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Archive for the ‘Joel McCrea’ Category

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Now this was a great way to celebrate our nation’s independence, with a double feature of High School Confidential! and Fort Massacre (both 1958) at the Palace in Marion, Ohio, in 1958. Remember, Fort Massacre is coming on Blu-ray from Kino Lorber.

Here’s hoping you all have a fun, safe Fourth.

 

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FORT MASSACRE poster

Directed by Joseph H. Newman
Written by Martin M. Goldsmith
Director Of Photography: Carl Guthrie
Starring Joel McCrea, Forrest Tucker, Susan Cabot, John Russell, George N. Neise, Anthony Caruso, Denver Pyle

Every so often, someone will complain about how light Joel McCrea’s 50s Westerns were, but that’s something Fort Massacre (1958) will never be accused of being. It’s a really good picture with a tough, dark turn from McCrea — one of his best performances, I’d say. And Kino Lorber will bring it to Blu-ray before the year’s up.

McCrea is Sgt. Vinson, a bitter cavalryman driven by a hatred of the Apaches, who massacred his family. When the commanding officer is killed in an ambush, McCrea takes the opportunity to lead the troops through Apache territory — for what the men begin to suspect are personal reasons.

It was written by Martin M. Goldsmith, known for a couple of top-notch noirs — Detour (1945) and The Narrow Margin (1952). He brought a lot of Detour‘s fatalism to Fort Massacre (1958). Joseph. Newman’s direction is tight and assured, making the most of a small budget, and Carl Guthrie makes sure it all looks terrific. Highly, highly recommended. No, make that essential.

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Gunfight Dodge Coty HS

Directed by Joseph H. Newman
Screenplay by Daniel B. Ullman and Martin M. Goldsmith
Starring Joel McCrea, Julie Adams, John McIntire, Nancy Gates, Don Haggerty, Timothy Carey

The Gunfight At Dodge City (1959) is a solid Joel McCrea picture, with a great cast and terrific CinemaScope photography from Carl Guthrie (whose late-50s Westerns are a thing of beauty). This is another fine example of what a middle-budget Western could be, and it’s coming to Blu-ray from Kino Lorber.

Bat Masterson (McCrea) winds up in Dodge City, pinning on the sheriff’s badge to clean up the town and avenge the death of his brother. Along the way, he has to choose between Julie Adams and Nancy Gates — if only real life was like this!

McCrea went into The Gunfight At Dodge City (1959) with retirement in mind — this was to be his last picture. But Sam Peckinpah (and Randolph Scott) lured him back in the saddle with Ride The High Country (1962).

Thanks to John Knight.

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While doing some research on George Sherman’s The Treasure Of Pancho Villa (1955), I came across The Odessa American from October 9, 1955. What was playing around town was incredible.

Ector: The Treasure Of Pancho Villa
Scott Theater: Night Of The Hunter 
Rio Theater (next door to the Scott): The Big Combo
Twin Terrace Drive-In: Wichita and New Orleans Uncensored
Twin Cactus Drive-In: The Seven Little Foys and Coroner Creek
Broncho Drive-In: Las Vegas Shakedown and The End Of The Affair
Twin-Vue Drive-In: The Seven Little Foys and The Denver And Rio Grande

You could spend your night with Randolph Scott, Joel McCrea, Robert Mitchum or Rory Calhoun. If all that wasn’t enough, you could head to the Odessa High School field house on the 11th for The Western Revue Of 1955 with Lash LaRue and “Fuzzy” St. John in person — or wait a couple more days for Elvis Presley (“with Scotty and Bill”), Johnny Cash, Wanda Jackson and Porter Wagoner.

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By the way, the Ector Theater was restored in 2001 and runs classic movies from time to time. I love Texas.

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Pillars Of The Sky HS sized

New York’s 92nd Street Y is hosting a class on Westerns of the 50s. Hosted by Kurt Brokaw, Associate Teaching Professor at The New School and senior film critic of The Independent magazine, it’s got a really terrific roster of films. The classes are Tuesday nights, beginning April 14, with two films each night.

Man, I wish I could get to this.

Week 1
Broken Lance
(1954) Directed by Edward Dmytryk, starring Spencer Tracy, Robert Wagner, Jean Peters, Richard Widmark, Katy Jurado
The Badlanders (1956) Directed by Delmer Daves, starring Alan Ladd, Ernest Borgnine, Katy Jurado

Week 2
Saddle The Wind
(1958) Directed by Robert Parrish, starring Robert Taylor, Julie London, John Cassavetes
Dawn At Socorro (1954) Directed by George Sherman, starring Rory Calhoun and Piper Laurie

Week 3
Pillars Of The Sky
(1956) Directed by George Marshall, starring Jeff Chandler, Dorothy Malone, Ward Bond, Lee Marvin
Backlash (1956) Directed by John Sturges, starring Richard Widmark, Donna Reed, William Campbell, John McIntire

Diablo TC

Week 4
Ride Clear Of Diablo
(1954) Directed by Jesse Hibbs, starring Audie Murphy, Dan Duryea, Susan Cabot
The Outriders (1950) Directed by Roy Rowland, starring Joel McCrea, Arlene Dahl, James Whitmore, Barry Sullivan

Week 5
Back To God’s Country
(1953) Directed by Joseph Pevney, starring Rock Hudson, Marcia Henderson, Steve Cochran, Hugh O’Brien
Black Horse Canyon (1954) Directed by Jesse Hibbs, starring Joel McCrea and Mari Blanchard

Week 6
Seven Men From Now
(1956) Directed by Budd Boetticher, starring Randolph Scott, Gail Russell, Lee Marvin, Walter Reed
Gun Fury (1953) Directed by Raoul Walsh, starring Rock Hudson, Donna Reed, Philip Carey, Lee Marvin

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George Randolph Scott
(January 23, 1898 – March 2, 1987)

This post kicks off The Blogathon For Randolph Scott, January 23-25.

