Posted in 1954, Ben Cooper, Royal Dano, Scott Brady on February 26, 2020| 15 Comments »
Ben Cooper
(September 30, 1933 – February 24, 2020)
Got word this morning that Ben Cooper has passed away at 86.
He did a lot of pictures for Republic, from Woman They Almost Lynched (1953) to Johnny Guitar (1954, above, on the right) to A Strange Adventure (1956) — and he kept at it in movies and TV (mostly Westerns) into the 1990s.
Posted in 1952, Allan Dwan, Andy Devine, Forrest Tucker, Iron Eyes Cody, Jack Marta, Jane Russell, Lydecker Brothers, Ray Teal, Republic Pictures, RKO, Roy Barcroft, Scott Brady on October 31, 2019| 4 Comments »
Directed by Allan Dawn
Produced by Howard Welsch
Screen Play by Horace McCoy & Norman S. Hall
Story by M. Coates Webster & Howard Welsch
Director Of Photography: Jack Marta
Film Editor: Arthur Roberts
Special Effects: Howard & Theodore Lydecker
Music by Nathan Scott
Cast: Jane Russell (Belle Starr), George Brent (Tom Bradfield), Scott Brady (Bob Dalton), Forrest Tucker (Mac), Andy Devine (Pete Bivins), Jack Lambert (Ringo), John Litel (Matt Towner), Ray Teal (Emmett Dalton), Rory Mallinson (Grat Dalton), Mike Ragan (Ben Dalton), Roy Barcroft (Jim Clark), Glenn Strange, George Chesebro, Iron Eyes Cody
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That photo of Jane Russell’s gorgeous Mercedes prompted me to revisit Allan Dwan’s Montana Belle (1952), which I’ve been meaning to do for quite a while.
I really like Jane Russell. She made some really cool movies, including Son Of Paleface (1952), one of my all-time favorites. She didn’t take herself too seriously, didn’t take any crap from Howard Hughes (or anybody else, it seems) and wasn’t afraid to be who she was. Plus, she drove that car!
In late October and November, 1948 — the same year she appeared in The Paleface, Russell made Montana Belle. It was produced by Howard Welsch for his Fidelity Pictures. Welsch had an arrangement with Republic to use their facilities, standard crew (such as DP Jack Marta) and Trucolor. Allan Dwan, who was directed pictures for Republic at the time, signed on. Republic would handle distribution.
Detail from a Serbin Golfer ad, promoting Montana Belle as a Republic picture.
In April of ’49, Welsch sold the completed Montana Belle to RKO for $875,000 — he and Republic split about $225,000 in profits. Then, the picture fell victim to the typical RKO/Howard Hughes weirdness. It was released by RKO in November of 1952, a full four years after Dwan shot it.
The story has Belle Starr (Russell) involved with the Dalton gang, then forming her own outlaw band, and finally giving it all up for the love of a saloon owner (George Brent). Along the way, Jane impersonates a fella and dons a blonde wig to pass as a saloon singer and gambler.
Montana Belle is at its best when all the riding, robbing and shooting’s going on — well directed by Dwan and captured in Trucolor by Jack Marta (would love to see this get the restoration other Trucolor pictures have received lately).
Jane Russell isn’t as comfortable in front of the camera as she’d later become, with pictures like Macao and Son Of Paleface (both 1952), but she handles herself pretty well here. George Brent has an interesting part, or maybe he makes the part interesting. And the rest of the cast is made up of real veterans at this kind of stuff: Scott Brady, Forrest Tucker, Andy Devine, Jack Lambert, Ray Teal, Roy Barcroft and Iron Eyes Cody. Dwan and Brady would later do another overlooked little 50s Western, The Restless Breed (1957).
Montana Belle is available overseas in a PAL DVD that I’ll bet looks pretty crummy. Since it’s officially an RKO picture, it’s not part of the Republic stash over at Paramount. With Allan Dwan getting a much-deserved mini-reappraisal in recent years, it’d sure be great to see this one get a decent DVD, or better yet Blu-Ray, release. It’s no classic, but it’s easy to recommend it anyway.
