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Archive for the ‘Joel McCrea’ Category

A while back, I asked for Want Lists of the 50s Westerns still lost on the high-def trail. Here they are, presented in chronological order. The titles in bold are the ones that were brought up most frequently.

With the recent news about Fox/Disney’s lack of interest in their back catalogs appearing on shiny silver circles, getting this finished and posted seemed very timely. Many of these, mind you, haven’t even turned up on DVD yet.

The Virginian (1946)
Albuquerque (1948)
Coroner Creek (1948)
Whispering Smith (1948)
3 Godfathers (1949)
Colorado Territory (1949)

Hellfire (1949)
Streets Of Laredo (1949)
Ambush (1950)
Branded (1950)
Devil’s Doorway (1950)
The Nevadan (1950)
Saddle Tramp (1950)
Short Grass (1950)
Showdown (1950)

Trail Of Robin Hood (1950)
Across The Wide Missouri (1951)
Along The Great Divide (1951)
Apache Drums (1951)
Best Of The Badmen (1951)
The Great Missouri Raid (1951)
Inside Straight (1951)
Man In The Saddle (1951)
Red Mountain (1951)
The Redhead And The Cowboy (1951)
The Secret Of Convict Lake (1951)
The Texas Rangers (1951)
Westward The Women (1951)

Vengeance Valley (1951)
Warpath (1951)
The Big Sky (1952)
Bugles In The Afternoon (1952)

Hangman’s Knot (1952)
The Lawless Breed (1952)
The Lusty Men (1952)
The Naked Spur (1952)
Ride The Man Down (1952)
The Savage (1952)
The Story Of Will Rogers (1952)
Untamed Frontier (1952)
Ambush At Tomahawk Gap (1953)
Charge At Feather River (1953)
City Of Bad Men (1953)
Devil’s Canyon {1953)
Escape From Fort Bravo (1953)
The Great Sioux Uprising (1953)
Jack McCall, Desperado (1953)
Last Of The Comanches (1953)
The Last Posse (1953)
The Silver Whip (1953)
The Stranger Wore A Gun (1953)
Wings Of The Hawk (1953)

Tumbleweed (1953)
Apache (1954)
The Bounty Hunter (1954)
Cattle Queen Of Montana (1954)
The Command (1954)
Dawn At Socorro (1954)
The Law Vs. Billy The Kid (1954)
The Outcast (1954)
Ride Clear Of Diablo (1954)
Silver Lode (1954)
Wyoming Renegades (1954)
The Yellow Tomahawk (1954)
At Gunpoint (1955)
Chief Crazy Horse (1955)
The Last Frontier (1955)
The Man From Bitter Ridge (1955)
Shotgun (1955)
Smoke Signal (1955)
Tennessee’s Partner (1955)
The Violent Men (1955)
Wichita (1955)
Backlash (1956)

Dakota Incident (1956)
Fastest Gun Alive (1956)
Fury At Gunsight Pass (1956)
Great Day In The Morning (1956)
The Last Wagon (1956)
The Lone Ranger (1956)
The Maverick Queen (1956)
Reprisal! (1956)
Seven Men From Now (1956)
Stagecoach To Fury (1956)
Tribute To A Bad Man (1956)
Copper Sky (1957)
Domino Kid (1957)

Dragoon Wells Massacre (1957)
Hell Canyon Outlaws (1957)
From Hell To Texas (1958)
Frontier Gun (1958)
The Lone Ranger And The Lost City Of Gold (1958)
Face Of A Fugitive (1959)
Last Train From Gun Hill (1959)
No Name On The Bullet (1959)
Thunder In The Sun (1959)
Yellowstone Kelly (1959)
The Alamo (1960)
Hell Bent For Leather (1960)
Cheyenne Autumn (1964)
Firecreek (1968)
Pat Garrett & Billy The Kid (1973)

As this was being compiled, a few titles actually made their way to Blu-Ray, one of them being the exquisite new Wagon Master (1950) from Warner Archive.

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Nancy Gates
(February 1, 1926 – March 24, 2019)

Nancy Gates has passed away at 93. She was from Dallas, signed with RKO at just 15, and made some really good movies before retiring in 1969 to concentrate on her family.

She was particularly strong in Westerns such as Masterson Of Kansas (1954), Stranger On Horseback (1955), The Brass Legend (1956), The Rawhide Trail (1958), The Gunfight At Dodge City (1959) and Comanche Station (1960). Her other pictures include Hitler’s Children (1943), At Sword’s Point (1952), Suddenly (1954), World Without End (1956) and Some Came Running (1958). She was busy on TV, too, with everything from Maverick and Wagon Train to Alfred Hitchcock Presents and Perry Mason.

Around here, we’ll probably always remember her as Mrs. Lowe in Comanche Station. She’s really terrific in that one.

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Julie Adams (Betty May Adams)
October 17, 1926 – February 3, 2019

Just heard the sad news that Julie Adams has passed away at 92. One of my favorites actresses, she made some great Westerns for Universal-International in the 50s — and she was always so beautiful in Technicolor.

She was born Betty May Adams in 1926 in Waterloo, Iowa. In 1946, at 19, she was crowned “Miss Little Rock.” From there, it was off to Hollywood. Betty May worked as a secretary and appeared in a few B Westerns. She used her real name until 1949, when she signed with Universal-International. She then became “Julia” — and eventually “Julie”.

