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Archive for the ‘1955’ Category

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Turner Classic Movies’ Summer Under The Stars heads West with Randolph Scott. Of the 15 movies scheduled, 12 are Westerns.

The pick of the litter might be Shoot-Out At Medicine Bend (1957), which isn’t the best film on hand, but is very hard to track down these days.

Thanks to Blake Lucas for the tip.

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Ambush at CP still cropped

When the Charles Bronson Regalscope Western Showdown At Boot Hill (1958) showed up on Blu-ray, it seemed too good to be true. For decades, it’s been impossible to see these things in their proper black-and-white ‘Scope glory — unless you came across a 16mm print or a bootleg tape made from one. (An adapted ‘Scope print of Escape From Red Rock sits nearby.) Designed to show off their 2.35 format, the Regalscopes are absolutely unwatchable when they’re pan-and-scan.

Now we can thank Olive Films for Clint Eastwood in Ambush At Cimarron Pass (1958), set for a September 24 release. Clint has called it the worst Western ever made, though I certainly wouldn’t go that far. Scott Brady is the star, along with Margia Dean and Eastwood as a young hothead. All the Regalscope pictures are cheap — this one isn’t able to rise above its budget in the way Stagecoach To Fury (1956) and The Quiet Gun (1957) do. Of course, an early Eastwood role will be the appeal for most folks.

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Also on the way is The Americano (1955), with Glenn Ford, Frank Lovejoy, Cesar Romero and Ursula Thiess. This troubled production was begun by Budd Boetticher in Brazil and finished some time later by William Castle (seen below with executive producer Sam Wiesenthal and Ursula Thiess).

Also on the way is John Wayne, Marie Windsor and Oliver Hardy in Republic’s The Fighting Kentuckian (1949) and Joseph H. Lewis’ The Big Combo (1955, not a Western, but terrific).

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Sony Movie Channel is focusing on Westerns next month, with a terrific all-day marathon scheduled for Sunday, July 28 that should keep readers of this blog firmly planted on their sofas — or scrambling to make room on their DVRs.

The directors represented here — Boetticher, Sherman, Daves, Karlson, Castle, Witney — make up a virtual Who’s Who of 50s Westerns directors. The times listed are Eastern. Put the coffee on, it’s gonna be a long day!

4:40 AM Face Of A Fugitive (1959, above) One of those really cool, tough Westerns Fred MacMurray made in the late 50s. James Coburn has an early role, and Jerry Goldsmith contributed one of his first scores. It’s not out on DVD in the States, and the Spanish one doesn’t look so hot, so don’t miss it here.

6:05 AM Relentless (1948) George Sherman directs Robert Young, Marguerite Chapman, Willard Parker, Akim Tamiroff, Barton MacLane and Mike Mazurki. Shot around Tucson (and the Corrigan Ranch) in Technicolor. I may be in the minority, but I like Robert Young in Westerns.

7:40 AM A Lawless Street (1955) Joseph H. Lewis knocks another one out of the park, directing Randolph Scott and Angela Lansbury. This film doesn’t get the credit it deserves.

9:05 AM Decision At Sundown (1957) Part of Budd Boetticher and Randolph Scott’s Ranown cycle, this one tends to divide fans. I think it’s terrific. It’s certainly more downbeat than the others (Burt Kennedy didn’t write it), with Scott’s character almost deranged vs. the usual obsessed.

10:25 AM The Pathfinder (1952) Sidney Salkow directs George Montgomery in a low-budget adaptation of James Fenimore Cooper, produced by Sam Katzman. Helena Carter and Jay Silverheels round out the cast.

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11:45 AM Battle Of Rogue River (1954) William Castle directs George Montgomery (seen above with Martha Hyer) the same year they did Masterson Of Kansas. I’m a real sucker for Castle’s Westerns, so it’s hard to be objective here.

1:05 PM Gunman’s Walk (1958) Phil Karlson’s masterpiece? A great film, with a typically incredible performance from Van Heflin, that really needs to be rediscovered. Not available on DVD in the U.S. Don’t miss it.

2:45 PM They Came To Cordura (1959) Robert Rossen directs a terrific cast — Gary Cooper, Rita Hayworth, Van Heflin, Tab Hunter and Dick York. Set in 1916 Mexico, it has a look somewhat similar to The Wild Bunch (1969). Looks good in CinemaScope.

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4:55 PM Jubal (1956, above) Delmer Daves puts Othello on horseback. Glenn Ford, Ernest Borgnine, Rod Steiger, Valerie French, Charles Bronson, Jack Elam, Felicia Farr, Harry Carey, Jr. and John Dierkes make up the great cast. Charles Lawton, Jr. shot it in Technicolor and CinemaScope.

6:40 PM Arizona Raiders (1965) Wiliam Witney directs Audie Murphy in a picture that plays like a cross between a 50s Western and a spaghetti one. Murphy got better as he went along, and his performance here is quite good.

8:20 PM 40 Guns To Apache Pass (1966) Witney and Murphy again. This time around, Murphy is after a missing shipment of guns.

If all that’s not enough, there’s the Back In The Saddle sweepstakes, a chance to win a three-day dude ranch getaway. Check SonyMovieChannel.com to find out more.

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Director Allan Dwan’s career was as old as the Movies themselves, and many of the early technical developments were his doing. Going into the mid-50s, he was still making innovative, unique, personal films — usually for smaller studios that would leave him alone and let him do what he did best.