Posted in 1953, 1954, 1955, 3-D, Burt Kennedy, Columbia, DVD/Blu-Ray News, George Montgomery, James H. Griffith, Lex Barker, Nancy Gates, Sam Katzman, Scott Brady, William Castle on March 2, 2018| 104 Comments »
I had to make sure this wasn’t April Fool’s Day — because a set of eight Westerns directed by William Castle (all but one produced by Sam Katzman!) sounds too good to be true. But here it is, coming from our friends at Mill Creek Entertainment.
Klondike Kate (1943)
Starring Ann Savage, Tom Neal and Glenda Farrell
One of Castle’s first directing credits — it came out a year before the first of The Whistler series.
Conquest Of Cochise (1953)
Starring John Hodiak, Robert Stack, Joy Page
Stack and Page had already appeared together in Budd Boetticher’s Bullfighter And The Lady (1951). Hodiak makes a good Cochise.
Masterson Of Kansas (1954)
Starring George Montgomery, Nancy Gates, James Griffith
James Grifftih’s performance as Doc Holliday really elevates this one.
Jesse James Vs. The Daltons (1954)
Starring Barbara Lawrence, James Griffith, William Phipps
This one was originally in 3-D and Technicolor. As you’d imagine, Castle throws everything he can think of at the camera.
Battle Of Rogue River (1954)
Starring George Montgomery, Richard Denning, Martha Hyer
Katzman cast “all six winners of the National Indian Beauty Contest” in this picture. I wouldn’t be surprised if this contest didn’t exist before Katzman and Castle came along.
The Gun That Won The West (1955)
Starring Dennis Morgan, Paula Raymond, Richard Denning
This tale of the US Cavalry taking on Chief Red Cloud makes good use of stock footage from Buffalo Bill (1944).
Duel On The Mississippi (1955)
Starring Lex Parker, Patricia Medina, Warren Stevens, John Dehner
Not really a Western, but it’s got a solid Western cast doing the Louisiana river pirate thing.
Uranium Boom (1956)
Starring Dennis Morgan, Patricia Medina, William Talman
A modern-day Western with Dennis Morgan and William Talman fighting over their uranium mine — and the lovely Patricia Medina.
Can’t tell you how excited I am about this set. Castle’s one of my favorite filmmakers, and I’ve got a real soft spot for these Castle-Katzman movies. Highly, highly recommended.
Posted in 1950, 1952, 1954, 20th Century-Fox, Barton MacLane, Ben Johnson, Beverly Garland, Budd Boetticher, Burt Kennedy, Claud Akins, Criterion, DVD/Blu-Ray News, Edwin L. Marin, Elisha Cook, Jr., Ernest Borgnine, Frank Ferguson, Fritz Lang, Gregory Peck, Hank Worden, Harry Morgan, Jesse Hibbs, Joel McCrea, John Ford, John Ireland, John Wayne, Katy Jurado, Kino Lorber, Monogram/Allied Artists, Nancy Gates, Nicholas Ray, Olive Films, Paul Fix, Post-1959, Pre-1950, Randolph Scott, Republic Pictures, Richard Widmark, RKO, Scott Brady, Sterling Hayden, Thomas Carr, Universal (-International), Warner Archive, Wayne Morris, William Wellman, Zane Grey on January 27, 2017| 15 Comments »
Back in 2014, gathering everybody’s favorite DVD and Blu-Ray picks for the year turned out to be a lot of fun. It’s since become an annual thing.
Thanks to everybody who sent in their picks for 2016. This was a great year for 50s Westerns on DVD and Blu-Ray (and 2017 is shaping up to be just as good, or maybe better). Here’s the Top 10, according to your votes.
10. Desperado (1954, Warner Archive, DVD)
It was a tie between this Wayne Morris picture and his earlier Desert Pursuit (1952). They’re both solid, offbeat little Westerns — and it’s real treat to have them available in such stellar condition.
