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Archive for the ‘Andre de Toth’ Category

Mill Creek has announced the six-disc, 12-movie Blu-Ray set The Randolph Scott Collection, which gives us a great batch of Scott’s Westerns for Columbia.

The Desperadoes (1943)
Directed by Charles Vidor
Starring Randolph Scott, Claire Trevor, Glenn Ford, Evelyn Keyes, Edgar Buchanan

Scott plays a sheriff after two separate bands of outlaws who rob the same bank at about the same time. Turns out the first robbery was an inside job.

The Nevadan (1950)
Directed by Gordon Douglas
Starring Randolph Scott, Dorothy Malone, Forrest Tucker, Frank Faylen and George Macready

Scott’s a Marshal who lets an outlaw (Forrest Tucker) escape so he can recover $250,000 in stolen gold.

Santa Fe (1951)
Directed by Irving Pichel
Starring Randolph Scott, Janis Carter

Scott’s trying to help build a railroad, with even his own brothers trying to stop him.

Man In The Saddle (1951
Directed by Andre de Toth
Starring Randolph Scott, Joan Leslie, Ellen Drew, Alexander Knox, Richard Rober, John Russell, Alfonso Bedoya, Guinn ‘Big Boy’ Williams, Clem Bevans, Cameron Mitchell, Tennessee Ernie Ford

Scott’s a farmer who locks horns with Alexander Knox, who wants his land. The first, and maybe best, of the Scott pictures directed by Andre de Toth.

Hangman’s Knot (1952)
Directed by Roy Huggins
Starring Randolph Scott, Donna Reed, Claude Jarman, Jr., Frank Faylen, Richard Denning, Lee Marvin

Confederate soldiers, led by Scott, steal a shipment of Yankee gold and end up with a posse after ’em.

The Stranger Wore A Gun (1953)
Directed by Andre de Toth
Starring Randolph Scott, Claire Trevor, Joan Weldon, George Macready, Alfonso Bedoya, Lee Marvin, Ernest Borgnine

This time, Scott’s a Confederate spy who’s in in a big robbery but has a change of heart. Originally in 3-D, widescreen (1.85) and stereophonic sound, it’ll be interesting to see what we get here. 

A Lawless Street (1955)
Directed by Joseph H. Lewis
Starring Randolph Scott

Then we get four of the Budd Boetticher/Burt Kennedy Ranown cycle, some of the finest Westerns ever made. What’s missing from the unofficial series are Batjac’s Seven Men From Now (1956) and Warner’s Westbound (1959) which aren’t available on Blu-Ray.

The Tall T (1957)
Directed by Budd Boetticher
Starring Randolph Scott, Richard Boone, Maureen O’Sullivan, Arthur Hunnicutt, Skip Homeier, Henry Silva

Scott and Maureen O’Sullivan are held captive at a way station by a bunch of crooks. This is an incredible movie, based on a story by Elmore Leonard.

Decision At Sundown (1958)
Directed by Budd Boetticher
Starring Randolph Scott, John Carroll, Karen Steele, Valerie French, Noah Beery Jr., John Archer, Ray Teal

Scott rides in Sundown to kill John Carroll., who had an affair with his wife.

Buchanan Rides Alone (1958)
Directed by Budd Boetticher
Starring Randolph Scott, Craig Stevens, Barry Kelley, L.Q. Jones

Tom Buchanan (Scott) rides into the border town of Agry and is robbed and framed for murder. Naturally, Scott isn’t happy about this and does something about it. This was my entry point into the films of Randolph Scott, and it remains a favorite.

Ride Lonesome (1959)
Directed by Budd Boetticher
Starring Randolph Scott, Karen Steele, Pernell Roberts, Lee Van Cleef, James Coburn 

Ben Brigade (Scott) is a bounty hunter trying to take Billy John to Santa Cruz and turn him in. Standing in the way are Billy John’s brother and a group of Indians.

Comanche Station (1960)
Directed by Budd Boetticher
Starring Randolph Scott, Claude Akins, Nancy Gates, Skip Homeier 

Scott rescues a women from the Comanches, not knowing her husband has a $5,000 reward for her return, dead or alive. Along come some dirtbags, lead by Claude Akins, who know about the five grand and want her for themselves. 

