Gallery: Making Son Of Paleface (1952).

Took a stroll through my image folder on Son Of Paleface (1952), and a gallery seemed like a good idea. Here’s an incredible signed still.

I’ve amassed so many images over the last few years, it seems like a real shame not to post them, especially the behind-the-scenes shots. Watch for more from other films.

Here, Cecil B. DeMille (waiting to shoot his cameo), Frank Tashlin and Bob Hope (obscured) look on as Jane Russell’s bubbles are strategically arranged.

Jane Russell: “I even took a bath in the same tub Paulette Goddard had once used.” The tub was a leftover from DeMille’s Unconquered (1947).

In a goofy promo shot, Jane and Bob help Roy feed Trigger.

Here’s makeup artist Charlie Gemora with doubles for Jane and Bob. Note Junior’s car in the background (complete with wagon wheels). Photo courtesy charliegemora.com.

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“Here’s mud in my throat.”

In Son Of Paleface (1952), Junior Potter (Bob Hope) downs a fiendish concoction called a Horse’s Neck at the Dirty Shame Saloon — as Jane Russell and Roy Rogers look on.

Not sure what Roy had. Maybe it was the mocktail named in his honor.

Roy Rogers

Ingredients: Ice, 8 ounces cola, 1/2 ounce grenadine, 2 maraschino cherries

Instructions: Fill a 12-ounce highball glass with ice and add the cola and grenadine. Stir gently with a cocktail spoon or straw to combine. Garnish with the maraschino cherries and serve.

It’s not much more than a fancy cherry Coke. But it sure is good.

While we’re on the subject of Son Of Paleface, here’s another photo. And as Ivan over at Thrilling Days Of Yesteryear knows, that H don’t stand for Harvard.

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Coming: The Nicholas Ray Archives And Blogathon.

A few announcements from the Nick Ray front.

The Harry Ransom Center at the University of Texas at Austin has announced that it will be the home of Nicholas Ray’s archives. You can read about it here. Be sure to look at the photos (including this one of Nick and Jane Russell). And be sure to check out Ray’s address book.

Next, Cinema Viewfinder is organizing a Nicholas Ray blogathon in September. I’m using this event as a reason to get my notes together on The True Story Of Jesse James (1957). Ray split for Europe (where he’d make Bitter Victory) before Jesse‘s editing was completed, leaving 20th Century Fox to mangle the picture’s complex flashback structure. Ray claimed he never saw the picture as it was released.

The True Story Of Jesse James is often dismissed, but there’s something about it that I find absolutely fascinating. Maybe it’s the incredible use of CinemaScope. Maybe it’s how good Jeffrey Hunter is in it. Or maybe I like it so much simply because everyone else doesn’t.

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Jane Russell, 1921-2011

I really hate posting this. Jane Russell — Howard Hughes discovery, controversial bombshell and just all-around cool lady — has passed away at 89. Her obituary can be seen here.

The photo is from one of my Top Five favorite films of all time, and one of the funniest things you’ll ever see, Son Of Paleface (1952).

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Q: When is a 50s Western not a 50s Western?

A: When Howard Hughes is involved.

Montana Belle was a Republic Western starring Jane Russell as the title outlaw-ess. It was directed by Allan Dwan and shot in late 1948 (in Trucolor, which was owned by Republic’s Herbert J. Yates).

Jane Russell was under contract to Howard Hughes, who loaned her out to Republic. Once he saw Montana Belle, he bought the negative and shelved it till 1952, by which time things like The Paleface (1948) and His Kind Of Woman (1951) had made Russell a star — and Hughes figured a cheap little Western couldn’t damage her career too much.

Of course, by 1952 Hughes was the proud (though unfortunate) owner of RKO. So, Montana Belle became an RKO release — and Republic made a tidy profit on it without ever putting it in theaters.

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