Randolph Scott is my favorite actor, hands down — an opinion that seems to be shared by many who read this blog on an ongoing basis.

R Scott blogathon badgeAs a group, Scott’s Westerns were probably the biggest influence on my decision to take on this blog and book on 50s Westerns — they were certainly my “gateway drug” (beginning with 1958’s Buchanan Rides Alone).

And though he was just an actor playing fictitious characters in a number of medium-budget, 60-year-old cowboy movies, he became a model for the kind of man I want to be.

Scott started out as a somewhat stiff leading man. But he got better and better, and by the 50s, he’d aged into the ideal Western star. Tall, handsome, weathered, commanding, easygoing — and with a Southern drawl that really set him apart. (He made this Georgia kid feel a lot better about his own accent.)

Randolph Scott (from a 1949 newspaper interview): “I make Westerns because I like them. Westerns have been the mainstay of the movie industry ever since its beginning. And they have been good to me.”

Teaming with producers Nat Holt and Harry Joe Brown (separately) — and recruiting directors like Gordon Douglas, Edwin Marin, Andre de Toth and Budd Boetticher, Scott made modest, unpretentious films whose merits become more obvious with each passing year. The best of them are among the finest the genre’s ever seen. The lesser ones are worthwhile if only because Scott’s in them.

Retiring in 1960 after Comanche Station, Scott was persuaded to climb back into the saddle — to appear alongside Joel McCrea in Sam Peckinpah’s Ride The High Country (1962). And that was it. He passed away at 89, an extremely wealthy man thanks to shrewd investing of his movie money.

There are many stories of Scott sitting on Lone Pine locations reading The Wall Street Journal between takes. He saw the “pitcher bidniss” as just that, a business — and found a great deal of success in it. But the quality of the scripts — along with the many talented people he hired, encouraged and re-hired — proves he was paying attention to much more than just budgets and grosses. Movies this good, especially made on tight budgets and schedules, don’t just happen.

And speaking of all those movies, many of them will be covered throughout the weekend. Saddle up and read on.

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Apache Drums LC

Yesterday, I posted our favorite DVD releases of the year. Today’s list is made up of films we discovered during 2014. Titles that made the list were mentioned by at least three people. It’s a great lineup of fairly obscure, medium-budgeted 50s Westerns — and if you haven’t discovered them yourself, search them out.

Ambush At Tomahawk Gap (1953) Fred F. Sears was extremely prolific, and his 50s Westerns are worth seeking out. This is one of the better ones, available through Columbia’s on-demand DVD program.

Apache Drums (1951) A suspense picture dressed up in cowboy clothes, produced by Val Lewton and directed by Hugo Fregonese. With Stephen McNally, Coleen Gray, Willard Parker, Arthur Shields, James Griffith and Clarence Muse (who’s superb in a small part).

Border River (1954) With George Sherman directing Joel McCrea, Yvonne De Carlo and Pedro Armendáriz, how could it not be great? Shot around Moab, Utah.

Cow Country (1953) Coming across a new Lesley Selander picture is always a treat. This one features Edmond O’Brien, Helen Wescott, Bob Lowery, Barton MacLane, Peggie Castle, James Millican and Robert Wilke.

A Day Of Fury (1956) One of the most unusual, and overlooked, Westerns of the 50s. Harmon Jones directs Dale Robertson, Mara Corday and Jock Mahoney. I’m so glad this one’s being rediscovered.

Four Guns To The Border (1954) Rory Calhoun, Colleen Miller and Walter Brennan in an excellent Universal Western directed by Richard Carlson.

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Fury At Gunsight Pass (1956) Another good one from Fred F. Sears. Wish this one would see a real DVD release — black and white widescreen is so cool.

The Silver Whip (1953) Dale Robertson, Rory Calhoun, Robert Wagner, Kathleen Crowley and James Millican star in this taut, tight picture from editor-turned-director Harmon Jones. The staging of the climactic chase is masterful.

Stage To Tucson (1950) Rod Cameron and Wayne Morris. Lone Pine in Technicolor. Surely that’s worth an investment of 81 minutes.

Yellow Tomahawk LC

The Yellow Tomahawk (1954) Sadly, this color film is only available black and white. But it’s still a solid effort from the ever-dependable Lesley Selander — with a cast that includes Rory Calhoun, Peggie Castle, Noah Beery, Jr., Peter Graves, Lee Van Cleef and Rita Moreno.

Thanks to everyone who participated.

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