9. Yellow Sky (1948, Kino Lorber, Blu-Ray)
Thanks to William Wellman, we didn’t have to wait till the 50s for Hollywood to start making 50s Westerns. The town of Yellow Sky is populated by only an old prospector and his daughter — until some slimy outlaws come riding up.
8. Western Union (1941, Kino Lorber, Blu-Ray)
Randolph Scott in Fritz Lang’s second Technicolor movie. There’s so much cool stuff in this movie, and it looks wonderful.
7. Black Horse Canyon (1954, Universal Vault, DVD)
For years, Joel McCrea’s Universal Westerns were missing on DVD. It’s great to have them so easy to track down. This is a good one.
6. Comanche Station (1960, Explosive Media, Blu-Ray)
The last of the Scott-Boetticher Westerns turns out to be the first to make its way to Blu-Ray, and as I see it, the others can’t get here soon enough. This thing’s incredible.
5. She Wore A Yellow Ribbon (1948, Warner Archive, Blu-Ray)
John Ford’s She Wore A Yellow Ribbon (1948, above) is one of the most beautiful color movies ever shot. The proof is pressed oh-so-magnificently into this Blu-Ray. It also features one of John Wayne’s finest performances.
4. Roughshod (1949, Warner Archive, DVD)
This gets my vote as the best of the “noir Westerns.” I was real happy to see the response this picture got. It’s a shame it’s not better known.
3. Cariboo Trail (1950, Kino Lorber, DVD/Blu-Ray)
The transfer here is a minor miracle, demonstrating how good CineColor can look. They wisely didn’t go overboard with the cleanup, so it still retains its true film look. And, of course, this is a solid picture from Edwin Marin and Randolph Scott.
2. Johnny Guitar (1954, Olive Films Signature Edition, DVD/Blu-Ray)
Olive’s new Signature edition is a marked improvement over their old release, which was terrific. The restored 1.66 framing makes a big difference, and the supplemental stuff is excellent.
1. One-Eyed Jacks (1961, Criterion Collection, DVD/Blu-Ray)
Opinions of Marlon Brando’s Western are all over the place, so I was really surprised to see it land in the top spot. However, judging it simply in terms of its superb presentation, I don’t see how anything could beat it. It’s stunning, a big fat reward to all of us who’ve suffered through those awful tapes and discs over the years. I’m proud and honored to have been involved with Criterion’s work here. (Note: Having worked on the One-Eyed Jacks extras, I did not feel comfortable taking part in the vote this time around.)
In closing, the discs on this list highlight the impact the video presentation can have on our appreciation of these old movies. Many of these have been available, in some form, for years. One more thing: your reasons for not buying a Blu-Ray player are rapidly running out.
Posted in 1954, Denver Pyle, Ernest Borgnine, Frank Ferguson, Nicholas Ray, Olive Films, Paul Fix, Republic Pictures, Scott Brady, Sterling Hayden, Ward Bond on December 5, 2016| 3 Comments »
Directed by Nicholas Ray
Produced by Herbert J. Yates
Screenplay by Philip Yordan
Cinematography: Harry Stradling, Sr.
Film Editor: Richard L. Van Enger
Original Music by Victor Young and Peggy Lee
Cast: Joan Crawford (Vienna), Sterling Hayden (Johnny Guitar), Mercedes McCambridge (Emma Small), Scott Brady (Dancin’ Kid), Ward Bond (John McIvers), Ben Cooper (Turkey Ralston), Ernest Borgnine (Bart Lonergan), John Carradine (Old Tom), Royal Dano (Corey), Paul Fix (Eddie)
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Johnny Guitar (1954) has always been one of my favorite 50s Westerns.
Now, I could go on and on about how it’s a Feminist Western, a Psychological Western, an Existential Western, an HUAC allegory and lots of other things — or maybe it’s none of those. Depends on how you look at it.
I could rattle off a list of prominent filmmakers who’ve cited it as an influence or a favorite. I could cover its incredible cast, surely one of the best assembled for a 50s Western (and that’s saying something), or Victor Young’s terrific score — even that great instrumental version of the title song by The Spotnicks.