Universal kept her plenty busy. She appeared opposite James Stewart in Anthony Mann’s Bend Of The River (1952), Van Heflin in Budd Boetticher’s Wings Of The Hawk (1953, up top) Tyrone Power in The Mississippi Gambler (1953), Rock Hudson in Raoul Walsh’s The Lawless Breed (1953, above), Glenn Ford in The Man from the Alamo (1953) and Rory Calhoun in The Looters (1955), to name just a few. Away from Universal, she was in The Gunfight At Dodge City (1959) with Joe McCrea and Tickle Me (1965) with Elvis Presley.

She had a leading man of a different sort when she starred in 1954’s Creature From The Black Lagoon. The Creature would become the last of Universal’s roster of movie monsters, a real icon. Julie in her custom-built one-piece bathing suit became pretty iconic as well.

Julie did lots of TV, too. She was a county nurse on The Andy Griffith Show. She was on Perry Mason four times, including the only episode where Mason lost a case. You’ll also find her on The Rifleman, 77 Sunset Strip, Alfred Hitchcock Presents, Maverick, McMillan & Wife, Police Woman, The Streets Of San Francisco and more.

Westerns are often criticized for not having strong roles for women. Julie Adams was so good, that never seemed like a problem for her. She always impressed.

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Directed by George Sherman
Starring Joel McCrea, Yvonne De Carlo, Pedro Armendáriz, Howard Petrie

There’s a company in France called ESC Editions, and they’ve started announcing some upcoming Universal Westerns on Blu-Ray. One of those is George Sherman’s Border River (1954), one of the six terrific Westerns Joel McCrea made for Universal. The comments around here have been buzzing about this thing, and for good reason — to have these coming to high-definition is a big deal.

I’ll post more information — aspect ratio, region, etc. — as it’s verified.

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A Couple Birthdays.

Joel Albert McCrea
(November 5, 1905 – October 20, 1990)

Joel McCrea, a real icon of the Cinema West, was born 113 years ago today.

Roy Rogers
November 5, 1911 –  July 6, 1998

Likewise, Roy Rogers — the King Of the Cowboys, was born 107 years ago.

These two men are more than just a couple of my favorite actors. Both the parts they played, and the people they were, serve as a model of the kind of person I’ve always wanted to be. Plus, they made some really cool movies.

In addition, happy birthday to our good friend Judy.

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Directed by Sam Peckinpah
Produced by Richard E. Lyons
Screenplay by N.B. Stone, Jr.
Director Of Photography: Lucien Ballard
Film Editor: Frank Santillo
Music by George Bassman

Cast: Joel McCrea (Steve Judd), Randolph Scott (Gil Westrum), Mariette Hartley (Elsa Knudsen), Ron Starr (Heck Longtree), James Drury (Billy Hammond), Edgar Buchanan (Judge Tolliver), R.G. Armstrong (Joshua Knudsen), Jenie Jackson (Kate), John Anderson (Elder Hammond), L.Q. Jones (Sylvus Hammond), Warren Oates (Henry Hammond)

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Around this blog, it’s pretty much a given that Ride The High Country (1962) is one of the finest Westerns ever made. There are regulars here who say this is their all-time favorite movie — and it’s easy to see why.

There are so many reasons why this thing’s essential. First and foremost, it’s Randolph Scott and Joel McCrea on their way out and Sam Peckinpah on his way in — and all of them turning in some of their best work. Like John Wayne’s The Shootist (1976), this is a perfect Last Movie for Scott and McCrea (and for Scott it was indeed Last). With Peckinpah, one of the things that make his work so endlessly fascinating is that his major themes and stylistic stuff are evident from Day One. Watching that new set of his The Westerner TV series really drove that home.

High Country and The Wild Bunch go so well together, coming at the same themes (outliving your time, sticking to a personal code, etc.) from different angles, but with the same love of the outmoded and the outsider. If you don’t get a little choked up at the end of Ride The High Country, there must be something wrong with you. This one gets me every time.

ride-high-countruy-lc

I’m not here to convince you this is a great movie. You probably figured that out a long time ago — without any help from me. But I do think you need the Blu-Ray from Warner Archive. From every wrinkle in our heroes’ faces to Ron Starr’s red shirt to the gorgeous locations (Horseshoe Lake, etc.), high-definition does Lucien Ballard’s CinemaScope photography proud. It looks like film, which is exactly what it should look like. The increased clarity gives the whole thing a real sense of depth — which has become something I look for in HD transfers these days.

Lucky for us all, the extras from the old DVD release have been retained. They’re terrific and well worth your time. And this disc is well worth your investment (or re-investment, in many of our cases). As I said earlier, this one’s essential.

Always wanted to watch this and The Man Who Shot Liberty Valance (1962) together. It’d be fun to contrast Ford and Peckinpah’s takes on the end of the West.

The images up top are the cover and spread from a handbill or something from Spain. Pretty cool, huh?

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Directed by Sam Peckinpah
Starring Randolph Scott, Joel McCrea, Mariette Hartley, Ron Starr, James Drury, Edgar Buchanan, R.G. Armstrong

Here’s one so many of us have been waiting for. Warner Archive has announced an upcoming Blu-Ray release for Sam Peckinpah’s Ride The High Country (1962).

Surely one of the finest Westerns ever made. Absolutely essential.

Thanks to Dick Vincent for the great news.

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