This set is essential. Some of these are available on Blu-Ray elsewhere, some are not. Order yours now.

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Joan Weldon
(August 5, 1930 – February 11, 2021)

Joan Weldon, a lovely actress who appeared in some terrific pictures in the 50s, has passed away at 90.

She appeared with Randolph Scott in two Westerns, The Stranger Wore A Gun (1953) and Riding Shotgun (1954), both directed by Andre de Toth, along with The Command (1954) with Guy Madison, Gunsight Ridge (1957) with Joel McCrea and Day Of The Badman (1958) with Fred MacMurray. But the big one, the one she’s known for, is Gordon Douglas’s great giant ant picture Them! (1954).

She was quote a singer and did a lot of musical theater, including appearing with Forrest Tucker in The Music Man.

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There’s a lot going on these days, which is probably a huge understatement. At the same time, within the confines of each of our homes, there’s not much going on at all. I hope everyone is safe, healthy and watching a lot of movies. Thought I’d bring up a few things.

Apache Drums (1951) is coming to Blu-Ray from Sidonis out of France. This is very good news. It’s a terrific picture.

RIP, James Drury.

Over the last few weeks, I’ve been asked for quite a few movie recommendations, and it’s been a blast to suggest Westerns and crime/noir movies to my homebound friends. It makes me feel good to know that yet another person has come to appreciate Man In The Saddle (1951) or Armored Car Robbery (1950).

Saw Day Of Triumph (1954), a low-budget, heartfelt, but talky story of Christ. It had a great cast — Lee J. Cobb, James H. Griffith (as Judas!), Joanne Dru (as a lovely Mary Magdalene), Burt Mustin, Robert Cornthwaite, Barbara Billingsley, Mike “Touch” Connors and Ralph Moody. The minimal sets are pretty effective, but Burbank is a long way from the Holy Land, in about every possible way.

Completed the commentary for Kino Lorber’s When The Daltons Rode (1940) last week. Due to coronavirus closings and stuff, we recorded it at the engineer’s home. We had to take a break when a train came through town — the tracks run behind his house. Ironically, it was the train robbery sequence.

Hang in there, folks!

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A while back, I asked for Want Lists of the 50s Westerns still lost on the high-def trail. Here they are, presented in chronological order. The titles in bold are the ones that were brought up most frequently.

With the recent news about Fox/Disney’s lack of interest in their back catalogs appearing on shiny silver circles, getting this finished and posted seemed very timely. Many of these, mind you, haven’t even turned up on DVD yet.

The Virginian (1946)
Albuquerque (1948)
Coroner Creek (1948)
Whispering Smith (1948)
3 Godfathers (1949)
Colorado Territory (1949)

Hellfire (1949)
Streets Of Laredo (1949)
Ambush (1950)
Branded (1950)
Devil’s Doorway (1950)
The Nevadan (1950)
Saddle Tramp (1950)
Short Grass (1950)
Showdown (1950)

Trail Of Robin Hood (1950)
Across The Wide Missouri (1951)
Along The Great Divide (1951)
Apache Drums (1951)
Best Of The Badmen (1951)
The Great Missouri Raid (1951)
Inside Straight (1951)
Man In The Saddle (1951)
Red Mountain (1951)
The Redhead And The Cowboy (1951)
The Secret Of Convict Lake (1951)
The Texas Rangers (1951)
Westward The Women (1951)

Vengeance Valley (1951)
Warpath (1951)
The Big Sky (1952)
Bugles In The Afternoon (1952)

Hangman’s Knot (1952)
The Lawless Breed (1952)
The Lusty Men (1952)
The Naked Spur (1952)
Ride The Man Down (1952)
The Savage (1952)
The Story Of Will Rogers (1952)
Untamed Frontier (1952)
Ambush At Tomahawk Gap (1953)
Charge At Feather River (1953)
City Of Bad Men (1953)
Devil’s Canyon {1953)
Escape From Fort Bravo (1953)
The Great Sioux Uprising (1953)
Jack McCall, Desperado (1953)
Last Of The Comanches (1953)
The Last Posse (1953)
The Silver Whip (1953)
The Stranger Wore A Gun (1953)
Wings Of The Hawk (1953)

