’s six Universal Fifties Westerns.

McCrea had choice of director on Stranger On Horseback. He chose Tourneur, who previously made the wonderful Stars In My Crown (1950), a film which sadly failed to find an audience. Tourneur also directed McCrea’s next picture Wichita (19XX), the first of four films that he made for Allied Artists. Wichita was far and away the best of the four and scored at the box office.

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The bad guy in Stranger On Horseback is Kevin McCarthy, who impressed McCrea. He told the young actor, “I’m going to tell the studios all  about you.” I have often wondered if this lead to McCarthy’s most iconic role in Invasion Of The Body Snatchers (1956). After all, producer Walter Wanger had produced one of McCrea’s biggest hits, Foreign Correspondent (1940). Wanger and McCrea were working out of Allied Artists at the same time. Furthermore; Sam Peckinpah played a bank teller in Wichita and a meter reader in Invasion Of The Body Snatchers, Sam has often cited Don Siegel as his mentor.

Don Siegel had previously tried to develop Bad Day At Black Rock at Allied Artists. He wanted McCrea to play the lead. With all due respects to Spencer Tracy and John Sturges, John at the very fine Greenbriar Picture Shows feels the McCrea/Siegel film would have been superior. I totally agree. And I might hasten to add that I will be first in line when Warners releases the Blu-Ray version of Sturges’ film.

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Had McCrea appeared in Bad Day At Black Rock and not turned down the Van Heflin role in Shane (1953) this surely would have had a huge boost to his star power which faded considerably in the late Fifties.As much as we all love his Westerns I would have loved to have seen him tackle some of the non Westerns roles played by Cooper and Stewart in the Fifties. McCrea’s reason for turning down Shane was two-fold: he did not feel he was at a time in his career to take secondary roles; plus, he did not want to detract from his friend Alan Ladd. McCrea, in typical modesty, stated that he could never had been as good as Heflin was. I totally disagree especially under George Stevens’ direction.

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An amusing snippet: one day, Ladd asked his pal McCrea, “What do you do when the phone doesn’t ring… when nobody wants you?” McCrea jokingly replied, “I slap my wife on the butt, jump on my horse and ride around the ranch.” This flippant attitude was totally alien to the increasingly insecure Ladd.

From the mid to late Fifties, McCrea often worked for directors who were a far cry from the likes of Hawks, Hitchcock, Wyler, Wellman, Sturges and Walsh — whom he worked for in his glory days. It’s a shame that Tourneur or Siegel didn’t direct films like The Oklahoman or Trooper Hook (both 1957), especially with their subtext of alienation and racism. Both directors made wonderful films that shared those themes. Things did improve when Joseph Newman came on board, a vast step up from the likes of Francis D. Lyon and Charles Marquis Warren.

Despite the late Fifties drop off in quality (apart from the Newman efforts, especially 1958’s Fort Massacre), McCrea has left a hugely impressive body of work. It is also encouraging that many major stars, from Katherine Hepburn to Clint Eastwood, feel McCrea was grossly underrated.

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Daniel B lunchbox

Since starting this blog and allowing myself to really wallow in 50s Westerns, it’s been interesting to note how many of the 50s Western “practitioners” made the move to television in the 50s and into the 60s. For them, it probably wasn’t a real decision — they simply went where the work was.

Daniel Boone (1964-70) is one of the programs that really benefited from the Western pedigree of its cast and crew. Boone was developed to leverage Fess Parker’s incredible popularity as Disney’s Davy Crockett. Fact is, the show was to be about Crockett, but Disney wouldn’t give up the rights.

Parker at Boone Forest

Shout Factory has released the show’s first season in a 6-disc Collector’s Edition — 29 episodes with bonus material. Making your way through the set, you’re immediately struck by the familiar names and faces. This first season, the only one not in color, supplements its regular cast — Parker, Patricia Blair, Albert Salmi, Ed Ames, etc. — with the likes of Claude Akins, Dan Duryea, James H. Griffith, Jay Silverheels, Robert J. Wilke, Michael Pate, John McIntire and Hank Worden. Directors include Joseph H. Lewis, George Sherman, Thomas Carr, Nathan Juran and George Marshall — who all some some outstanding 50s Westerns.  The first episode, “Ken-Tuck-E,” directed by Marshall, was written by Borden Chase and shot by Carl Guthrie. Quite an impressive bunch.

The set looks terrific, with print quality varying a bit from episode to episode — but solid overall. The extra stuff is well done. And as for the shows themselves, I’ve always felt this first season was stronger than what came later. But you know, Parker’s so likable, that hardly seems important. Recommended.

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winchester-73-lc-a-smallHere’s a gun issue the government and I agree on. Anthony Mann’s Winchester ’73 (1950) has been selected for preservation in the Library Of Congress.