I went Wig City over Allan Dwan’s films of 50s, thanks to DVDs of his work from VCI, and that helped spawn this blog. So I was really stoked to hear about The Museum of Modern Art’s Dwan series — which will include several of those Westerns.

From the MoMA web site: The Museum of Modern Art presented a major retrospective of Dwan’s films in 1971, with Dwan in attendance, and while another exhibition was certainly due after 42 years, this series was prompted by the publication of Frederic Lombardi’s definitive study of Dwan’s work, Allan Dwan and the Rise and Decline of the of the Hollywood Studios (McFarland, 2013).

If you can make it to any of these, by all means do so. The Westerns are:

June 14-15, 18
Frontier Marshal (1939)
With Randolph Scott, Nancy Kelly, Cesar Romero, John Carradine, Ward Bond.
This was once almost impossible to see (the bootleg tape I had of it was impossible to see). Another take on the O.K. Corral story. I prefer Randolph Scott with more age on him, but this is a really cool film.

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June 24-25
Woman They Almost Lynched (1953)
With Audrey Totter, Joan Leslie, John Lund, Brian Donlevy, Ben Cooper.
Dwan made a string of films for Republic that are worth seeking out (Olive Films, you reading this?), with Sands Of Iwo Jima (1949) being the best known. Dwan approaches this as a spoof — evidently, he didn’t see any other way — and the results are terrific.

June 29-30
The Restless Breed (1957)
With Scott Brady, Anne Bancroft, Jim Davis, Scott Marlowe, Evelyn Rudie.
Dwan’s last Western. A revenge tale gets a light comic touch.

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July 3,5
Tennessee’s Partner (1955)
With John Payne, Rhonda Fleming, Ronald Reagan, Coleen Gray.
John Alton’s Superscope cinematography almost steals the show, making the Iverson Ranch look like the most beautiful place on earth.

July 3, 6
Silver Lode (1954)
With John Payne, Dan Duryea, Lizabeth Scott, Harry Carey, Jr.
A key 5os Western, and the damnedest McCarthy comment you’ve ever seen. Again, Alton and his cameras roam the ranches of Hollywood to amazing results.

Be sure to look at the complete listing. I highly recommend Slightly Scarlet (1956), an incredible Technicolor, Superscope film noir shot by John Alton.

Thanks to Stephen Bowie.

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Stewart Laramie

James Maitland Stewart
(May 20, 1908 – July 2, 1997)

Happy birthday to one of the greatest actors Hollywood ever came up with. Here his is in a publicity photo from one of his best roles, and one of the 50s finest Westerns, Anthony Mann’s The Man From Laramie (1955).

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iipsrvDid your aunt Suzy put a twenty in your Christmas card? Well, here’s a good place to use it.

Warner Archive is having a Thank You sale through the 14th, with more than 1,000 titles at five DVD-Rs for just $45. And free shipping. The link is here.

There are some really fine films in the Warner Archive Collection, including some terrific 50s Westerns like Westward The Women (1951), Carson City (1952), The Command (1954), Wichita (1955), The Fastest Gun Alive (1956) and The Hanging Tree (1959). Columbia’s Choice Collection and sets like the Tim Holt RKOs are not part of this promotion.

So have at it. And remember, it’s only good through the 14th!

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I’ve always felt that Fred F. Sears’ work was sadly overlooked. So what do I do when Apache Ambush (1955) is announced for DVD release? I overlooked it.

Coming out the same day (February 5) as Sears’ Ambush At Tomahawk Gap (1952), which is very good, Apache Ambush stars Bill Williams, along with Richard Jaeckel, Ray Teal, Ray “Crash” Corrigan and Tex Ritter. Its big appeal for me is James Griffith as Abe Lincoln. Can’t wait.

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Maybe you missed an Allan Dwan picture last week. Or you just realized you’ve gone all these years without a copy of Stranger On Horseback (1955). Well, now’s the time to right these, and other, wrongs — the fine folks at VCI Entertainment have extended their Annual Holiday Sale. Here’s how they tell it —

Due to the high volume of traffic on our website, we are extending our Annual Holiday Sale through December 5th at 11:59 pm (CST). All DVDs and Blu-rays are 50% off our suggested retail price! Visit www.vcientertainment.com and enter coupon code CYBEREXT on the “Checkout” page to receive your discount. If you have any problems placing your order, please call 800-331-4077 during regular business hours (M-F 8:30 am – 5:30 pm CST) and we will honor the coupon over the phone.

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On this date in 1866, the Reno brothers gang robbed the Ohio and Mississippi Railway. This was the first train robbery. The contents of the safe were insured by the Adams Express Company, who hired the Pinkerton Detective Agency to track down the robbers. Life for the Reno boys would never be the same.

The photo is from Rage At Dawn (1955). Randolph Scott is a detective hired by the railroad to track down the Reno brothers (Forrest Tucker, J. Carrol Naish, Myron Healey and Denver Pyle). It’s a solid mid-50s Randolph Scott picture, which means it’s plenty good indeed.

Thanks to Shay for bringing this to my attention.

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These beautiful Hopalong Cassidy cap pistols (the subject line is what the original box called them) were manufactured by the All Metal Products Co. from Wyandotte, Michigan in 1955. By then, of course, Hoppy was out of theaters (the last of the features was released in 1948) and well-established on TV.

Today, it’s hard to believe kids used to go to the movies wearing these things.

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