RIP, Nick Redman.

Nick Redman
(1955 – 2019)

I didn’t know Nick Redman, but I sure knew his work. We all do. He made two excellent documentaries that Western fans (should) hold near and dear: The Wild Bunch: An Album In Montage (1996) and A Turning Of The Earth: John Ford, John Wayne And The Searchers (1998). He passed away last week.

He was also one of the founders of Twilight Time, a company that’s released some terrific 50s Westerns on Blu-Ray — Gun Fury (1953, in 3-D) and The True Story Of Jesse James (1957). I’m always grateful to anyone who presents these old movies the way they ought to be seen.

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I first became aware of Mr. Redman from the series of Lalo Schifrin soundtrack CDs he produced. The CDs of the Dirty Harry (1971) and Magnum Force (1973) scores have been in almost constant rotation in my office since the day they came out. He did a terrific job putting those together, and I was always hoping he’d get around to Schifrin’s music for Don Siegel’s Charley Varrick (1974). He also did a series of excellent Jerry Fielding CDs, including the complete score to The Wild Bunch (1969).

Western and action movie fans like us certainly owe a debt to Mr. Redman.

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Blu-Ray News #243: The Ballad Of Cable Hogue (1970).

Directed by Sam Peckinpah
Starring Jason Robards, Stella Stevens, David Warner, Strother Martin, Slim Pickens, L. Q. Jones, R. G. Armstrong

Another great Sam Peckinpah movie about the dying West, and another must-have Blu-Ray from Warner Archive.

The Ballad Of Cable Hogue (1970) gives Peckinpah another group of outsiders to study — and another outstanding cast to play them. As good as everyone is in this, it’s Stella Stevens that really knocks me out. (She was really good in The Silencers, too.)

This, The Wild Bunch (1969) and Ride The High Country (1962) all cover the same basic theme — the Old West giving way to civilization, with some people not able, or willing, to adapt. But Sam comes at it from a different angle each time, always striking gold. I’m in absolute awe of Peckinpah when it comes to these movies.

Lucien Ballard shot this one, which is reason enough to spring for the Blu-Ray. It will be out in June, with a number of great supplements that appeared on the DVD release. Highly highly recommended.

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Blu-Ray Review: Ride The High Country (1962).

Directed by Sam Peckinpah
Produced by Richard E. Lyons
Screenplay by N.B. Stone, Jr.
Director Of Photography: Lucien Ballard
Film Editor: Frank Santillo
Music by George Bassman

Cast: Joel McCrea (Steve Judd), Randolph Scott (Gil Westrum), Mariette Hartley (Elsa Knudsen), Ron Starr (Heck Longtree), James Drury (Billy Hammond), Edgar Buchanan (Judge Tolliver), R.G. Armstrong (Joshua Knudsen), Jenie Jackson (Kate), John Anderson (Elder Hammond), L.Q. Jones (Sylvus Hammond), Warren Oates (Henry Hammond)

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Around this blog, it’s pretty much a given that Ride The High Country (1962) is one of the finest Westerns ever made. There are regulars here who say this is their all-time favorite movie — and it’s easy to see why.

There are so many reasons why this thing’s essential. First and foremost, it’s Randolph Scott and Joel McCrea on their way out and Sam Peckinpah on his way in — and all of them turning in some of their best work. Like John Wayne’s The Shootist (1976), this is a perfect Last Movie for Scott and McCrea (and for Scott it was indeed Last). With Peckinpah, one of the things that make his work so endlessly fascinating is that his major themes and stylistic stuff are evident from Day One. Watching that new set of his The Westerner TV series really drove that home.

High Country and The Wild Bunch go so well together, coming at the same themes (outliving your time, sticking to a personal code, etc.) from different angles, but with the same love of the outmoded and the outsider. If you don’t get a little choked up at the end of Ride The High Country, there must be something wrong with you. This one gets me every time.

I’m not here to convince you this is a great movie. You probably figured that out a long time ago — without any help from me. But I do think you need the Blu-Ray from Warner Archive. From every wrinkle in our heroes’ faces to Ron Starr’s red shirt to the gorgeous locations (Horseshoe Lake, etc.), high-definition does Lucien Ballard’s CinemaScope photography proud. It looks like film, which is exactly what it should look like. The increased clarity gives the whole thing a real sense of depth — which has become something I look for in HD transfers these days.

Lucky for us all, the extras from the old DVD release have been retained. They’re terrific and well worth your time. And this disc is well worth your investment (or re-investment, in many of our cases). As I said earlier, this one’s essential.

Always wanted to watch this and The Man Who Shot Liberty Valance (1962) together. It’d be fun to contrast Ford and Peckinpah’s takes on the end of the West.

