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Archive for the ‘1959’ Category

Marion Mitchell Morrison (born Marion Robert Morrison)
May 26, 1907 – June 11, 1979

John Wayne was born 110 years ago today. Seems like a good reason to watch Rio Bravo (1959), doesn’t it?

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Kathleen Crowley and Michael Pate on the set of Curse Of The Undead (1959).

Kathleen Crowley
December 26, 1929 – April 23, 2017

I’m sorry to report that Kathleen Crowley has passed away. She was in so many movies I really love — The Silver Whip (1953), Ten Wanted Men (1955), The Quiet Gun (1956), Curse Of The Undead (1959) and Showdown (1963) are the Westerns. Then there’s the sci-fi stuff: Target Earth (1954) and The Flame Barrier (1958). And on TV, she appeared in Cheyenne, Maverick, The Lone Ranger, Batman and tons more. No matter how small the part, she always seemed to give it her all.

Ms. Crowley represented her home state of New Jersey on the 1949 Miss America Pageant, and gave up on Hollywood in the late 60s. “To be honest with you, I didn’t like the direction the cinema was going.”

Laura did a nice post on her here.

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The subject line pretty much says it all. Right now, Kino Lorber has a terrific sale on some of their Blu-Rays. From The Cariboo Trail (1950) to The Wonderful Country (1959), there are a few choice 50s Westerns in there — along with some really good non-Western stuff. Wait, there are movies that aren’t Westerns?

This is your chance to do your part in jump-starting the US economy.

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Here’s a great little speech from No Name On The Bullet (1959), maybe Audie Murphy’s best picture. He plays a gun-for-hire who rides into town and creates a wave of paranoia — as everybody’s convinced he’s here to kill them.

John Gant (Audie Murphy): “Take two men. Say they have robbed and lied, and have never paid. The man whom one of them has robbed comes to me and says, ‘Kill that man who’s robbed me.’ And I kill him. The other man becomes ill and would die, except for a physician who returns him to health to rob and lie again. Who’s the villain in this piece? Me or the physician?”

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Over at my other blog, I’ve had this Dialogue Of The Day thing going for a while and have been meaning to start it up over here. The dialogue in these movies is often so rich, this should be a lot of fun.

To kick things off, here’s some tough stuff from Kirk Douglas in Last Train From Gun Hill (1959), which they say Dalton Trumbo helped write.

Matt Morgan (Kirk Douglas): “I know an old man who’d like to kill you, Belden — the Indian way: slow. That’s how I’m gonna do it: slow — but the white man’s way. First you stand trial. That takes a fair amount of time, and you’ll do a lot of sweating! Then they’ll sentence ya. I never seen a man who didn’t get sick to his stomach when he heard the kind of sentence you’ll draw. After that you’ll sit in a cell and wait, maybe for months, thinking how that rope will feel around your neck. Then they’ll come around, some cold morning, just before sun-up. They’ll tie your arms behind you. You’ll start blubbering, kicking, yelling for help. But it won’t do you any good. They’ll drag you out in the yard, heave you up on that platform, fix that rope around your neck and leave you out there all alone with a big black hood over your eyes. You know the last sound you hear? Kind of a thump when they kick the trapdoor catch — and down you go. You’ll hit the end of that rope like a sack of potatoes, all dead weight. It’ll be white hot around your neck and your Adam’s Apple will turn to mush. You’ll fight for your breath, but you haven’t got any breath. Your brain will begin to boil. You’ll scream and holler! But nobody’ll hear you. You’ll hear it. But nobody else. Finally you’re just swingin’ there — all alone and dead.”

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Here’s a batch of behind-the scenes photos to help wrap up 2016.

Let’s start with Maria Elena Marques and John Derek on the set of Fred F. Sears’ Ambush At Tomahawk Gap (1953).

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Next is Edith Head, Jeff Chandler and Melvin Frank going over costumes for The Jayhawkers! (1959).

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Here’s Satchel Page and Robert Rossen at work on The Wonderful Country (1959).

Fort Dobbs BTS

Then there’s Virginia Mayo and Clint Walker shooting Fort Dobbs (1958).

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Kirk Douglas turns 100 today. He’s certainly one of the last big stars from Hollywood’s Golden Era (or whatever you want to call it).

He made so many terrific movies, but the one that stands out for me — and that was a big part of my decision to take on this blog and book — is Last Train From Gun Hill (1959). Douglas uses that pent-up rage thing of his to startling effect in this movie, making it one of the most suspenseful (and to me, one of the best) Westerns of the 50s.

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