That means their board has deemed it “culturally, historically or aesthetically significant.” It’s also a damned good movie.

Thanks to Blake Lucas for the news.

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Dragoon Wells Massacre UK LC

It’s a lot of fun putting this list together every year, seeing what people are coming across for the first time. Remember, though these things are 60-something years old, if you’ve never seen it, it’s a new movie!

To make the list, a picture has to be mentioned by at least three people. This year, there were fewer titles brought up, but the frequency was a lot higher. We ended up with a solid lineup of fairly obscure, medium-budgeted 50s Westerns — and if you haven’t discovered them yourself, search them out.

And I hope this blog helped you discover some of these.

Dragoon Wells Massacre (1957)
This was my personal favorite discovery of the year, and I was so happy to have others finding it, too. William Clothier’s camerawork deserves a solid CinemaScope transfer — and Jack Elam’s performance needs to be seen by more people. (Stay tuned for the Allied Artists blogathon, where I’ll give this thing some much-deserved attention.)

Cave Of Outlaws (1951)
William Castle directs a 50s Western for Universal — shooting at Carlsbad Caverns, Vasquez Rocks and the Iverson Ranch. Needs a DVD release.

Wyoming Mail still

Wyoming Mail (1950)
A fairly obscure U-I Western starring Stephen McNally and Alexis Smith. Reginald Le Borg keeps things moving at a brisk pace and Russell Metty makes sure the Technicolor looks terrific.

Gunsmoke In Tucson (1958)
A number of people picked up the DVD from Warner Archive, and it seems like most of us were impressed. If you still haven’t tracked this one down, get to it!

Thunderhoof (1948)
A Phil Karlson horse picture with a cast of only three (and the horse). Can’t to track this one down.

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Four Guns To The Border (1954)
This one was on last year’s list, too. We keep bumping into, and we all seem to like it. It’s a great example of what a Universal 50s Western can be: terrific cast, gorgeous Technicolor, plenty of action.

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Westward The Women OS

Directed by WIlliam A. Wellman
Screen Play by Charles Schnee
Story by Frank Capra
Starring Robert Taylor, Denise Darcel, Hope Emerson, John McIntire

On the third Thursday of most months, The Western Film Preservation Society has been running B Westerns at NC State’s McKimmon Center, here in Raleigh, since 1981. This week’s second feature (Thursday the 20th) is a bit of a departure: William Wellman’s Westward The Women (1951). It’s one of the best Westerns of the 50s.

The other film is In Early Arizona (1938) starring Bill Elliott, Dorothy Gulliver, Harry Woods and Jack Ingram — and directed by Joseph Levering. (It’s a bit of a stretch, but I guess that makes this a Wild Bill Wednesday post.) The meetings get going at 6:45.

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Pillars Of The Sky HS sized

New York’s 92nd Street Y is hosting a class on Westerns of the 50s. Hosted by Kurt Brokaw, Associate Teaching Professor at The New School and senior film critic of The Independent magazine, it’s got a really terrific roster of films. The classes are Tuesday nights, beginning April 14, with two films each night.

Man, I wish I could get to this.

Week 1
Broken Lance
(1954) Directed by Edward Dmytryk, starring Spencer Tracy, Robert Wagner, Jean Peters, Richard Widmark, Katy Jurado
The Badlanders (1956) Directed by Delmer Daves, starring Alan Ladd, Ernest Borgnine, Katy Jurado

Week 2
Saddle The Wind
(1958) Directed by Robert Parrish, starring Robert Taylor, Julie London, John Cassavetes
Dawn At Socorro (1954) Directed by George Sherman, starring Rory Calhoun and Piper Laurie

Week 3
Pillars Of The Sky
(1956) Directed by George Marshall, starring Jeff Chandler, Dorothy Malone, Ward Bond, Lee Marvin
Backlash (1956) Directed by John Sturges, starring Richard Widmark, Donna Reed, William Campbell, John McIntire

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Week 4
Ride Clear Of Diablo
(1954) Directed by Jesse Hibbs, starring Audie Murphy, Dan Duryea, Susan Cabot
The Outriders (1950) Directed by Roy Rowland, starring Joel McCrea, Arlene Dahl, James Whitmore, Barry Sullivan

Week 5
Back To God’s Country
(1953) Directed by Joseph Pevney, starring Rock Hudson, Marcia Henderson, Steve Cochran, Hugh O’Brien
Black Horse Canyon (1954) Directed by Jesse Hibbs, starring Joel McCrea and Mari Blanchard

Week 6
Seven Men From Now
(1956) Directed by Budd Boetticher, starring Randolph Scott, Gail Russell, Lee Marvin, Walter Reed
Gun Fury (1953) Directed by Raoul Walsh, starring Rock Hudson, Donna Reed, Philip Carey, Lee Marvin

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