I could even mention that at one point, there was talk of Jack Webb turning it into a TV series. Maybe it’s best to not get me started on Johnny Guitar at all.
But that’s not what this is about, not today anyway. It turns out Johnny Guitar is also one of the finest Blu-Rays I’ve ever seen.
Of course, Olive Films brought it out a few years ago, and it was marvelous. Some of us griped about it not reflecting Nick Ray’s original 1.66 cropping (I’m among the guilty), but the overall quality more than made up for it.
Well, Olive’s new Signature edition, it leaves the old release in the red, Sedona dust. This is a case where what a movie looks like on video can have a substantial impact on your appreciation of it. I saw details I’d never seen, and the restored 1.66 framing revealed little hints of Ray’s eye for color and composition (and his overall genius) that have escaped me for decades. In short, it made this great movie seem even greater.
The extras — Martin Scorsese intro, commentary, documentaries, trailer, etc. — are outstanding, covering everything from the film and its many interpretations to Nicholas Ray to Republic pictures. Still haven’t made my way through them all. This is a movie that deserves, and stands up to, all the analysis that’s heaped on it, and this package does it justice.
I’m not here to tell you how to spend your money. So I’ll just say that if I won the lottery, I’d buy a few cases of these and send you all one. And if you hadn’t made the switch to Blu-Ray, well, I’d have to help you out with that, too. This one gets my highest recommendation.
Posted in 1950, 1952, 1959, Audie Murphy, Burt Kennedy, Post-1959, R.G. Springsteen, Ray Enright, Scott Brady, Universal (-International) on October 4, 2016| 35 Comments »
Madman Entertainment out of Australia has announced a terrific DVD set of seven Audie Murphy pictures that cover his time at Universal, from his first film for the studio, The Kid From Texas (1950), to the last, Gunpoint (1966).
The Madman website lists the aspect ratio as 4:3, which is fine for the 1950 titles. Let’s hope the later stuff turns out to be anamorphic.
Sierra (1950)
Directed by R.G. Springsteen
Starring Wanda Hendrix, Audie Murphy, Burl Ives
The Kid From Texas (1950)
Directed by Kurt Neumann
Starring Audie Murphy, Gale Storm, Albert Dekker
Kansas Raiders (1950)
Directed by Ray Enright
Starring Audie Murphy, Brian Donlevy, Marguerite Chapman, Scott Brady
The Wild And The Innocent (1959)
Directed by Jack Sher
Starring Audie Murphy, Joanne Dru, Gilbert Roland, Jim Backus
Audie Murphy, Dan Duryea and Joan O’Brien on the Six Black Horses set.
Six Black Horses (1962)
Directed by Harry Keller
Written by Burt Kennedy
Starring Audie Murphy, Dan Duryea, Joan O’Brien
Showdown (1963)
Directed by R.G. Springsteen
Starring Audie Murphy, Kathless Crowley, Charles Drake, Harold J. Stone, Skip Homeier
Gunpoint (1966)
Directed by Earl Bellamy
Starring Audie Murphy, Joan Staley, Warren Stevens
Posted in 1954, Denver Pyle, DVD reviews, releases, TV, etc., Ernest Borgnine, Frank Ferguson, Lydecker Brothers, Nicholas Ray, Olive Films, Paul Fix, Republic Pictures, Scott Brady, Sterling Hayden, Ward Bond on September 19, 2016| 33 Comments »
I’m gonna make this quick because time’s running out. Olive Films’ Signature Edition of Nicholas Ray’s Johnny Guitar (1954) comes our tomorrow. Today, the pre-order price at Amazon is only $16.99 (the list price is $39.95).
Get the new Blu-Ray of Johnny Guitar, or Frank’ll let you have it.
Watched it over the weekend, and I really urge you to get it (a real review will be coming soon). Don’t have a Blu-ray player? Well, now’s the time. This thing’s incredible. As much as I love this movie, seeing it in hi-def and its proper 1.66 framing, I love it even more. Essential.