The images up top are the cover and spread from a handbill or something from Spain. Pretty cool, huh?

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Post-50s Western Blu-Ray News #241: Ride The High Country (1962).

Directed by Sam Peckinpah
Starring Randolph Scott, Joel McCrea, Mariette Hartley, Ron Starr, James Drury, Edgar Buchanan, R.G. Armstrong

Here’s one so many of us have been waiting for. Warner Archive has announced an upcoming Blu-Ray release for Sam Peckinpah’s Ride The High Country (1962).

Surely one of the finest Westerns ever made. Absolutely essential.

Thanks to Dick Vincent for the great news.

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DVD Review: The Westerner – The Complete Series (1960).

The Westerner — the short-lived 1960 Western series created by Sam Peckinpah and starring Brian Keith — is a really amazing thing. First, it’s just a good show, period. Next, for a Peckinpah fan, it’s a chance to see the whole Peckinpah Thing take shape before our eyes. From the dialogue that rings so true to his unique blend of the hard-ass and the sentimental to particular scenes or dialogue that’d crop up in his later work, The Westerner feels like a prototype for Sam’s career (or at least the early part of it). His visual style still had a way to go.

I’ve been dragging around bootleg copies of The Westerner for years. I’d never seen the pilot from Dick Powell’s Zane Grey Theatre — but Shout Factory has taken care of that with their marvelous new two-DVD set. You get the 13 regular episodes and the pilot (featuring Neville Brand at his despicable best), along with commentaries from Peckinpah scholars like Paul Seydor, who’s written some excellent books on Sam and his work. His The Authentic Death And Contentious Afterlife Of Pat Garrett And Billy The Kid: The Untold Story Of Peckinpah’s Last Western Film has become one of my favorite movie books.

Haven’t made it through both discs yet, but all the shows I’ve seen look great. This is one a lot of folks have been waiting for, and this is certainly worth the wait. Right now, it’s a Walmart exclusive — at just $14.96 — and I encourage you to put aside whatever hangups you might have about the megastore and go get one of these. It’s a must.

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TV Westerns DVD News #240: The Westerner – The Complete Series (1960).

Fans have been hollering for this one for quite a while. Right now, it’s a Walmart exclusive: The Westerner, the 1960 series created by Sam Peckinpah and starring Brian Keith, is out on DVD from Shout Factory. Only 13 episodes were produced (it was up against The Flintstones) — they’re all terrific, and they’re all here. Also included is the Zane Grey Theatre episode that served as the show’s pilot.

Episodes were directed by the likes of Peckinpah, Andre de Toth and Ted Post. Appearing in those 13 episodes were folks like Warren Oates, Katy Jurado, John Dehner, Slim Pickens, Robert Culp, Frank Ferguson, Virginia Gregg, R.G. Armstrong and Dub Taylor — many of them people Peckinpah would turn to time and time again. Lucien Ballard shot three of them. And Brian Keith’s dog, Brown, is played by Spike, who was also Old Yeller. Highly, highly recommended.

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The Joel McCrea Blogathon.

The character Joel McCrea played in so many of his Westerns was a confident, moral man — absolutely true to his word (even when he was an outlaw). Many say that character is a perfect match for McCrea himself. Here in the States, with our contentious, divisive 2016 election coming to an end just a few days after McCrea’s birthday, there’s an irony there that’s hard to miss. There’s also a realization that we could sure use someone like McCrea today.

I could go on and on about Joel McCrea’s incredible career, working with some of Hollywood’s greatest directors on some of their finest films (many of which will be covered over the course of this blogathon), but there’s a quote from a 1978 interview that pretty much says it all —

“I liked doing comedies, but as I got older, I was better suited to do Westerns. Because I think it becomes unattractive for an older fellow trying to look young, falling in love with attractive girls in those kinds of situations… Anyway, I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn’t feel like I was an actor anymore. I felt like I was the guy out there doing it.”

Below you’ll find links for a series of posts from a very fine roster of bloggers, writers, fans, etc. Keep checking back.

Day 3

South Of St. Louis (1949)
50 Westerns Of The 50s

Day 2

These Three (1936)
The Jade Sphinx

The Outriders (1950)
50 Westerns From The 50s, by Blake Lucas

Gunsight Ridge (1957)
Laura’s Miscellaneous Musings

Day 1

Ride The High Country (1962, by Jerry Entract)
50 Westerns From The 50s

The Virginian (1946)
Caftan Woman

Wichita (1955)
The Round Place In The Middle

Four Faces West (1948)
Speakeasy

The Most Dangerous Game (1932)
The Hannibal 8 (by Jerry Entract)

Stranger On Horseback (1955)
50 Westerns From The 50s by Allen Smithee

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