Tumbleweed (1953)
Apache (1954)
The Bounty Hunter (1954)
Cattle Queen Of Montana (1954)
The Command (1954)
Dawn At Socorro (1954)
The Law Vs. Billy The Kid (1954)
The Outcast (1954)
Ride Clear Of Diablo (1954)
Silver Lode (1954)
Wyoming Renegades (1954)
The Yellow Tomahawk (1954)
At Gunpoint (1955)
Chief Crazy Horse (1955)
The Last Frontier (1955)
The Man From Bitter Ridge (1955)
Shotgun (1955)
Smoke Signal (1955)
Tennessee’s Partner (1955)
The Violent Men (1955)
Wichita (1955)
Backlash (1956)

Dakota Incident (1956)
Fastest Gun Alive (1956)
Fury At Gunsight Pass (1956)
Great Day In The Morning (1956)
The Last Wagon (1956)
The Lone Ranger (1956)
The Maverick Queen (1956)
Reprisal! (1956)
Seven Men From Now (1956)
Stagecoach To Fury (1956)
Tribute To A Bad Man (1956)
Copper Sky (1957)
Domino Kid (1957)

Dragoon Wells Massacre (1957)
Hell Canyon Outlaws (1957)
From Hell To Texas (1958)
Frontier Gun (1958)
The Lone Ranger And The Lost City Of Gold (1958)
Face Of A Fugitive (1959)
Last Train From Gun Hill (1959)
No Name On The Bullet (1959)
Thunder In The Sun (1959)
Yellowstone Kelly (1959)
The Alamo (1960)
Hell Bent For Leather (1960)
Cheyenne Autumn (1964)
Firecreek (1968)
Pat Garrett & Billy The Kid (1973)

As this was being compiled, a few titles actually made their way to Blu-Ray, one of them being the exquisite new Wagon Master (1950) from Warner Archive.

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Day of the Outlaw 3S

Directed by Andre de Toth
Screenplay by Philip Yordan
Director Of Photography: Russell Harlan
Starring Robert Ryan, Burl Ives, Tina Louise, Alan Marshal, Nehemiah Persoff, David Nelson

1959 was a great year for 50s Westerns, taking the decade out on a really high note. And, for me, one of the cream of the year’s crop would have to be Andre de Toth’s Day Of The Outlaw. Kino Lorber has just announced a Blu-Ray release for August. Russell Harlan’s B&W cinematography should make this a must-have Blu-ray.

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George Randolph Scott
(January 23, 1898 – March 2, 1987)

Let’s mark Randolph Scott’s birthday with the original poster art for The Stranger Wore A Gun (1953). It’s by the painter and illustrator Gustav Rehberger. (Click on the image so you can see it larger. It’s really incredible. Columbia didn’t use it very well when it came to the actual posters.)

Of course, Randolph Scott rides tall around here. His run of Westerns in the 50s is maybe the strongest of the decade, from the six he did with Andre de Toth (which includes The Stranger Wore A Gun) to those written by Burt Kennedy and directed by Budd Boetticher. This would be a good night to watch one.

UPDATE: I’ve been in contact with Rehberger’s widow, Pamela Demme, over the course of all the research for my One-Eyed Jacks book. She commented to this post —

“Rehberger was a big Western fan.  When he arrived in this country at age 13, his cousin took him to see his first movie. It was a Western with a big fight scene. He said he was never the same after it. His most favorite movie was Shane. He saw it dozens of times.  We would run to see every Clint Eastwood movie.

His first full day in Chicago was the Fourth of July. Between seeing his first Western and the fireworks, the farm boy was in paradise!  He loved Westerns for another big reason…lots of horses. Which he loved from the age of three when he was given a rocking horse.  Every Fourth of July, he’d say this is the anniversary of my first day in America. ‘Coming to America was the best thing that could happen to me.’”

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George Randolph Scott 
(January 23, 1898 – March 2, 1987)

Let’s mark the birthday of my all-time favorite movie star, Randolph Scott — one of the key players in 50s Westerns. The still above is from The Bounty Hunter (1954), the last of six Westerns Scott made with director Andre de Toth.

The picture also stars my favorite actress, Marie Windsor — and that pairing makes this seem like a better movie that it really is. Despite its faults, I like it a little more every time I see it.

It’s a huge shame The Bounty Hunter is still missing on DVD and Blu-Ray, though there’s an OK-looking DVD out in Spain. Wish Warner Archive would move it to the top of their to-do list. Since it was shot in 3-D, but never released that way, it made sense a few years ago to consider a 3-D Blu-Ray. But it doesn’t seem like the world’s all that in love with 3-D television, and I wish they’d scrap those plans if they’re what’s holding it up.

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Directed by Andre de Toth
Starring Randolph Scott, Claire Trevor, Joan Weldon, George Macready, Alfonso Bedoya, Lee Marvin, Ernest Borgnine

The Stranger Wore A Gun (1953), one of six Randolph Scott pictures directed by Andre de Toth, had all sorts of interesting technical things going for it — which makes the announcement that Explosive Media is bringing it to Blu-Ray in Germany something worth celebrating.

Stranger Wore A Gun 3D poster

The one-sheet for The Stranger Wore A Gun bragged about it all: 3-Dimensions, wide screen and stereophonic sound.

Andre de Toth was chosen to test-drive and fine tune a number of Hollywood’s technical developments of the 50s. For instance, the second of the De Toth Scotts, Carson City (1952), was the first Warnercolor filmHouse Of Wax (1953), the first major-studio 3-D movie, was filmed in the Natural Vision 3-D format and Warnercolor, with the added bonus of stereophonic sound.

The Stranger Wore A Gun was the first film composed and shot to be projected at 1.85. This aspect ratio is still the standard, in use in theaters and on video today. This framing in, for me, the key benefit of this upcoming Blu-Ray, along with the high definition, of course. It will not be offered in 3-D, and sadly, the three-track stereo elements were lost years ago.

This is not the best of the de Toth Scott movies, but it’s got Lee Marvin, Ernest Borgnine and Claire Trevor. And George Macready is totally despicable as the bad guy. Scott is so cool in the movies from this period, no matter how strong the movie around him is.

Not sure what Explosive’s region policy is. I’m sure hoping The Stranger Wore A Gun is something we can all enjoy. Can’t wait.

Thanks, John, for the tip.

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Elsa Martinelli
(January 30, 1935 – July 8, 2017)

Elsa Martinelli was an Italian model and actress. She was “introduced” in The Indian Fighter (1955), which was produced by its star, Kirk Douglas, and directed by Andre de Toth.

In the Fifties and early Sixties, she split her movie career between European pictures and American stuff like Howard Hawks’ Hatari! and Orson Welles’ The Trial (both 1962).

She passed away in Rome today at 82.

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With The Indian Fighter (1955) making its way to Blu-Ray from Kino Lorber, this seemed like a good time to share some more of the photos my wife’s finding as she helps with the research for my commentary. (Photos don’t do too well in an audio commentary.) I’ve been really wallowing in this movie the last couple weeks.

Here, they’re shooting a scene with Hank Worden and Walter Matthau.

Elisha Cook rests between takes in Bend, Oregon, as Ira Eagleman (whose parents were working as extras) looks on. Cook, Worden, Matthau — what a cast!

A prop man fires flaming arrows at the fort.

Elsa Martinelli, an Italian fashion model, made her screen debut in The Indian Fighter. Douglas’ wife Anne saw her in Vogue and recommended her for the part.

Here, they’re shooting inside the stockade. I can’t find director Andre de Toth in this photo, but this seems to be a scene with Douglas and Walter Abel. The Indian Fighter was the first picture from Douglas’ Bryna Productions. It was also de Toth’s first time chance to work with CinemaScope. He does a couple of really cool 360-degree pans that really use the Scope frame (and show off the distortion in those early Scope lenses).

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